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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country since 2023; and, since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives. Its Andaman and Nicobar Islands share a maritime border with Myanmar, Thailand, and Indonesia. (Full article...)

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  • Image 5 Mahendra Pratap, centre, with (left to right) Maulavi Barkatullah, Werner Otto von Hentig, Kazim Bey, and Walter Röhr. Kabul, 1916 The Niedermayer–Hentig Expedition, also known as the Kabul Mission, was a diplomatic mission to Afghanistan sent by the Central Powers in 1915–1916. The purpose was to encourage Afghanistan to declare full independence from the British Empire, enter World War I on the side of the Central Powers, and attack British India. The expedition was part of the Hindu–German Conspiracy, a series of Indo-German efforts to provoke a nationalist revolution in India. Nominally headed by the exiled Indian prince Raja Mahendra Pratap, the expedition was a joint operation of Germany and Turkey and was led by the German Army officers Oskar Niedermayer and Werner Otto von Hentig. Other participants included members of an Indian nationalist organisation called the Berlin Committee, including Maulavi Barkatullah and Chempakaraman Pillai, while the Turks were represented by Kazim Bey, a close confidante of Enver Pasha. Britain saw the expedition as a serious threat. Britain and its ally, the Russian Empire, unsuccessfully attempted to intercept it in Persia during the summer of 1915. Britain waged a covert intelligence and diplomatic offensive, including personal interventions by the Viceroy Lord Hardinge and King George V, to maintain Afghan neutrality. (Full article...)
    Mahendra Pratap, centre, with (left to right) Maulavi Barkatullah, Werner Otto von Hentig, Kazim Bey, and Walter Röhr. Kabul, 1916


    The Niedermayer–Hentig Expedition, also known as the Kabul Mission, was a diplomatic mission to Afghanistan sent by the Central Powers in 1915–1916. The purpose was to encourage Afghanistan to declare full independence from the British Empire, enter World War I on the side of the Central Powers, and attack British India. The expedition was part of the Hindu–German Conspiracy, a series of Indo-German efforts to provoke a nationalist revolution in India. Nominally headed by the exiled Indian prince Raja Mahendra Pratap, the expedition was a joint operation of Germany and Turkey and was led by the German Army officers Oskar Niedermayer and Werner Otto von Hentig. Other participants included members of an Indian nationalist organisation called the Berlin Committee, including Maulavi Barkatullah and Chempakaraman Pillai, while the Turks were represented by Kazim Bey, a close confidante of Enver Pasha.

    Britain saw the expedition as a serious threat. Britain and its ally, the Russian Empire, unsuccessfully attempted to intercept it in Persia during the summer of 1915. Britain waged a covert intelligence and diplomatic offensive, including personal interventions by the Viceroy Lord Hardinge and King George V, to maintain Afghan neutrality. (Full article...)
  • Image 6 Mahākāśyapa (Pali: Mahākassapa) was one of the principal disciples of Gautama Buddha. He is regarded in Buddhism as an enlightened disciple, being foremost in ascetic practice. Mahākāśyapa assumed leadership of the monastic community following the parinirvāṇa (death) of the Buddha, presiding over the First Buddhist Council. He was considered to be the first patriarch in a number of Early Buddhist schools and continued to have an important role as patriarch in the Chan/Zen tradition. In Buddhist texts, he assumed many identities, that of a renunciant saint, a lawgiver, an anti-establishment figure, but also a "guarantor of future justice" in the time of Maitreya, the future Buddha—he has been described as "both the anchorite and the friend of mankind, even of the outcast". In canonical Buddhist texts in several traditions, Mahākāśyapa was born as Pippali in a village and entered an arranged marriage with a woman named Bhadra-Kapilānī. Both of them aspired to lead a celibate life, however, and they decided not to consummate their marriage. Having grown weary of the agricultural profession and the damage it did, they both left the lay life behind to become mendicants. Pippali later met the Buddha, under whom he was ordained as a monk, named Kāśyapa, but later called Mahākāśyapa to distinguish him from other disciples. Mahākāśyapa became an important disciple of the Buddha, to the extent that the Buddha exchanged his robe with him, which was a symbol of the transmittance of the Buddhist teaching. He became foremost in ascetic practices and attained enlightenment shortly after. He often had disputes with Ānanda, the attendant of the Buddha, due to their different dispositions and views. Despite his ascetic, strict and stern reputation, he paid an interest in community matters and teaching, and was known for his compassion for the poor, which sometimes caused him to be depicted as an anti-establishment figure. He had a prominent role in the cremation of the Buddha, acting as a sort of eldest son of the Buddha, as well as being the leader in the subsequent First Council. He is depicted as hesitatingly allowing Ānanda to participate in the council, and chastising him afterwards for a number of offenses the latter was regarded to have committed. (Full article...)
    Mahākāśyapa (Pali: Mahākassapa) was one of the principal disciples of Gautama Buddha. He is regarded in Buddhism as an enlightened disciple, being foremost in ascetic practice. Mahākāśyapa assumed leadership of the monastic community following the parinirvāṇa (death) of the Buddha, presiding over the First Buddhist Council. He was considered to be the first patriarch in a number of Early Buddhist schools and continued to have an important role as patriarch in the Chan/Zen tradition. In Buddhist texts, he assumed many identities, that of a renunciant saint, a lawgiver, an anti-establishment figure, but also a "guarantor of future justice" in the time of Maitreya, the future Buddha—he has been described as "both the anchorite and the friend of mankind, even of the outcast".

