m Removed empty portal template using script |
formatting fix |
||
| Line 1: | Line 1: | ||
{{Use dmy dates|date= | {{Short description|Janya raga of Carnatic music}} | ||
{{Use dmy dates|date=April 2024}} | |||
{{Use Indian English|date=July 2020}} | {{Use Indian English|date=July 2020}} | ||
{{Infobox raga | {{Infobox raga | ||
| Line 5: | Line 6: | ||
| image_name = | | image_name = | ||
| image_alt = | | image_alt = | ||
| thaat = [[Kafi (thaat)|Kafi]]<ref>http://www.tanarang.com/english/bageshree_eng.htm</ref> | | thaat = [[Kafi (thaat)|Kafi]]<ref name="tanarang.com">{{cite web|url=http://www.tanarang.com/english/bageshree_eng.htm |title=Raag Bageshree – Hindustani Classical Music |publisher=Tanarang.com |accessdate=2022-08-25}}</ref> | ||
| type = Audav-Sampurna<ref | | type = Audav Shadav/ Audav-Sampurna / Shadav sampurna Or sampurna sampurna<ref name="tanarang.com" /> | ||
| time = | | time = 2nd Prahar of the Night (9PM to 12AM) | ||
| season = | | season = | ||
| arohana = S g m D n S'<ref | | arohana = S g m D n S'<ref name="tanarang.com" /> | ||
| avarohana = S' n D m P D g m g R S<ref | | avarohana = S'n D m g R S | ||
| vadi = Ma<ref | Or S' n D m P D g m g R S | ||
| samavadi = Sa<ref | Or S' n D,P D n D m g, R G m g R S<ref name="tanarang.com" /> | ||
| vadi = Ma<ref name="tanarang.com" /> | |||
| samavadi = Sa<ref name="tanarang.com" /> | |||
| pakad = D n s, m, m P D, m g R S | | pakad = D n s, m, m P D, m g R S | ||
| chalan = | | chalan = | ||
| synonym = Vagishvari{{sfn|Bor|Rao|1999}} | | synonym = Vagishvari{{sfn|Bor|Rao|1999}} | ||
| equivalent = | | equivalent = | ||
| similar = [[Rageshree|Rageshri]]<ref | | similar = [[Rageshree|Rageshri]]<ref name="tanarang.com" /> | ||
}} | }} | ||
{{Hindustani Classical Music}} | {{Hindustani Classical Music}} | ||
[[File:Bageshri - arohanam and avarohanam.wav|thumb|Bageshri]] | [[File:Bageshri - arohanam and avarohanam.wav|thumb|Bageshri]] | ||
'''Raga Bageshri''' or '''Bageshree''' ({{IAST3|Bāgeśrī}}) is a [[Hindustani | '''Raga Bageshri''' or '''Bageshree''' ({{IAST3|Bāgeśrī}}) is a [[Hindustani raga]]. It is meant to depict the emotion of waiting for reunion with one's lover. Being a very melodic raga it has gained popularity over the centuries. Like all ragas, Raga Bageshri traces its origins to the Samaveda, a sacred Hindu text with roots that likely date back to around 1500 BCE, though its oral tradition could be much older.<ref>{{Cite journal |last1=Jamison |first1=S. W. |last2=Witzel |first2=Michael |date=1992 |title=Vedic Hinduism |url=https://www.researchgate.net/publication/242441906_Vedic_Hinduism |journal=The Study of Hinduism |page=2}}</ref> | ||
Raga Bageshri is a night time raga (''madhya raatri'' Ragsamaya), written in ''[[Kafi (thaat)|Kaafi]]'' [[thaat]], ''Ma'' [[Vadi (music)|Vadi]], ''Sa'' Samvadi, 5/7 Jati, Hasya Rasa (associated with joyful, the comic, and happy emotions).<ref>{{Cite web |title=Ragopedia Raga Chapter - Rasa |url=https://www.ragopedia.com/raga/rasa.html |access-date=2024-12-26 |website=www.ragopedia.com}}</ref><ref>{{Cite web |title=Table of Indian Raags |url=http://www.p-sarkar.com/Table%20of%20Indian%20Raags.htm |access-date=2024-12-26 |website=www.p-sarkar.com}}</ref> | |||
