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Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.
Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.
The election came at a time of public debate about Britain's role in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha Empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the MuslimNawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
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Error creating thumbnail: File missing The Kingdom of Mysore was a geopolitical realm in southern India founded in around 1399 in the vicinity of the modern-day city of Mysuru and prevailed until 1950. The territorial boundaries and the form of government transmuted substantially throughout the kingdom's lifetime. While originally a feudal vassal under the Vijayanagara Empire, it became a princely state in British Raj from 1799 to 1947, marked in-between by major political changes.
The kingdom, which was founded and ruled for the most part by the Wadiyars, initially served as a feudal vassal under the Vijayanagara Empire. With the gradual decline of the Empire, the 16th-century Timmaraja Wodeyar II declared independence from it. The 17th century saw a steady expansion of its territory and, during the rules of Narasaraja Wodeyar I and Devaraja Wodeyar II, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu, becoming a formidable power in the Deccan. (Full article...)
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The Indian roller(Coracias benghalensis), is a member of the roller family of birds. They are found widely across tropical Asia stretching from Iraq eastward across the Indian subcontinent to Indochina and are best known for the aerobatic displays of the male during the breeding season. They are very commonly seen perched along roadside trees and wires and are commonly seen in open grassland and scrub forest habitats. It is not migratory, but undertakes some seasonal movements. It was the state bird of Hyderabad State. (Full article...)
Dravid scored his first Test century in January 1997 against South Africa. In a man-of-the-match performance, he made 148 runs spanning nine hours and took India to their only draw of the series. He made centuries in both innings of a match when he scored 190 and 103 not out in the final Test of the 1998–99 series against New Zealand. He repeated the feat in March 2005 when he scored 110 and 135 against Pakistan in another man-of-the-match performance, leading India to victory in the second of the three-match series. Scoring 180 in a fifth-wicket partnership of 376 with VVS Laxman, in the Second Test of the Border-Gavaskar Trophy in 2001, Dravid helped lead India to victory by 171 runs despite being asked to follow-on by the Australians. His partnership with Laxman was the third-highest for the fifth wicket in Test cricket history. Dravid's highest Test score of 270, achieved in April 2004 in Rawalpindi, helped India to an innings victory against Pakistan. The performance was the fourth-highest score by an Indian batsman in Test cricket. He scored centuries against all Test playing nations and was the first cricketer to score centuries in all 10 Test playing nations. (Full article...)
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The Chameli Devi Jain Award for Outstanding Woman Mediaperson is an Indian journalism award named after Chameli Devi Jain, an Indian independence activist who became the first Jain woman to go to prison during India's independence struggle. The award was instituted in 1980 by The Media Foundation and is given to women in the field of journalism. According to Business Standard, the award is "perhaps India's longest running media award for women".
The Media Foundation was founded in 1979 by B. G. Verghese, Lakshmi Chand Jain, Prabhash Joshi, Ajit Bhattacharjea and N. S. Jagannathan. The award was instituted in 1980 by Verghese and the family of Chameli Devi. The criteria for selection include social concern, dedication, courage and compassion in the individual's work. Journalists in print, digital and broadcast are eligible including photographers, cartoonists and newspaper designers; the entries are judged by an independent jury. Preference is given to rural or small-town journalists and journalists in regional Indian languages. (Full article...)
For playing the daughter of a mute and deaf couple in Sanjay Leela Bhansali's Khamoshi: The Musical (1996), Koirala garnered a second consecutive Filmfare Critics Award for Best Actress. She followed this with leading roles in Agni Sakshi (1996) and Gupt: The Hidden Truth (1997), which were among the highest-grossing Indian films of their respective years. She played a terrorist opposite Shah Rukh Khan in Dil Se.. (1998), the first Indian film to reach the top ten in the United Kingdom box office. However, Koirala's roles in films which performed poorly at the box office, such as Dil Ke Jharokhe Mein (1997), and Achanak (1998), led to a decline in her film career. She made her television debut in 2000 as the co-host of the game show Sawaal Dus Crore Ka with Anupam Kher. The show's poor ratings led to both Kher and Koirala being fired. For her role as a gangster's girlfriend in Ram Gopal Varma's 2002 crime drama Company, she received her third Filmfare Critics Award for Best Actress. Koirala also appeared in the controversial film Ek Chhotisi Love Story in which she played a woman secretly spied upon by a teenage voyeur. The following year, her portrayal of Bengali writer Sushmita Banerjee in the drama Escape from Taliban garnered her the Bengal Film Journalists' Association Award for Best Actress (Hindi). (Full article...)
