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{{Short description|Indian regional literature}}
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{{See also| Indian English literature}}
{{For|the journal|Indian Literature (journal)}}
{{For|the journal|Indian Literature (journal)}}
{{Multiple issues|
{{Multiple issues|
{{More footnotes}}
{{More footnotes needed|date=December 2015}}
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{{Cleanup|reason=Vaguely discursive prose without significant analysis or commentary, Cryptic references.|date=December 2015}}
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{{Use Indian English}}
{{Use Indian English|date=December 2015}}
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{{Culture of India}}
{{Culture of India}}
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{{History of literature by era}}
{{History of literature by era}}


'''Indian literature''' refers to the literature produced on the [[Indian subcontinent]] until 1947 and in the [[India|Republic of India]] thereafter. The Republic of India has 22 officially recognised [[Languages of India|languages]].
'''Indian literature''' refers to the literature produced on the [[Indian subcontinent]] until 1947 and in the [[India|Republic of India]] thereafter. The [[Eighth Schedule to the Constitution of India]] has [[Scheduled languages of India|22 officially recognised languages]]. [[Sahitya Akademi]], India's highest literary body, also has [[Sahitya Akademi#Recognised literary languages|24 recognised literary languages]].


The earliest works of Indian literature were [[oral literature|orally]] transmitted. [[Sanskrit literature]] begins with the [[oral literature]] of the [[Rig Veda]], a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics ''[[Ramayana]]'' and ''[[Mahabharata]]'' were subsequently codified and appeared towards the end of the 2nd millennium BCE. [[classical language|Classical Sanskrit]] literature developed rapidly during the first few centuries of the first millennium BCE,<ref>{{cite journal | title=A Brief on Indian Literature and Languages | author=Narayanrao, H.L. | journal=Journal of Education and Practice | volume=2 | issue=3 | pages=46 | issn=2222-288X}}</ref> as did the [[Pāli Canon]] and [[Tamil Language|Tamil]] [[Sangam literature]].
The earliest works of Indian literature were [[oral literature|orally]] transmitted. [[Sanskrit literature]] begins with the [[oral literature]] of the [[Rig Veda]], a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics ''[[Ramayana]]'' and ''[[Mahabharata]]'' were subsequently codified and appeared towards the end of the 2nd millennium BCE. [[classical language|Classical Sanskrit]] literature developed rapidly during the first few centuries of the first millennium BCE,<ref>{{cite journal | title=A Brief on Indian Literature and Languages | author=Narayanrao, H.L. | journal=Journal of Education and Practice | volume=2 | issue=3 | pages=46 | issn=2222-288X}}</ref> as did the [[Pāli Canon]] and [[Tamil Language|Tamil]] [[Sangam literature]].{{citation needed|date=November 2023}} [[Ancient Meitei literature|Ancient Meitei]] appeared in the 1st century CE with sacred musical compositions like the [[Ougri]],<ref name="Ayyappappanikkar 1997 326">—{{Cite book |last=Ayyappappanikkar |url=https://books.google.com/books?id=KYLpvaKJIMEC&pg=PA326 |title=Medieval Indian Literature: Surveys and selections |date=1997 |publisher=[[Sahitya Akademi]] |isbn=978-81-260-0365-5 |pages=326|author-link=Ayyappa Paniker}}<br >—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n81/mode/2up |title=History of Old Manipuri Literature |publisher=[[Digital Library of India]]; [[Internet Archive]] |others=[[Manipur University]] Library; North Eastern States Libraries |location=India |pages=81, 82, 83 |language=mni |chapter=Ougri |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Singh |first=Ch Manihar |url=https://books.google.com/books?id=yiBkAAAAMAAJ |title=A History of Manipuri Literature |publisher=[[Sahitya Akademi]] |year=1996 |isbn=978-81-260-0086-9 |location=India |pages=13, 14, mni |chapter=The Early Period (Ritual Songs) : Ougri |quote=Again from amongst the songs mentioned above, 'Ougri' and 'Khencho', in view of their more archaic diction and much advanced historical allusions, may be considered earlier than the rest. ... 'Ougri' is referred to as sung at the coronation of Nongdā Lāiren Pākhangbā, which took place in 33 A.D. ...}}<br />—{{Cite book |last=Ayyappappanikkar |url=https://books.google.com/books?id=KYLpvaKJIMEC&pg=PA329 |title=Medieval Indian Literature: Surveys and selections |date=1997 |publisher=[[Sahitya Akademi]] |isbn=978-81-260-0365-5 |pages=329|author-link=Ayyappa Paniker}}</ref> and heroic narratives like the [[Numit Kappa]].<ref name="Taylor & Francis">—{{Cite book |last1=Wouters |first1=Jelle J. P. |url=https://books.google.com/books?id=YseEEAAAQBAJ&q=Numit+Kappa+1st&pg=PT473 |title=The Routledge Companion to Northeast India |last2=Subba |first2=Tanka B. |date=2022-09-30 |publisher=[[Taylor & Francis]] |isbn=978-1-000-63699-4 |pages=473|quote=... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...}}<br />—{{Cite journal |date=2009-10-03 |title=Shooting the Sun: A Study of Death and Protest in Manipur |url=https://www.epw.in/journal/2009/40/special-articles/shooting-sun-study-death-and-protest-manipur.html |journal=[[Economic and Political Weekly]]|publication-place=[[Austin, USA]] |volume=44 |issue=40 |quote=... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD... |via=[[University of Texas]]}}<br />—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n95/mode/2up |title=History of Old Manipuri Literature |publisher=[[Digital Library of India]]; [[Internet Archive]] |others=[[Manipur University]] Library; North Eastern States Libraries |location=India |pages=95, 96 |language=mni |chapter=Numit Kappa |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite journal |last=Kshetrimayum |first=Jogendro |date=2009 |title=Shooting the Sun: A Study of Death and Protest in Manipur |url=https://www.jstor.org/stable/25663656 |journal=Economic and Political Weekly |volume=44 |issue=40 |pages=48–54 |jstor=25663656 |issn=0012-9976}}</ref>
In the medieval period, literature in [[Kannada literature|Kannada]] and [[Telugu literature|Telugu]] appeared in the 9th and 10th centuries respectively.<ref>"Kannada literature", ''Encyclopædia Britannica'', 2008. Quote: "The earliest literary work is the Kavirajamarga (c. AD 900), a treatise on poetics based on a Sanskrit model."</ref> Later, literature in [[Marathi language|Marathi]], [[Gujarati language|Gujarati]], [[Bengali language|Bengali]], [[Assamese language|Assamese]], [[Odia language|Odia]], and [[Maithili language|Maithili]] appeared. Thereafter literature in various dialects of [[Hindi]], [[Persian literature|Persian]] and [[Urdu]] began to appear as well. In 1913, [[Bengali poetry|Bengali poet]] [[Rabindranath Tagore]] became [[Nobel laureates of India|India's first Nobel laureate in literature]]. In contemporary Indian literature, there are two major literary awards; these are the [[List of Sahitya Akademi fellows|Sahitya Akademi Fellowship]] and the [[Jnanpith Award]]. Eight Jnanpith Awards each have been awarded in Hindi and [[Kannada language|Kannada]], followed by five in [[Bengali language|Bengali]] and [[Malayalam language|Malayalam]], four in [[Odia language|Odia]], [[Gujarati language|Gujarati]], [[Marathi language|Marathi]], [[Telugu language|Telugu]] and [[Urdu language|Urdu]],<ref>{{Cite web|url=http://jnanpith.net/|title=Jnanpith {{!}} Home|website=jnanpith.net|access-date=2019-07-31}}</ref><ref name=award2008>{{cite news|url=http://www1.timesofindia.indiatimes.com/Delhi/Kunwar_Narayan_to_be_awarded_Jnanpith/articleshow/3752703.cms|title=Kunwar Narayan to be awarded Jnanpith|newspaper=The Times of India|access-date=2008-11-25|url-status=dead|archive-url=https://archive.today/20121205234801/http://www1.timesofindia.indiatimes.com/Delhi/Kunwar_Narayan_to_be_awarded_Jnanpith/articleshow/3752703.cms|archive-date=5 December 2012}}</ref> two each in [[Assamese language|Assamese]], [[Konkani language|Konkani]] and [[Tamil language|Tamil]], and one each in [[Sanskrit]] and Kashmiri۔
In the medieval period, literature in [[Kannada literature|Kannada]] and [[Telugu literature|Telugu]] appeared in the 9th and 10th centuries, respectively.<ref>"Kannada literature", ''Encyclopædia Britannica'', 2008. Quote: "The earliest literary work is the Kavirajamarga (c. AD 900), a treatise on poetics based on a Sanskrit model."</ref> Later, literature in [[Marathi language|Marathi]], [[Gujarati language|Gujarati]], [[Bengali language|Bengali]], [[Assamese language|Assamese]], [[Odia language|Odia]], and [[Maithili language|Maithili]] appeared. Thereafter literature in various dialects of [[Hindi]], [[Persian literature|Persian]] and [[Urdu]] began to appear as well. In 1913, [[Bengali poetry|Bengali poet]] [[Rabindranath Tagore]] became [[Nobel laureates of India|India's first Nobel laureate in literature]].<ref>{{Cite web |title=The Nobel Prize in Literature 1913 |url=https://www.nobelprize.org/prizes/literature/1913/summary/ |access-date=2024-02-23 |website=NobelPrize.org}}</ref>{{verify source|date=November 2023}}


==In archaic Indian languages==
==In archaic and ancient Indian languages==
{{History of literature by region or country}}
{{History of literature by region or country}}


===Vedic literature===
=== Sanskrit literature ===
====Vedic literature====
{{main|Vedas}}
{{main|Vedas}}
Examples of early works written in [[Vedic Sanskrit]] include, the core [[Vedas]] and [[Upanishads]]. Other examples include the [[Sulba Sutras]], which are some of the earliest texts on [[geometry]].
Examples of early works written in [[Vedic Sanskrit]] include, the core [[Vedas]] and [[Upanishads]]. Other examples include the [[Sulba Sutras]], which are some of the earliest texts on [[geometry]].{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


===Epic Sanskrit literature===
====Epic Sanskrit literature====
{{main|Indian epic poetry}}
{{main|Indian epic poetry}}
[[Ved Vyasa]]'s ''[[Mahabharata]]'' and [[Valmiki]]'s ''[[Ramayana]]'', written in Epic Sanskrit, are regarded as the greatest Sanskrit epics.
[[Ved Vyasa]]'s ''[[Mahabharata]]'' and [[Valmiki]]'s ''[[Ramayana]]'', written in Epic Sanskrit, are regarded as the greatest Sanskrit epics.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


===Classical Sanskrit literature===
====Classical Sanskrit literature====
{{main|Sanskrit literature}}
{{main|Sanskrit literature}}
The famous poet and playwright [[Kālidāsa]] wrote one epic: ''[[Raghuvamsha]]'' (''Dynasty of Raghu''); it was written in Classical Sanskrit rather than Epic Sanskrit. Other examples of works written in Classical Sanskrit include the [[Pāṇini]]'s ''[[Ashtadhyayi]]'', which standardised the grammar and phonetics of Classical Sanskrit. The ''[[Manusmriti|Laws of Manu]]'' (मनुस्मृति) is a famous text in Hinduism. [[Kālidāsa]] is often considered to be the greatest playwright in Sanskrit literature and one of the greatest poets in Sanskrit literature; his ''[[Abhijñānaśākuntalam|Recognition of Shakuntala]]'' (अभिज्ञानशाकुन्तलम्) and ''[[Meghaduuta]]'' are Kalidasa's most famous play and poem respectively. Other famous plays include ''[[Mṛcchakatika|Mricchakatika]]'' by [[Shudraka]], ''[[Svapnavasavadattam|Svapna Vasavadattam]]'' by [[Bhasa]], and ''Ratnavali'' by Sri Harsha. Later poetic works include ''[[Gita Govinda]]'' by [[Jayadeva]]. Some other famous works are [[Chanakya]]'s ''[[Arthashastra]]'' and [[Vatsyayana]]'s ''[[Kamasutra]]''.
The famous poet and playwright [[Kālidāsa]] wrote one epic: ''[[Raghuvamsha]]'' (''Dynasty of Raghu''); it was written in Classical Sanskrit rather than Epic Sanskrit. Other examples of works written in Classical Sanskrit include the [[Pāṇini]]'s ''[[Ashtadhyayi]]'', which standardised the grammar and phonetics of Classical Sanskrit. The ''[[Manusmriti|Laws of Manu]]'' (मनुस्मृति) is a famous text in Hinduism. [[Kālidāsa]] is often considered to be the greatest playwright in Sanskrit literature and one of the greatest poets in Sanskrit literature; his ''[[Abhijñānaśākuntalam|Recognition of Shakuntala]]'' (अभिज्ञानशाकुन्तलम्) and ''[[Meghaduuta]]'' are Kalidasa's most famous play and poem respectively. Other famous plays include ''[[Mṛcchakatika|Mricchakatika]]'' by [[Shudraka]], ''[[Svapnavasavadattam|Svapna Vasavadattam]]'' by [[Bhasa]], and ''Ratnavali'' by Sri Harsha. Later poetic works include ''[[Gita Govinda]]'' by [[Jayadeva]]. Some other famous works are [[Chanakya]]'s ''[[Arthashastra]]'' and [[Vatsyayana]]'s ''[[Kamasutra]]''.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


===Prakrit literature===
====Classical Odia literature====
The most notable [[Prakrit]] languages were the [[Jain Prakrit]] (Ardhamagadhi), [[Pali]], [[Gandhari language|Gāndhārī]]''',''' [[Maharashtri]] and [[Shauraseni language|Shauraseni]].


One of the earliest extant Prakrit works is [[Hāla]]'s anthology of poems in Maharashtri, the [[Gaha Sattasai|Gāhā Sattasaī]], dating to the 3rd to 5th century CE. [[Kālidāsa]] and [[Harsha]] also used Maharashtri in some of their plays and poetry. In [[Jainism]], many [[Svetambara]] works were written in Maharashtri.
=== Ancient Meitei literature ===
{{Main|Ancient Meitei literature}}
{{Quote box
| quote = "The beginning of this [[old Manipuri literature]] (as in the case of [[Newari language|Newari]]) may go back to 1500 years, or even 2000 years, from now."<ref>—{{Cite book |title=[[Indian Literature (journal)|Indian Literature]] – Volume 14 – Page 20 |publisher=[[Sahitya Akademi]] |year=1971 |edition=Volume 14 – Page 20 |pages=20|quote= The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now.}}<br />—{{Cite book |last=Siṃha |first=Niṃthaukhoṃjama Khelacandra |url=https://books.google.com/books?id=EpAOAAAAMAAJ |title=Manipuri Language: Status and Importance |publisher=N. Tombi Raj Singh |year=1975 |pages=34, mni |quote=The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now... |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Sanajaoba |first=Naorem |url=https://books.google.com/books?id=-CzSQKVmveUC&dq=manipuri+court+language&pg=PA290 |title=Manipur, Past and Present: The Heritage and Ordeals of a Civilization |date=1988 |publisher=Mittal Publications |isbn=978-81-7099-853-2 |pages=290}}</ref>
| source = —[[Suniti Kumar Chatterji]], [[Padma Vibhushan]] awardee Indian scholar
|width = 28%
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Many of [[Aśvaghoṣa]]'s plays were written in Shauraseni as were a sizable number of Jain works and [[Rajashekhara (Sanskrit poet)|Rajasekhara]]'s ''Karpuramanjari''. Canto 13 of the [[Bhaṭṭikāvya]]<ref>Fallon, Oliver. 2009. Bhatti's Poem: The Death of Rávana (Bhaṭṭikāvya). New York: [[Clay Sanskrit Library]][http://www.claysanskritlibrary.org/] {{Webarchive|url=https://web.archive.org/web/20190707040843/http://www.claysanskritlibrary.org/}}. {{ISBN|978-0-8147-2778-2}} | {{ISBN|0-8147-2778-6}} |</ref> is written in what is called "like the vernacular" (''bhāṣāsama''), that is, it can be read in two languages simultaneously: Prakrit and [[Sanskrit]].<ref>Narang, Satya Pal. 2003. An Analysis of the Prākṛta of Bhāśā-sama of the Bhaṭṭi-kāvya (Canto XII). In: Prof. Mahapatra G.N., Vanijyotih: Felicitation Volume, Utkal University, *Bhuvaneshwar.</ref>
Some of the ancient literature of [[Meitei language]] (also known as [[Manipuri language]]) include the [[Ougri]] ({{circa|1st century CE}} musical composition),<ref name="Ayyappappanikkar 1997 326"/> the [[Numit Kappa]] ({{circa|1st century CE}} narrative work),<ref name="Taylor & Francis"/> the [[Poireiton Khunthok]] ({{circa|3rd century CE}} narrative work),<ref>—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n121/mode/2up?view=theater |title=History of Old Manipuri Literature |publisher=[[Digital Library of India]] |others=[[Manipur University]] Library, Imphal |location=India |pages=121, 122, mni |chapter=Poireiton Khunthokpa |quote=The Poireiton Khunthokpa, is the most conspicuous one of all pre-Garibniwaz manuscripts. From a linguistic point of view, it seems to be much earlier than any of the books yet come under our view. Circumstantial and other incidental evidences would confirm that the book might have been of the time of the third century A. D. It describes the colonization of the valley by a band of people from the land of Death under Poireiton. They first established their colony near the Langol Hill; probably the vast area between the Koubru Hill and the Langol Hill was their kingdom.  --Report on the Archaeological studies in Manipur Bulletin No. 1-by W. Yumjao Singh, pp 18-19. |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Bhaṭṭācāryya |first=Haridāsa |url=https://books.google.com/books?id=Wy88AAAAMAAJ&q=poireiton+Khunthok+century |title=The Cultural Heritage of India: Languages and literatures |publisher=[[Ramakrishna Mission Institute of Culture|Ramakrishna Mission, Institute of Culture]] |others=[[University of Michigan]] |year=1953 |location=India |pages=663|quote=... The beginnings of this Old Manipuri literature may go back to 1,500 years or even 2,000 years from now. ... Poireiton Khunthok, a prose work describing the settlement of some Meithei tribes, is the oldest work in Manipuri going back to the third century A.D. ... |author-link=Haridas Bhattacharya}}</ref> the ''Khencho'' (pre-7th century CE musical composition),<ref>—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n97/mode/2up |title=History of Old Manipuri Literature |publisher=[[Digital Library of India]]; [[Internet Archive]] |others=[[Manipur University]] Library; North Eastern States Libraries |location=India |pages=97, 98 |language=mni |chapter=Khencho |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Ayyappappanikkar |url=https://books.google.com/books?id=KYLpvaKJIMEC&pg=PA330 |title=Medieval Indian Literature: Surveys and selections |date=1997 |publisher=[[Sahitya Akademi]] |isbn=978-81-260-0365-5 |pages=330|author-link=Ayyappa Paniker}}<br />—{{Cite book |last=Singh |first=Ch Manihar |url=https://books.google.com/books?id=yiBkAAAAMAAJ |title=A History of Manipuri Literature |publisher=[[Sahitya Akademi]] |year=1996 |isbn=978-81-260-0086-9 |location=India |pages=14, 15, mni |chapter=The Early Period (Ritual Songs) |quote=... 'Khencho' is quite obscure and entirely unintelligible to the present generation though it forms an inseparable element of the daily proceedings of the festival. ...}}</ref> 6th-7th century CE copper plate inscriptions of king Khongtekcha,<ref>—{{Cite web |title=মণিপুরি ভাষা ও লিপি – এল বীরমঙ্গল সিংহ {{!}} আপনপাঠ ওয়েবজিন |date=16 September 2021 |url=https://aponpath.com/manipuri-bhasa-o-lipi-l-birmangal-singh/ |language=bn}}<br />—{{Cite book |last=Devi |first=Yumlembam Gopi |url=https://books.google.com/books?id=gxqeDwAAQBAJ&q=8th%20century%20copper%20plate%20inscription%20manipur&pg=PA25 |title=Glimpses of Manipuri Culture |date=16 June 2019 |isbn=978-0-359-72919-7 |pages=25 |publisher=Lulu.com}}<br />—{{Cite book |last=Paniker |first=K. Ayyappa |url=https://books.google.com/books?id=KYLpvaKJIMEC&q=8th%20century%20copper%20plate%20inscription%20manipur&pg=PA325 |title=Medieval Indian Literature: Surveys and selections (Assamese-Dogri) |date=1997 |publisher=[[Sahitya Akademi]] |isbn=978-81-260-0365-5 |pages=325}}<br />—{{Cite book |last=Sen |first=Sipra |url=https://books.google.com/books?id=bQQNCU-QWBAC&q=8th%20century%20copper%20plate%20inscription%20manipur&pg=PA28 |title=Tribes and Castes of Manipur: Description and Select Bibliography |date=1992 |publisher=Mittal Publications |isbn=978-81-7099-310-0 |pages=28}}</ref> the [[Panthoibi Khonggul]] ({{circa|8th century CE}} narrative work),<ref>—{{Cite book |last=Devi |first=Dr Yumlembam Gopi |url=https://books.google.com/books?id=gxqeDwAAQBAJ&dq=panthoibi+khongul&pg=PA119 |title=Glimpses of Manipuri Culture |date=16 June 2019 |publisher= Lulu.com|isbn=978-0-359-72919-7 |pages=119|quote=... the text Panthoibi Khongul generally believed to have been written by Akoijam Tomboy during the reign of King Khongtekcha Yoiremba (763 A.D.) ...}}<br />—{{Cite book |last=Mukherjee |first=Sujit |url=https://books.google.com/books?id=YCJrUfVtZxoC&dq=panthoibi+khongul&pg=PA280 |title=A Dictionary of Indian Literature: Beginnings-1850 |publisher=[[Orient Blackswan]] |year=1998 |isbn=978-81-250-1453-9 |pages=280|quote=Panthoibi khongul ( ? C; Manipuri ) : prose narrative, the original of which was believed to have been composed in ancient Meitei language in first half of 8th century AD ... |author-link=Sujit Mukherjee}}<br />—{{Cite web |others=[[Ministry of Culture (India)|Ministry of Culture, Government of India]] |title=The relationship between Thang-Ta & Meitei Pung maintained by our Ancient ... |url=https://ccrtindia.gov.in/wp-content/fellowship_research_project/TherelationshipbetweenThangtaandMeiteiPungmaintainedbyourAncientGurus.pdf |website=ccrtindia.gov.in |publisher=[[Centre for Cultural Resources and Training]] |page=4}}</ref> the [[Loiyumpa Silyel]] (c. Written Constitution drafted in 429 CE, and finalised in 11th-12th century CE), etc.<ref>—{{Cite book |last=Sanajaoba |first=Naorem |url=https://books.google.com/books?id=vO-vtI8NuxIC&dq=loyumba+shinyen+final+document&pg=PP2 |title=Manipur: Treatise & Documents |date=1993 |publisher=Mittal Publications |isbn=978-81-7099-399-5 |pages=2|quote=Manipur, known as 'Meetei Leipak' or 'Kangleipak' in the two millennia old Meetei manuscripts had experienced some form of constitutional government under a proto-Constitution in 429 A.D. which was reduced to a final format in 1110 A.D. Constitution entitled 'Loiyamba Shinyen' during the regime of King Loyumba.}}<br />—{{Cite book |last=Singh |first=Khelchandra Ningthoukhongjam |chapter-url=https://archive.org/details/in.ernet.dli.2015.466183/page/n142/mode/2up |title=History of Old Manipuri Literature |publisher=[[Digital Library of India]]; [[Internet Archive]] |others=[[Manipur University]] Library; North Eastern States Libraries |location=India |pages=142 |language=mni |chapter=Loiyumba Shinyen – Waayen Pathaap |author-link=Ningthoukhongjam Khelchandra}}<br />—{{Cite book |last=Sanajaoba |first=Naorem |url=https://books.google.com/books?id=9eYC4tjzyi4C&dq=loyumba+shinyen+written+constitution&pg=PA304 |title=Law and Society: Strategy for Public Choice, 2001 |date=1991 |publisher=Mittal Publications |isbn=978-81-7099-271-4 |pages=304|quote=The constitutionalism had developed with the adoption of a prototype of a constitution in 429 A.D. which was finally moulded into the written constitution in 1110 A.D., called 'Loyumba Shinyen' till it was substituted by Manipur State Constitution Act, 1947 which operated till Manipur's merger with India on 15 October 1949.}}</ref>