==Theory== | In modern days, people like the popular Hindi music director [[C. Ramchandra|C.Ramchandra]] favour composing songs in Bageshri, as he found it simple. In a 1978 interview at BBC studios with Mahendra Kaul, he explained this, while playing songs like ([[Azaad (1955 film)|Radha na bole – Azad, 1955]]) that were set to Bageshri.<ref name="int">{{cite news |last1=Kaul |first1=Mahendra |title=Interview with C Ramchandra |url=https://genome.ch.bbc.co.uk/schedules/bbcone/london/1979-09-02 |access-date=11 April 2019 |publisher=BBC Studios |date=2 February 1978 |archive-date=11 April 2019 |archive-url=https://web.archive.org/web/20190411064435/https://genome.ch.bbc.co.uk/schedules/bbcone/london/1979-09-02 |url-status=dead }}</ref> | ||
== Theory == | |||
The [[Music theory|theoretical]] aspects of Bageshri are as follows: | The [[Music theory|theoretical]] aspects of Bageshri are as follows: | ||
===Scale=== | === Scale === | ||
:[[Arohana]] : S g m D n S'<ref | :[[Arohana]] : S g m D n S'<ref name="tanarang.com" />{{sfn|Bor|Rao|1999}} | ||
:[[Avarohana]] : S' n D m P D g m g R S<ref | :[[Avarohana]] : S' n D m P D g m g R S<ref name="tanarang.com" />{{sfn|Bor|Rao|1999}} | ||
===Vadi & Samavadi=== | === Vadi & Samavadi === | ||
:[[Vadi (Hindustani classical music)|Vadi]] : Madhyam (Ma)<ref | :[[Vadi (Hindustani classical music)|Vadi]] : Madhyam (Ma)<ref name="tanarang.com" /> | ||
:[[Samavadi]]: | :[[Samavadi]]: Shadja (Sa)<ref name="tanarang.com" /> | ||
===[[Pakad]] or [[Raga|Chalan]]=== | === [[Pakad]] or [[Raga|Chalan]] === | ||
D n s, m, m P D, m g R S | D n s, m, m P D, m g R S | ||
:'''Varjit Swara''' | :'''Varjit Swara''' – P & R in Aaroh | ||
:'''Jati :''' - | :'''Jati :''' – Audav-Sampoorna (Vakra) | ||
===Organization & Relationships=== | === Organization & Relationships === | ||
[[Thaat]]: [[Kafi (raga)]] | [[Thaat]]: [[Kafi (raga)]] | ||
===[[ | === [[Samayā]] (Time) === | ||
The time for this raaga is {{ | The time for this raaga is {{transliteration|hi|madhya raatri}} (middle of the night). | ||
==Carnatic music== | == Carnatic music == | ||
{{Infobox ragam | {{Infobox ragam | ||
| name = Bageshri | | name = Bageshri | ||
| Line 67: | Line 72: | ||
| similar = | | similar = | ||
}} | }} | ||
Bageshri raga a popular raga. It is derived from the 22nd [[Melakarta]], [[Kharaharapriya]].<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref> This raga is a [[janya]] raga (derived) as it does not have all the seven notes in the ascending scale. | |||
===Structure and Lakshana=== | === Structure and Lakshana === | ||
Bageshri is an asymmetric scale that does not contain ''panchamam'' or ''rishabam'' in the ascending scale. It is called a ''audava-sampurna'' rāgam,<ref name="ragas" /> in Carnatic music classification (as it has 5 notes in ascending and 7 notes in descending scale). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is as follows (see | Bageshri is an asymmetric scale that does not contain ''panchamam'' or ''rishabam'' in the ascending scale. It is called a ''audava-sampurna'' rāgam,<ref name="ragas" /> in Carnatic music classification (as it has 5 notes in ascending and 7 notes in descending scale). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is as follows (see [[Swara#Svaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms): | ||
