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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country since 2023; and, since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives. Its Andaman and Nicobar Islands share a maritime border with Myanmar, Thailand, and Indonesia. (Full article...)

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  • ]] (help·info), transl. Song Of The Little Road) is a 1955 Indian drama film written and directed by Satyajit Ray in his directorial debut. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name. The film stars Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in leading roles. As the first instalment of The Apu Trilogy, the film depicts the childhood hardships of the protagonist Apu and his elder sister Durga amid the harsh realities of rural poverty. The film is widely acclaimed as a classic of Indian cinema and is regarded as one of the greatest and most influential films in the history of cinema. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
    ]] , transl. Song Of The Little Road) is a 1955 Indian drama film written and directed by Satyajit Ray in his directorial debut. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name. The film stars Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in leading roles. As the first instalment of The Apu Trilogy, the film depicts the childhood hardships of the protagonist Apu and his elder sister Durga amid the harsh realities of rural poverty. The film is widely acclaimed as a classic of Indian cinema and is regarded as one of the greatest and most influential films in the history of cinema.

    The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
  • Image 9 Film poster Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles. The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)

    Film poster

    Mother India is a 1957 Indian epic drama film, directed by Mehboob Khan and starring Nargis, Sunil Dutt, Rajendra Kumar and Raaj Kumar. A remake of Khan's earlier film Aurat (1940), it is the story of a poverty-stricken village woman named Radha (Nargis), who in the absence of her husband, struggles to raise her sons and survive against a cunning money-lender amidst many troubles.

    The title of the film was chosen to counter American author Katherine Mayo's 1927 polemical book Mother India, which vilified Indian culture. Mother India metaphorically represents India as a nation in the aftermath of its independence in 1947, and alludes to a strong sense of Indian nationalism and nation-building. Allusions to Hindu mythology are abundant in the film, and its lead character has been seen as a metonymic representation of an Indian woman who reflects high moral values and the concept of what it means to be a mother to society through self-sacrifice. While some authors treat Radha as the symbol of women's empowerment, others see her cast in female stereotypes. The film was shot in Mumbai's Mehboob Studios and in the villages of Maharashtra, Gujarat, and Uttar Pradesh. The music by Naushad introduced global music, including Western classical music and orchestra, to Hindi cinema. (Full article...)
  • Image 10 Female Bengal tiger in Kanha Tiger Reserve, India The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands. Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)

    The tiger (Panthera tigris) is a large cat and a member of the genus Panthera native to Asia. It has a powerful, muscular body with a large head and paws, a long tail and orange fur with black, mostly vertical stripes. It is traditionally classified into nine recent subspecies, though some recognise only two subspecies, mainland Asian tigers and the island tigers of the Sunda Islands.

    Throughout the tiger's range, it inhabits mainly forests, from coniferous and temperate broadleaf and mixed forests in the Russian Far East and Northeast China to tropical and subtropical moist broadleaf forests on the Indian subcontinent and Southeast Asia. The tiger is an apex predator and preys mainly on ungulates, which it takes by ambush. It lives a mostly solitary life and occupies home ranges, defending these from individuals of the same sex. The range of a male tiger overlaps with that of multiple females with whom he mates. Females give birth to usually two or three cubs that stay with their mother for about two years. When becoming independent, they leave their mother's home range and establish their own. (Full article...)
  • Image 11 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeast India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east, and by Bangladesh to the north, south and west. Tripura is divided into eight districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, Kokborok, and English are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeast India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east, and by Bangladesh to the north, south and west. Tripura is divided into eight districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, Kokborok, and English are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 12 1888 portrait Mohammed Abdul Karim (1863 – 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final 14 years of her reign, gaining her maternal affection over that time. Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)

    1888 portrait

    Mohammed Abdul Karim (1863 – 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final 14 years of her reign, gaining her maternal affection over that time.

    Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)
  • Image 13 Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style. Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
    Core area of Western Chalukya architectural activity in modern Karnataka state, India

    Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture and broadly classified under the Vesara Style, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

    Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
  • Image 14 Four-time world champion Mark Selby playing at a practice table during the 2012 Masters tournament Snooker (pronounced UK: /ˈsnuːkər/ SNOO-kər, US: /ˈsnʊkər/ SNUUK-ər) is a cue sport played on a rectangular billiards table covered with a green cloth called baize, with six pockets: one at each corner and one in the middle of each long side. First played by British Army officers stationed in India in the second half of the 19th century, the game is played with 22 balls, comprising a white Template:Glossary link, 15 red balls and six other balls—a yellow, green, brown, blue, pink and black—collectively called 'Template:Glossary link'. Using a snooker cue, the individual players or teams take turns to strike the cue ball to Template:Glossary link other balls in a predefined sequence, accumulating points for each successful pot and for each Template:Glossary link committed by the opposing player or team. An individual Template:Glossary link of snooker is won by the player who has scored the most points, and a snooker Template:Glossary link ends when a player wins a predetermined number of frames. In 1875, army officer Neville Chamberlain, stationed in India, devised a set of rules that combined black pool and pyramids. The word snooker was a well-established derogatory term used to describe inexperienced or first-year military personnel. In the early 20th century, snooker was predominantly played in the United Kingdom, where it was considered a "gentleman's sport" until the early 1960s before growing in popularity as a national pastime and eventually spreading overseas. The standard rules of the game were first established in 1919 when the Billiards Association and Control Club was formed. As a professional sport, snooker is now governed by the World Professional Billiards and Snooker Association. (Full article...)

    Four-time world champion Mark Selby playing at a practice table during the 2012 Masters tournament

    Snooker (pronounced UK: /ˈsnuːkər/ SNOO-kər, US: /ˈsnʊkər/ SNUUK-ər) is a cue sport played on a rectangular billiards table covered with a green cloth called baize, with six pockets: one at each corner and one in the middle of each long side. First played by British Army officers stationed in India in the second half of the 19th century, the game is played with 22 balls, comprising a white Template:Glossary link, 15 red balls and six other balls—a yellow, green, brown, blue, pink and black—collectively called 'Template:Glossary link'. Using a snooker cue, the individual players or teams take turns to strike the cue ball to Template:Glossary link other balls in a predefined sequence, accumulating points for each successful pot and for each Template:Glossary link committed by the opposing player or team. An individual Template:Glossary link of snooker is won by the player who has scored the most points, and a snooker Template:Glossary link ends when a player wins a predetermined number of frames.

    In 1875, army officer Neville Chamberlain, stationed in India, devised a set of rules that combined black pool and pyramids. The word snooker was a well-established derogatory term used to describe inexperienced or first-year military personnel. In the early 20th century, snooker was predominantly played in the United Kingdom, where it was considered a "gentleman's sport" until the early 1960s before growing in popularity as a national pastime and eventually spreading overseas. The standard rules of the game were first established in 1919 when the Billiards Association and Control Club was formed. As a professional sport, snooker is now governed by the World Professional Billiards and Snooker Association. (Full article...)
  • Image 15 Netflix release poster Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)

    Netflix release poster

    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 16 Satellite image of the tropical storm on May 13 The 2003 Sri Lanka cyclone was a moderately powerful tropical cyclone that produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day. In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)

    Satellite image of the tropical storm on May 13

    The 2003 Sri Lanka cyclone was a moderately powerful tropical cyclone that produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day.

    In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)
  • Image 17 Zinta in 2018 Preity G Zinta (pronounced [ˈpriːt̪i ˈzɪɳʈa]; born 31 January 1975) is an Indian actress and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se.. in 1998, followed by a role in Soldier in the same year. These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She subsequently established a career as a leading actress of Hindi cinema with a variety of character types. Her roles, often deemed culturally defiant, along with her unconventional screen persona have been credited with contributing to a change in the concept of Indian film heroines, and won her several accolades. Following critically appreciated roles in Chori Chori Chupke Chupke (2001), Dil Chahta Hai (2001), Dil Hai Tumhaara (2002), and Armaan (2003), Zinta received the Filmfare Award for Best Actress for her performance in Kal Ho Naa Ho (2003). She starred in two consecutive annual top-grossing films in India, Koi... Mil Gaya (2003) and Veer-Zaara (2004), and was noted for her portrayal of independent, modern Indian women in Salaam Namaste (2005) and Kabhi Alvida Naa Kehna (2006), top-grossing productions in overseas markets. For her first international role in the Canadian drama Heaven on Earth (2008) she was awarded the Silver Hugo Award for Best Actress and nominated for the Genie Award for Best Actress. She followed this with a hiatus from acting work for several years, with the exception of her self-produced comeback film, Ishkq in Paris (2013), which failed to leave a mark. (Full article...)