The surviving [[Gandhāran Buddhist texts|Gāndhāran Buddhist texts]] are written in the Gāndhārī language, a northwestern prakrit spoken in [[Gandhāra]].
===Prakrit literature===
 
Many of [[Aśvaghoṣa]]'s plays were written in Shauraseni as were a sizable number of Jain works and [[Rajashekhara (Sanskrit poet)|Rajasekhara]]'s ''Karpuramanjari''. Canto 13 of the [[Bhaṭṭikāvya]]<ref>Fallon, Oliver. 2009. Bhatti's Poem: The Death of Rávana (Bhaṭṭikāvya). New York: [[Clay Sanskrit Library]][http://www.claysanskritlibrary.org/] {{Webarchive|url=https://web.archive.org/web/20190707040843/http://www.claysanskritlibrary.org/|date=7 July 2019}}. {{ISBN|978-0-8147-2778-2}}  |  {{ISBN|0-8147-2778-6}}  |</ref> is written in what is called "like the vernacular" (''bhāṣāsama''), that is, it can be read in two languages simultaneously: Prakrit and [[Sanskrit]].<ref>Narang, Satya Pal. 2003. An Analysis of the Prākṛta of Bhāśā-sama of the Bhaṭṭi-kāvya (Canto XII). In: Prof. Mahapatra G.N., Vanijyotih: Felicitation Volume, Utkal University, *Bhuvaneshwar.</ref>


===Pali literature===
===Pali literature===
{{Main|Pali Canon|Pali literature}}
{{Main|Pali Canon|Pali literature}}


The [[Theravada]] Buddhist [[Tripiṭaka|Tipitaka]] (Triple Basket) in the [[Pali|Pali language]] is mostly of Indian origin. Later [[Pali literature]] however was mostly produced outside of the mainland [[Indian subcontinent]], particularly in [[Sri Lanka]] and [[Southeast Asia]].
The canonical Pali literature includes [[Buddhist]] [[Sutta Piṭaka|discourses]] (''suttas''), [[Abhidharma]] works, poetry, works on monastic discipline (''[[vinaya]]''), and the ''[[Jataka tales]]''.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


The canonical Pali literature includes [[Buddhist]] [[Sutta Piṭaka|discourses]] (''suttas''), [[Abhidharma]] works, poetry, works on monastic discipline (''[[vinaya]]''), and the ''[[Jataka tales]]''. There are also later post-canonical works written in India, such as the ''[[Milinda Panha|Milindapanha]]'', a dialogue between a Buddhist monk and an Indo-Greek King.
===Tamil literature===
 
====Sangam literature====
===Tamil Sangam literature===
{{Main|Sangam literature}}
{{Main|Sangam literature}}


The '''Sangam literature''' ([[Tamil language|Tamil]]: சங்க இலக்கியம், ''Sanga ilakkiyam)'' is the ancient [[Tamil literature]] of the period in the [[history of south India]] (known as the [[Thamizhagam]] or the [[Tamilagam]]) spanning from {{Circa|300 BCE}} to 300 CE ([[Akananuru]] (1, 15, 31, 55, 61, 65, 91, 97, 101, 115, 127, 187, 197, 201, 211, 233, 251, 265, 281, 311, 325, 331, 347, 349, 359, 393, 281, 295), [[Kuṟuntokai|Kurunthogai]] (11), [[Naṟṟiṇai|Natrinai]] (14, 75) are dated before 300 BCE).<ref>There are some who claim earlier dates (up to 600 BCE). Others cite as late as 2BCE. The date of 300 BCE may represent a middle-of-the road consensus view; e.g. see the well-received textbook ''Ancient India'', [[Upinder Singh]], 2009, p. 15.  However, it is quite likely that the songs existed in oral tradition well before this date.</ref><ref>Kamil Veith Zvelebil, ''Companion Studies to the History of Tamil Literature'', p. 12</ref><ref>K.A. Nilakanta Sastry, ''A History of South India,'' OUP (1955) p. 105</ref><ref>[http://www.ciil-classicaltamil.org/project1.html Classical Tamil] {{webarchive|url=https://web.archive.org/web/20100707000020/http://www.ciil-classicaltamil.org/project1.html }}</ref><ref>{{cite web|url=http://jainology.blogspot.com/2009/07/history-vandalised.html|title=Jain History of Tamil Nadu vandalised|author=T.S. Subramanian|access-date=2011-06-03|quote=The six Tamil-Brahmi inscriptions of the 2nd century B.C. on the brow of five caverns on the Kazhugumalai hill near Mankulam, 38&nbsp;km from Madurai, are the most ancient ones in Tamil Nadu and establish the historical facts that the Pandyan king Nedunchezhiyan ruled in the 2nd century B.C. and that Sangam literature dates back to the same period.}}</ref> This collection contains 2381 poems in [[Tamil language|Tamil]] composed by 473 poets, some 102 of whom remain anonymous.<ref>George L. Hart III, ''The Poems of Ancient Tamil,'' U of California P, 1975.</ref>
The [[Sangam literature]] ([[Tamil language|Tamil]]: சங்க இலக்கியம், ''Sanga ilakkiyam)'' is the ancient [[Tamil literature]] of the period in the [[history of South India]] (known as the [[Thamizhagam]] or the [[Tamilagam]]) spanning from {{Circa|300 BCE}} to 300 CE ([[Akananuru]] (1, 15, 31, 55, 61, 65, 91, 97, 101, 115, 127, 187, 197, 201, 211, 233, 251, 265, 281, 311, 325, 331, 347, 349, 359, 393, 281, 295), [[Kuṟuntokai|Kurunthogai]] (11), [[Naṟṟiṇai|Natrinai]] (14, 75) are dated before 300 BCE).<ref>There are some who claim earlier dates (up to 600 BCE). Others cite as late as 2BCE. The date of 300 BCE may represent a middle-of-the road consensus view; e.g. see the well-received textbook ''Ancient India'', [[Upinder Singh]], 2009, p. 15.  However, it is quite likely that the songs existed in oral tradition well before this date.</ref><ref>Kamil Veith Zvelebil, ''Companion Studies to the History of Tamil Literature'', p. 12</ref><ref>K.A. Nilakanta Sastry, ''A History of South India,'' OUP (1955) p. 105</ref><ref>{{usurped|1=[https://web.archive.org/web/20100707000020/http://www.ciil-classicaltamil.org/project1.html Classical Tamil]}}</ref><ref>{{cite web|url=http://jainology.blogspot.com/2009/07/history-vandalised.html|title=Jain History of Tamil Nadu vandalised|author=T.S. Subramanian|date=2009-07-10|access-date=2011-06-03|quote=The six Tamil-Brahmi inscriptions of the 2nd century B.C. on the brow of five caverns on the Kazhugumalai hill near Mankulam, 38&nbsp;km from Madurai, are the most ancient ones in Tamil Nadu and establish the historical facts that the Pandyan king Nedunchezhiyan ruled in the 2nd century B.C. and that Sangam literature dates back to the same period.}}</ref> This collection contains 2381 poems in [[Tamil language|Tamil]] composed by 473 poets, some 102 of whom remain anonymous.<ref>George L. Hart III, ''The Poems of Ancient Tamil,'' U of California P, 1975.</ref>


Most of the available Sangam literature is from the [[Third Sangam]],<ref>{{Cite book|url=https://books.google.com/books?id=Uu3QelRpmsgC&q=third+sangam&pg=PR8|title=Shilappadikaram: (The Ankle Bracelet)|last=Iḷaṅkōvaṭikaḷ|publisher=New Directions Publishing|isbn=9780811200011|language=en}}</ref> this period is known as the [[Sangam period]], which refers to the prevalent Sangam legends claiming literary academies lasting thousands of years, giving the name to the corpus of literature.<ref>''Irayanaar Agapporul'' dated to c 750 AD first mentioned the Sangam legends. An inscription of the early tenth century AD mentions the achievements of the early [[Pandya]] kings of establishing a ''Sangam'' in [[Madurai]]. See K.A. Nilakanta Sastry, ''A History of South India'', OUP (1955) p. 105</ref><ref>"The latest limit of ''[[Ettutokai]]'' and ''[[Pattupattu]]'' may be placed around 700 AD...." – Vaiyapuri Pillai, ''History of Tamil language and literature'' p. 38.</ref><ref>"...the Tamil language of these brief records achieved a flowering during the first centuries of the Common Era, culminating in the emergence of a poetic corpus of very high quality [...] To this corpus the name ''sangam poetry'' was added soon afterwards...." [[Burton Stein]], ''A History of India'' (1998), Blackwell p. 90.</ref> The Only religious poems among the shorter poems occur in ''[[paripaatal]]''. The rest of the corpus of Sangam literature deals with human relationship and emotions.<ref>See K.A. Nilakanta Sastri, ''A History of South India, OUP (1955) pp. 330–335''</ref>
Most of the available Sangam literature is from the [[Third Sangam]],<ref>{{Cite book|url=https://books.google.com/books?id=Uu3QelRpmsgC&q=third+sangam&pg=PR8|title=Shilappadikaram: (The Ankle Bracelet)|last=Iḷaṅkōvaṭikaḷ|date=1965-01-01|publisher=New Directions Publishing|isbn=9780811200011}}</ref> this period is known as the [[Sangam period]], which refers to the prevalent Sangam legends claiming literary academies lasting thousands of years, giving the name to the corpus of literature.<ref>''Irayanaar Agapporul'' dated to c. 750 CE first mentioned the Sangam legends. An inscription of the early tenth century CE mentions the achievements of the early [[Pandya]] kings of establishing a ''Sangam'' in [[Madurai]]. See K.A. Nilakanta Sastry, ''A History of South India'', OUP (1955) p. 105</ref><ref>"The latest limit of ''[[Ettutokai]]'' and ''[[Pattupattu]]'' may be placed around 700 AD...." – Vaiyapuri Pillai, ''History of Tamil language and literature'' p. 38.</ref><ref>"...the Tamil language of these brief records achieved a flowering during the first centuries of the Common Era, culminating in the emergence of a poetic corpus of very high quality [...] To this corpus the name ''sangam poetry'' was added soon afterwards...." [[Burton Stein]], ''A History of India'' (1998), Blackwell p. 90.</ref> The Only religious poems among the shorter poems occur in ''[[paripaatal]]''. The rest of the corpus of Sangam literature deals with human relationship and emotions.<ref>See K.A. Nilakanta Sastri, ''A History of South India, OUP (1955) pp. 330–335''</ref>


Sangam literature deals with emotional and material topics such as love, war, governance, trade and bereavement.<ref>Chera, Chola, Pandya: Using Archaeological Evidence to Identify the Tamil Kingdoms of Early Historic South India – Abraham, Shinu Anna, Asian Perspectives – Volume 42, Number 2, Fall 2003, pp. 207–223 University of Hawaii Press</ref> Some of the greatest Tamil scholars, like [[Thiruvalluvar]], who wrote on ethics, and on the various issues of life like virtue, wealth and love, or the Tamil poet [[Mamulanar]], who explored historical incidents that happened in India, lived during the Sangam period.<ref>Morality and Ethics in Public Life by Ravindra Kumar p.92</ref><ref>Essays on Indian Society by Raj Kumar p.71</ref>
Sangam literature deals with emotional and material topics such as love, war, governance, trade and bereavement.<ref>Chera, Chola, Pandya: Using Archaeological Evidence to Identify the Tamil Kingdoms of Early Historic South India – Abraham, Shinu Anna, Asian Perspectives – Volume 42, Number 2, Fall 2003, pp. 207–223 University of Hawaii Press</ref> Some of the greatest Tamil scholars, like [[Thiruvalluvar]], who wrote on ethics, and on the various issues of life like virtue, wealth and love, or the Tamil poet [[Mamulanar]], who explored historical incidents that happened in India, lived during the Sangam period.<ref>Morality and Ethics in Public Life by Ravindra Kumar p.92</ref><ref>Essays on Indian Society by Raj Kumar p.71</ref>


==In common Indian languages==
====Bhakti literature====
The [[Bhakti Movement]] was a significant religious movement in medieval [[Hinduism]]<ref name="Schomer_McLeod1987">{{cite book |title=The Sants: Studies in a Devotional Tradition of India |editor1-first=Karine |editor1-last=Schomer |editor2-first=W. H. |editor2-last=McLeod |publisher=Motilal Banarsidass |year=1987 |isbn=9788120802773 }}</ref>{{Rp|p=1}} that sought to bring religious reforms to all strata of society by adopting the method of [[Bhakti|devotion]] to achieve salvation.<ref name="cbseindiatoday">{{Cite web|url=https://www.indiatoday.in/education-today/gk-current-affairs/story/-crashcourse-cbse-class-12-history-bhakti-movement-s-emergence-and-influence-1438286-2019-01-24|title=CBSE Class 12 History #CrashCourse: Bhakti movement's emergence and influence|last1=India Today Web Desk New|date=24 January 2019|website=India Today}}</ref> Originating in [[Tamilakam]] during 6th century CE,<ref>{{Cite book |last=Pillai |first=P. Govinda |chapter-url=https://books.google.com/books?id=sep5EAAAQBAJ&dq=bhakti+movement+tamil+country&pg=PT46 |title=The Bhakti Movement: Renaissance or Revivalism? |date=2022-10-04 |publisher=Taylor & Francis |isbn=978-1-000-78039-0 |pages=Thirdly, the movement had blossomed first down south or the Tamil country|chapter=Chapter 11}}</ref><ref>{{cite book|first= John |last= Hawley |date= 2015 |title= A Storm of Songs: India and the Idea of the Bhakti Movement |publisher= Harvard University Press |isbn=978-0-674-18746-7 | page=87 }}</ref><ref>{{Cite book |last=Padmaja |first=T. |url=https://books.google.com/books?id=pzgaS1wRnl8C&dq=bhakti+movement+tamilakam&pg=RA1-PA37 |title=Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamil nāḍu |date=2002 |publisher=Abhinav Publications |isbn=978-81-7017-398-4}}</ref><ref>{{Cite book |last1=Nair |first1=Rukmini Bhaya |url=https://books.google.com/books?id=u6XFDwAAQBAJ&dq=bhakti+movement+tamilakam&pg=PT29 |title=Keywords for India: A Conceptual Lexicon for the 21st Century |last2=de Souza |first2=Peter Ronald |date=2020-02-20 |publisher=Bloomsbury Publishing |isbn=978-1-350-03925-4}}</ref> it gained prominence through the poems and teachings of the Vaishnava [[Alvars]] and Shaiva [[Nayanars]] before spreading northwards.<ref name="Schomer_McLeod1987"/>{{Rp|p=1}} It swept over east and north India from the 15th century onwards, reaching its zenith between the 15th and 17th century CE.<ref name="Schomer_McLeod1987"/>{{Rp|pp=1–2}} From the 14th to the 18th centuries, India's literary traditions went through a period of drastic change because of the spread of the [[Bhakti movement]] in the northern parts of India, resulting in the emergence of devotional poets like [[Kabir|Kabīr]], [[Tulsidas|Tulsīdās]], and [[Guru Nanak|Guru Nānak]]. This period was characterised by a varied and wide spectrum of thought and expression; as a consequence, medieval Indian literary works differed significantly from classical traditions.{{sfn|Das|2005}}
 