[[Swara# | |||
*[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|G2 | *[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|G2|M1|D2|N2|S'|foot=yes}} | ||
*[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|N2|D2|N2|P|M1|G2|R2|S|foot=yes}} | *[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|N2|D2|N2|P|M1|G2|R2|S|foot=yes}} | ||
This scale uses the notes {{ | This scale uses the notes {{transliteration|hi|shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham}}, and {{transliteration|hi|kaisiki nishadam}}. | ||
===Popular compositions=== | === Popular compositions === | ||
Bageshri | Bageshri is a very melodic raga in Carnatic music.<ref name="ragas" /> So, even though this scale has been used only in a few [[krithi]]s (compositions), many devaranamas, ashtapadis, thiruppugazhs, and other lyrics have been set to tune in this raga. It is typically sung in concerts after the main piece, in ''viruttams'', ''padams'', ''bhajans'', and [[ragamalika]].<ref name="ragas" /> | ||
Here are some popular compositions in ''Bageshri''. | Here are some popular compositions in ''Bageshri''. | ||
*''Sagarasayana'' by [[M. D. Ramanathan]] | *''Sagarasayana'' by [[M. D. Ramanathan]] | ||
*''Maname Ariyen'' by [[Papanasam Sivan]] | *''Maname Ariyen'' by [[Papanasam Sivan]] | ||
*''Antakanadutarige | *''Antakanadutarige Kimchittu Kayavilla'' by [[Purandaradasa]] | ||
*''Govindamiha'' by [[Narayana Teertha|Narayana Theertha]] | *''Govindamiha'' by [[Narayana Teertha|Narayana Theertha]] | ||
*''Kanden Kanden'' by [[Arunachala Kavi]]-Also sung in [[Vasantha (raga)|Vasantha]] | |||
==Film Songs== | == Film Songs == | ||
===Language:[[Tamil language|Tamil]]=== | === Language:[[Tamil language|Tamil]] === | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |||
!Song | !Song | ||
!Movie | !Movie | ||
| Line 100: | Line 105: | ||
|[[Sabaash Meena]] | |[[Sabaash Meena]] | ||
|[[T. G. Lingappa]] | |[[T. G. Lingappa]] | ||
|T. A. Mothi, [[P. | |T. A. Mothi, [[P. Susheela]] | ||
|- | |- | ||
|Kalaiyae En Vazhkaiyin | |Kalaiyae En Vazhkaiyin | ||
|[[Meenda Sorgam]] | |[[Meenda Sorgam]] | ||
|[[T. Chalapathi Rao]] | |[[T. Chalapathi Rao]] | ||
|[[A. M. Rajah]], [[P. | |[[A. M. Rajah]], [[P. Susheela]] | ||
|- | |- | ||
|Idhaya Vaasal Thirantha Pothum | |Idhaya Vaasal Thirantha Pothum | ||
| | |[[Thoongatha Kannindru Ondru]] | ||
|[[K. V. Mahadevan]] | |||
|[[S. P. Balasubrahmanyam]], [[S. Janaki]] | |[[S. P. Balasubrahmanyam]], [[S. Janaki]] | ||
|- | |- | ||
|Anbale Thediya En | |Anbale Thediya En | ||
|[[Deivapiravi]] | |[[Deivapiravi (1960 film)|Deivapiravi]] | ||
|[[R. Sudarsanam]] | |[[R. Sudarsanam]] | ||
|[[C. S. Jayaraman]], [[S. Janaki]] | |[[C. S. Jayaraman]], [[S. Janaki]] | ||
| Line 123: | Line 124: | ||
|Kangale Kangale | |Kangale Kangale | ||
|[[Vaazhkai Padagu]] | |[[Vaazhkai Padagu]] | ||
| rowspan=" | | rowspan="4" |[[Viswanathan–Ramamoorthy]] | ||
|[[P. B. Sreenivas]] | |[[P. B. Sreenivas]] | ||
|- | |||
|Mayakkum Maalai | |||
|[[Gulebakavali (1955 film)|Gulebakavali]] | |||
|[[A. M. Rajah]], [[Jikki]] | |||
|- | |- | ||
|Malarukku Thendral | |Malarukku Thendral | ||
| Line 143: | Line 148: | ||
|Nilave Ennidam | |Nilave Ennidam | ||
|[[Ramu (1966 film)|Ramu]] | |[[Ramu (1966 film)|Ramu]] | ||