    In canonical Buddhist texts in several traditions, Mahākāśyapa was born as Pippali in a village and entered an arranged marriage with a woman named Bhadra-Kapilānī. Both of them aspired to lead a celibate life, however, and they decided not to consummate their marriage. Having grown weary of the agricultural profession and the damage it did, they both left the lay life behind to become mendicants. Pippali later met the Buddha, under whom he was ordained as a monk, named Kāśyapa, but later called Mahākāśyapa to distinguish him from other disciples. Mahākāśyapa became an important disciple of the Buddha, to the extent that the Buddha exchanged his robe with him, which was a symbol of the transmittance of the Buddhist teaching. He became foremost in ascetic practices and attained enlightenment shortly after. He often had disputes with Ānanda, the attendant of the Buddha, due to their different dispositions and views. Despite his ascetic, strict and stern reputation, he paid an interest in community matters and teaching, and was known for his compassion for the poor, which sometimes caused him to be depicted as an anti-establishment figure. He had a prominent role in the cremation of the Buddha, acting as a sort of eldest son of the Buddha, as well as being the leader in the subsequent First Council. He is depicted as hesitatingly allowing Ānanda to participate in the council, and chastising him afterwards for a number of offenses the latter was regarded to have committed. (Full article...)
  • Image 7 Nuggehalli Raghuveer Moudgal (4 March 1931 – 8 May 2011) was an Indian reproductive biologist, endocrinologist and the chairman of the Department of Biochemistry and dean of Faculty of Science at the Indian Institute of Science. He was known for his pioneering researches on gonadotropin and was an elected fellow of the Indian Academy of Sciences and the Indian National Science Academy. He was an associate of noted scientists, Choh Hao Li and Rodney Robert Porter and discovered the role of hormones in generating immune response in living beings, during his association with the former. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards for his contributions to Medical Sciences in 1976. (Full article...)
    Nuggehalli Raghuveer Moudgal (4 March 1931 – 8 May 2011) was an Indian reproductive biologist, endocrinologist and the chairman of the Department of Biochemistry and dean of Faculty of Science at the Indian Institute of Science. He was known for his pioneering researches on gonadotropin and was an elected fellow of the Indian Academy of Sciences and the Indian National Science Academy. He was an associate of noted scientists, Choh Hao Li and Rodney Robert Porter and discovered the role of hormones in generating immune response in living beings, during his association with the former. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards for his contributions to Medical Sciences in 1976. (Full article...)
  • Image 8 Geet Ramayan Book Cover. The book compiles narration and lyrics of all the songs from the radio program. Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana. The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)

    Geet Ramayan Book Cover. The book compiles narration and lyrics of all the songs from the radio program.

    Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana.

    The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)
  • Image 9 Amee Kamani (born 3 June 1992) is an Indian snooker player. She was runner-up in the 2016 IBSF World Snooker Championship, and was the 2018 Asian Billiards Sports Championships (ACBS) Ladies Champion. (Full article...)
    Amee Kamani (born 3 June 1992) is an Indian snooker player. She was runner-up in the 2016 IBSF World Snooker Championship, and was the 2018 Asian Billiards Sports Championships (ACBS) Ladies Champion. (Full article...)
  • Image 10 Chicken tikka masala Chicken tikka masala is a dish consisting of roasted marinated chicken chunks (chicken tikka) in spiced curry sauce. The curry is usually creamy and orange-coloured. The dish was popularised by cooks from India living in Great Britain and is offered at restaurants around the world. (Full article...)