== In modern Indian languages {{anchor|In common Indian languages}} ==
=== Sahitya Akademi recognised & scheduled languages ===
{{Further|Sahitya Akademi#Recognised literary languages|Scheduled languages of India}}


===Assamese literature===
====Assamese literature====
{{unreferenced section}}
{{unreferenced section|date=April 2013}}
{{main|Assamese literature}}
{{main|Assamese literature}}
{{see also|:Category:Assamese-language books|Buranjis|Assamese poetry}}
{{see also|:Category:Assamese-language books|Buranjis|Assamese poetry}}
[[File:Laksminath_Bezbaruah.jpg|thumb|{{center|[[Lakshminath Bezbaroa]], Assamese poet, novelist and playwright of modern [[Assamese literature]]}}]]
[[File:Laksminath_Bezbaruah.jpg|thumb|{{center|[[Lakshminath Bezbaroa]], Assamese poet, novelist and playwright of modern [[Assamese literature]]}}]]
The Buddhist [[Charyapada]]s are often cited as the earliest example of Assamese literature. The Charyapadas are [[Vajrayana]] Buddhist songs composed in the 8th to 12th centuries.<ref>{{Cite web|title=The writers of the Charyapada, the Mahasiddhas or Siddhacharyas, belonged to the various regions of Assam, Bengal, Orissa and Bihar.|url=https://sites.google.com/site/charyapada/|access-date=2020-07-14|website=sites.google.com}}</ref><ref>{{Cite book|last1=Shaw|first1=Miranda|title=Passionate Enlightenment::Women in Tantric Buddhism|last2=Shaw|first2=Miranda|publisher=Princeton University Press|isbn=978-0-691-01090-8}}</ref> These writings bear similarities to Oriya and Bengali languages as well. The phonological and morphological traits of these songs, some of which are extant, bear very strong resemblance to Assamese.
The Buddhist [[Charyapada]]s are often cited as the earliest example of Assamese literature. The Charyapadas are [[Vajrayana]] Buddhist songs composed in the 8th to 12th centuries.<ref>{{Cite web|title=The writers of the Charyapada, the Mahasiddhas or Siddhacharyas, belonged to the various regions of Assam, Bengal, Orissa and Bihar.|url=https://sites.google.com/site/charyapada/|access-date=2020-07-14|website=sites.google.com}}</ref><ref>{{Cite book|last1=Shaw|first1=Miranda|title=Passionate Enlightenment::Women in Tantric Buddhism|last2=Shaw|first2=Miranda|date=1995|publisher=Princeton University Press|isbn=978-0-691-01090-8}}</ref> These writings bear similarities to Oriya and Bengali languages as well. The phonological and morphological traits of these songs, some of which are extant, bear very strong resemblance to Assamese.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}
 
After the Charyapadas, the period may again be split into (a) Pre-[[Vaishnavism|Vaishnavite]] and (b) Vaishnavite sub-periods. The earliest known Assamese writer is [[Hema Saraswati]], who wrote a small poem "Prahlada Charita". In the time of the King Indranarayana (1350–1365) of Kamatapur the two poets Harihara Vipra and Kaviratna Saraswati composed Asvamedha Parva and Jayadratha Vadha respectively. Another poet named Rudra Kandali translated Drona Parva into Assamese. But the most well-known poet of the Pre-Vaishnavite sub period is [[Madhav Kandali]], who rendered Valmiki's Ramayana into Assamese verse ([[Kotha Ramayana]], 11th century) under the patronage of Mahamanikya, a Kachari king of Jayantapura.
 
Assamese writers of Vaishnavite periods had been [[Srimanta Sankardev]], [[Madhabdev]], [[Damodardev]], Haridevand [[Bhattadev]]. Among these, [[Srimanta Sankardev]] has been widely acknowledged as the top Assamese littérateur of all-time, and generally acknowledged as the one who introduced drama, poetry, classical dance form called [[Satriya]], classical music form called [[Borgeet]], art and painting, stage enactment of drama called [[Bhaona]] and [[Satra]] tradition of monastic lifestyle. His main disciples Madhabdev and Damodardev followed in his footsteps, and enriched Assamese literary world with their own contributions. Damodardev's disciple Bhattadev is acknowledged as the first Indian prose writer, who introduced the unique prose writing style in Assamese.
 
Of the post-Vaishnavite age of Assamese literature, notable modern Assamese writers are [[Lakshminath Bezbaruah]], [[Padmanath Gohain Baruah]], [[Hemchandra Goswami]], [[Hem Chandra Barua]], [[Atul Chandra Hazarika]], [[Nalini Bala Devi]], [[Birendra Kumar Bhattacharya]], [[Amulya Barua]], [[Navakanta Barua]], [[Syed Abdul Malik]], [[Bhabananda Deka]], [[Jogesh Das]], Homen Borgohain, [[Bhabendra Nath Saikia]], [[Lakshmi Nandan Bora]], [[Nirmal Prabha Bordoloi]], [[Mahim Bora]], [[Hiren Gohain]], [[Arun Sharma (dramatist)|Arun Sharma]], Hiren Bhattacharyya, [[Mamoni Raisom Goswami]], [[Nalini Prava Deka]], [[Nilamani Phukan]], [[Arupa Kalita Patangia]], [[Dhrubajyoti Bora]], Arnab Jan Deka, [[Rita Chowdhury]], [[Anuradha Sharma Pujari]], Manikuntala Bhattacharya, Sananta Tanty, Nabakanta Barua, Samir Tanty, and several others.{{cn}}


A comprehensive introductory book ''Assamese Language-Literature & Sahityarathi Lakshminath Bezbaroa'' originally authored by leading Assamese littérateur of ''Awahon-Ramdhenu Era'' and pioneer Assam economist [[Bhabananda Deka]] together with his three deputies, Parikshit Hazarika, Upendra Nath Goswami and [[Prabhat Chandra Sarma]], was published in 1968. This book was officially released in New Delhi on 24 Nov 1968 by then President of India Dr [[Zakir Husain]] in commemoration of the birth centenary celebration of doyen of Assamese literature [[Lakshminath Bezbaroa]]. After almost half a century, this historic book has been recovered and re-edited by Assamese award-winning short-story writer & novelist Arnab Jan Deka, which was published by Assam Foundation-India in 2014.<ref>{{cite news|last1=Sentinel|first1=The|title=Documentary film, books on Bhabananda–Nalini Prava|url=http://www.sentinelassam.com/ghy_city/story.php?sec=1&subsec=0&id=211080&dtP=2014-12-04&ppr=1#.VJpNfsAHI|access-date=24 December 2014|url-status=dead|archive-url=https://web.archive.org/web/20150924100737/http://www.sentinelassam.com/ghy_city/story.php?sec=1&subsec=0&id=211080&dtP=2014-12-04&ppr=1#.VJpNfsAHI|archive-date=24 September 2015}}</ref> This second enlarged edition was officially released on 4 December 2014 on the occasion of 150th birth anniversary of [[Lakshminath Bezbaroa]] and 8th Death Anniversary of [[Bhabananda Deka]] by Great Britain-based bilingual magazine ''Luit to Thames'' (''Luitor Pora Thamsoloi'') editor Dr Karuna Sagar Das.
A comprehensive introductory book ''Assamese Language-Literature & Sahityarathi Lakshminath Bezbaroa'' originally authored by leading Assamese littérateur of ''Awahon-Ramdhenu Era'' and pioneer Assam economist [[Bhabananda Deka]] together with his three deputies, Parikshit Hazarika, Upendra Nath Goswami and Prabhat Chandra Sarma, was published in 1968. This book was officially released in New Delhi on 24 Nov 1968 by then President of India [[Zakir Husain]] in commemoration of the birth centenary celebration of doyen of Assamese literature [[Lakshminath Bezbaroa]]. After almost half a century, this historic book has been recovered and re-edited by Assamese award-winning short-story writer & novelist Arnab Jan Deka, which was published by Assam Foundation-India in 2014.<ref>{{cite news|last1=Sentinel|first1=The|title=Documentary film, books on Bhabananda–Nalini Prava|url=http://www.sentinelassam.com/ghy_city/story.php?sec=1&subsec=0&id=211080&dtP=2014-12-04&ppr=1#.VJpNfsAHI|access-date=24 December 2014|date=4 December 2014|url-status=dead|archive-url=https://web.archive.org/web/20150924100737/http://www.sentinelassam.com/ghy_city/story.php?sec=1&subsec=0&id=211080&dtP=2014-12-04&ppr=1#.VJpNfsAHI|archive-date=24 September 2015}}</ref>


===Bengali literature===
====Bengali literature====
{{main|Bengali literature}}
{{main|Bengali literature}}
{{see also|Bengali novels|Bengali poetry|Bengali science fiction}}
{{see also|Bengali novels|Bengali poetry|Bengali science fiction}}
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The first evidence of Bengali literature is known as Charyapada or Charyageeti, which were Buddhist hymns from the 8th century. Charyapada is in the oldest known written form of Bengali. The famous Bengali linguist [[Hara Prasad Shastri]] discovered the palm leaf Charyapada manuscript in the Nepal Royal Court Library in 1907.
The first evidence of Bengali literature is known as Charyapada or Charyageeti, which were Buddhist hymns from the 8th century. Charyapada is in the oldest known written form of Bengali. The famous Bengali linguist [[Hara Prasad Shastri]] discovered the palm leaf Charyapada manuscript in the Nepal Royal Court Library in 1907.
The most internationally famous [[Bengali language|Bengali]] writer is Nobel laureate [[Rabindranath Tagore]], who received the [[Nobel Prize for Literature]] in 1913 for his work "Gitanjali". He wrote the national anthem of India and Bangladesh namely, "Jana Gana Mana" and "Amar Sonar Bangla", respectively. He was the first Asian who won the Nobel Prize.
The most internationally famous [[Bengali language|Bengali]] writer is Nobel laureate [[Rabindranath Tagore]], who received the [[Nobel Prize for Literature]] in 1913 for his work "Gitanjali". He wrote the national anthem of India and Bangladesh namely, "Jana Gana Mana" and "Amar Sonar Bangla", respectively. He was the first Asian who won the Nobel Prize.
Rabindranath has written an enormous number of poems, songs, essays, novels, plays and short stories. His songs remain popular and are still widely sung in Bengal.
Rabindranath has written an enormous number of poems, songs, essays, novels, plays and short stories. His songs remain popular and are still widely sung in Bengal.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


[[Kazi Nazrul Islam]], who is one generation younger than Tagore, is also equally popular, valuable, and influential in socio-cultural context of the [[Bengal]], though virtually unknown in foreign countries. And among later generation poets, [[Jibanananda Das]] is considered the most important figure.<ref>{{cite web|url=http://ccrtindia.gov.in/literaryarts.htm |title=Indian Literature Through the Ages |publisher=Ccrtindia.gov.in |access-date=2013-04-22 |url-status=dead |archive-url=https://web.archive.org/web/20130515213735/http://www.ccrtindia.gov.in/literaryarts.htm |archive-date=15 May 2013 }}</ref>
====Hindi literature====
Other famous Indian Bengali writers were [[Sharat Chandra Chattopadhyay]], [[Bankim Chandra Chattopadhyay]], [[Michael Madhusudan Dutt]], [[Jasimuddin]], [[Bibhutibhushan Bandyopadhyay]] etc.
 
[[Sukanta Bhattacharya]] (15 August 1926 – 13 May 1947) was a Bengali poet and playwright. Along with Rabindranath Tagore and Kazi Nazrul Islam, he was one of the key figures of modern Bengali poetry, despite the fact that most of his works had been in publication posthumously. During his life, his poems were not widely circulated, but after his death his reputation grew to the extent that he became one of the most popular Bengali poet of the 20th century.
 
Bengali is the second most commonly spoken language in India (after Hindi).
As a result of the [[Bengal Renaissance]] in the 19th and 20th centuries, many of India's most famous, and
relatively recent, literature, poetry, and songs are in Bengali.
 
In the history of Bengali literature there has been only one pathbreaking literary movement by a group of poets and artists who called themselves [[Hungryalists]].
 
===Bhojpuri literature===
{{main|Bhojpuri literature}}
 
===Chhattisgarhi literature===
Literature in Chhattisgarh reflects the regional consciousness and the evolution of an identity distinct from others in Central India. The social problems of the lower castes/untouchables were highlighted in the writings of Khub Chand Baghel through his plays ''Jarnail Singh'' and ''Unch Neech''.
 
===English literature===
{{main|Indian English literature}}
{{further|Indian English}}
In the 20th century, several Indian writers have distinguished themselves not only in traditional [[Languages of India|Indian languages]] but also in English, a language inherited from [[British raj|the British]]. As a result of British colonisation, India has developed its own unique dialect of English known as [[Indian English]]. Indian English typically follows British spelling and pronunciation as opposed to American, and books published in India reflect this phenomenon. Indian English literature, however, tends to utilise more internationally recognisable vocabulary then does colloquial Indian English, in the same way that American English literature does so as compared to American [[slang]].
 
India's only Nobel laureate in literature was the [[Bengali language|Bengali]] writer [[Rabindranath Tagore]], who wrote some of his work originally in English, and did some of his own English translations from Bengali. India's best selling English-language novelists of all-time are the contemporary writers like [[Chetan Bhagat]], [[Manjiri Prabhu]] and [[Ashok Banker]]. More recent major writers in English who are either Indian or of Indian origin and derive much inspiration from Indian themes are [[R. K. Narayan]], [[Vikram Seth]], [[Salman Rushdie]], [[Arundhati Roy]], [[Raja Rao]], [[Amitav Ghosh]], [[Rohinton Mistry]], [[Vikram Chandra (novelist)|Vikram Chandra]], [[Mukul Kesavan]], [[Raj Kamal Jha]], [[Vikas Swarup]], [[Khushwant Singh]], [[Shashi Tharoor]], [[Nayantara Sehgal]], [[Anita Desai]], [[Kiran Desai]], [[Ashok Banker]], [[Shashi Deshpande]], Arnab Jan Deka, [[Jhumpa Lahiri]], [[Kamala Markandaya]], [[Gita Mehta]], [[Manil Suri]], [[Manjiri Prabhu]], [[Ruskin Bond]], [[Chitra Banerjee Divakaruni]] and [[Bharati Mukherjee]].
 
In category of Indian writing in English is poetry. [[Rabindranath Tagore]] wrote in Bengali and English and was responsible for the translations of his own work into English. Other early notable poets in English include [[Henry Louis Vivian Derozio|Derozio]], [[Michael Madhusudan Dutt]], [[Toru Dutt]], [[Romesh Chunder Dutt]], [[Sri Aurobindo]], [[Sarojini Naidu]], and her brother [[Harindranath Chattopadhyay]].
 
In the 1950s, the [[Writers Workshop]] collective in Calcutta was founded by the poet and essayist [[P. Lal]] to advocate and publish Indian writing in English. The press was the first to publish [[Pritish Nandy]], [[Sasthi Brata]], and others; it continues to this day to provide a forum for English writing in India. In modern times, Indian poetry in English was typified by two very different poets. [[Dom Moraes]], winner of the [[Hawthornden Prize]] at the age of 19 for his first book of poems ''A Beginning'' went on to occupy a pre-eminent position among Indian poets writing in English. [[Nissim Ezekiel]], who came from India's tiny [[Bene Israel]] Jewish community, created a voice and place for Indian poets writing in English and championed their work.
 
Their contemporaries in English poetry in India were [[Jayanta Mahapatra]], [[Gieve Patel]], [[A. K. Ramanujan]], [[Arun Kolatkar]], [[Dilip Chitre]], [[Arvind Krishna Mehrotra]], [[Eunice De Souza]], [[Kersi Katrak]], [[P. Lal]] and [[Kamala Das]] among several others.
 
Younger generations of poets writing in English include [[G. S. Sharat Chandra]], [[Hoshang Merchant]], [[Makarand Paranjape]], [[Anuradha Bhattacharyya]], [[Arundhathi Subramaniam]], [[Jeet Thayil]], [[Ranjit Hoskote]], [[Sudeep Sen]], [[Abhay K]], [[Jerry Pinto]], [[K Srilata]], [[Gopi Kottoor]], [[Tapan Kumar Pradhan]], Arnab Jan Deka, [[Anju Makhija]], [[Robin Ngangom]], [[Rukmini Bhaya Nair]], [[Smita Agarwal]] and [[Vihang A. Naik]] among others.
 
A generation of exiles also sprang from the Indian diaspora. Among these are names like [[Agha Shahid Ali]], [[Sujata Bhatt]], [[Richard Crasta]], [[Yuyutsu Sharma]], [[Shampa Sinha]], [[Tabish Khair]] and [[Vikram Seth]].
 
In recent years, English-language writers of Indian origin are being published in the West at an increasing rate.
 
[[Salman Rushdie]], [[Arundhati Roy]], [[Kiran Desai]] and [[Arvind Adiga]] have won the prestigious [[Booker Prize]], with Salman Rushdie going on to win the [[Booker of Bookers]].
 
===Hindi literature===
{{main|Hindi literature}}
{{main|Hindi literature}}
Hindi literature started as religious and philosophical poetry in medieval periods in dialects like [[Avadhi]] and [[Brij]]. The most famous figures from this period are [[Kabir]] and [[Tulsidas]]. In modern times, the [[Dehlavi dialect]] of the [[Hindi Belt]] became more prominent than [[Sanskrit language|Sanskrit]].
Hindi literature started as religious and philosophical poetry in medieval periods in dialects like [[Avadhi]] and [[Brij]]. The most famous figures from this period are [[Kabir]] and [[Tulsidas]]. In modern times, the [[Dehlavi dialect]] of the [[Hindi Belt]] became more prominent than [[Sanskrit language|Sanskrit]].{{citation needed|date=November 2023}}{{verify source|date=November 2023}}
 
''Chandrakanta'', written by [[Devaki Nandan Khatri]], is considered to be the first work of prose in Hindi. [[Munshi Premchand]] was the most famous Hindi novelist. The ''chhayavadi'' poets include [[Suryakant Tripathi 'Nirala']], Prem Bajpai, [[Jaishankar Prasad]], [[Sumitranandan Pant]], and [[Mahadevi Varma]]. Other renowned poets include [[Ramdhari Singh 'Dinkar']], [[Maithili Sharan Gupt]], [[Agyeya]], [[Harivansh Rai Bachchan]], and [[Dharmveer Bharti]].