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Error creating thumbnail: File missing The United Nations Educational, Scientific and Cultural Organization (UNESCO) designates World Heritage Sites of outstanding universal value to cultural or natural heritage which have been nominated by countries which are signatories to the UNESCO World Heritage Convention, established in 1972. Cultural heritage consists of monuments (such as architectural works, monumental sculptures, or inscriptions), groups of buildings, and sites (including archaeological sites). Natural features (consisting of physical and biological formations), geological and physiographical formations (including habitats of threatened species of animals and plants), and natural sites which are important from the point of view of science, conservation or natural beauty, are defined as natural heritage. India accepted the convention on 14 November 1977, making its sites eligible for inclusion on the list.
There are 44 World Heritage Sites in India. Out of these, 36 are cultural, seven are natural, and one, Khangchendzonga National Park, is of mixed type, listed for both cultural and natural properties. India has the sixth-most sites worldwide. The first sites to be listed were the Ajanta Caves, Ellora Caves, Agra Fort, and Taj Mahal, all of which were inscribed in the 1983 session of the World Heritage Committee. The most recent site listed is the Maratha Military Landscapes of India, in 2025. At different times, two sites were listed as endangered: the Manas Wildlife Sanctuary was listed between 1992 and 2011 due to poaching and the activities of Bodo militias, and the monuments at Hampi were listed between 1999 and 2006 due to risks from increased traffic and new constructions in surroundings. One site is transnational: The Architectural Work of Le Corbusier is shared with six other countries. In addition, India has 70 sites on its tentative list. (Full article...)
Madras is a 2014 Indian Tamil-language drama film written and directed by Pa. Ranjith. It was produced by K. E. Gnanavel Raja under his production company, Studio Green. The film features Karthi and Catherine Tresa in the lead roles, with Kalaiyarasan, Riythvika and Rama playing supporting roles. The film's story revolves around Kaali (Karthi), an impulsive and short-tempered IT professional who lives in the Vyasarpadi area of Chennai. His friend Anbu (Kalaiyarasan) is killed in the midst of a feud between two factions of a political party over a building wall at one of the housing board apartments in the area. When Kaali hears of this, he decides to avenge Anbu's death. The soundtrack and score were composed by Santhosh Narayanan while the cinematography and editing were handled by Murali G and Praveen K. L. respectively.
Released on 26 September 2014, the film garnered generally positive reviews and was a commercial success at the box office. It was included in The Hindu's top 20 Tamil-language films of the year. The film won 24 awards from 51 nominations; its direction, screenplay, performances of the cast members, music, and cinematography have received the most attention from award groups. (Full article...)
Preity Zinta (born 31 January 1975) is an Indian actress, film producer and entrepreneur. Her career began with Mani Ratnam's acclaimed drama Dil Se.. (1998), and in that same year she appeared in the box office hit Soldier. Both films won her the award for Best Female Debut at the 44th Filmfare Awards. Her performance in Dil Se.. also earned her a Best Supporting Actress nomination at the same ceremony, while Soldier won her three more Best Debut awards at other major ceremonies. Zinta received her first Filmfare nomination for Best Actress for her portrayal of a teenage single mother in Kya Kehna. She followed these films with several critically and commercially successful films, such as Mission Kashmir (2000) and Dil Chahta Hai (2001), and her performances in films like Chori Chori Chupke Chupke (2001), Dil Hai Tumhaara (2002) and Armaan (2003) were praised.
The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1960–1969 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.
When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
A contemporary adaptation of the Indian folktale Baital Pachisi, the film follows Vikram, a police inspector who is decisive about good and evil, and the head of an encounter unit which is formed to track down and kill Vedha, a gangster. When the unit makes plans for another encounter, Vedha walks into the police station and voluntarily surrenders himself. He then tells Vikram three stories which bring about a change in the latter's perceptions of right and wrong. (Full article...)