    Chicken tikka masala

    Chicken tikka masala is a dish consisting of roasted marinated chicken chunks (chicken tikka) in spiced curry sauce. The curry is usually creamy and orange-coloured. The dish was popularised by cooks from India living in Great Britain and is offered at restaurants around the world. (Full article...)
  • Image 11 Devikarani Priscilla Sewpal Jana (5 December 1943 – 10 October 2020) was a South African human rights lawyer, politician and diplomat. As a member of the African National Congress (ANC) during the anti-apartheid movement, she participated in both legal activism as well as in the underground movement to end apartheid. She represented many significant figures in the movement, including South African president Nelson Mandela, Winnie Madikizela-Mandela, Steve Biko, Govan Mbeki, Walter Sisulu, and Archbishop Desmond Tutu. Jana was one of the very few South Africans who had access to political prisoners, including Mandela, in the maximum security Robben Island prison, and served as an emissary for coded messages between the political prisoners and the ANC leadership. Jana's activism made her subject to violent harassment and an eventual banning order. Following the advent of full democracy in South Africa, she became a lawmaker and served as a Member of Parliament with the ANC between 1994 and 1999. She was also an ambassador of the South African government to the Netherlands and Ireland, and a commissioner with the South African Human Rights Commission. She was a member of the justice committee that was responsible for the roll-out of the South African Truth and Reconciliation Commission. (Full article...)

    Devikarani Priscilla Sewpal Jana (5 December 1943 – 10 October 2020) was a South African human rights lawyer, politician and diplomat. As a member of the African National Congress (ANC) during the anti-apartheid movement, she participated in both legal activism as well as in the underground movement to end apartheid. She represented many significant figures in the movement, including South African president Nelson Mandela, Winnie Madikizela-Mandela, Steve Biko, Govan Mbeki, Walter Sisulu, and Archbishop Desmond Tutu. Jana was one of the very few South Africans who had access to political prisoners, including Mandela, in the maximum security Robben Island prison, and served as an emissary for coded messages between the political prisoners and the ANC leadership.

    Jana's activism made her subject to violent harassment and an eventual banning order. Following the advent of full democracy in South Africa, she became a lawmaker and served as a Member of Parliament with the ANC between 1994 and 1999. She was also an ambassador of the South African government to the Netherlands and Ireland, and a commissioner with the South African Human Rights Commission. She was a member of the justice committee that was responsible for the roll-out of the South African Truth and Reconciliation Commission. (Full article...)
  • Image 12 Sadhak Rāmprasād Sen (Bengali: রামপ্রসাদ সেন; c. 1718 or c. 1723 – c. 1775) was a Hindu Shakta poet and saint of eighteenth century Bengal. His bhakti poems, known as Ramprasadi, are still popular in Bengal—they are usually addressed to the Hindu goddess Kali and written in Bengali. Stories of Ramprasad's life typically include legends and myths mixed with biographical details. It is said that, Ramprasad was born into a Bengali Baidya Brahmin family, and showed an inclination towards poetry from an early age. He was highly influenced by Krishnananda Agamavagisha, a Tantric scholar and yogi. Ramprasad became well known for his devotional songs. His life has been the subject of many stories depicting his devotion to, and relationship with, Kali. Ramprasad's literary works include Vidyasundar, Kali-kirtana, Krishna-kirtana and Shaktigiti. (Full article...)

    Sadhak Rāmprasād Sen (Bengali: রামপ্রসাদ সেন; c. 1718 or c. 1723 – c. 1775) was a Hindu Shakta poet and saint of eighteenth century Bengal. His bhakti poems, known as Ramprasadi, are still popular in Bengal—they are usually addressed to the Hindu goddess Kali and written in Bengali. Stories of Ramprasad's life typically include legends and myths mixed with biographical details.