===Gujarati literature===
====Gujarati literature====
{{main|Gujarati literature}}
{{main|Gujarati literature}}
[[File:Suresh Joshi in 1955.jpg|left|thumb|[[Suresh Joshi]] is known as father of modern [[Gujarati language|Gujarati]] literature.]]
[[File:Suresh Joshi in 1955.jpg|left|thumb|[[Suresh Joshi]] is known as father of modern [[Gujarati language|Gujarati]] literature.]]
Gujarati literature's history may be traced to 1000 AD. Since then literature has flourished till date. Well known laureates of Gujarati literature are [[Hemchandracharya]], [[Narsinh Mehta]], [[Mirabai]], [[Akho]], [[Premanand Bhatt]], [[Shamal Bhatt]], [[Dayaram]], [[Dalpatram]], [[Narmad]], [[Govardhanram Tripathi]], [[Gandhi]], [[K. M. Munshi]], [[Umashankar Joshi]], [[Suresh Joshi]], [[Pannalal Patel]] and [[Rajendra Keshavlal Shah]].
Gujarati literature's history may be traced to 1000 CE.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}
 
[[Gujarat Vidhya Sabha]], [[Gujarat Sahitya Sabha]], and [[Gujarati Sahitya Parishad]] are Ahmedabad based literary institutions promoting the spread of Gujarati literature.
[[Umashankar Joshi]], [[Pannalal Patel]], [[Rajendra Keshavlal Shah]] and [[Raghuveer Chaudhary]] have won the [[Jnanpith Award]], the highest literary award in India.


===Kannada literature===
====Kannada literature====
[[File:U R Ananthamurthy.jpg|thumb|left|200px|Kannada writer and [[Jnanpith Award]] winner for the year 1994, [[U. R. Ananthamurthy]]]]
[[File:U R Ananthamurthy.jpg|thumb|left|200px|Kannada writer and [[Jnanpith Award]] winner for the year 1994, [[U. R. Ananthamurthy]]]]
{{main|Kannada literature}}
{{main|Kannada literature}}
{{see also|Medieval Kannada literature|Kannada poetry}}
The oldest existing record of Kannada prose is the [[Halmidi inscription]] of 450 CE, and poetry in ''tripadi'' metre is the [[Kappe Arabhatta]] record of 700 CE. The folk form of literature began earlier than any other literature in Kannada. ''Gajashtaka'' (800 CE) by King Shivamara II, ''Chudamani'' (650 CE) by Thumbalacharya are examples of early literature now considered extinct. ''[[Kavirajamarga]]'' by King Nripatunga [[Amoghavarsha]] I (850 CE) is the earliest existing literary work in Kannada. It is a writing on literary criticism and poetics meant to standardise various written Kannada dialects used in literature in previous centuries. The book makes reference to Kannada works by early writers such as King [[Durvinita]] of the 6th century and Ravikirti, the author of the Aihole record of 636 CE. An early [[Extant literature|extant]] prose work, the ''Vaddaradhane'' by Shivakotiacharya of 900 CE provides an elaborate description of the life of Bhadrabahu of [[Shravanabelagola]]. Since the earliest available Kannada work is one on grammar and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature in Kannada must have started several centuries earlier.<ref name="extinct_works5">{{cite web |title=History of the Kannada Literature-I |url=http://www.kamat.com/kalranga/kar/literature/history1.htm |author=Jyotsna Kamat |publisher=Kamat's Potpourri |work=Kamat's Potpourri, 4 November 2006 |access-date=2006-11-25}}</ref>
The oldest existing record of Kannada prose is the [[Halmidi inscription]] of 450 CE, and poetry in ''tripadi'' metre is the [[Kappe Arabhatta]] record of 700 CE. The folk form of literature began earlier than any other literature in Kannada. ''Gajashtaka'' (800 CE) by King Shivamara II, ''Chudamani'' (650 CE) by Thumbalacharya are examples of early literature now considered extinct. ''[[Kavirajamarga]]'' by King Nripatunga [[Amoghavarsha]] I (850 CE) is the earliest existing literary work in Kannada. It is a writing on literary criticism and poetics meant to standardise various written Kannada dialects used in literature in previous centuries. The book makes reference to Kannada works by early writers such as King [[Durvinita]] of the 6th century and Ravikirti, the author of the Aihole record of 636 CE. An early [[Extant literature|extant]] prose work, the ''Vaddaradhane'' by Shivakotiacharya of 900 CE provides an elaborate description of the life of Bhadrabahu of [[Shravanabelagola]]. Since the earliest available Kannada work is one on grammar and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature in Kannada must have started several centuries earlier.<ref name="extinct_works5">{{cite web |title=History of the Kannada Literature-I |url=http://www.kamat.com/kalranga/kar/literature/history1.htm |author=Jyotsna Kamat |publisher=Kamat's Potpourri |work=Kamat's Potpourri, 4 November 2006 |access-date=2006-11-25}}</ref>
[[Adikavi Pampa|Pampa]] who popularised [[Champu]] style which is unique to Kannada wrote the epic "[[Vikramarjuna Vijaya]]". He also wrote "[[Adipurana]]". Other famous poets like Ponna wrote "shantinatapurana", "Bhuvanaikaramabhyudaya", "Jinaksharamale", and "gatapratyagata". Ranna wrote "Shantipurana" and "Ghadayudha". The Jain poet [[Nagavarma II]] wrote "Kavyavalokana", "Karnatabhashabhushana" and "Vardhamanapurana" . Janna was the author of "Yashodhara Charitha". Rudhrabhatta and Durgashima wrote "Jagannatha Vijaya" and "Panchatantra" respectively. The works of the medieval period are based on [[Jainism|Jain]] and [[Hinduism|Hindu]] principles. The [[Vachana|Vachana Sahitya]] tradition of the 12th century is purely native and unique in world literature.<ref name="classical">{{cite news|url=http://www.hindu.com/2005/05/27/stories/2005052703230500.htm|archive-url=https://web.archive.org/web/20070105151817/http://www.hindu.com/2005/05/27/stories/2005052703230500.htm|url-status=dead|archive-date=5 January 2007|title=Declare Kannada a classical language|access-date=2007-06-29|location=Chennai, India|work=[[The Hindu]]}}</ref> It is the sum of contributions by all sections of society. Vachanas were pithy comments on that period's social, religious and economic conditions. More importantly, they held a mirror to the seed of social revolution, which caused a radical re-examination of the ideas of caste, creed and religion. Some of the important writers of Vachana literature include [[Basavanna]], [[Allama Prabhu]] and [[Akka Mahadevi]]. [[Kumara Vyasa]], who wrote the ''Karnata Bharata Katamanjari'', has arguably been the most famous and most influential Kannada writer of the 15th century. The [[Bhakti movement]] gave rise to [[Dasa Sahitya]] around the 15th century which significantly contributed to the evolution of [[Carnatic music]] in its present form. This period witnessed great [[Haridasa]]s like [[Purandara Dasa]] who has been aptly called the ''Pioneer of Carnatic music'', [[Kanaka Dasa]], [[Vyasathirtha]] and [[Vijaya Dasa]]. Modern Kannada in the 20th century has been influenced by many movements, notably ''Navodaya'', ''Navya'', ''Navyottara'', ''Dalita'' and ''Bandaya''. Contemporary Kannada literature has been highly successful in reaching people of all classes in society. Works of Kannada literature have received Eight [[Jnanpith|Jnanpith awards]], which is the highest number awarded for the literature in any Indian language. It has also received forty-seven [[Sahitya Academy]] awards.
[[Adikavi Pampa|Pampa]] who popularised [[Champu]] style in Karnataka wrote the epic "[[Vikramarjuna Vijaya]]". He also wrote "[[Adipurana]]". Other famous poets like Ponna wrote "shantinatapurana", "Bhuvanaikaramabhyudaya", "Jinaksharamale", and "gatapratyagata". Ranna wrote "Shantipurana" and "Ghadayudha". The Jain poet [[Nagavarma II]] wrote "Kavyavalokana", "Karnatabhashabhushana" and "Vardhamanapurana" . Janna was the author of "Yashodhara Charitha". Rudhrabhatta and Durgashima wrote "Jagannatha Vijaya" and "Panchatantra" respectively. The works of the medieval period are based on [[Jainism|Jain]] and [[Hinduism|Hindu]] principles. The [[Vachana|Vachana Sahitya]] tradition of the 12th century is purely native and unique in world literature.<ref name="classical">{{cite news|url=http://www.hindu.com/2005/05/27/stories/2005052703230500.htm|archive-url=https://web.archive.org/web/20070105151817/http://www.hindu.com/2005/05/27/stories/2005052703230500.htm|url-status=dead|archive-date=5 January 2007|title=Declare Kannada a classical language|access-date=2007-06-29|location=Chennai, India|work=[[The Hindu]]|date=27 May 2005}}</ref>
 
{{see also|Medieval Kannada literature|Kannada poetry}}


===Kashmiri literature===
====Kashmiri literature====
{{main|Kashmiri literature}}
{{main|Kashmiri literature}}


===Kodava literature===
====Konkani literature====
When Kodava was written, it was usually with Kannada script, sometimes with minor modifications. ... The language had no significant written literature until the twentieth century. Appachcha Kavi, a playwright, and Nadikerianda Chinnappa, a folk compiler, are the two important poets and writers of the Kodava language.
Konkani is a language with a complex and much-contested history. It is one of the few Indian languages to be written in five scripts—Roman, Nagari, Kannada, Persian-Arabic and Malayalam-and also has an extensive oral literature.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}
 
===Konkani literature===
Konkani is a language with a complex and much-contested history. It is one of the few Indian languages to be written in five scripts—Roman, Nagari, Kannada, Persian-Arabic and Malayalam-and also has an extensive oral literature. The first modern Konkani novel, 'Kristanv ghorabo', was written by Eduardo Jose Bruno De Souza, while 'Mhaji ba khãya geli?' by Shenoy Goembab is the first modern short story in [[Konkani literature]]. Other prominent Konkani writers include Ravindra Kelekar, Bakibab Borkar, Chandrakant Keni, Damodar Mauzo, Arvind Mhambro, C. F. D'Costa, Pundalik Naik, Hema Naik, Bonaventure D'Pietro, Dilip Borkar, Mahabaleshwar Sail, V. J. P. Saldana, Meena kakodkar, Jess Fernandes, K. M. Sukhthankar, Nayana Adarkar.


===Malayalam literature===
====Malayalam literature====
{{main|Malayalam literature}}
{{main|Malayalam literature}}
Even up to 500 years since the start of the [[Malayalam calendar]] which commenced in 825 AD, Malayalam literature remained in preliminary stage. During this time, Malayalam literature consisted mainly of various genres of songs. ''Ramacharitham'' written by ''Cheeramakavi'' is a collection of poems written at the end of preliminary stage in Malayalam literature's evolution, and is the oldest Malayalam book available. [[Thunchaththu Ramanujan Ezhuthachan]] (17th century) is considered as the Father of the [[Malayalam language]], because of his influence on the acceptance of the Malayalam alphabet and his extremely popular poetic works like [[Adhyathmaramayanam]]. Several noted works were written during the 19th century, but it was in the 20th century the Malayalam literary movement came to prominence. Malayalam literature flourished under various genres and today it is a fully developed part of Indian literature.
Even up to 500 years since the start of the [[Malayalam calendar]] which commenced in 825 CE, Malayalam literature remained in preliminary stage. During this time, Malayalam literature consisted mainly of various genres of songs.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


===Maithili literature===
====Maithili literature====
{{main|Maithili literature}}
{{main|Maithili literature}}


Maithili literature is the entire collection of poetry, novels, short stories, documents and other writings in the [[Maithili language]]. The most famous literary figure in [[Maithili language|Maithili]] is the poet [[Vidyapati]] (1350–1450), who wrote his poems in the language of the people, i.e., Maithili, at a time when state's official language was [[Sanskrit]] and Sanskrit was being used as a literary language. The use of Maithili, instead of Sanskrit, in literature became more common after Vidyapati.
Maithili literature is the entire collection of poetry, novels, short stories, documents and other writings in the [[Maithili language]].
Jyotirishwar mentions Lorika. Vachaspati II in his ''Tattvachintamani'' and Vidyapati in his ''Danavakyavali'' have profusely used typical Maithili words of daily use.


The Maithili script, Mithilakshara or Tirhuta as it is popularly known, is of a great antiquity. The ''[[Lalitavistara]]'' mentions the Vaidehi script. Early in the latter half of the 7th century A.D., a marked change occurred in the northeastern alphabet, and the inscriptions of Adityasena exhibit this change for the first time. The eastern variety develops and becomes the Maithili script, which comes into use in Assam, Bengal, and Nepal. The earliest recorded epigraphic evidence of the script is found in the Mandar Hill Stone inscriptions of Adityasena in the 7th century A.D., now fixed in the Baidyanath temple of [[Deoghar]].<ref>Choudhary, R. (1976). [https://books.google.com/books?lr=&id=C0f898HDLAYC&pg=PA1 ''A survey of Maithili literature'']. Ram Vilas Sahu.</ref>
The Maithili script, Mithilakshara or Tirhuta as it is popularly known, is of a great antiquity. The ''[[Lalitavistara]]'' mentions the Vaidehi script. Early in the latter half of the 7th century CE, a marked change occurred in the northeastern alphabet, and the inscriptions of Adityasena exhibit this change for the first time. The eastern variety develops and becomes the Maithili script, which comes into use in Assam, Bengal, and Nepal. The earliest recorded epigraphic evidence of the script is found in the Mandar Hill Stone inscriptions of Adityasena in the 7th century CE, now fixed in the Baidyanath temple of [[Deoghar]].<ref>Choudhary, R. (1976). [https://books.google.com/books?lr=&id=C0f898HDLAYC&pg=PA1 ''A survey of Maithili literature'']. Ram Vilas Sahu.</ref>


The language of the Buddhist [[Songs of realization|dohas]] is described as belonging to the mixed Maithili—Kamrupi language.<ref>{{cite book |author=Barua, K. L. |year=1933 |title=Early history of Kamarupa |location=Shillong |publisher=Published by the Author |url=https://archive.org/details/EarlyHistoryOfKamarupa}}</ref>
The language of the Buddhist [[Songs of realization|dohas]] is described as belonging to the mixed Maithili—Kamrupi language.<ref>{{cite book |author=Barua, K. L. |year=1933 |title=Early history of Kamarupa |location=Shillong |publisher=Published by the Author |url=https://archive.org/details/EarlyHistoryOfKamarupa}}</ref>


===Meitei literature===
==== Modern Meitei literature {{anchor|Meitei literature}} ====
{{main|Meitei literature}}
{{Distinguish|#Ancient Meitei literature}}
Meitei literature is literature written in the [[Meitei language]] (Manipuri, Meiteilon), including literature composed in Meitei by writers from Manipur, Assam, Tripura, Myanmar and Bangladesh. The history of Meitei literature can be traced back to thousands of years with the flourish of Meitei civilization. Despite massive devastation and the burning of Meitei scriptures, such as the Puya Meithaba, Meitei literature survived. The resilience that Meiteis would demonstrate in the event of devastation proves their ability to survive throughout history. Most of the early literary works found in Meitei literature were in poetry and prose or a combination of both. One of the most famous Meitei writers of the twentieth century is [[M. K. Binodini Devi]].
{{Main|Meitei literature{{!}}Modern Meitei literature}}
{{Further|Meitei language in Bangladesh}}
Modern Meitei literature, the descendant of [[Ancient Meitei literature]], is written in [[modern Meitei language]] (also known as [[Manipuri language]]), composed by writers from Manipur, Assam, Tripura, Myanmar and Bangladesh. The history of Meitei literature can be traced back to thousands of years with the flourish of [[Meitei civilization]]. {{Langnf|mni|[[Khamba Thoibi Sheireng]]|Epic of [[Khamba Thoibi]]}}, the [[Indian epic poetry#Longest Indian epics|third longest Indian epic poem]], next to the [[Mahabharata]] and the [[Ramayana]], is a Meitei [[epic poem]], based on the classic tale of [[Khamba and Thoibi]],<ref>—{{Cite web |last=KanglaOnline |date=2011-04-04 |title=The great Meitei Reconciliation Process: Revisiting the classical folklore on "Emoinu Chakhong Ngahongbi" by Late Shri Ningomabam Angouton Meetei – KanglaOnline |url=https://kanglaonline.in/2011/04/the-great-meitei-reconciliation-process-revisiting-the-classical-folklore-on-emoinu-chakhong-ngahongbi/ |access-date=2023-11-12|quote=... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...}}<br />—{{Cite book |last=Delhi |first=All India Radio (AIR), New |chapter-url=https://books.google.com/books?id=xf_2DwAAQBAJ&dq=manipuri+classics&pg=PA7 |title=AKASHVANI: Vol. XXXIII, No. 12 ( 17 MARCH, 1968 ) |date=1968-03-17 |publisher=[[All India Radio]] (AIR), New Delhi |location=India |pages=7, 8|chapter=Some Classics of Manipur |author-link=All India Radio}}<br />—{{Cite book |last=Bond |first=Ruskin |chapter-url=https://books.google.com/books?id=NZv0AwAAQBAJ&pg=PT4 |title=The Penguin Book of Classical Indian Love Stories and Lyrics |date=2000-10-14 |publisher=[[Penguin UK]] |isbn=978-93-5118-814-8 |pages=3, 4|chapter=The Story of Khamba and Thoibi |author-link=Ruskin Bond}}</ref> having 39,000 lines, is regarded as the [[national epic]] of the [[Manipuris]].<ref>—{{Cite book |last=George |first=K. M. |url=https://books.google.com/books?id=m1R2Pa3f7r0C&dq=Khamba+Thoibi+Sheireng&pg=PA258 |title=Modern Indian Literature, an Anthology: Surveys and poems |date=1992 |publisher=[[Sahitya Akademi]] |isbn=978-81-7201-324-0 |location=India |pages=258|quote=H. Anganghal Singh's Khamba Thoibi Sheireng (Poem on Khamba Thoibi, 1940) is a national epic of the Manipuris based on the story of Khamba and Thoibi of Moirang. The poet composes the whole epic in the Pena Saisak style of folk ballads sung by minstrels or bards popular in Manipur.}}<br />—{{Cite book |last=Datta |first=Amaresh |url=https://books.google.com/books?id=zB4n3MVozbUC&dq=Khamba+Thoibi+Sheireng&pg=PA1186 |title=Encyclopaedia of Indian Literature: Devraj to Jyoti |publisher=[[Sahitya Akademi]] |year=1988 |isbn=978-81-260-1194-0 |location=India |pages=1186}}<br />—{{Cite book |last=Das |first=Sisir Kumar |url=https://books.google.com/books?id=sqBjpV9OzcsC&dq=Khamba+Thoibi+Sheireng&pg=PA190 |title=A History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy |publisher=[[Sahitya Akademi]] |year=2005 |isbn=978-81-7201-798-9 |pages=190|quote=His epic Singel Indu was published in 1938 which was followed by his magnum opus Khamba Thoibi Sheireng (1940), a poem of 39000 lines, considered to be the 'national' epic of the Manipuris, written in the Pena Saisak style of folk ballads.}}</ref>