|[[P. B. Sreenivas]], [[P. | |[[P. B. Sreenivas]], [[P. Susheela]] | ||
|- | |- | ||
|Avan Nenaithaana | |Avan Nenaithaana | ||
| Line 161: | Line 166: | ||
|[[Iru Kodugal]] | |[[Iru Kodugal]] | ||
|[[V. Kumar]] | |[[V. Kumar]] | ||
|[[P. Susheela]], [[Jamuna Rani]] | |[[P. Susheela]], [[K. Jamuna Rani]] | ||
|- | |- | ||
|Melatha Mella | |Melatha Mella | ||
|[[Aruvadai Naal]] | |[[Aruvadai Naal]] | ||
|rowspan=" | |rowspan="17"|[[Ilaiyaraaja]] | ||
|[[Malaysia Vasudevan]], [[S. Janaki]] | |[[Malaysia Vasudevan]], [[S. Janaki]] | ||
|- | |- | ||
|Kelaayo Kanna | |Kelaayo Kanna | ||
|[[Naane Raja Naane Mandhiri]] | |[[Naane Raja Naane Mandhiri]] | ||
|[[P. | |[[P. Susheela]], Usha Srinivasan | ||
|- | |- | ||
|Kala Kala Sangamamo | |Kala Kala Sangamamo | ||
| Line 183: | Line 188: | ||
|[[Geethanjali (1989 film)|Idhayathai Thirudathe]] | |[[Geethanjali (1989 film)|Idhayathai Thirudathe]] | ||
|- | |- | ||
|Mounam Yen Mounamey | |Mounam Yen Mounamey | ||
|[[En Jeevan Paduthu]] | |[[En Jeevan Paduthu]] | ||
|- | |||
|Roja Ondru Mutham Ketkum Neram | |||
|[[Komberi Mookan]] | |||
|[[S P Balasubramaniam]] & [[S. Janaki]] | |||
|- | |- | ||
|Eduthu Naan Vidava | |Eduthu Naan Vidava | ||
|[[Pudhu Pudhu Arthangal]] | |[[Pudhu Pudhu Arthangal (film)|Pudhu Pudhu Arthangal]] | ||
|[[Ilaiyaraaja]], [[S. P. Balasubrahmanyam]] | |[[Ilaiyaraaja]], [[S. P. Balasubrahmanyam]] | ||
|- | |- | ||
|Ingeyum | |Ingeyum | ||
| Line 205: | Line 209: | ||
|Yarodu Yaro | |Yarodu Yaro | ||
|Salangayil Oru Sangeetham | |Salangayil Oru Sangeetham | ||
|[[S. P. Balasubrahmanyam]] | |rowspan="2"|[[S. P. Balasubrahmanyam]] | ||
|- | |||
|Chinnai Chiru | |||
|[[Endrum Anbudan]] | |||
|- | |- | ||
|Rokkam Irukura Makkal | |Rokkam Irukura Makkal | ||
|[[Kasi (film)|Kasi]] | |[[Kasi (film)|Kasi]] | ||
|[[Hariharan (singer)|Hariharan]], [[Sujatha Mohan]] | |[[Hariharan (singer)|Hariharan]], [[Sujatha Mohan]] | ||
|- | |||
|Singalathu Chinnakuyile | |||
(Ragam Bahudari touches also) | |||
|[[Punnagai Mannan]] | |||
|rowspan=2|[[S. P. Balasubrahmanyam]], [[K. S. Chithra]] | |||
|- | |||
|Vaikasi Masthula | |||
|[[Ninaivu Chinnam]] | |||
|- | |- | ||
|Mazhai Varuthu | |Mazhai Varuthu | ||
|[[Raja Kaiya Vacha]] | |[[Raja Kaiya Vacha]] | ||
|rowspan="3"|[[K.J. Jesudas]], [[K.S. | |rowspan="3"|[[K.J. Jesudas]], [[K. S. Chithra]] | ||
|- | |- | ||
|Sangathamizh Kaviye | |Sangathamizh Kaviye | ||
(Ragamalika:[[Abheri]],Bageshri,Sumanesa Ranjani) | (Ragamalika:[[Abheri]], Bageshri, Sumanesa Ranjani) | ||
|[[Manathil Uruthi Vendum]] | |[[Manathil Uruthi Vendum]] | ||
|- | |- | ||
| Line 224: | Line 239: | ||
|- | |- | ||
|Koluse Koluse | |Koluse Koluse | ||
|Pen Puthi Mun Puthi | |Pen Puthi Mun Puthi | ||
|[[S. P. Balasubrahmanyam]], [[S. P. Sailaja]] | |[[S. P. Balasubrahmanyam]], [[S. P. Sailaja]] | ||
|- | |||
|Chinna Kannan | |||
|[[Senthoora Poove]] | |||
|rowspan=2|[[Manoj–Gyan]] | |||
|[[S. P. Balasubrahmanyam]], [[K. S. Chithra]] | |||
|- | |||
|Thazham Poovai Theril Kanden | |||
|Rojakkal Unakaga | |||
|[[S. P. Balasubrahmanyam]], [[Swarnalatha]](Humming only) | |||
|- | |- | ||
|Malaicharal Oram | |Malaicharal Oram | ||
|Avathellam Pennalae | |Avathellam Pennalae | ||
|[[Shankar–Ganesh]] | |rowspan=2|[[Shankar–Ganesh]] | ||