    It is said that, Ramprasad was born into a Bengali Baidya Brahmin family, and showed an inclination towards poetry from an early age. He was highly influenced by Krishnananda Agamavagisha, a Tantric scholar and yogi. Ramprasad became well known for his devotional songs. His life has been the subject of many stories depicting his devotion to, and relationship with, Kali. Ramprasad's literary works include Vidyasundar, Kali-kirtana, Krishna-kirtana and Shaktigiti. (Full article...)
  • Image 13 File:Varahi Lakshmi.jpg A contemporary image of Varahi Varahi (Sanskrit: वाराही, Vārāhī) is one of the Matrikas, a group of seven mother goddesses in the Hindu religion. Bearing the head of a sow, Varahi is the shakti (feminine energy) of Varaha, the boar avatar of the god Vishnu. In Nepal, she is called Barahi. In Rajasthan and Gujarat, she is venerated as Dandini. Varahi is more commonly venerated in the sect of the Goddess-oriented Shaktism, but also in Shaivism (devotees of Shiva) and Vaishnavism (devotees of Vishnu). She is usually worshipped at night, using secretive Vamamarga Tantric practices. The Buddhist goddesses Vajravārāhī and Marichi have their origins in the Hindu goddess Varahi. (Full article...)
    A contemporary image of Varahi

    Varahi (Sanskrit: वाराही, Vārāhī) is one of the Matrikas, a group of seven mother goddesses in the Hindu religion. Bearing the head of a sow, Varahi is the shakti (feminine energy) of Varaha, the boar avatar of the god Vishnu. In Nepal, she is called Barahi. In Rajasthan and Gujarat, she is venerated as Dandini.

    Varahi is more commonly venerated in the sect of the Goddess-oriented Shaktism, but also in Shaivism (devotees of Shiva) and Vaishnavism (devotees of Vishnu). She is usually worshipped at night, using secretive Vamamarga Tantric practices. The Buddhist goddesses Vajravārāhī and Marichi have their origins in the Hindu goddess Varahi. (Full article...)
  • Image 14 The Manipuri Pony (Meitei: Meitei Sagol) is a traditional Indian breed of small horse or pony from Assam and Manipur in north-eastern India. It appears both in the history and the mythology of Manipur, and was used for warfare and polo. It is believed to have been the polo pony in use in Assam in the mid-nineteenth century when British tea planters first saw polo being played, and the height limits set for polo ponies were based on ponies of this breed. It was very numerous in the early twentieth century, but numbers have since fallen. A breed society was established in 1977, and a breed standard was drawn up by the Indigenous Horse Society of India in 2009. (Full article...)

    The Manipuri Pony (Meitei: Meitei Sagol) is a traditional Indian breed of small horse or pony from Assam and Manipur in north-eastern India. It appears both in the history and the mythology of Manipur, and was used for warfare and polo. It is believed to have been the polo pony in use in Assam in the mid-nineteenth century when British tea planters first saw polo being played, and the height limits set for polo ponies were based on ponies of this breed. It was very numerous in the early twentieth century, but numbers have since fallen. A breed society was established in 1977, and a breed standard was drawn up by the Indigenous Horse Society of India in 2009. (Full article...)
  • Image 15 Theatrical release poster What's Your Raashee? (lit. 'What's Your Zodiac Sign?') is a 2009 Indian Hindi-language romantic comedy film written and directed by Ashutosh Gowariker and produced by Ronnie Screwvala and Sunita A. Gowariker. Based on the Gujarati novel Kimball Ravenswood by the playwright and novelist Madhu Rye, the film stars Harman Baweja and Priyanka Chopra, with Darshan Jariwala and Dilip Joshi in supporting roles, and follows the story of Yogesh Patel (Baweja), a Gujarati NRI, who must marry in ten days to save his brother from harm; Yogesh agrees to meet twelve potential brides (all played by Chopra), one from each zodiac sign. Gowariker had always aspired to make a romantic comedy and was inspired to adapt Rye's novel into a feature film after watching a play based on the same source material. Later, he bought the rights and co-wrote the screenplay with playwright Naushil Mehta. In the process, several plot changes were made for the cinematic adaptation, notably the similarity between the twelve girls, and the ending. Since Gowariker was against using prosthetics to create the twelve characters, Chopra worked on her body language and her voice to make them distinct. Principal photography was extensively done at sixty-seven locations across Mumbai, and partly in Baroda and Chicago. The soundtrack, consisting of thirteen songs, each representing an astrological sign and one compilation, was composed by newcomer Sohail Sen replacing Gowariker's frequent collaborator A. R. Rahman, with lyrics by Javed Akhtar.[citation needed] (Full article...)

    Theatrical release poster

    What's Your Raashee? (lit. 'What's Your Zodiac Sign?') is a 2009 Indian Hindi-language romantic comedy film written and directed by Ashutosh Gowariker and produced by Ronnie Screwvala and Sunita A. Gowariker. Based on the Gujarati novel Kimball Ravenswood by the playwright and novelist Madhu Rye, the film stars Harman Baweja and Priyanka Chopra, with Darshan Jariwala and Dilip Joshi in supporting roles, and follows the story of Yogesh Patel (Baweja), a Gujarati NRI, who must marry in ten days to save his brother from harm; Yogesh agrees to meet twelve potential brides (all played by Chopra), one from each zodiac sign.