    Zinta in 2018

    Preity G Zinta (pronounced [ˈpriːt̪i ˈzɪɳʈa]; born 31 January 1975) is an Indian actress and entrepreneur primarily known for her work in Hindi films. After graduating with degrees in English honours and criminal psychology, Zinta made her acting debut in Dil Se.. in 1998, followed by a role in Soldier in the same year. These performances earned her the Filmfare Award for Best Female Debut, and she was later recognised for her role as a teenage single mother in Kya Kehna (2000). She subsequently established a career as a leading actress of Hindi cinema with a variety of character types. Her roles, often deemed culturally defiant, along with her unconventional screen persona have been credited with contributing to a change in the concept of Indian film heroines, and won her several accolades.

    Following critically appreciated roles in Chori Chori Chupke Chupke (2001), Dil Chahta Hai (2001), Dil Hai Tumhaara (2002), and Armaan (2003), Zinta received the Filmfare Award for Best Actress for her performance in Kal Ho Naa Ho (2003). She starred in two consecutive annual top-grossing films in India, Koi... Mil Gaya (2003) and Veer-Zaara (2004), and was noted for her portrayal of independent, modern Indian women in Salaam Namaste (2005) and Kabhi Alvida Naa Kehna (2006), top-grossing productions in overseas markets. For her first international role in the Canadian drama Heaven on Earth (2008) she was awarded the Silver Hugo Award for Best Actress and nominated for the Genie Award for Best Actress. She followed this with a hiatus from acting work for several years, with the exception of her self-produced comeback film, Ishkq in Paris (2013), which failed to leave a mark. (Full article...)
  • Image 18 Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film. The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
    Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

    The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
  • Image 19 Padukone in 2025 Deepika Prakash Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. Her accolades include three Filmfare Awards. Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)

    Padukone in 2025

    Deepika Prakash Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. Her accolades include three Filmfare Awards. Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022.

    Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)
  • Image 20 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 21 Profile of a Hoysala temple at Somanathapura Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct. Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
    Profile of a Hoysala temple at Somanathapura

    Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct.

    Temples built prior to Hoysala independence in the mid-12th century reflect significant Western Chalukya influences, while later temples retain some features salient to Western Chalukya architecture but have additional inventive decoration and ornamentation, features unique to Hoysala artisans. Some three hundred temples are known to survive in present-day Karnataka state and many more are mentioned in inscriptions, though only about seventy have been documented. The greatest concentration of these are in the Malnad (hill) districts, the native home of the Hoysala kings. (Full article...)
  • Image 22 Theatrical release poster Andha Naal (English: That Day, pronounced [an̪da naːɭ]) is a 1954 Indian Tamil-language mystery-thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made without songs, dance, or stunt sequences. Set in the milieu of World War II, the story is about the killing of a radio engineer Rajan (Sivaji Ganesan). The suspects are Rajan's wife Usha (Pandari Bai), the neighbour Chinnaiya Pillai (P. D. Sambandam), Rajan's brother Pattabi (T. K. Balachandran), Rajan's sister-in-law Hema (Menaka), and Rajan's mistress Ambujam (K. Sooryakala). Each one's account of the incident points to a new suspect. Balachander watched Akira Kurosawa's Rashomon (1950) at a film festival, was inspired by it and wrote a play in the same narrative style, but the script was rejected by All India Radio; Meiyappan later agreed to produce it as the film that would later be titled Andha Naal under AVM Productions. The screenplay was written by Javar Seetharaman, who also played a prominent role as an investigative officer in the film. The cinematography was handled by S. Maruti Rao, and the background score was composed by AVM's own music troupe, Saraswathy Stores Orchestra. The film was shorter than most contemporaneous Tamil films. It was the only film directed by Balachander for AVM. (Full article...)

    Theatrical release poster

    Andha Naal (English: That Day, pronounced [an̪da naːɭ]) is a 1954 Indian Tamil-language mystery-thriller film, produced by A. V. Meiyappan and directed by S. Balachander. It is the first film noir in Tamil cinema, and the first Tamil film to be made without songs, dance, or stunt sequences. Set in the milieu of World War II, the story is about the killing of a radio engineer Rajan (Sivaji Ganesan). The suspects are Rajan's wife Usha (Pandari Bai), the neighbour Chinnaiya Pillai (P. D. Sambandam), Rajan's brother Pattabi (T. K. Balachandran), Rajan's sister-in-law Hema (Menaka), and Rajan's mistress Ambujam (K. Sooryakala). Each one's account of the incident points to a new suspect.