|[[P. Jayachandran]] | |[[P. Jayachandran]] | ||
|- | |||
|Kadalodu Nadhikenna Kobam | |||
|Arthangal Ayiram | |||
|rowspan=3|[[S. P. Balasubrahmanyam]] | |||
|- | |||
|Aruviyin Oram | |||
|Paadum Paadal Unakkaga | |||
|Maharaajaa | |||
|- | |- | ||
|Naan Vandha Idam | |Naan Vandha Idam | ||
|Thanga Kolusu | |Thanga Kolusu | ||
|rowspan=2|[[Deva (composer)|Deva]] | |rowspan=2|[[Deva (composer)|Deva]] | ||
|- | |- | ||
|Thalaivanai Azhaikuthu | |Thalaivanai Azhaikuthu | ||
| Line 242: | Line 273: | ||
|- | |- | ||
|Uchathil Otha Kuyil | |Uchathil Otha Kuyil | ||
|Partha Parvayil | |Partha Parvayil | ||
|M. M. A. Iniyavan | |M. M. A. Iniyavan | ||
|[[Mano (singer)|Mano]], [[S. Janaki]] | |[[Mano (singer)|Mano]], [[S. Janaki]] | ||
| Line 249: | Line 280: | ||
|[[Swarnamukhi (film)|Swarnamukhi]] | |[[Swarnamukhi (film)|Swarnamukhi]] | ||
|Swararaj | |Swararaj | ||
|[[K. S. Chithra]],Gajendran | |[[K. S. Chithra]], Gajendran | ||
|- | |- | ||
|Aaromale ([[Malayalam]]) | |Aaromale ([[Malayalam]]) | ||
|[[Vinnaithaandi Varuvaayaa]] | |[[Vinnaithaandi Varuvaayaa]] | ||
|rowspan=3|[[A. R. Rahman]] | |rowspan=3|[[A. R. Rahman]] | ||
|[[Alphons Joseph]] | |[[Alphons Joseph]], [[Shreya Ghoshal]](Female Version) | ||
|- | |- | ||
|Valayapatti Thavile | |Valayapatti Thavile | ||
(Ragamalika:[[Bihag]],Bageshri,Neelambhari) | (Ragamalika: [[Bihag]], Bageshri, Neelambhari) | ||
|[[Azhagiya Tamil Magan]] | |[[Azhagiya Tamil Magan]] | ||
|[[Naresh Iyer]], [[Ujjayinee Roy]], [[Srimathumitha]], Darshana KT | |[[Naresh Iyer]], [[Ujjayinee Roy]], [[Srimathumitha]], Darshana KT | ||
| Line 264: | Line 295: | ||
|[[99 Songs]] | |[[99 Songs]] | ||
|[[Jonita Gandhi]], [[Sharanya Srinivas]], Sireesha Bhagavatula | |[[Jonita Gandhi]], [[Sharanya Srinivas]], Sireesha Bhagavatula | ||
|- | |||
|Kaatru Vanthu Santham Solla | |||
|Konjum Kili | |||
|[[S. A. Rajkumar]] | |||
|[[S. P. Balasubrahmanyam]], Sunandha | |||
|- | |- | ||
|Vallami Tharayo | |Vallami Tharayo | ||
|[[Vallamai Tharayo]] | |[[Vallamai Tharayo]] | ||
|[[Bharadwaj ( | |[[Bharadwaj (composer)|Bharadwaj]] | ||
|Bharadwaj, [[Surmukhi Raman]] | |Bharadwaj, [[Surmukhi Raman]] | ||
|- | |- | ||
|Thuli Thuliyai | |Thuli Thuliyai | ||
(Ragamalika:[[Harikambhoji]],Bageshri) | (Ragamalika:[[Harikambhoji]], Bageshri) | ||
|[[Ramanujan (film)|Ramanujan]] | |[[Ramanujan (film)|Ramanujan]] | ||
|[[Ramesh Vinayakam]] | |[[Ramesh Vinayakam]] | ||
|Ramesh Vinayakam, [[Kaushiki Chakrabarty]],Vinaya | |Ramesh Vinayakam, [[Kaushiki Chakrabarty]], Vinaya | ||
|} | |} | ||
===Language: | === Language: Hindi === | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |||
!Song | !Song | ||
!Movie | !Movie | ||
| Line 288: | Line 325: | ||
|[[Salil Chowdhury]] | |[[Salil Chowdhury]] | ||
|[[Lata Mangeshkar]] | |[[Lata Mangeshkar]] | ||
|- | |||
|Phir Chhiddi Raat | |||
|[[Bazaar (1982 film)|Bazaar]] | |||
|[[Mohammed Zahur Khayyam|Mohd Khayyam]] | |||
|[[Lata Mangeshkar]], [[Talat Aziz]] | |||
|- | |||
|[[Bachna Ae Haseeno (song)|Bachna Ae Haseeno]] | |||
|[[Hum Kisise Kum Nahi]] (1977) / [[Bachna Ae Haseeno]] (2008) | |||
|[[R D Burman]] (1977) / [[Vishal-Shekhar]] (2008) | |||
|[[Kishore Kumar]] / Sumit Kumar | |||
|- | |||
|Ami Je To Mar | |||
|[[Bhool Bhulaiya]] | |||
|[[Pritam]] | |||