    Gowariker had always aspired to make a romantic comedy and was inspired to adapt Rye's novel into a feature film after watching a play based on the same source material. Later, he bought the rights and co-wrote the screenplay with playwright Naushil Mehta. In the process, several plot changes were made for the cinematic adaptation, notably the similarity between the twelve girls, and the ending. Since Gowariker was against using prosthetics to create the twelve characters, Chopra worked on her body language and her voice to make them distinct. Principal photography was extensively done at sixty-seven locations across Mumbai, and partly in Baroda and Chicago. The soundtrack, consisting of thirteen songs, each representing an astrological sign and one compilation, was composed by newcomer Sohail Sen replacing Gowariker's frequent collaborator A. R. Rahman, with lyrics by Javed Akhtar.[citation needed] (Full article...)
  • Image 16 Theatrical release poster Nayak: The Real Hero (/nɑːjək/ transl. Hero) is a 2001 Indian Hindi-language political action film co-written and directed by Shankar (in his Bollywood debut) and produced by A. M. Rathnam under the Sri Surya Movies banner. The film stars Anil Kapoor, with Rani Mukerji, Amrish Puri, Paresh Rawal, and Johnny Lever playing supporting roles. A remake of Shankar's 1999 Tamil-language film Mudhalvan, it focuses on Shivaji Rao (Kapoor), a television cameraman and, later, television presenter, who accidentally hears and records a conversation between the police and the Chief Minister of Maharashtra Balraj Chauhan. While interviewing Chauhan about the issues, Shivaji is challenged to take over the chief minister's job for a day. Nayak was announced in June 2000 and marked the first Hindi-language directorial venture of Shankar. The soundtrack was composed by A. R. Rahman, with lyrics that were written by Anand Bakshi. Filming was done by K. V. Anand, taking place in more than 100 locations across India. (Full article...)

    Theatrical release poster

    Nayak: The Real Hero (/nɑːjək/ transl. Hero) is a 2001 Indian Hindi-language political action film co-written and directed by Shankar (in his Bollywood debut) and produced by A. M. Rathnam under the Sri Surya Movies banner. The film stars Anil Kapoor, with Rani Mukerji, Amrish Puri, Paresh Rawal, and Johnny Lever playing supporting roles. A remake of Shankar's 1999 Tamil-language film Mudhalvan, it focuses on Shivaji Rao (Kapoor), a television cameraman and, later, television presenter, who accidentally hears and records a conversation between the police and the Chief Minister of Maharashtra Balraj Chauhan. While interviewing Chauhan about the issues, Shivaji is challenged to take over the chief minister's job for a day.

    Nayak was announced in June 2000 and marked the first Hindi-language directorial venture of Shankar. The soundtrack was composed by A. R. Rahman, with lyrics that were written by Anand Bakshi. Filming was done by K. V. Anand, taking place in more than 100 locations across India. (Full article...)
  • Image 17 Statue of Shiva at Shivoham Shiva Temple, Bangalore, Karnataka Shiva (/ˈʃɪvə/; Sanskrit: शिव, IAST: Śiva, lit. 'The Auspicious One'), also known as Mahadeva (/məˈhɑː ˈdeɪvə/; Sanskrit: महादेव, IAST: Mahādevaḥ, [mɐɦaːd̪eːʋɐh], lit. 'The Great God') and Hara (Sanskrit: हर, lit. 'The Remover'), is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva is known as The Destroyer within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. (Full article...)

    Statue of Shiva at Shivoham Shiva Temple, Bangalore, Karnataka

    Shiva (/ˈʃɪvə/; Sanskrit: शिव, IAST: Śiva, lit. 'The Auspicious One'), also known as Mahadeva (/məˈhɑː ˈdeɪvə/; Sanskrit: महादेव, IAST: Mahādevaḥ, [mɐɦaːd̪eːʋɐh], lit. 'The Great God') and Hara (Sanskrit: हर, lit. 'The Remover'), is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism.