    Balachander watched Akira Kurosawa's Rashomon (1950) at a film festival, was inspired by it and wrote a play in the same narrative style, but the script was rejected by All India Radio; Meiyappan later agreed to produce it as the film that would later be titled Andha Naal under AVM Productions. The screenplay was written by Javar Seetharaman, who also played a prominent role as an investigative officer in the film. The cinematography was handled by S. Maruti Rao, and the background score was composed by AVM's own music troupe, Saraswathy Stores Orchestra. The film was shorter than most contemporaneous Tamil films. It was the only film directed by Balachander for AVM. (Full article...)
  • Image 23 Ismay in 1945 Hastings Lionel Ismay, 1st Baron Ismay KG, GCB, CH, DSO, PC, DL (21 June 1887 – 17 December 1965), was a diplomat and general in the British Indian Army who was the first Secretary General of NATO. He also was Winston Churchill's chief military assistant during the Second World War. Ismay was born in Nainital, India, in 1887, and educated in the United Kingdom at Charterhouse School and the Royal Military College, Sandhurst. After Sandhurst, he joined the Indian Army as an officer of the 21st Prince Albert Victor's Own Cavalry. During the First World War, he served with the Camel Corps in British Somaliland, where he joined in the British fight against the "Mad Mullah", Mohammed Abdullah Hassan. In 1925, Ismay became an Assistant Secretary of the Committee of Imperial Defence (CID). After being promoted to the rank of colonel, he served as the military secretary for Lord Willingdon, the Viceroy of India, then returned to the CID as Deputy Secretary in 1936. (Full article...)

    Ismay in 1945

    Hastings Lionel Ismay, 1st Baron Ismay KG, GCB, CH, DSO, PC, DL (21 June 1887 – 17 December 1965), was a diplomat and general in the British Indian Army who was the first Secretary General of NATO. He also was Winston Churchill's chief military assistant during the Second World War.

    Ismay was born in Nainital, India, in 1887, and educated in the United Kingdom at Charterhouse School and the Royal Military College, Sandhurst. After Sandhurst, he joined the Indian Army as an officer of the 21st Prince Albert Victor's Own Cavalry. During the First World War, he served with the Camel Corps in British Somaliland, where he joined in the British fight against the "Mad Mullah", Mohammed Abdullah Hassan. In 1925, Ismay became an Assistant Secretary of the Committee of Imperial Defence (CID). After being promoted to the rank of colonel, he served as the military secretary for Lord Willingdon, the Viceroy of India, then returned to the CID as Deputy Secretary in 1936. (Full article...)
  • Image 24 Theatrical release poster Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good For Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy-drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status. Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$970,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)

    Theatrical release poster

    Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good For Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy-drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status.

    Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$970,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
  • Image 25 Theatrical release poster of the Telugu version Mayabazar (transl. Market of Illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version. The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)

    Theatrical release poster of the Telugu version

    Mayabazar (transl. Market of Illusions) is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil, with a few differences in the cast. The story is an adaptation of the folk tale Sasirekha Parinayam, which is based on the characters of the epic Mahabharata. It revolves around the roles of Krishna (N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna's son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter Sasirekha (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version.

    The first mythological film produced by their studio, Mayabazar marked a milestone for Nagi Reddi and Chakrapani. In addition to the technical crew, 400 studio workers – including light men, carpenters, and painters – participated in the development of the film. Director Reddy was meticulous with the pre-production and casting phases, which took nearly a year to complete. Though Rama Rao was initially reluctant to play the lead role, his portrayal of Krishna received acclaim and yielded more offers to reprise the same role in several unrelated films. The soundtrack features twelve songs, with most of the musical score composed by Ghantasala. Telugu lyrics were written by Pingali Nagendrarao and Tamil lyrics were written by Thanjai N. Ramaiah Dass. One of those songs, Lahiri Lahiri, was accompanied by the first illusion of moonlight in Indian cinema, shot by cinematographer Marcus Bartley. (Full article...)
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