Thani Oruvan is a 2015 Indian Tamil-language action thriller film directed by Mohan Raja, who also co-wrote the screenplay and dialogues with the duo Subha. The film features Jayam Ravi, Arvind Swami and Nayanthara in the lead roles. Thambi Ramaiah, Ganesh Venkatraman, Mugdha Godse and Nassar play supporting roles. The film's story focuses on Mithran (Ravi), an IPS officer, who learns of the plans of scientist and businessman Siddharth Abhimanyu (Swami) to sabotage a deal to make generic medicines available at low cost for poor people. Siddharth succeeds in his plan and begins indulging in a game of cat and mouse with Mithran. The rest of the story revolves around how Mithran overcomes the obstacles set by Siddharth. Produced by Kalpathi S. Aghoram, Kalpathi S. Ganesh and Kalpathi S. Suresh under their company AGS Entertainment, the film's soundtrack and score were composed by Hiphop Tamizha. Ramji and Gopi Krishna handled the cinematography and editing respectively.
Made on a budget of ₹200 million, Thani Oruvan was released on 28 August 2015 and received positive reviews. It was commercially successful, grossing ₹1.05 billion worldwide. The film won 21 awards from 37 nominations; its direction, story, screenplay, performances of the cast members and music have received the most attention from award groups. (Full article...)
Aamir Khan is an Indian actor, filmmaker, and television personality. Khan first appeared on screen at the age of eight in a minor role in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973). In 1983, he acted in and worked as an assistant director on Paranoia, a short film directed by Aditya Bhattacharya, following which he assisted Hussain on two of his directorial ventures—Manzil Manzil (1984) and Zabardast (1985). As an adult, Khan's first acting project was a brief role in the 1984 experimental social drama Holi.
The chief minister usually serves as the leader of the house in the respective legislative assembly. Out of the thirty incumbents, except Tamil Nadu's M. K. Stalin, all other chief ministers also act as the leader of the house. (Full article...)
The winner is given a "Rajat Kamal" (Silver Lotus) certificate and a cash prize of ₹2,00,000. Including ties and repeat winners, the NFDC has presented a total of 41 Best Supporting Actress awards to 35 different actresses. Although Indian cinema produces films in more than 20 languages, the performances of films that have won awards are of 11 languages: Hindi (20 awards), Malayalam (8 awards), Bengali (4 awards), Tamil (4 awards), English (2 awards), Gujarati (1 award), Haryanvi (1 award), Marathi (1 award), Meitei (1 award), Odia (1 award) and Urdu (1 award). (Full article...)
Produced on a budget of ₹700 million, Kaththi was released on 22 October 2014 to critical acclaim. It was commercially successful, grossing ₹1.3 billion worldwide. The film won 14 awards from 33 nominations; its direction, story, screenplay, performances of the cast members, music, choreography and stunt direction have received the most attention from award groups. (Full article...)
Sharma made his ODI debut against Ireland in June 2007. His first century came during the 2010 Tri-Nation Tournament in Zimbabwe when he made 114 against the hosts. In the 2013 bilateral series against Australia at home, he made two centuries, including a double-century. The next year, he scored 264 against Sri Lanka at the Eden Gardens, Kolkata. The score remains the highest individual total by a batsman in the format. In January 2016, he made 171 not out against Australia; it remained the highest score by a visiting batsman against Australia until England's Jason Roy made 180 in 2018. Sharma set the record for most centuries scored in a World Cup when he scored five centuries in the 2019 World Cup. He has scored centuries against nine different opponents and has the joint-highest number of centuries (nine) against Australia in the format. As of January 2020[update], Sharma has eight scores in excess of 150, and three double-centuries, both of which are records in ODIs. He has the second highest number of centuries for an active player in the format. (Full article...)
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Mozaffar-Hosayn Mirza (Script error: The function "langx" does not exist.; 1563–1600) was an Iranian nobleman from the Safavid dynasty that held the governorship of Qandahar from 1578 until his defection to India in 1595. His rule was characterized by his constant conflict with his younger brother, Rustam Mirza, and his regent, Kur Hamza Beg. In 1593, he killed Hamza Beg and captured Rustam's lands. He was then faced with raids from the Uzbek of Bukhara and the Mughal emperor Akbar wanting to conquer Qandahar. Unable to drive the Uzbeks away, he surrendered Qandahar to Akbar and defected to India. He was honoured greatly by Akbar and his daughter, Kandahari Begum, was married to Akbar's son, the future Shah Jahan. His son and grandson became high-ranking officials in the Mughal bureaucracy. (Full article...)