    In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva is known as The Destroyer within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. (Full article...)
  • Image 18 Meena Kumari is a 1972 biography that was written by the journalist Vinod Mehta, chronicling the life and career of the Indian actress-cum-poet Meena Kumari. It details her birth in 1933 in Dadar, her 33-year-long acting and poetic career, her marriage to the filmmaker Kamal Amrohi, and her death by cirrhosis in 1972. The book was published by Jaico Publishing House in October 1972, and was later re-published by HarperCollins under the title of Meena Kumari: The Classic Biography on 10 July 2013. (Full article...)

    Meena Kumari is a 1972 biography that was written by the journalist Vinod Mehta, chronicling the life and career of the Indian actress-cum-poet Meena Kumari. It details her birth in 1933 in Dadar, her 33-year-long acting and poetic career, her marriage to the filmmaker Kamal Amrohi, and her death by cirrhosis in 1972. The book was published by Jaico Publishing House in October 1972, and was later re-published by HarperCollins under the title of Meena Kumari: The Classic Biography on 10 July 2013. (Full article...)
  • Image 19 The stages of one form of Surya Namaskar, Salute to the Sun, demonstrated by a class of yoga teachers in training in Goa, India Sun Salutation, also called Surya Namaskar or Salute to the Sun (Sanskrit: सूर्यनमस्कार, IAST: Sūryanamaskāra), is a practice in yoga as exercise incorporating a flow sequence of some twelve linked asanas. The asana sequence was first recorded as yoga in the early 20th century, though similar exercises were in use in India before that, for example among wrestlers. The basic sequence involves moving from a standing position into Downward and Upward Dog poses and then back to the standing position, but many variations are possible. The set of 12 asanas is dedicated to the Hindu solar deity, Surya. In some Indian traditions, the positions are each associated with a different mantra, and with seed sounds or bīja. The precise origins of the Sun Salutation are uncertain, but the sequence was made popular in the early 20th century by Bhawanrao Shriniwasrao Pant Pratinidhi, the Rajah of Aundh, and adopted into yoga by Krishnamacharya in the Mysore Palace, where the Sun Salutation classes, not then considered to be yoga, were held next door to his yogasala. Pioneering yoga teachers taught by Krishnamacharya, including Pattabhi Jois and B. K. S. Iyengar, taught transitions between asanas derived from the Sun Salutation to their pupils worldwide. (Full article...)
    The stages of one form of Surya Namaskar, Salute to the Sun, demonstrated by a class of yoga teachers in training in Goa, India

    Sun Salutation, also called Surya Namaskar or Salute to the Sun (Sanskrit: सूर्यनमस्कार, IAST: Sūryanamaskāra), is a practice in yoga as exercise incorporating a flow sequence of some twelve linked asanas. The asana sequence was first recorded as yoga in the early 20th century, though similar exercises were in use in India before that, for example among wrestlers. The basic sequence involves moving from a standing position into Downward and Upward Dog poses and then back to the standing position, but many variations are possible. The set of 12 asanas is dedicated to the Hindu solar deity, Surya. In some Indian traditions, the positions are each associated with a different mantra, and with seed sounds or bīja.

    The precise origins of the Sun Salutation are uncertain, but the sequence was made popular in the early 20th century by Bhawanrao Shriniwasrao Pant Pratinidhi, the Rajah of Aundh, and adopted into yoga by Krishnamacharya in the Mysore Palace, where the Sun Salutation classes, not then considered to be yoga, were held next door to his yogasala. Pioneering yoga teachers taught by Krishnamacharya, including Pattabhi Jois and B. K. S. Iyengar, taught transitions between asanas derived from the Sun Salutation to their pupils worldwide. (Full article...)
  • Image 20 VT-AXH, the aircraft involved in the accident, pictured in 2018 Air India Express Flight 1344 was a scheduled international flight on 7 August 2020 from Dubai, United Arab Emirates, to Kozhikode, India, landing at Calicut International Airport. The flight was part of the Vande Bharat Mission to repatriate Indian nationals stranded due to the COVID-19 pandemic. The flight crew aborted two landing attempts because of heavy rain and tailwind. On the third landing attempt, the aircraft touched down on runway 10, but skidded off the end of the tabletop runway and slid down a 9–10.5 m (30–35 ft) slope, killing 19 passengers and both pilots. The 4 cabin crew members and 165 passengers survived, 110 people were injured. This was the second fatal accident involving Air India Express, after Flight 812 in 2010. (Full article...)