|[[M.G. Sreekumar]], [[Shreya Ghoshal]] | |||
|- | |- | ||
|Ghadi Ghadi Mora Dil Dhadke | |Ghadi Ghadi Mora Dil Dhadke | ||
| Line 318: | Line 370: | ||
|Nagar Das Nayak | |Nagar Das Nayak | ||
|Shaila V. Panchotia | |Shaila V. Panchotia | ||
|- | |||
|Hamse aaya naa gayaa | |||
|Dekh Kabiraa Roya | |||
|Madan Mohan | |||
|Talat Mehmood | |||
|- | |- | ||
|Jao Jao Nand Ke Lala | |Jao Jao Nand Ke Lala | ||
|[[Rangoli]] | |[[Rangoli]] | ||
|[[ | |[[Shankar–Jaikishan]] | ||
|[[Lata Mangeshkar]] | |[[Lata Mangeshkar]] | ||
|- | |- | ||
| Line 331: | Line 388: | ||
|Ruth Ke Humse Kahin | |Ruth Ke Humse Kahin | ||
|[[Jo Jeeta Wohi Sikandar]] | |[[Jo Jeeta Wohi Sikandar]] | ||
|[[ | |[[Jatin–Lalit]] | ||
|[[Jatin Pandit]] | |[[Jatin Pandit]] | ||
|- | |- | ||
| Line 341: | Line 398: | ||
|Aab Ghar Aaja | |Aab Ghar Aaja | ||
|[[Haasil (film)|Haasil]] | |[[Haasil (film)|Haasil]] | ||
|[[ | |[[Jatin–Lalit]] | ||
|[[Javed Ali]] | |[[Javed Ali]] | ||
|- | |- | ||
|Mera Chand Mujhe Aaya Hai Nazar | |Mera Chand Mujhe Aaya Hai Nazar | ||
|[[Yeh Hai Mumbai Meri Jaan]] | |[[Yeh Hai Mumbai Meri Jaan]] | ||
|[[ | |[[Jatin–Lalit]] | ||
|[[Kumar Sanu]] | |[[Kumar Sanu]] | ||
|- | |- | ||
|Kahena Hi Kya | |Kahena Hi Kya | ||
|[[Bombay]] | |[[Bombay]] | ||
|[[A.R.Rahman]] | |[[A. R. Rahman]] | ||
|[[K.S.Chithra]] | |[[K. S. Chithra]] | ||
|- | |- | ||
|Aisa Kyon Hota Hai Barbar | |Aisa Kyon Hota Hai Barbar | ||
| Line 361: | Line 418: | ||
|Bolo Na | |Bolo Na | ||
|[[Chittagong]] | |[[Chittagong]] | ||
|[[ | |[[Shankar–Ehsaan–Loy]] | ||
|[[Shankar Mahadevan]] | |[[Shankar Mahadevan]] | ||
|- | |- | ||
| Line 371: | Line 428: | ||
|Chahaton Ka Silsila | |Chahaton Ka Silsila | ||
|[[Shabd]] | |[[Shabd]] | ||
|[[ | |[[Vishal–Shekhar]] | ||
|[[Kumar Sanu]], [[Sunidhi Chauhan]] | |[[Kumar Sanu]], [[Sunidhi Chauhan]] | ||
|- | |- | ||
|Bhare Naina | |Bhare Naina | ||
|[[Ra.One]] | |[[Ra.One]] | ||
|[[ | |[[Vishal–Shekhar]] | ||
|[[Nandini Srikar]] | |[[Nandini Srikar]] | ||
|- | |- | ||
| Line 383: | Line 440: | ||
|[[Vivek Prakash]] | |[[Vivek Prakash]] | ||
|[[Udit Narayan]] | |[[Udit Narayan]] | ||
|- | |||
|Ishq Jalakar - Kaarvan | |||
|[[Dhurandhar]] | |||
|[[Shashwat Sachdev, Roshan]] | |||
|[[Shashwat Sachdev, Shahzad Ali, Subhadeep Das Chowdhury, Armaan Khan]] | |||
|} | |} | ||
== | === Language: Kannada === | ||
{| class="wikitable" | |||
|- | |||
!Song | |||
!Movie | |||
!Composer | |||
!Singer | |||
|- | |||
|Kaalavannu Thadeyoru | |||
|[[Kittu Puttu]] (1977) / [[Apthamitra]] (2004) | |||
|[[Rajan-Nagendra]] (1977) / [[Gurukiran]] (2004) | |||
|[[K J Yesudas]], [[S Janaki]] (1977) / [[Hariharan (singer)|Hariharan]], [[Gurukiran]] (2008) | |||
|} | |||
*[[List of | == See also == | ||
{{Portal|India|Music}} | |||
*[[List of film songs based on ragas]] | |||
==Notes== | == Notes == | ||
{{notelist|30em}} | {{notelist|30em}} | ||
==References== | == References == | ||
{{reflist}} | {{reflist}} | ||
==Sources== | == Sources == | ||
* {{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn= | * {{cite book |last1=Bor |first1=Joep |last2=Rao |first2=Suvarnalata |title=The Raga Guide: A Survey of 74 Hindustani Ragas |date=1999 |publisher=Nimbus Records with Rotterdam Conservatory of Music |isbn=978-0-9543976-0-9 |page=26 |url=https://books.google.com/books?id=jCnoMgEACAAJ}} | ||