===Marathi literature===
====Marathi literature====
{{main|Marathi literature}}
{{main|Marathi literature}}
[[Marathi language|Marathi]] literature began with saint-poets like [[Dnyaneshwar]], [[Tukaram]], [[Samarth Ramdas|Ramdas]], and [[Eknath]]. Modern Marathi literature was marked by a theme of social reform. Well-known figures from this phase include [[Mahatma Jyotiba Phule]], [[Lokhitwadi]], and others. Prominent modern literary figures include [[Jnanpith Award]] winners [[Vishnu Sakharam Khandekar]], [[Vishnu Vaman Shirvadakar]] (''Kavi Kusumagraj'') and [[Govind Vinayak Karandikar]]. Though the earliest known Marathi inscription found at the foot of the statue at Shravanabelgola in Karnataka is dated c. 983 CE, the Marathi literature actually started with the religious writings by the saint-poets belonging to Mahanubhava and Warkari sects. Mahanubhava saints used prose as their main medium, while Warkari saints preferred poetry as the medium. The early saint-poets were Mukundaraj who wrote Vivekasindhu, Dnyaneshwar (1275–1296) (who wrote Amrutanubhav and Bhawarthadeepika, which is popularly known as Dnyaneshwari, a 9000-couplets long commentary on the Bhagavad Gita) and Namdev. They were followed by the Warkari saint-poet Eknath (1528–1599). Mukteswar translated the great epic Mahabharata into Marathi. Social reformers like saint-poet Tukaram transformed Marathi into an enriched literary language. Ramdas's (1608–1681) Dasbodh and Manache Shlok are well-known products of this tradition.
[[Marathi language|Marathi]] literature began with saint-poets like [[Dnyaneshwar]], [[Tukaram]], [[Samarth Ramdas|Ramdas]], and [[Eknath]]. Modern Marathi literature was marked by a theme of social reform.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


In the 18th century, some well-known works like Yatharthadeepika (by Vaman Pandit), Naladamayanti Swayamvara (by Raghunath Pandit), Pandava Pratap, Harivijay, Ramvijay (by Shridhar Pandit) and Mahabharata (by Moropant) were produced. However, the most versatile and voluminous writer among the poets was Moropanta (1729–1794) whose Mahabharata was the first epic poem in Marathi. The historical section of the old Marathi literature was unique as it contained both prose and poetry. The prose section contained the Bakhars that were written after the foundation of the Maratha kingdom by Chhatrapati Shivaji Maharaj. The poetry section contained the Povadas and the Katavas composed by the Shahirs. The period from 1794 to 1818 is regarded as the closing period of the Old Marathi literature and the beginning of the Modern Marathi literature.
====Nepali literature====
 
====Modern period (after 1800)====
The period of the late 19th century in Maharashtra is the period of colonial modernity. Like the corresponding periods in the other Indian languages, this was the period dominated by the English educated intellectuals. It was the age of prose and reason. It was the period of reformist didacticism and a great intellectual ferment.
 
The first English book was translated in Marathi in 1817. The first Marathi newspaper started in 1835. Many books on social reforms were written by Baba Padamji (Yamuna Paryatana, 1857), Mahatma Jyotiba Phule, Lokhitwadi, Justice Mahadev Govind Ranade, Hari Narayan Apte (1864–1919) etc. Lokmanya Tilak's newspaper Kesari, set up in 1880, provided a platform for sharing literary views. V.D. Savarkar's '1857 Che Swatantryasamar' (The Indian War of Independence 1857) served as a Bible for Revolutionaries throughout India. Marathi at this time was efficiently aided by Marathi Drama. Here, there also was a different genre called 'Sangit Natya' or musicals. The first play was V.A. Bhave's ''Sita Swayamvar'' in 1843. Later Kirioskar (1843–85) and G.B. Deval (1854-19l6) brought a romantic aroma and social content. But [[Krushnaji Prabhakar Khadilkar|Krishnaji Prabhakar Khadilkar]] (1872~1948) with his banned play ''Kichaka-Vadh'' (1910) set the trend of political playwriting. Later on this "stage" was ably served by stalwarts like Ram Ganesh Gadkari and Prahlad Keshav Atre. The drama flourished in the 1960s and 70s with few of the best Indian actors available to take on a variety of protagonists. Mohan Agashe, Sriram Lagoo, Kashinath Ghanekar, Prabhakar Panshikar playing many immortal characters penned by greats like Vasant Kanetkar, Kusumagraj, vijay Tendulkar to name a few. This drama movement was ably supported by Marathi films which did not enjoy a continuous success. Starting with [[V.Shantaram]] and before him the pioneer DadaSaheb Phalke, Marathi cinema went on to influence contemporary Hindi cinema. Director [[Raja Paranjape]], Music director [[Sudhir Phadke]], lyricist [[G.D. Madgulkar]] and actor [[Raja Gosavi]] came together to give quite a few hits in later period. Marathi language as spoken by people here was throughout influenced by drama and cinema along with contemporary literature. Modern Marathi poetry began with Mahatma Jyotiba Phule's compositions. The later poets like Keshavsuta, Balakavi, Govindagraj, and the poets of Ravi Kiran Mandal like Madhav Julian wrote poetry which was influenced by the Romantic and Victorian English poetry. It was largely sentimental and lyrical. Prahlad Keshav Atre, the renowned satirist and a politician wrote a parody of this sort of poetry in his collection Jhenduchi Phule. Sane Guruji (1899–1950) contributed to the children's literature in Marathi. His major works are ''Shyamchi Aai'' (Shyam's Mother), ''Astik'' (Believer), ''Gode Shevat'' (The Sweet Ending) etc. He translated and simplified many Western classics and published them in a book of stories titled ''Gode Goshti'' (Sweet Stories).
 
===Mizo literature===
{{main|Mizo literature}}
'''Mizo literature''' is the [[literature]] written in [[Mizo language|Mizo ṭtawng]], the principal language of the [[Mizo peoples]], which has both [[Written language|written]] and [[oral tradition]]s. It has undergone a considerable change in the 20th century. The language developed mainly from the [[Lushai language]], with significant influence from [[Lai languages|Pawi language]], [[Paite language]] and [[Hmar language]], especially at the literary level.<ref>{{Cite web|url=https://www.vanglaini.org/index.php?option=com_content&view=article&id=12917:mizo-tihin-tawng-a-nei-lo-tih-kha&catid=105:articles&Itemid=466/|title=Vanglaini|website=vanglaini.org|access-date=2019-07-31|archive-date=13 November 2020|archive-url=https://web.archive.org/web/20201113115510/https://www.vanglaini.org/index.php?option=com_content&view=article&id=12917%3Amizo-tihin-tawng-a-nei-lo-tih-kha&catid=105%3Aarticles&Itemid=466%2F|url-status=dead}}</ref> All [[Mizo languages]] such as [[Lai languages|Pawi language]], [[Paite language]] etc. remained unwritten until the beginning of the 20th century. However, there was unwritten secular literature in the form of folktales, war chants etc. passed down from one generation to another. And there was rich religious literature in the form of sacerdotal chants. These are the chants used by the two types of priests, namely ''Bawlpu'' and ''Sadâwt''. This article is about the written literature.
 
===Nagpuri literature===
{{Main|Nagpuri literature}}
{{Use dmy dates}}
Nagpuri literature refers to literature in the [[Nagpuri language]], the language of [[Jharkhand]], [[Chhattisgarh]] and [[Odisha]]. The earliest literature started in the nagpuri language when the [[Nagvanshis of Chotanagpur|Nagvanshi]] king and king of [[Ramgarh Raj]] started writing poetry in the 17th century. Since then, various literature has been written.<ref>{{Cite web|url=https://www.telegraphindia.com/jharkhand/giant-new-chapter-for-nagpuri-poetry/cid/362632|title=Giant new chapter for Nagpuri poetry|website=telegraphindia|access-date=6 October 2022}}</ref> Although in the present century, Nagpuri was never considered worthy of literary development, a small but dedicated writers have engaged in writing short stories, plays and poetry.<ref>{{Cite web|url=https://www.researchgate.net/publication/342833425|title=JOURNAL OF CRITICAL REVIEWS A Study of the Special Features of Nagpuri Language of Jharkhand|publisher=research gate|access-date=6 October 2022}}</ref>
 
===Nepali literature===
{{main|Nepali literature}}
{{main|Nepali literature}}


===Odia literature===
====Odia literature====
{{main|Odia literature}}
{{main|Odia literature}}
Odia language literary history started with the charyapadas written in the 8th century AD. Odia has a rich literary heritage, the medieval period dating back to the 13th century. [[Sarala Das]] who lived in the 14th century is known as the [[Vyasa]] of Odisha. He translated the [[Mahabharata]] into Odia. In fact the language was initially standardised through a process of translation of classical Sanskrit texts like the [[Mahabharata]], the [[Ramayana]] and the [[Srimad Bhagavatam]]. Jagannatha Das translated the Srimad Bhagavatam into Odia and his translation standardised the written form of the language. Odia has had a strong tradition of poetry, especially that of devotional poetry. Some other eminent ancient Odia Poets include [[Kabi Samrat Upendra Bhanja]] and [[Kavisurya Baladev Rath]].
Odia is another ancient and rich language among the various language groups in the Indian subcontinent. Ashokan Inscriptions of 3rd cenctury BC at Dhauli and Jaugarh is the ancient unchanged evidence of Odia language. Odia language literary history started with the Kharavel's [[Hatigumpha inscription]] (40 B.C.) was the real evidence of past Odia cultural, political, ritual and social status and it is the first poetic stake inscription.<ref>{{cite book|title=CLASSICL ODIA IN HISTORICAL PERSPECTIVE|date=2015|publisher=Odisha Sahitya Akademi {{!}}Government of Odisha|location=Sanskruti Bhawan, Bhubaneswar-14, Odisha|isbn=978-81-7586-198-5|page=94}}</ref><ref>{{cite book |last1=Prusty |first1=Subrat Kumar |title=Odia Bhasa Sahitya Parichaya |date=2007 |publisher=A.K. Mishra publishers Pvt. Ltd, Satyabhama, Roxy lane, Badambadi, Cuttack-0, Odisha. |location=Cuttack |isbn=978-81-921347-1-0 |pages=131–8|edition=1st}}</ref> Though [[Ashoka]] created many [[Edicts of Ashoka|rock edicts]] and inscriptions before [[Kharavela]], his instructions for administration were written in a rude and chocked language. On the other hand, the Hatigumpha inscriptions show the flexibility of a language in a sweet flow.<ref>{{cite book|last1=Prusty|first1=Subrat Kumar|title=BHASA O JATIYATA|date=2010|publisher=with finical assistance by Dept. of Culture, Govt. of Odisha|location=Bidyadharpur, Jajpur|page=22|edition=1}}</ref><ref>{{cite book|author1=Debi Prasanna Pattanayak|author2=Subrat Kumar Prusty|title=A Report on classical status of Odia Language|date=2013|publisher=Department of Culture, Govt. Of Odisha|location=Bhubaneswar, Odisha|page=90|edition=1st}}</ref><ref>{{cite book|author1=Debi Prasanna Pattanayak|author2=Subrat Kumar Prusty|chapter=Why not Odia? |title=CLASSICAL ODIA|date=2013|publisher=KIIS Foundation, New Delhi|location=D-82, Maitri Vihar, Chandrasekharpur, Bhubaneswar, Odisha, 755001|isbn=978-81-925616-3-9|page=XXI, 33|edition=1st}}</ref><ref>{{cite book|title=CLASSICL ODIA IN HISTORICAL PERSPECTIVE|date=2015|publisher=Odisha Sahitya Akademi|location=Sanskruti Bhawan, Bhubaneswar-14, Odisha|isbn=978-81-7586-198-5|page=38}}</ref>
 
The buddhist charyapadas written in the 7th century CE on the period of [[Bhauma-Kara dynasty]] . Odia has a rich literary heritage, the medieval period dating back to the 13th century. [[Sarala Das]] who lived in the 14th century is known as the [[Vyasa]] of Odisha. He translated the [[Mahabharata]] into Odia.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}
Odia language is replete in classicism. Various forms of poetry like champu, chhanda, bhajan, janan, poi, chautisha etc. were written during the medieval ages.
 
In the 19th century, Swabhab Kavi [[Gangadhar Meher]] (1862-1924), [[Fakir Mohan Senapati]] (1843–1918), Gouri Shankar Ray, [[Gopal Chandra Praharaj]], Pandit Nilmani Vidyaratna, [[Kabibar Radhanath Ray]] were few of the prominent figures in prose and poetry writings of [[Odia literature]]. In the 20th century Godabarish Mohapatra, Kalindi Charana Panigrahi, [[Kanhu Charan Mohanty]] (1906–1994), [[Godabarish Mishra]], [[Gopinath Mohanty]] (1914–1991), [[Sachidananda Routray]] (1916–2004), [[Sitakant Mahapatra]] (born 17 September 1937), [[Surendra Mohanty]], [[Manoj Das]], [[Kishori Charan Das]], [[Ramakanta Rath]] (born 13 December 1934), Binapani Mohanty, [[Jagadish Mohanty]], [[Sarojini Sahoo]], Rajendra Kishore Panda, Padmaj Pal, Ramchandra Behera, [[Pratibha Satpathy]], [[Nandini Sahu]], Debaraj Samantray are few names who created [[Odia literature]]. Recently{{when}} the [[Government of India]] accorded classical status to [[Odia language|Odia]] in 2014.  
There was a time when [[Bengali language|Bengali]] tried to overpower [[Odia Language]]. Along with [[West Bengal]], [[Chhattisgarh]], [[Madhya Pradesh]] and [[Andhra Pradesh]] tookaway many parts of [[Odisha]] letting Odisha into nothingness and despair. Mostly the Bengalis claimed that Odia is the derived form of Bengali and so the language cannot independently exist.The famous Bengali Pandits like Kantilal Bhattacharya and Rajendra Mitra claimed that "Odia ekta swotontro bhasa hobena", i.e., Odia cannot withstand as an independent language. But they were unaware of the fact that Odia language is older than Bengali and even one of the oldest languages in the World. It is one of the classical languages. Owing to the immense contributions and sacrifices of pioneers like [[Fakirmohan Senapati]], [[Gopabandhu Das]], [[Madhusudan Das]], [[Nilakantha Das]], [[Gourishankar Ray]], [[Maharaja]] [[Krushna Chandra Gajapati]] and many more, Odisha and Odia language got back its special identity and has stood tall among the best in the country.
The current state Odisha and the language Odia have evolved through many contributions and sacrifices.


===Punjabi literature===
====Punjabi literature====
{{main|Punjabi literature}}
{{main|Punjabi literature}}
The history of Punjabi literature starts with advent of Aryans in Punjab.
{{citation needed|date=November 2023}}{{verify source|date=November 2023}}The first work considered to be Punjabi literature is <mark>the 16th century biography of Guru Nanak, Janam-sakhi, written by his companion Bhai Bala</mark>. However, some say that Punjabi literature may have evolved much earlier, perhaps in the 9th or 10th centuries, based on the high level of Punjabi poetry written by Baba Farid, Guru Nanak, and Bhai Gurdas. Baba Farid (1173–1266) is often considered the first major Punjabi poet, and his Sufi poetry was compiled after his death in the Adi Granth.
Punjab provided them the perfect environment in which to compose the ancient texts. The Rig-Veda is first example in which references are made to the rivers, flora and fauna of Punjab. The Punjabi literary tradition is generally conceived to commence with Fariduddin Ganjshakar (1173–1266).[2]. Farid's mostly spiritual and devotional verse were compiled after his death in the Adi Granth.


The Janamsakhis, stories on the life and legend of Guru Nanak (1469–1539), are early examples of Punjabi prose literature. Nanak himself composed Punjabi verse incorporating vocabulary from Sanskrit, Arabic, Persian, and other Indic languages as characteristic of the Gurbani tradition. Sufi poetry developed under Shah Hussain (1538–1599), Sultan Bahu (1628–1691), Shah Sharaf (1640–1724), Ali Haider (1690–1785), and Bulleh Shah (1680–1757). In contrast to Persian poets who had preferred the ghazal for poetic expression, Punjabi Sufi poets tended to compose in the Kafi.[3].
Bharatpedia


Punjabi Sufi poetry also influenced other Punjabi literary traditions particularly the Punjabi Qissa, a genre of romantic tragedy which also derived inspiration from Indic, Persian and Qur'anic sources. The Qissa of Heer Ranjha by Waris Shah (1706–1798) is among the most popular of Punjabi qisse. Other popular stories include Sohni Mahiwal by Fazal Shah, Mirza Sahiba by Hafiz Barkhudar (1658–1707), Sassi Punnun by Hashim Shah (1735?-1843?), and Qissa Puran Bhagat by Qadaryar (1802–1892).
====Sindhi literature====
 
The Victorian novel, Elizabethan drama, free verse and Modernism entered Punjabi literature through the introduction of British education during colonial rule. The setting up of a Christian mission at Ludhiana in 1835 (where a printing press was installed for using Gurmukhi fonts, and which also issued the first Punjabi grammar in 1838), the publication of a Punjabi dictionary by Reverend J. Newton in 1854 and the ripple-down effect of the strengthening and modernizing the education system under the patronage of the Singh Sabha Movement in the 1860s, were some of the developments that made it possible for 'modernism' to emerge in Punjabi literary culture. It needs to be pointed out here that 'modernism' is being used here as an umbrella term to cover a whole range of developments in the Punjabi literary culture, starting with the break from tradition or the past to a commitment to progressive ideology, from the experimental nature of the avant-garde to the newness of the forward-looking.
 
===Rajasthani literature===
{{main|Rajasthani literature}}
 
===Sindhi literature===
{{main|Sindhi literature}}
{{main|Sindhi literature}}
<!-- Sindhi literature after 1947 partition between India and Pakistan was in doldrums. The Sindhi's who have migrated from Sind, Pakistan were more involved in survival. However, post partition literature was mainly in demonstrating love for Sind, remembering the Sind and craving for the unification of India & Pakistan.
<!-- Sindhi literature after 1947 partition between India and Pakistan was in doldrums. The Sindhi's who have migrated from Sind, Pakistan were more involved in survival. However, post partition literature was mainly in demonstrating love for Sind, remembering the Sind and craving for the unification of India & Pakistan.
Line 224: Line 159:
Within 2 decades it became clear to all, that the Sindhi language written as well as spoken was gradually declining. Many Sindhi's specially in major cities, preferred to teach Hindi & English to their children, so that their financial future was secure. Therefore the main thrust and debate for all writers and thinkers was 'How to Keep Sindhi Literature Alive'.
Within 2 decades it became clear to all, that the Sindhi language written as well as spoken was gradually declining. Many Sindhi's specially in major cities, preferred to teach Hindi & English to their children, so that their financial future was secure. Therefore the main thrust and debate for all writers and thinkers was 'How to Keep Sindhi Literature Alive'.