    VT-AXH, the aircraft involved in the accident, pictured in 2018

    Air India Express Flight 1344 was a scheduled international flight on 7 August 2020 from Dubai, United Arab Emirates, to Kozhikode, India, landing at Calicut International Airport. The flight was part of the Vande Bharat Mission to repatriate Indian nationals stranded due to the COVID-19 pandemic. The flight crew aborted two landing attempts because of heavy rain and tailwind. On the third landing attempt, the aircraft touched down on runway 10, but skidded off the end of the tabletop runway and slid down a 9–10.5 m (30–35 ft) slope, killing 19 passengers and both pilots. The 4 cabin crew members and 165 passengers survived, 110 people were injured. This was the second fatal accident involving Air India Express, after Flight 812 in 2010. (Full article...)
  • Image 21 Theatrical release poster Mr. and Mrs. Iyer is a 2002 Indian drama film written and directed by Aparna Sen and produced by N. Venkatesan. The film features Sen's daughter Konkona Sen Sharma as Meenakshi Iyer, a Tamil Iyer Brahmin who is a Hindu. Rahul Bose portrays the character of Raja Chowdhury, a Bengali Muslim wildlife photographer. The story revolves around these two lead characters during a fateful bus journey amidst the carnages of a communal strife in India. Zakir Hussain composed the background score and music for the film and Goutam Ghose was the cinematographer. The film had English as its dominant language with a sporadic use of Hindi, Tamil, and Bengali. Mr. and Mrs. Iyer premiered at the Locarno International Film Festival in Switzerland and was showcased at other prominent film festivals. The film opened to Indian audiences on 19 July 2002. It was met with critical acclaim upon release, and won several national and international awards, including the Golden Maile award at the Hawaii International Film Festival and the Nargis Dutt Award for Best Feature Film on National Integration in India. (Full article...)

    Theatrical release poster

    Mr. and Mrs. Iyer is a 2002 Indian drama film written and directed by Aparna Sen and produced by N. Venkatesan. The film features Sen's daughter Konkona Sen Sharma as Meenakshi Iyer, a Tamil Iyer Brahmin who is a Hindu. Rahul Bose portrays the character of Raja Chowdhury, a Bengali Muslim wildlife photographer. The story revolves around these two lead characters during a fateful bus journey amidst the carnages of a communal strife in India. Zakir Hussain composed the background score and music for the film and Goutam Ghose was the cinematographer. The film had English as its dominant language with a sporadic use of Hindi, Tamil, and Bengali.

    Mr. and Mrs. Iyer premiered at the Locarno International Film Festival in Switzerland and was showcased at other prominent film festivals. The film opened to Indian audiences on 19 July 2002. It was met with critical acclaim upon release, and won several national and international awards, including the Golden Maile award at the Hawaii International Film Festival and the Nargis Dutt Award for Best Feature Film on National Integration in India. (Full article...)
  • Image 22 Operation Python, a follow-up to Operation Trident, was the code name of a naval attack launched on West Pakistan's port city of Karachi by the Indian Navy during the Indo-Pakistani War of 1971. After the first attack during Operation Trident on the Port of Karachi, Pakistan stepped up aerial surveillance of its coast as the presence of large Indian Navy ships gave the impression that another attack was being planned. Pakistani warships attempted to outsmart the Indian Navy by mingling with merchant shipping. To counter these moves, Operation Python was launched on the night of 8/9 December 1971. A strike group consisting of one missile boat and two frigates attacked the group of ships off the coast of Karachi. While India suffered no losses, Pakistani fleet tanker PNS Dacca was damaged beyond repair, and the Kemari Oil Storage facility was lost. Two other foreign ships stationed in Karachi were also sunk during the attack. (Full article...)
    Operation Python, a follow-up to Operation Trident, was the code name of a naval attack launched on West Pakistan's port city of Karachi by the Indian Navy during the Indo-Pakistani War of 1971. After the first attack during Operation Trident on the Port of Karachi, Pakistan stepped up aerial surveillance of its coast as the presence of large Indian Navy ships gave the impression that another attack was being planned. Pakistani warships attempted to outsmart the Indian Navy by mingling with merchant shipping. To counter these moves, Operation Python was launched on the night of 8/9 December 1971. A strike group consisting of one missile boat and two frigates attacked the group of ships off the coast of Karachi. While India suffered no losses, Pakistani fleet tanker PNS Dacca was damaged beyond repair, and the Kemari Oil Storage facility was lost. Two other foreign ships stationed in Karachi were also sunk during the attack. (Full article...)
  • Image 23 Theatrical release poster Alibabavum 40 Thirudargalum (transl. Alibaba and the Forty Thieves) is a 1956 Indian Tamil-language fantasy swashbuckler film directed and produced by T. R. Sundaram of Modern Theatres. The film stars M. G. Ramachandran and P. Bhanumathi, with K. Sarangapani, P. S. Veerappa, K. A. Thangavelu, M. N. Rajam, Sushila, Vidhyavathi, and M. G. Chakrapani in supporting roles. It revolves around Alibaba, a woodcutter who becomes wealthy after finding a secret treasure cave, but must keep his source of wealth a secret to lead a peaceful life. Alibabavum 40 Thirudargalum was shot in Gevacolor and is notable for being the first Tamil and South Indian full-length colour film. It is a remake of the 1954 Hindi film Alibaba Aur 40 Chor, itself based on the story Ali Baba and the Forty Thieves from One Thousand and One Nights. It is also the second Tamil film adaptation of that story, after the 1941 film of the same name. Filming took place mainly at Mysore and Yercaud. The soundtrack was composed by Susarla Dakshinamurthi, and re-used many songs from Alibaba Aur 40 Chor. (Full article...)