==External links== | == External links == | ||
*[https://web.archive.org/web/20070514235610/http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas] | *[https://web.archive.org/web/20070514235610/http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas] | ||
*[https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html SRA on Ragas and Thaats] | *[https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html SRA on Ragas and Thaats] | ||
*[http://www.parrikar.org/vault/ Rajan Parrikar on Ragas] | *[http://www.parrikar.org/vault/ Rajan Parrikar on Ragas] | ||
*[http://www.parrikar.org/hindustani/bageshree/ Rajan Parrikar on Bageshree] | *[http://www.parrikar.org/hindustani/bageshree/ Rajan Parrikar on Bageshree] | ||
*[http://chandrakantha.com/raga_raag/film_song_raga/bageshri.shtml Film Songs in Rag Bageshree] | *[http://chandrakantha.com/raga_raag/film_song_raga/bageshri.shtml Film Songs in Rag Bageshree] {{Webarchive|url=https://web.archive.org/web/20100916214523/http://www.chandrakantha.com/raga_raag/film_song_raga/bageshri.shtml |date=16 September 2010 }} | ||
*[https://oceanofragas.com/ocean_HtmlPages/Bageshree.html More details about raga Bageshree] | *[https://oceanofragas.com/ocean_HtmlPages/Bageshree.html More details about raga Bageshree] | ||
| Line 411: | Line 487: | ||
[[Category:Hindustani ragas]] | [[Category:Hindustani ragas]] | ||
[[Category:Janya | [[Category:Janya ragas]] | ||
Latest revision as of 21:22, 19 March 2026
| Thaat | Kafi[1] |
|---|---|
| Type | Audav Shadav/ Audav-Sampurna / Shadav sampurna Or sampurna sampurna[1] |
| Time of day | 2nd Prahar of the Night (9PM to 12AM) |
| Arohana | S g m D n S'[1] |
| Avarohana | S'n D m g R S
Or S' n D m P D g m g R SOr S' n D,P D n D m g, R G m g R S[1] |
| Pakad | D n s, m, m P D, m g R S |
| Vadi | Ma[1] |
| Samavadi | Sa[1] |
| Synonym | Vagishvari[2] |
| Similar | Rageshri[1] |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Raga Bageshri or Bageshree (IAST: Bāgeśrī) is a Hindustani raga. It is meant to depict the emotion of waiting for reunion with one's lover. Being a very melodic raga it has gained popularity over the centuries. Like all ragas, Raga Bageshri traces its origins to the Samaveda, a sacred Hindu text with roots that likely date back to around 1500 BCE, though its oral tradition could be much older.[3]
Raga Bageshri is a night time raga (madhya raatri Ragsamaya), written in Kaafi thaat, Ma Vadi, Sa Samvadi, 5/7 Jati, Hasya Rasa (associated with joyful, the comic, and happy emotions).[4][5]
In modern days, people like the popular Hindi music director C.Ramchandra favour composing songs in Bageshri, as he found it simple. In a 1978 interview at BBC studios with Mahendra Kaul, he explained this, while playing songs like (Radha na bole – Azad, 1955) that were set to Bageshri.[6]
Theory[edit | edit source]
The theoretical aspects of Bageshri are as follows:
Scale[edit | edit source]
Vadi & Samavadi[edit | edit source]
Pakad or Chalan[edit | edit source]
D n s, m, m P D, m g R S
- Varjit Swara – P & R in Aaroh
- Jati : – Audav-Sampoorna (Vakra)
Organization & Relationships[edit | edit source]
Samayā (Time)[edit | edit source]
The time for this raaga is madhya raatri (middle of the night).