By 90's all Sindhi Schools in Cities like Mumbai and Ahemdabad were closed. The only newspaper published from Mumbai, 'Hindvasi' was also closed, other weeklies and dailies in Sindhi have long back closed down. Old generation only read religious books like Ramayana - Mahabharat - Bhagwat etc.
By 90's all Sindhi Schools in Cities like Mumbai and Ahemdabad were closed. The only newspaper published from Mumbai, 'Hindvasi' was also closed, other weeklies and dailies in Sindhi have long back closed down. Old generation only read religious books like Ramayana Mahabharat Bhagwat etc.
Today, an attempt is made to keep Sindhi culture alive by few editors like Jairam Rupani, Shri Lakhmi Khilani by publishing magazine in English language.-->
Today, an attempt is made to keep Sindhi culture alive by few editors like Jairam Rupani, Shri Lakhmi Khilani by publishing magazine in English language.-->


===Tamil literature===
====Tamil literature====
{{main|Tamil literature}}
{{main|Tamil literature}}
[[Tamil language|Tamil]] literature has a rich and long literary tradition spanning more than 2500 years ([[Sangam period]]: 5th century BC-3rd century CE.) [[Tolkaappiyam]] (3rd century BC) has been credited as the oldest work in Tamil available today. The history of Tamil literature follows the [[history of Tamil Nadu]], closely following the social and political trends of various periods. The [[secular]] nature of the early [[Sangam Literature|Sangam]] poetry gave way to works of religious and didactic nature during the Middle Ages. [[Tirukkural]] is a fine example of such work on human behaviour and political morals. A wave of religious revival helped generate a great volume of literary output by [[Saivite]] and [[Vaishnavite]] authors. [[Jain]] and [[Buddhist]] authors during the medieval period and [[Muslim]] and European{{citation needed}} authors later also contributed to the growth of Tamil literature.
[[Tamil language|Tamil]] literature has a rich and long literary tradition spanning more than 2500 years ([[Sangam period]]: 5th century BCE-3rd century CE.) [[Tolkaappiyam]] (3rd century BCE) has been credited as the oldest work in Tamil available today.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


A revival of Tamil literature took place from the late 19th century when works of religious and philosophical nature were written in a style that made it easier for the common people to enjoy. Nationalist poets began to utilise the power of poetry in influencing the masses. Short stories and novels began to appear. The popularity of [[Tamil Cinema]] has also provided opportunities for modern Tamil poets to emerge.
====Telugu literature====
{{main|Telugu literature}}
Telugu, the Indian language with the third largest number of speakers (after Hindi & Bengali), is rich in literary traditions. Literature has existed from 300 BCE in the form of inscriptions. The earliest written literature dates back to the 7th century CE.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


===Telugu literature===
====Urdu literature====
{{main|Telugu literature}}
{{main|Urdu literature}}
Telugu, the Indian language with the third largest number of speakers (after Hindi & Bengali), is rich in literary traditions.
Among other traditions, Urdu poetry is a fine example of linguistic and cultural synthesis. [[Arab]] and [[Persian language|Persian]] vocabulary based on the Hindi language resulted in a vast and popular class of ghazal literature, usually written by Muslims in contexts ranging from romance and society to philosophy and Tassawuf (Sufism).{{citation needed|date=November 2023}}{{verify source|date=November 2023}}
The earliest written literature dates back to the 7th century. The epic literary tradition started with [[Nannayya]] who is acclaimed as Telugu's ''Aadikavi'' meaning the first poet. He belongs to the 10th or 11th century.


[[Vemana]] was a prince, also called Pedakomati or Vemaa Reddy, who lived in the 14th century and wrote poems in the language of the common man. He questioned the prevailing values and conventions and religious practices in his poems. His philosophy made him a unique poet of the masses.
=== Sahitya Akademi recognised but non scheduled languages ===
{{Further|Sahitya Akademi#Recognised literary languages|Scheduled languages of India}}


[[Viswanadha Satyanarayana]] (''Veyipadagalu'') (1895–1976), a doyen of conventional yet creative literature, was the first to receive the [[Jnanpith Award]] for Telugu followed by [[C. Narayana Reddy]] and [[Ravuri Bharadwaja]].
==== Indian English literature {{anchor|English literature}} ====
{{main|Indian English literature}}
{{further|Indian English}}
In the 20th century, several Indian writers have distinguished themselves not only in traditional [[Languages of India|Indian languages]] but also in English, a language inherited from [[British raj|the British]]. As a result of British colonisation, India has developed its own unique dialect of English known as [[Indian English]].{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


[[Srirangam Srinivasarao]] or '''Sri Sri''' (1910–1983) was a popular 20th century poet and lyricist. Srisri took the "Telugu literary band wagon that travelled in roads of kings and queens into that of muddy roads of common man".
====Rajasthani literature====
{{main|Rajasthani literature}}


====Literary movements====
=== Non Sahitya Akademi recognised & non scheduled languages {{anchor|In non Sahitya Akademi recognised & non scheduled languages}} ===
{{Further|Sahitya Akademi#Recognised literary languages|Scheduled languages of India}}


=====Old Era=====
====Bhojpuri literature====
Telugu literature has been enriched by many literary movements, like the Veera Shaiva movement which gave birth to dwipada kavitvam (couplets). The Bhakti movement gave rise to compilations by Annamayya, [[Kshetrayya]] and Tyagaraja and kancharla Gopanna (Ramadasu). The renaissance movement heralded by Vemana stands for the old Telugu literary movements.
{{main|Bhojpuri literature}}


=====New Era=====
====Chhattisgarhi literature====
The Romantic Movement (led by Krishnasashtri, Rayaprolu, Vedula), Progressive Writers Movement, [[:te:దిగంబర కవులు|Digambara Kavitvam]] (Nagnamuni, Cherabanda Raju, Jwalamukhi, [[:te:నిఖిలేశ్వర్|Nikhileswar]], Bhairavayya and Mahaswapna Revolutionary Writers' Movement, Streevada Kavitvam and Dalita Kavitvam all flourished in Telugu literature. Telugu literature has been the standard bearer of Indian literature in these respects.
Literature in Chhattisgarh reflects the regional consciousness and the evolution of an identity distinct from others in Central India.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


Fiction and prose literature:
====Kodava literature====
When Kodava was written, it was usually with Kannada script, sometimes with minor modifications.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


Kandukuri Veeresalingam is said to be the father of Modern Telugu fiction. Kodavatiganti Kutumba Rao laid the foundation for the realistic modern Telugu novel and short story, and Rachakonda and Kalipatnam carried the flag in to excellency.
====Mizo literature====
{{main|Mizo literature}}
'''Mizo literature''' is the [[literature]] written in [[Mizo language|Mizo ṭtawng]], the principal language of the [[Mizo peoples]], which has both [[Written language|written]] and [[oral tradition]]s. It has undergone a considerable change in the 20th century. The language developed mainly from the [[Lushai language]], with significant influence from [[Lai languages|Pawi language]], [[Paite language]] and [[Hmar language]], especially at the literary level.<ref>{{Cite web|url=https://www.vanglaini.org/index.php?option=com_content&view=article&id=12917:mizo-tihin-tawng-a-nei-lo-tih-kha&catid=105:articles&Itemid=466/|title=Vanglaini|website=vanglaini.org|access-date=2019-07-31|archive-date=13 November 2020|archive-url=https://web.archive.org/web/20201113115510/https://www.vanglaini.org/index.php?option=com_content&view=article&id=12917%3Amizo-tihin-tawng-a-nei-lo-tih-kha&catid=105%3Aarticles&Itemid=466%2F|url-status=dead}}</ref>


[[Annamaya]], [[Gurajada Appa Rao]], [[Kandukuri Veeresalingam|Kandukuri]], [[Devulapalli Krishnasastri|Devulapalli]], [[Gurram Jashuva|Jashuva]], Unnava Laxminarayana (''Malapalli''), Bucchi Babu, [[Tripuraneni Gopichand]], Maa Gokhale, [[Papineni Sivasankar]] and many more had a profound impact on Telugu literature.
====Nagpuri literature====
{{Main|Nagpuri literature}}
Nagpuri literature refers to literature in the [[Nagpuri language]], the language of [[Jharkhand]], [[Chhattisgarh]] and [[Odisha]]. The earliest literature started in the nagpuri language when the [[Nagvanshis of Chotanagpur|Nagvanshi]] king and king of [[Ramgarh Raj]] started writing poetry in the 17th century. Since then, various literature has been written.<ref>{{Cite web|url=https://www.telegraphindia.com/jharkhand/giant-new-chapter-for-nagpuri-poetry/cid/362632|title=Giant new chapter for Nagpuri poetry|website=telegraphindia|date=5 November 2012|access-date=6 October 2022}}</ref> Although in the present century, Nagpuri was never considered worthy of literary development, a small but dedicated writers have engaged in writing short stories, plays and poetry.<ref>{{Cite web|url=https://www.researchgate.net/publication/342833425|title=JOURNAL OF CRITICAL REVIEWS A Study of the Special Features of Nagpuri Language of Jharkhand|publisher=research gate|date=July 2020|access-date=6 October 2022}}</ref>


===Tripuri literature===
====Tripuri literature====
{{main|Tripuri literature}}
{{main|Tripuri literature}}


Tripuri(Kokborok/Tiprakok) is the native language of Tripuri people in present Tripura state in North East of India. During 20th centuries many of Royal family and its officials contributes to develop the Kokborok Language in many ways.
Tripuri(Kokborok/Tiprakok) is the native language of Tripuri people in present Tripura state in North East of India.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


A significant hint for the antiquity of the Kokborok language can be found in the lines in the "Rajmala", the chronicle which mentions that "Rajmala" was first written in Kokborok(Tripuri).
====Tulu literature====
 
===Tulu literature===
{{main|Tulu literature}}
{{main|Tulu literature}}
The written literature of Tulu is not as large as the literature of other literary Dravidian languages such as Tamil.[46] Nevertheless, Tulu is one of only five literary Dravidian languages, the other four being Tamil, Telugu, Kannada and Malayalam. The earliest available Tulu literature that survives to this date is the Tulu translation of the great Sanskrit epic of Mahabharata called Mahabharato (ಮಹಾಭಾರತೊ). It was written by Arunabja (1657 AD), a poet who lived in Kodavur near Udupi[47] around late 14th to early 15th century AD.[48] Other important literary works in Tulu are:
The written literature of Tulu is not as large as the literature of other literary Dravidian languages such as Tamil.{{citation needed|date=November 2023}}{{verify source|date=November 2023}}
 
Devi Mahatmyam's (ಶ್ರೀ ದೇವಿ ಮಹಾತ್ಮೆ) 1200 AD - Tulu translation
Sri Bhagavata (ಶ್ರೀ ಭಾಗವತೊ) 1626 AD - written by Vishnu Tunga
Kaveri (1391 AD)
This script was mainly used to write religious and literary works in Sanskrit.[49][50] Even today the official script of the eight Tulu monasteries (Ashta Mathas of Udupi) founded by Madhvacharya in Udupi is Tulu.[51][52] The pontiffs of the monasteries write their names using this script when they are appointed.[52]
 
Modern-day Tulu literature is written using the Kannada script. Mandara Ramayana is the most notable piece of modern Tulu literature. Written by Mandara Keshava Bhatt, it received the Sahitya Academy award for best poetry.[53] Madipu, Mogaveera, Saphala and Samparka are popular Tulu periodicals published from Mangalore. The Tulu Sahitya Academy, established by the state government of Karnataka in 1994, as also the Kerala Tulu Academy established by the Indian State Government of Kerala in Manjeshwaram in 2007, are important governmental organisations that promote Tulu literature. Nevertheless, there are numerous organisations spread all over the world with significant Tulu-migrated populations that contribute to Tulu literature. Some notable contributors of Tulu literature are Kayyar Kinhanna Rai, M. K. Seetharam Kulal, Amruta Someshwara, B. A. Viveka Rai, Kedambadi Jattappa Rai, Venkataraja Puninchattaya, Paltadi Ramakrishna Achar, Dr. Sunitha M. Shetty, Dr. Vamana Nandavara, Sri. Balakrishna Shetty Polali.
 
===Urdu literature===
{{main|Urdu literature}}
Among other traditions, Urdu poetry is a fine example of linguistic and cultural synthesis. [[Arab]] and [[Persian language|Persian]] vocabulary based on the Hindi language resulted in a vast and extremely beloved class of ghazal literature, usually written by Muslims in contexts ranging from romance and society to philosophy and Tassawuf (Sufism). Urdu soon became the court language of the Mughals and in its higher forms was once called the "[[Kohinoor]]" of Indian languages. It is surely the most refined, enriched, sophisticated and ripended language and literature, producing poets like, [[Mir Taqi Mir|Mir]], [[Ghalib]], [[Muhammad Iqbal|Iqbal]], [[Mohammad Ibrahim Zauq|Zauq]] and [[Faiz Ahmad Faiz|Faiz]]. The poetry of Mohammed Iqbal invoked a spirit of freedom among the Muslims of India, thus contributing a pivotal role in the making of Pakistan.
 
In Urdu literature fiction has also flourished well. Umrao Jaan Ada of Mirza Hadi Ruswa is the first significant Urdu novel. Premchand is treated as father of modern Urdu fiction with his novel Godan and short stories like Kafan. The art of short story was further taken ahead by Manto, Bedi, Krishn Chander and a host of highly acclaimed writers. Urdu novel reached further heights in the 1960s with novels of [[Qurratulain Haider]] and Abdullah Hussain. Towards the end of the 20th century Urdu novel entered into a new phase with trend setter novel MAKAAN of Paigham Afaqui. Urdu ghazal has also recently changed its colour with more and more penetration in and synchronization with modern and contemporary issues of life.


==In foreign languages==
==In foreign languages==
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===Indian Persian literature===
===Indian Persian literature===
{{main|Persian language in the Indian subcontinent}}
{{main|Persian language in the Indian subcontinent}}
During the early Muslim period, Persian became the official language of the northern part of Indian subcontinent, used by most of the educated and the government. The language had, from its earliest days in the 11th century AD, been imported to the subcontinent by various culturally Persianised [[Central Asia]]n [[Turkic peoples|Turkic]] and [[Afghans|Afghan]] dynasties.<ref>Sigfried J. de Laet. [https://books.google.com/books?id=PvlthkbFU1UC&dq=persian+language+in+anatolia&pg=PA734 ''History of Humanity: From the seventh to the sixteenth century''] UNESCO, 1994. {{ISBN|9231028138}} p 734</ref> Several Indians became major Persian poets later on, the most notable being [[Amir Khusro]] and, in more modern times, Muhammad Iqbal. Much of the older [[Sanskrit]] literature was also translated into Persian. For a time, it remained the court language of the [[Mughals]], soon to be replaced by Urdu. Persian still held its status, despite the spread of Urdu, well into the early years of the [[British India|British]] rule in India. Most British officials had to learn Persian on coming to India and concluded their conversations in Persian. In 1837, however, the British, in an effort to expand their influence, made a government ruling to discontinue the use of Persian and commence the use of English instead. Thus started the decline of Persian as most of the subcontinent's official governmental language, a position to be taken up by the new language of the [[British Raj]], English. Many modern Indian languages still show signs of relatively heavy Persian influence, most notably Urdu and Hindi.
During the early Muslim period, Persian became the official language of the northern part of Indian subcontinent, used by most of the educated and the government. The language had, from its earliest days in the 11th century CE, been imported to the subcontinent by various culturally Persianised [[Central Asia]]n [[Turkic peoples|Turkic]] and [[Afghans|Afghan]] dynasties.<ref>Sigfried J. de Laet. [https://books.google.com/books?id=PvlthkbFU1UC&dq=persian+language+in+anatolia&pg=PA734 ''History of Humanity: From the seventh to the sixteenth century''] UNESCO, 1994. {{ISBN|9231028138}} p 734</ref>


===Literature from North East India===
==Literature from North East India==
{{main|Literature from North East India}}
{{main|Literature from North East India}}
{{Further|#Ancient Meitei literature|#Assamese literature|#Modern Meitei literature}}
[[Literature from North East India]] included [[Assamese literature]], [[Meitei literature|Meitei or Manipuri literature]], Naga literature, among others. Ancient India has many intensive examples, like that of the incredible verses translated from the [[Ramayana]], named ''Saptakanda Ramayana''. Choral songs known as [[Oja-Pali]],<ref>{{Cite web|title=Ojapali – A performing art form of Assam|url=https://www.oknortheast.com/2012/03/ojapali-performing-art-form-of-assam.html?m=1|access-date=2021-01-22|website=oknortheast.com}}</ref> and theater performances, known as ''Panchali'', were also an extensive part of [[Assamese literature]].<ref>{{Cite journal|last=Barua|first=Hem|date=1957|title=Assamese literature|url=https://www.jstor.org/stable/23328613|journal=Indian Literature|volume=1|issue=1|pages=65–68|jstor=23328613 |issn=0019-5804}}</ref>


[[Literature from North East India|English literature from North East India]] refers to the body of work by English-language writers from [[North-East India]].They included many sub-categories, such as Naga literature, [[Assamese literature]], [[Meitei literature|Meitei or Manipuri literature]], among others. Ancient India has many intensive examples, like that of the incredible verses translated from the [[Ramayana]], named ''Saptakanda Ramayana''. Choral songs known as [[Oja-Pali]],<ref>{{Cite web|title=Ojapali – A performing art form of Assam|url=https://www.oknortheast.com/2012/03/ojapali-performing-art-form-of-assam.html?m=1|access-date=2021-01-22|website=www.oknortheast.com}}</ref> and theater performances, known as ''Panchali'', were also an extensive part of [[Assamese literature]].<ref>{{Cite journal|last=Barua|first=Hem|title=Assamese literature|url=https://www.jstor.org/stable/23328613|journal=Indian Literature|volume=1|issue=1|pages=65–68|jstor=23328613 |issn=0019-5804}}</ref>
==Awards==
In contemporary Indian literature, there are two major literary awards; these are the [[List of Sahitya Akademi fellows|Sahitya Akademi Fellowship]] and the [[Jnanpith Award]]. Eight Jnanpith Awards each have been awarded in Hindi and [[Kannada language|Kannada]], followed by five in [[Bengali language|Bengali]] and [[Malayalam language|Malayalam]], four in [[Odia language|Odia]], [[Gujarati language|Gujarati]], [[Marathi language|Marathi]], [[Telugu language|Telugu]] and [[Urdu language|Urdu]],<ref>{{Cite web|url=http://jnanpith.net/|title=Jnanpith {{!}} Home|website=jnanpith.net|access-date=2019-07-31}}</ref><ref name=award2008>{{cite news|url=http://www1.timesofindia.indiatimes.com/Delhi/Kunwar_Narayan_to_be_awarded_Jnanpith/articleshow/3752703.cms|title=Kunwar Narayan to be awarded Jnanpith|date=24 November 2008|newspaper=The Times of India|access-date=2008-11-25|url-status=dead|archive-url=https://archive.today/20121205234801/http://www1.timesofindia.indiatimes.com/Delhi/Kunwar_Narayan_to_be_awarded_Jnanpith/articleshow/3752703.cms|archive-date=5 December 2012}}</ref> two each in [[Assamese language|Assamese]], [[Konkani language|Konkani]] and [[Tamil language|Tamil]], and one each in [[Sanskrit]] and Kashmiri۔{{citation needed|date=November 2023}}{{verify source|date=November 2023}}


==Awards==
* [[List of Sahitya Akademi fellows|Sahitya Akademi Fellowship]]
* [[List of Sahitya Akademi fellows|Sahitya Akademi Fellowship]]
* [[Jnanpith Award]]
* [[Jnanpith Award]]
Line 301: Line 235:


==See also==
==See also==
 
{{Portal|India|Literature}}
*[[Indian epic poetry]]
*[[Indian epic poetry]]
*[[List of ancient Indian writers]]
*[[Indian Literature (journal)|''Indian Literature'' (journal)]]
*[[Indian Literature (journal)|''Indian Literature'' (journal)]]
*[[Indian poetry]]
*[[Indian poetry]]
*[[List of ancient Indian writers]]
*[[Literature from North East India]]
*[[Literature from North East India]]
*[[Stephanian School of Literature]]
*[[Stephanian school of literature]]
*[[List of countries and territories where Hindustani is an official language]]


==Footnotes==
==Footnotes==
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==External links==
==External links==
*[http://www.indohistory.com/literature.html Indian Literature on Indohistory]
{{Commons category|Literature of India}}
{{Wikiquote}}
{{EB1911 poster|Hindōstānī Literature}}
*{{usurped|1=[https://web.archive.org/web/20080121011533/http://indohistory.com/literature.html Indian Literature on Indohistory]}}
*[http://indianreview.in Indian Literature, Fiction and Poetry Magazine]
*[http://indianreview.in Indian Literature, Fiction and Poetry Magazine]
*[http://lawpark.jimdo.com/other-lists-1/south-asian-canonical-texts/ South Asian Canonical Texts]{{dead link|bot=InternetArchiveBot |fix-attempted=yes }}
*[http://lawpark.jimdo.com/other-lists-1/south-asian-canonical-texts/ South Asian Canonical Texts]{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }}
*[http://www.worldrecordsindia.com/2014/06/longest-poem-on-indian-constitution/ Bhas - Longest Poem on Indian Constitution set World Record]


{{India topics}}
{{India topics}}
{{Asian topic|| literature}}
{{Asian topic|| literature}}
{{Authority control}}


{{DEFAULTSORT:Indian Literature}}
{{DEFAULTSORT:Indian Literature}}
[[Category:Indian literature| ]]
[[Category:Indian literature| ]]

Latest revision as of 06:46, 14 March 2026



Template:History of literature by era

Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Eighth Schedule to the Constitution of India has 22 officially recognised languages. Sahitya Akademi, India's highest literary body, also has 24 recognised literary languages.