    Theatrical release poster

    Alibabavum 40 Thirudargalum (transl. Alibaba and the Forty Thieves) is a 1956 Indian Tamil-language fantasy swashbuckler film directed and produced by T. R. Sundaram of Modern Theatres. The film stars M. G. Ramachandran and P. Bhanumathi, with K. Sarangapani, P. S. Veerappa, K. A. Thangavelu, M. N. Rajam, Sushila, Vidhyavathi, and M. G. Chakrapani in supporting roles. It revolves around Alibaba, a woodcutter who becomes wealthy after finding a secret treasure cave, but must keep his source of wealth a secret to lead a peaceful life.

    Alibabavum 40 Thirudargalum was shot in Gevacolor and is notable for being the first Tamil and South Indian full-length colour film. It is a remake of the 1954 Hindi film Alibaba Aur 40 Chor, itself based on the story Ali Baba and the Forty Thieves from One Thousand and One Nights. It is also the second Tamil film adaptation of that story, after the 1941 film of the same name. Filming took place mainly at Mysore and Yercaud. The soundtrack was composed by Susarla Dakshinamurthi, and re-used many songs from Alibaba Aur 40 Chor. (Full article...)
  • Image 24 Theatrical release poster Anbe Vaa (/ənbeɪ vɑː/ transl. Come, My Love) is a 1966 Indian Tamil-language romantic comedy film written and directed by A. C. Tirulokchandar. The film stars M. G. Ramachandran and B. Saroja Devi, with S. A. Ashokan, Nagesh, T. R. Ramachandran, P. D. Sambandam, Manorama and T. P. Muthulakshmi in supporting roles. Based on the 1961 American film Come September, it follows JB, a wealthy industrialist who goes on vacation to his bungalow in Shimla, only to discover that his caretaker and his wife have left for Kasi after renting the bungalow to a family. The rest of the film revolves around JB's response to this situation. Anbe Vaa was the first colour film of AVM Productions, and was shot in Eastmancolor. It was also the studio and Tirulokchandar's only collaboration with Ramachandran. Principal photography began in August 1965 and shooting took place in Shimla, Ooty, and at the hill station of Kufri. The soundtrack and background music were composed by M. S. Viswanathan while the lyrics for the songs were written by Vaali. (Full article...)

    Theatrical release poster

    Anbe Vaa (/ənbeɪ vɑː/ transl. Come, My Love) is a 1966 Indian Tamil-language romantic comedy film written and directed by A. C. Tirulokchandar. The film stars M. G. Ramachandran and B. Saroja Devi, with S. A. Ashokan, Nagesh, T. R. Ramachandran, P. D. Sambandam, Manorama and T. P. Muthulakshmi in supporting roles. Based on the 1961 American film Come September, it follows JB, a wealthy industrialist who goes on vacation to his bungalow in Shimla, only to discover that his caretaker and his wife have left for Kasi after renting the bungalow to a family. The rest of the film revolves around JB's response to this situation.

    Anbe Vaa was the first colour film of AVM Productions, and was shot in Eastmancolor. It was also the studio and Tirulokchandar's only collaboration with Ramachandran. Principal photography began in August 1965 and shooting took place in Shimla, Ooty, and at the hill station of Kufri. The soundtrack and background music were composed by M. S. Viswanathan while the lyrics for the songs were written by Vaali. (Full article...)
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