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BGR-34 (Blood Glucose Regulator-34) is an Ayurvedic-derived product that is sold in India as an over-the-counter pill for the management of type 2 diabetes. It was developed in 2015 by two government-owned laboratories and launched commercially in 2016. It has been tested in only one, modest-sized, human trial. The drug has been heavily criticized, and without more clinical trials, its efficacy remains unproven. The manufacturers have refused to acknowledge the claims of inefficacy and other concerns. (Full article...)
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Error creating thumbnail: File missing Rishabhanatha (Devanagari: ऋषभनाथ), also Rishabhadeva (Devanagari: ऋषभदेव, Ṛṣabhadeva), Rishabha (Devanagari: ऋषभ, Ṛṣabha) or Ikshvaku (Devanagari: इक्ष्वाकु, Ikṣvāku), is the first tirthankara (Supreme preacher) of Jainism. He was the first of twenty-four teachers in the present half-cycle of time in Jain cosmology and called a "ford maker" because his teachings helped one cross the sea of interminable rebirths and deaths. The legends depict him as having lived millions of years ago. He was the spiritual successor of Sampratti Bhagwan, the last Tirthankara of the previous time cycle. He is also known as Ādinātha (lit. 'first Lord'), as well as Aadishvara (first Jina), Yugadideva (first deva of the yuga), Prathamarajeshwara (first God-king) and Nabheya (son of Nabhi). He is also known as Ikshvaku, establisher of the Ikshvaku dynasty. Along with Mahavira, Parshvanatha, Neminatha, and Shantinatha, Rishabhanatha is one of the five Tirthankaras that attract the most devotional worship among the Jains.
According to traditional accounts, he was born to king Nabhi and queen Marudevi in the north Indian city of Ayodhya, also called Vinita. He had two wives, Sumangalā and Sunandā. Sumangalā is described as the mother of his ninety-nine sons (including Bharata) and one daughter, Brahmi. Sunandā is depicted as the mother of Bahubali and Sundari. The sudden death of Nilanjana, one of the dancers sent by Indra in his courtroom, reminded him of the world's transitory nature, and he developed a desire for renunciation. (Full article...)
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Error creating thumbnail: File missing The Oath of the Vayuputras is the third book of Amish Tripathi, third book of Amishverse, and also the third book of Shiva Trilogy. The book was released on 27 February 2013, through Westland Press and completes the mythical story about an imaginary land Meluha and how its inhabitants were saved by a barbarian named Shiva. Starting from where the previous installment left off, Shiva discovers what is the true evil in The Oath of the Vayuputras. Shiva then declares a holy war on those who seek to continue to use it, mainly the Emperors Daksha and Dilipa, who are being controlled by the sage Bhrigu. The battle rages on and Shiva travels to the land of Pariha to consult with Vayuputras, a legendary tribe. By the time he returns, the war has ended with Sati, his wife, being murdered. An enraged Shiva destroys the capital of Meluha and Somras is wiped out of history. The story concludes with Shiva and his associates being popularized as Gods for their deeds and accomplishments.
Tripathi had confirmed in September 2011 that he was writing The Oath of the Vayuputras, with Westland announcing the release date as 27 February 2013. The book was longer than the previous installments of the series and Tripathi clarified that all the loose ends left out in the previous book would be addressed, with the death of certain characters. Following the release of the cover art, it was announced that the publication rights of the books have been bought by both US and UK publisher houses. Like The Immortals of Meluha and The Secret of the Nagas, the book contained innovative marketing techniques, including launching interactive apps, merchandise and a music album titled Vayuputras, containing music inspired by different events in the series. (Full article...)
... that Colonel Hugh Pettigrew observed that troops who thought that the Scottish Highlands resembled Waziristan on India's North West Frontier were "of little use to anyone"?
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listen), Tamil: [ˈt͡ɕenːaɪ̯]), formerly known as Madras, is the capital city of Tamil Nadu, the southernmost Indian state. It is the state's primate city both in area and population and is located on the Coromandel Coast of the Bay of Bengal. According to the 2011 Indian census, Chennai is the sixth-most populous city in India and forms the fourth-most populous urban agglomeration. Incorporated in 1866, the Greater Chennai Corporation is the oldest municipal corporation of India and the second oldest in the world after London.