The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics Ramayana and Mahabharata were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE,[1] as did the Pāli Canon and Tamil Sangam literature.[citation needed] Ancient Meitei appeared in the 1st century CE with sacred musical compositions like the Ougri,[2] and heroic narratives like the Numit Kappa.[3] In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries, respectively.[4] Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as well. In 1913, Bengali poet Rabindranath Tagore became India's first Nobel laureate in literature.[5][verification needed]

In archaic and ancient Indian languages[edit | edit source]

Template:History of literature by region or country

Sanskrit literature[edit | edit source]

Vedic literature[edit | edit source]

Examples of early works written in Vedic Sanskrit include, the core Vedas and Upanishads. Other examples include the Sulba Sutras, which are some of the earliest texts on geometry.[citation needed][verification needed]

Epic Sanskrit literature[edit | edit source]

Ved Vyasa's Mahabharata and Valmiki's Ramayana, written in Epic Sanskrit, are regarded as the greatest Sanskrit epics.[citation needed][verification needed]

Classical Sanskrit literature[edit | edit source]

The famous poet and playwright Kālidāsa wrote one epic: Raghuvamsha (Dynasty of Raghu); it was written in Classical Sanskrit rather than Epic Sanskrit. Other examples of works written in Classical Sanskrit include the Pāṇini's Ashtadhyayi, which standardised the grammar and phonetics of Classical Sanskrit. The Laws of Manu (मनुस्मृति) is a famous text in Hinduism. Kālidāsa is often considered to be the greatest playwright in Sanskrit literature and one of the greatest poets in Sanskrit literature; his Recognition of Shakuntala (अभिज्ञानशाकुन्तलम्) and Meghaduuta are Kalidasa's most famous play and poem respectively. Other famous plays include Mricchakatika by Shudraka, Svapna Vasavadattam by Bhasa, and Ratnavali by Sri Harsha. Later poetic works include Gita Govinda by Jayadeva. Some other famous works are Chanakya's Arthashastra and Vatsyayana's Kamasutra.[citation needed][verification needed]

Classical Odia literature[edit | edit source]

Ancient Meitei literature[edit | edit source]

"The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now."[6]

Suniti Kumar Chatterji, Padma Vibhushan awardee Indian scholar

Some of the ancient literature of Meitei language (also known as Manipuri language) include the Ougri (c. 1st century CE musical composition),[2] the Numit Kappa (c. 1st century CE narrative work),[3] the Poireiton Khunthok (c. 3rd century CE narrative work),[7] the Khencho (pre-7th century CE musical composition),[8] 6th-7th century CE copper plate inscriptions of king Khongtekcha,[9] the Panthoibi Khonggul (c. 8th century CE narrative work),[10] the Loiyumpa Silyel (c. Written Constitution drafted in 429 CE, and finalised in 11th-12th century CE), etc.[11]

Prakrit literature[edit | edit source]

Many of Aśvaghoṣa's plays were written in Shauraseni as were a sizable number of Jain works and Rajasekhara's Karpuramanjari. Canto 13 of the Bhaṭṭikāvya[12] is written in what is called "like the vernacular" (bhāṣāsama), that is, it can be read in two languages simultaneously: Prakrit and Sanskrit.[13]

Pali literature[edit | edit source]

The canonical Pali literature includes Buddhist discourses (suttas), Abhidharma works, poetry, works on monastic discipline (vinaya), and the Jataka tales.[citation needed][verification needed]

Tamil literature[edit | edit source]

Sangam literature[edit | edit source]

The Sangam literature (Tamil: சங்க இலக்கியம், Sanga ilakkiyam) is the ancient Tamil literature of the period in the history of South India (known as the Thamizhagam or the Tamilagam) spanning from c. 300 BCE to 300 CE (Akananuru (1, 15, 31, 55, 61, 65, 91, 97, 101, 115, 127, 187, 197, 201, 211, 233, 251, 265, 281, 311, 325, 331, 347, 349, 359, 393, 281, 295), Kurunthogai (11), Natrinai (14, 75) are dated before 300 BCE).[14][15][16][17][18] This collection contains 2381 poems in Tamil composed by 473 poets, some 102 of whom remain anonymous.[19]

Most of the available Sangam literature is from the Third Sangam,[20] this period is known as the Sangam period, which refers to the prevalent Sangam legends claiming literary academies lasting thousands of years, giving the name to the corpus of literature.[21][22][23] The Only religious poems among the shorter poems occur in paripaatal. The rest of the corpus of Sangam literature deals with human relationship and emotions.[24]

Sangam literature deals with emotional and material topics such as love, war, governance, trade and bereavement.[25] Some of the greatest Tamil scholars, like Thiruvalluvar, who wrote on ethics, and on the various issues of life like virtue, wealth and love, or the Tamil poet Mamulanar, who explored historical incidents that happened in India, lived during the Sangam period.[26][27]

Bhakti literature[edit | edit source]

The Bhakti Movement was a significant religious movement in medieval Hinduism[28]: that sought to bring religious reforms to all strata of society by adopting the method of devotion to achieve salvation.[29] Originating in Tamilakam during 6th century CE,[30][31][32][33] it gained prominence through the poems and teachings of the Vaishnava Alvars and Shaiva Nayanars before spreading northwards.[28]: It swept over east and north India from the 15th century onwards, reaching its zenith between the 15th and 17th century CE.[28]: From the 14th to the 18th centuries, India's literary traditions went through a period of drastic change because of the spread of the Bhakti movement in the northern parts of India, resulting in the emergence of devotional poets like Kabīr, Tulsīdās, and Guru Nānak. This period was characterised by a varied and wide spectrum of thought and expression; as a consequence, medieval Indian literary works differed significantly from classical traditions.[34]

In modern Indian languages [edit | edit source]

Sahitya Akademi recognised & scheduled languages[edit | edit source]

Assamese literature[edit | edit source]

Lakshminath Bezbaroa, Assamese poet, novelist and playwright of modern Assamese literature

The Buddhist Charyapadas are often cited as the earliest example of Assamese literature. The Charyapadas are Vajrayana Buddhist songs composed in the 8th to 12th centuries.[35][36] These writings bear similarities to Oriya and Bengali languages as well. The phonological and morphological traits of these songs, some of which are extant, bear very strong resemblance to Assamese.[citation needed][verification needed]

A comprehensive introductory book Assamese Language-Literature & Sahityarathi Lakshminath Bezbaroa originally authored by leading Assamese littérateur of Awahon-Ramdhenu Era and pioneer Assam economist Bhabananda Deka together with his three deputies, Parikshit Hazarika, Upendra Nath Goswami and Prabhat Chandra Sarma, was published in 1968. This book was officially released in New Delhi on 24 Nov 1968 by then President of India Zakir Husain in commemoration of the birth centenary celebration of doyen of Assamese literature Lakshminath Bezbaroa. After almost half a century, this historic book has been recovered and re-edited by Assamese award-winning short-story writer & novelist Arnab Jan Deka, which was published by Assam Foundation-India in 2014.[37]

Bengali literature[edit | edit source]

Rabindranath Tagore, the author of many works, including Gitanjali and India's national anthem 'Jana Gana Mana'. He was awarded the Nobel Prize in Literature in 1913 for "his profoundly sensitive, fresh and beautiful verse, by which, with consummate skill, he has made his poetic thought, expressed in his own English words, a part of the literature of the West." He was the first person of non-European lineage to win a Nobel Prize.
Bankim Chandra Chatterjee, the author of India's National Song 'Vande Mataram'.

The first evidence of Bengali literature is known as Charyapada or Charyageeti, which were Buddhist hymns from the 8th century. Charyapada is in the oldest known written form of Bengali. The famous Bengali linguist Hara Prasad Shastri discovered the palm leaf Charyapada manuscript in the Nepal Royal Court Library in 1907. The most internationally famous Bengali writer is Nobel laureate Rabindranath Tagore, who received the Nobel Prize for Literature in 1913 for his work "Gitanjali". He wrote the national anthem of India and Bangladesh namely, "Jana Gana Mana" and "Amar Sonar Bangla", respectively. He was the first Asian who won the Nobel Prize. Rabindranath has written an enormous number of poems, songs, essays, novels, plays and short stories. His songs remain popular and are still widely sung in Bengal.[citation needed][verification needed]

Hindi literature[edit | edit source]

Hindi literature started as religious and philosophical poetry in medieval periods in dialects like Avadhi and Brij. The most famous figures from this period are Kabir and Tulsidas. In modern times, the Dehlavi dialect of the Hindi Belt became more prominent than Sanskrit.[citation needed][verification needed]

Gujarati literature[edit | edit source]

Suresh Joshi is known as father of modern Gujarati literature.

Gujarati literature's history may be traced to 1000 CE.[citation needed][verification needed]

Kannada literature[edit | edit source]

Kannada writer and Jnanpith Award winner for the year 1994, U. R. Ananthamurthy

The oldest existing record of Kannada prose is the Halmidi inscription of 450 CE, and poetry in tripadi metre is the Kappe Arabhatta record of 700 CE. The folk form of literature began earlier than any other literature in Kannada. Gajashtaka (800 CE) by King Shivamara II, Chudamani (650 CE) by Thumbalacharya are examples of early literature now considered extinct. Kavirajamarga by King Nripatunga Amoghavarsha I (850 CE) is the earliest existing literary work in Kannada. It is a writing on literary criticism and poetics meant to standardise various written Kannada dialects used in literature in previous centuries. The book makes reference to Kannada works by early writers such as King Durvinita of the 6th century and Ravikirti, the author of the Aihole record of 636 CE. An early extant prose work, the Vaddaradhane by Shivakotiacharya of 900 CE provides an elaborate description of the life of Bhadrabahu of Shravanabelagola. Since the earliest available Kannada work is one on grammar and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature in Kannada must have started several centuries earlier.[38] Pampa who popularised Champu style in Karnataka wrote the epic "Vikramarjuna Vijaya". He also wrote "Adipurana". Other famous poets like Ponna wrote "shantinatapurana", "Bhuvanaikaramabhyudaya", "Jinaksharamale", and "gatapratyagata". Ranna wrote "Shantipurana" and "Ghadayudha". The Jain poet Nagavarma II wrote "Kavyavalokana", "Karnatabhashabhushana" and "Vardhamanapurana" . Janna was the author of "Yashodhara Charitha". Rudhrabhatta and Durgashima wrote "Jagannatha Vijaya" and "Panchatantra" respectively. The works of the medieval period are based on Jain and Hindu principles. The Vachana Sahitya tradition of the 12th century is purely native and unique in world literature.[39]

Kashmiri literature[edit | edit source]

Konkani literature[edit | edit source]

Konkani is a language with a complex and much-contested history. It is one of the few Indian languages to be written in five scripts—Roman, Nagari, Kannada, Persian-Arabic and Malayalam-and also has an extensive oral literature.[citation needed][verification needed]

Malayalam literature[edit | edit source]

Even up to 500 years since the start of the Malayalam calendar which commenced in 825 CE, Malayalam literature remained in preliminary stage. During this time, Malayalam literature consisted mainly of various genres of songs.[citation needed][verification needed]

Maithili literature[edit | edit source]

Maithili literature is the entire collection of poetry, novels, short stories, documents and other writings in the Maithili language.

The Maithili script, Mithilakshara or Tirhuta as it is popularly known, is of a great antiquity. The Lalitavistara mentions the Vaidehi script. Early in the latter half of the 7th century CE, a marked change occurred in the northeastern alphabet, and the inscriptions of Adityasena exhibit this change for the first time. The eastern variety develops and becomes the Maithili script, which comes into use in Assam, Bengal, and Nepal. The earliest recorded epigraphic evidence of the script is found in the Mandar Hill Stone inscriptions of Adityasena in the 7th century CE, now fixed in the Baidyanath temple of Deoghar.[40]

The language of the Buddhist dohas is described as belonging to the mixed Maithili—Kamrupi language.[41]

Modern Meitei literature [edit | edit source]

Modern Meitei literature, the descendant of Ancient Meitei literature, is written in modern Meitei language (also known as Manipuri language), composed by writers from Manipur, Assam, Tripura, Myanmar and Bangladesh. The history of Meitei literature can be traced back to thousands of years with the flourish of Meitei civilization. Khamba Thoibi Sheireng (Meitei for 'Epic of Khamba Thoibi'), the third longest Indian epic poem, next to the Mahabharata and the Ramayana, is a Meitei epic poem, based on the classic tale of Khamba and Thoibi,[42] having 39,000 lines, is regarded as the national epic of the Manipuris.[43]

Marathi literature[edit | edit source]

Marathi literature began with saint-poets like Dnyaneshwar, Tukaram, Ramdas, and Eknath. Modern Marathi literature was marked by a theme of social reform.[citation needed][verification needed]

Nepali literature[edit | edit source]

Odia literature[edit | edit source]

Odia is another ancient and rich language among the various language groups in the Indian subcontinent. Ashokan Inscriptions of 3rd cenctury BC at Dhauli and Jaugarh is the ancient unchanged evidence of Odia language. Odia language literary history started with the Kharavel's Hatigumpha inscription (40 B.C.) was the real evidence of past Odia cultural, political, ritual and social status and it is the first poetic stake inscription.[44][45] Though Ashoka created many rock edicts and inscriptions before Kharavela, his instructions for administration were written in a rude and chocked language. On the other hand, the Hatigumpha inscriptions show the flexibility of a language in a sweet flow.[46][47][48][49] The buddhist charyapadas written in the 7th century CE on the period of Bhauma-Kara dynasty . Odia has a rich literary heritage, the medieval period dating back to the 13th century. Sarala Das who lived in the 14th century is known as the Vyasa of Odisha. He translated the Mahabharata into Odia.[citation needed][verification needed]

Punjabi literature[edit | edit source]

[citation needed][verification needed]The first work considered to be Punjabi literature is the 16th century biography of Guru Nanak, Janam-sakhi, written by his companion Bhai Bala. However, some say that Punjabi literature may have evolved much earlier, perhaps in the 9th or 10th centuries, based on the high level of Punjabi poetry written by Baba Farid, Guru Nanak, and Bhai Gurdas. Baba Farid (1173–1266) is often considered the first major Punjabi poet, and his Sufi poetry was compiled after his death in the Adi Granth.

Bharatpedia

Sindhi literature[edit | edit source]

Tamil literature[edit | edit source]

Tamil literature has a rich and long literary tradition spanning more than 2500 years (Sangam period: 5th century BCE-3rd century CE.) Tolkaappiyam (3rd century BCE) has been credited as the oldest work in Tamil available today.[citation needed][verification needed]

Telugu literature[edit | edit source]

Telugu, the Indian language with the third largest number of speakers (after Hindi & Bengali), is rich in literary traditions. Literature has existed from 300 BCE in the form of inscriptions. The earliest written literature dates back to the 7th century CE.[citation needed][verification needed]

Urdu literature[edit | edit source]

Among other traditions, Urdu poetry is a fine example of linguistic and cultural synthesis. Arab and Persian vocabulary based on the Hindi language resulted in a vast and popular class of ghazal literature, usually written by Muslims in contexts ranging from romance and society to philosophy and Tassawuf (Sufism).[citation needed][verification needed]

Sahitya Akademi recognised but non scheduled languages[edit | edit source]

Indian English literature [edit | edit source]

In the 20th century, several Indian writers have distinguished themselves not only in traditional Indian languages but also in English, a language inherited from the British. As a result of British colonisation, India has developed its own unique dialect of English known as Indian English.[citation needed][verification needed]

Rajasthani literature[edit | edit source]

Non Sahitya Akademi recognised & non scheduled languages [edit | edit source]

Bhojpuri literature[edit | edit source]

Chhattisgarhi literature[edit | edit source]

Literature in Chhattisgarh reflects the regional consciousness and the evolution of an identity distinct from others in Central India.[citation needed][verification needed]

Kodava literature[edit | edit source]

When Kodava was written, it was usually with Kannada script, sometimes with minor modifications.[citation needed][verification needed]

Mizo literature[edit | edit source]

Mizo literature is the literature written in Mizo ṭtawng, the principal language of the Mizo peoples, which has both written and oral traditions. It has undergone a considerable change in the 20th century. The language developed mainly from the Lushai language, with significant influence from Pawi language, Paite language and Hmar language, especially at the literary level.[50]

Nagpuri literature[edit | edit source]

Nagpuri literature refers to literature in the Nagpuri language, the language of Jharkhand, Chhattisgarh and Odisha. The earliest literature started in the nagpuri language when the Nagvanshi king and king of Ramgarh Raj started writing poetry in the 17th century. Since then, various literature has been written.[51] Although in the present century, Nagpuri was never considered worthy of literary development, a small but dedicated writers have engaged in writing short stories, plays and poetry.[52]

Tripuri literature[edit | edit source]

Tripuri(Kokborok/Tiprakok) is the native language of Tripuri people in present Tripura state in North East of India.[citation needed][verification needed]

Tulu literature[edit | edit source]

The written literature of Tulu is not as large as the literature of other literary Dravidian languages such as Tamil.[citation needed][verification needed]

In foreign languages[edit | edit source]

Indian Persian literature[edit | edit source]