Carnatic music[edit | edit source]
| Mela | 22nd, Kharaharapriya |
|---|---|
| Arohanam | S G₂ M₁ D₂ N₂ Ṡ |
| Avarohanam | Ṡ N₂ D₂ N₂ P M₁ G₂ R₂ S |
Bageshri raga a popular raga. It is derived from the 22nd Melakarta, Kharaharapriya.[7] This raga is a janya raga (derived) as it does not have all the seven notes in the ascending scale.
Structure and Lakshana[edit | edit source]
Bageshri is an asymmetric scale that does not contain panchamam or rishabam in the ascending scale. It is called a audava-sampurna rāgam,[7] in Carnatic music classification (as it has 5 notes in ascending and 7 notes in descending scale). Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
- ārohaṇa : S G₂ M₁ D₂ N₂ Ṡ[lower-alpha 1]
- avarohaṇa : Ṡ N₂ D₂ N₂ P M₁ G₂ R₂ S[lower-alpha 2]
This scale uses the notes shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham, and kaisiki nishadam.
Popular compositions[edit | edit source]
Bageshri is a very melodic raga in Carnatic music.[7] So, even though this scale has been used only in a few krithis (compositions), many devaranamas, ashtapadis, thiruppugazhs, and other lyrics have been set to tune in this raga. It is typically sung in concerts after the main piece, in viruttams, padams, bhajans, and ragamalika.[7]
Here are some popular compositions in Bageshri.
- Sagarasayana by M. D. Ramanathan
- Maname Ariyen by Papanasam Sivan
- Antakanadutarige Kimchittu Kayavilla by Purandaradasa
- Govindamiha by Narayana Theertha
- Kanden Kanden by Arunachala Kavi-Also sung in Vasantha
Film Songs[edit | edit source]
Language:Tamil[edit | edit source]
Language: Hindi[edit | edit source]
Language: Kannada[edit | edit source]
| Song | Movie | Composer | Singer |
|---|---|---|---|
| Kaalavannu Thadeyoru | Kittu Puttu (1977) / Apthamitra (2004) | Rajan-Nagendra (1977) / Gurukiran (2004) | K J Yesudas, S Janaki (1977) / Hariharan, Gurukiran (2008) |
See also[edit | edit source]
Notes[edit | edit source]
References[edit | edit source]
- ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 "Raag Bageshree – Hindustani Classical Music". Tanarang.com. Retrieved 25 August 2022.
- ↑ 2.0 2.1 2.2 Bor & Rao 1999.
- ↑ Jamison, S. W.; Witzel, Michael (1992). "Vedic Hinduism". The Study of Hinduism: 2.
- ↑ "Ragopedia Raga Chapter - Rasa". www.ragopedia.com. Retrieved 26 December 2024.
- ↑ "Table of Indian Raags". www.p-sarkar.com. Retrieved 26 December 2024.
- ↑ Kaul, Mahendra (2 February 1978). "Interview with C Ramchandra". BBC Studios. Archived from the original on 11 April 2019. Retrieved 11 April 2019.
- ↑ 7.0 7.1 7.2 7.3 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
Sources[edit | edit source]
- Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 26. ISBN 978-0-9543976-0-9.