During the early Muslim period, Persian became the official language of the northern part of Indian subcontinent, used by most of the educated and the government. The language had, from its earliest days in the 11th century CE, been imported to the subcontinent by various culturally Persianised Central Asian Turkic and Afghan dynasties.[53]

Literature from North East India[edit | edit source]

Literature from North East India included Assamese literature, Meitei or Manipuri literature, Naga literature, among others. Ancient India has many intensive examples, like that of the incredible verses translated from the Ramayana, named Saptakanda Ramayana. Choral songs known as Oja-Pali,[54] and theater performances, known as Panchali, were also an extensive part of Assamese literature.[55]

Awards[edit | edit source]

In contemporary Indian literature, there are two major literary awards; these are the Sahitya Akademi Fellowship and the Jnanpith Award. Eight Jnanpith Awards each have been awarded in Hindi and Kannada, followed by five in Bengali and Malayalam, four in Odia, Gujarati, Marathi, Telugu and Urdu,[56][57] two each in Assamese, Konkani and Tamil, and one each in Sanskrit and Kashmiri۔[citation needed][verification needed]

See also[edit | edit source]

Footnotes[edit | edit source]

  1. Narayanrao, H.L. "A Brief on Indian Literature and Languages". Journal of Education and Practice. 2 (3): 46. ISSN 2222-288X.
  2. 2.0 2.1 Ayyappappanikkar (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 326. ISBN 978-81-260-0365-5.
    Singh, Khelchandra Ningthoukhongjam. "Ougri". History of Old Manipuri Literature (in ꯃꯤꯇꯩ ꯂꯣꯟ). Manipur University Library; North Eastern States Libraries. India: Digital Library of India; Internet Archive. pp. 81, 82, 83.
    Singh, Ch Manihar (1996). "The Early Period (Ritual Songs) : Ougri". A History of Manipuri Literature. India: Sahitya Akademi. pp. 13, 14, mni. ISBN 978-81-260-0086-9. Again from amongst the songs mentioned above, 'Ougri' and 'Khencho', in view of their more archaic diction and much advanced historical allusions, may be considered earlier than the rest. ... 'Ougri' is referred to as sung at the coronation of Nongdā Lāiren Pākhangbā, which took place in 33 A.D. ...
    Ayyappappanikkar (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 329. ISBN 978-81-260-0365-5.
  3. 3.0 3.1 Wouters, Jelle J. P.; Subba, Tanka B. (30 September 2022). The Routledge Companion to Northeast India. Taylor & Francis. p. 473. ISBN 978-1-000-63699-4. ... Numit Kappa, a Meitei text from the 1st century CE, is particularly relevant and insightful in examining this peculiar relationship between power and violence. The text is recited as incantations during chupsaba, a cleansing ritual for 'violent' death...
    "Shooting the Sun: A Study of Death and Protest in Manipur". Economic and Political Weekly. 44 (40). Austin, USA. 3 October 2009 – via University of Texas. ... Numit Kappa gives one such version. Considered one of the earliest known literary compositions in Meitei script, it is dated to the first century AD...
    Singh, Khelchandra Ningthoukhongjam. "Numit Kappa". History of Old Manipuri Literature (in ꯃꯤꯇꯩ ꯂꯣꯟ). Manipur University Library; North Eastern States Libraries. India: Digital Library of India; Internet Archive. pp. 95, 96.
    Kshetrimayum, Jogendro (2009). "Shooting the Sun: A Study of Death and Protest in Manipur". Economic and Political Weekly. 44 (40): 48–54. ISSN 0012-9976. JSTOR 25663656.
  4. "Kannada literature", Encyclopædia Britannica, 2008. Quote: "The earliest literary work is the Kavirajamarga (c. AD 900), a treatise on poetics based on a Sanskrit model."
  5. "The Nobel Prize in Literature 1913". NobelPrize.org. Retrieved 23 February 2024.
  6. Indian Literature – Volume 14 – Page 20 (Volume 14 – Page 20 ed.). Sahitya Akademi. 1971. p. 20. The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now.
    Siṃha, Niṃthaukhoṃjama Khelacandra (1975). Manipuri Language: Status and Importance. N. Tombi Raj Singh. pp. 34, mni. The beginning of this old Manipuri literature (as in the case of Newari) may go back to 1500 years, or even 2000 years, from now...
    Sanajaoba, Naorem (1988). Manipur, Past and Present: The Heritage and Ordeals of a Civilization. Mittal Publications. p. 290. ISBN 978-81-7099-853-2.
  7. Singh, Khelchandra Ningthoukhongjam. "Poireiton Khunthokpa". History of Old Manipuri Literature. Manipur University Library, Imphal. India: Digital Library of India. pp. 121, 122, mni. The Poireiton Khunthokpa, is the most conspicuous one of all pre-Garibniwaz manuscripts. From a linguistic point of view, it seems to be much earlier than any of the books yet come under our view. Circumstantial and other incidental evidences would confirm that the book might have been of the time of the third century A. D. It describes the colonization of the valley by a band of people from the land of Death under Poireiton. They first established their colony near the Langol Hill; probably the vast area between the Koubru Hill and the Langol Hill was their kingdom. --Report on the Archaeological studies in Manipur Bulletin No. 1-by W. Yumjao Singh, pp 18-19.
    Bhaṭṭācāryya, Haridāsa (1953). The Cultural Heritage of India: Languages and literatures. University of Michigan. India: Ramakrishna Mission, Institute of Culture. p. 663. ... The beginnings of this Old Manipuri literature may go back to 1,500 years or even 2,000 years from now. ... Poireiton Khunthok, a prose work describing the settlement of some Meithei tribes, is the oldest work in Manipuri going back to the third century A.D. ...
  8. Singh, Khelchandra Ningthoukhongjam. "Khencho". History of Old Manipuri Literature (in ꯃꯤꯇꯩ ꯂꯣꯟ). Manipur University Library; North Eastern States Libraries. India: Digital Library of India; Internet Archive. pp. 97, 98.
    Ayyappappanikkar (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 330. ISBN 978-81-260-0365-5.
    Singh, Ch Manihar (1996). "The Early Period (Ritual Songs)". A History of Manipuri Literature. India: Sahitya Akademi. pp. 14, 15, mni. ISBN 978-81-260-0086-9. ... 'Khencho' is quite obscure and entirely unintelligible to the present generation though it forms an inseparable element of the daily proceedings of the festival. ...
  9. "মণিপুরি ভাষা ও লিপি – এল বীরমঙ্গল সিংহ | আপনপাঠ ওয়েবজিন" (in Bengali). 16 September 2021.
    Devi, Yumlembam Gopi (16 June 2019). Glimpses of Manipuri Culture. Lulu.com. p. 25. ISBN 978-0-359-72919-7.
    Paniker, K. Ayyappa (1997). Medieval Indian Literature: Surveys and selections (Assamese-Dogri). Sahitya Akademi. p. 325. ISBN 978-81-260-0365-5.
    Sen, Sipra (1992). Tribes and Castes of Manipur: Description and Select Bibliography. Mittal Publications. p. 28. ISBN 978-81-7099-310-0.
  10. Devi, Dr Yumlembam Gopi (16 June 2019). Glimpses of Manipuri Culture. Lulu.com. p. 119. ISBN 978-0-359-72919-7. ... the text Panthoibi Khongul generally believed to have been written by Akoijam Tomboy during the reign of King Khongtekcha Yoiremba (763 A.D.) ...
    Mukherjee, Sujit (1998). A Dictionary of Indian Literature: Beginnings-1850. Orient Blackswan. p. 280. ISBN 978-81-250-1453-9. Panthoibi khongul ( ? C; Manipuri ) : prose narrative, the original of which was believed to have been composed in ancient Meitei language in first half of 8th century AD ...
    "The relationship between Thang-Ta & Meitei Pung maintained by our Ancient ..." (PDF). ccrtindia.gov.in. Ministry of Culture, Government of India. Centre for Cultural Resources and Training. p. 4.{{cite web}}: CS1 maint: others (link)
  11. Sanajaoba, Naorem (1993). Manipur: Treatise & Documents. Mittal Publications. p. 2. ISBN 978-81-7099-399-5. Manipur, known as 'Meetei Leipak' or 'Kangleipak' in the two millennia old Meetei manuscripts had experienced some form of constitutional government under a proto-Constitution in 429 A.D. which was reduced to a final format in 1110 A.D. Constitution entitled 'Loiyamba Shinyen' during the regime of King Loyumba.
    Singh, Khelchandra Ningthoukhongjam. "Loiyumba Shinyen – Waayen Pathaap". History of Old Manipuri Literature (in ꯃꯤꯇꯩ ꯂꯣꯟ). Manipur University Library; North Eastern States Libraries. India: Digital Library of India; Internet Archive. p. 142.
    Sanajaoba, Naorem (1991). Law and Society: Strategy for Public Choice, 2001. Mittal Publications. p. 304. ISBN 978-81-7099-271-4. The constitutionalism had developed with the adoption of a prototype of a constitution in 429 A.D. which was finally moulded into the written constitution in 1110 A.D., called 'Loyumba Shinyen' till it was substituted by Manipur State Constitution Act, 1947 which operated till Manipur's merger with India on 15 October 1949.
  12. Fallon, Oliver. 2009. Bhatti's Poem: The Death of Rávana (Bhaṭṭikāvya). New York: Clay Sanskrit Library[1] Archived 7 July 2019 at the Wayback Machine. ISBN 978-0-8147-2778-2 | ISBN 0-8147-2778-6 |
  13. Narang, Satya Pal. 2003. An Analysis of the Prākṛta of Bhāśā-sama of the Bhaṭṭi-kāvya (Canto XII). In: Prof. Mahapatra G.N., Vanijyotih: Felicitation Volume, Utkal University, *Bhuvaneshwar.
  14. There are some who claim earlier dates (up to 600 BCE). Others cite as late as 2BCE. The date of 300 BCE may represent a middle-of-the road consensus view; e.g. see the well-received textbook Ancient India, Upinder Singh, 2009, p. 15. However, it is quite likely that the songs existed in oral tradition well before this date.
  15. Kamil Veith Zvelebil, Companion Studies to the History of Tamil Literature, p. 12
  16. K.A. Nilakanta Sastry, A History of South India, OUP (1955) p. 105
  17. Classical Tamil[usurped]
  18. T.S. Subramanian (10 July 2009). "Jain History of Tamil Nadu vandalised". Retrieved 3 June 2011. The six Tamil-Brahmi inscriptions of the 2nd century B.C. on the brow of five caverns on the Kazhugumalai hill near Mankulam, 38 km from Madurai, are the most ancient ones in Tamil Nadu and establish the historical facts that the Pandyan king Nedunchezhiyan ruled in the 2nd century B.C. and that Sangam literature dates back to the same period.
  19. George L. Hart III, The Poems of Ancient Tamil, U of California P, 1975.
  20. Iḷaṅkōvaṭikaḷ (1 January 1965). Shilappadikaram: (The Ankle Bracelet). New Directions Publishing. ISBN 9780811200011.
  21. Irayanaar Agapporul dated to c. 750 CE first mentioned the Sangam legends. An inscription of the early tenth century CE mentions the achievements of the early Pandya kings of establishing a Sangam in Madurai. See K.A. Nilakanta Sastry, A History of South India, OUP (1955) p. 105
  22. "The latest limit of Ettutokai and Pattupattu may be placed around 700 AD...." – Vaiyapuri Pillai, History of Tamil language and literature p. 38.
  23. "...the Tamil language of these brief records achieved a flowering during the first centuries of the Common Era, culminating in the emergence of a poetic corpus of very high quality [...] To this corpus the name sangam poetry was added soon afterwards...." Burton Stein, A History of India (1998), Blackwell p. 90.
  24. See K.A. Nilakanta Sastri, A History of South India, OUP (1955) pp. 330–335
  25. Chera, Chola, Pandya: Using Archaeological Evidence to Identify the Tamil Kingdoms of Early Historic South India – Abraham, Shinu Anna, Asian Perspectives – Volume 42, Number 2, Fall 2003, pp. 207–223 University of Hawaii Press
  26. Morality and Ethics in Public Life by Ravindra Kumar p.92
  27. Essays on Indian Society by Raj Kumar p.71
  28. 28.0 28.1 28.2 Schomer, Karine; McLeod, W. H., eds. (1987). The Sants: Studies in a Devotional Tradition of India. Motilal Banarsidass. ISBN 9788120802773.
  29. India Today Web Desk New (24 January 2019). "CBSE Class 12 History #CrashCourse: Bhakti movement's emergence and influence". India Today.
  30. Pillai, P. Govinda (4 October 2022). "Chapter 11". The Bhakti Movement: Renaissance or Revivalism?. Taylor & Francis. pp. Thirdly, the movement had blossomed first down south or the Tamil country. ISBN 978-1-000-78039-0.
  31. Hawley, John (2015). A Storm of Songs: India and the Idea of the Bhakti Movement. Harvard University Press. p. 87. ISBN 978-0-674-18746-7.
  32. Padmaja, T. (2002). Temples of Kr̥ṣṇa in South India: History, Art, and Traditions in Tamil nāḍu. Abhinav Publications. ISBN 978-81-7017-398-4.
  33. Nair, Rukmini Bhaya; de Souza, Peter Ronald (20 February 2020). Keywords for India: A Conceptual Lexicon for the 21st Century. Bloomsbury Publishing. ISBN 978-1-350-03925-4.
  34. Das 2005.
  35. "The writers of the Charyapada, the Mahasiddhas or Siddhacharyas, belonged to the various regions of Assam, Bengal, Orissa and Bihar". sites.google.com. Retrieved 14 July 2020.
  36. Shaw, Miranda; Shaw, Miranda (1995). Passionate Enlightenment::Women in Tantric Buddhism. Princeton University Press. ISBN 978-0-691-01090-8.
  37. Sentinel, The (4 December 2014). "Documentary film, books on Bhabananda–Nalini Prava". Archived from the original on 24 September 2015. Retrieved 24 December 2014.
  38. Jyotsna Kamat. "History of the Kannada Literature-I". Kamat's Potpourri, 4 November 2006. Kamat's Potpourri. Retrieved 25 November 2006.
  39. "Declare Kannada a classical language". The Hindu. Chennai, India. 27 May 2005. Archived from the original on 5 January 2007. Retrieved 29 June 2007.
  40. Choudhary, R. (1976). A survey of Maithili literature. Ram Vilas Sahu.
  41. Barua, K. L. (1933). Early history of Kamarupa. Shillong: Published by the Author.
  42. KanglaOnline (4 April 2011). "The great Meitei Reconciliation Process: Revisiting the classical folklore on "Emoinu Chakhong Ngahongbi" by Late Shri Ningomabam Angouton Meetei – KanglaOnline". Retrieved 12 November 2023. ... The folklore of Emoinu Celebration from the story "Washak Ngakpa" meaning Keeping the Promise, written by Late Shri Ningombam Angouton Meetei and the classical love story "Khamba -Thoibi" are classical examples of successful reconciliation process of the old Meitei factions...
    Delhi, All India Radio (AIR), New (17 March 1968). "Some Classics of Manipur". AKASHVANI: Vol. XXXIII, No. 12 ( 17 MARCH, 1968 ). India: All India Radio (AIR), New Delhi. pp. 7, 8.{{cite book}}: CS1 maint: multiple names: authors list (link)
    Bond, Ruskin (14 October 2000). "The Story of Khamba and Thoibi". The Penguin Book of Classical Indian Love Stories and Lyrics. Penguin UK. pp. 3, 4. ISBN 978-93-5118-814-8.
  43. George, K. M. (1992). Modern Indian Literature, an Anthology: Surveys and poems. India: Sahitya Akademi. p. 258. ISBN 978-81-7201-324-0. H. Anganghal Singh's Khamba Thoibi Sheireng (Poem on Khamba Thoibi, 1940) is a national epic of the Manipuris based on the story of Khamba and Thoibi of Moirang. The poet composes the whole epic in the Pena Saisak style of folk ballads sung by minstrels or bards popular in Manipur.
    Datta, Amaresh (1988). Encyclopaedia of Indian Literature: Devraj to Jyoti. India: Sahitya Akademi. p. 1186. ISBN 978-81-260-1194-0.
    Das, Sisir Kumar (2005). A History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy. Sahitya Akademi. p. 190. ISBN 978-81-7201-798-9. His epic Singel Indu was published in 1938 which was followed by his magnum opus Khamba Thoibi Sheireng (1940), a poem of 39000 lines, considered to be the 'national' epic of the Manipuris, written in the Pena Saisak style of folk ballads.
  44. CLASSICL ODIA IN HISTORICAL PERSPECTIVE. Sanskruti Bhawan, Bhubaneswar-14, Odisha: Odisha Sahitya Akademi |Government of Odisha. 2015. p. 94. ISBN 978-81-7586-198-5.{{cite book}}: CS1 maint: location (link)
  45. Prusty, Subrat Kumar (2007). Odia Bhasa Sahitya Parichaya (1st ed.). Cuttack: A.K. Mishra publishers Pvt. Ltd, Satyabhama, Roxy lane, Badambadi, Cuttack-0, Odisha. pp. 131–8. ISBN 978-81-921347-1-0.
  46. Prusty, Subrat Kumar (2010). BHASA O JATIYATA (1 ed.). Bidyadharpur, Jajpur: with finical assistance by Dept. of Culture, Govt. of Odisha. p. 22.
  47. Debi Prasanna Pattanayak; Subrat Kumar Prusty (2013). A Report on classical status of Odia Language (1st ed.). Bhubaneswar, Odisha: Department of Culture, Govt. Of Odisha. p. 90.
  48. Debi Prasanna Pattanayak; Subrat Kumar Prusty (2013). "Why not Odia?". CLASSICAL ODIA (1st ed.). D-82, Maitri Vihar, Chandrasekharpur, Bhubaneswar, Odisha, 755001: KIIS Foundation, New Delhi. p. XXI, 33. ISBN 978-81-925616-3-9.{{cite book}}: CS1 maint: location (link)
  49. CLASSICL ODIA IN HISTORICAL PERSPECTIVE. Sanskruti Bhawan, Bhubaneswar-14, Odisha: Odisha Sahitya Akademi. 2015. p. 38. ISBN 978-81-7586-198-5.{{cite book}}: CS1 maint: location (link)
  50. "Vanglaini". vanglaini.org. Archived from the original on 13 November 2020. Retrieved 31 July 2019.
  51. "Giant new chapter for Nagpuri poetry". telegraphindia. 5 November 2012. Retrieved 6 October 2022.
  52. "JOURNAL OF CRITICAL REVIEWS A Study of the Special Features of Nagpuri Language of Jharkhand". research gate. July 2020. Retrieved 6 October 2022.
  53. Sigfried J. de Laet. History of Humanity: From the seventh to the sixteenth century UNESCO, 1994. ISBN 9231028138 p 734
  54. "Ojapali – A performing art form of Assam". oknortheast.com. Retrieved 22 January 2021.
  55. Barua, Hem (1957). "Assamese literature". Indian Literature. 1 (1): 65–68. ISSN 0019-5804. JSTOR 23328613.
  56. "Jnanpith | Home". jnanpith.net. Retrieved 31 July 2019.
  57. "Kunwar Narayan to be awarded Jnanpith". The Times of India. 24 November 2008. Retrieved 25 November 2008.{{cite news}}: CS1 maint: deprecated archival service (link)

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