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Bhimpalasi
| Thaat | Kafi[1] |
|---|---|
| Type | Audava-sampurna |
| Time of day | Early afternoon, 12–3[2] |
| Arohana | Ṉ̣ S G̱ M P Ṉ Ṡ[3] |
| Avarohana | Ṡ Ṉ D P M G̱ R S[4] |
| Pakad | Ṉ̣ S M ❟ M G̱ P M ❟ G̱ M G̱ R S |
| Vadi | M̄[5] |
| Samavadi | S[6] |
| Similar |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Bhimpalasi or Bheempalasi (also known as Bhimpalas or Bheempalas) is a Hindustani classical raga. Raga Bhimpalasi is from the Kafi Thaat.[7]
Theory[edit]
- Aarohana: Ṉ̣ S G̱ M P Ṉ Ṡ[lower-alpha 1][8][9][10]
- Avaroha: Ṡ Ṉ D P M G̱ R S[lower-alpha 2][8][9][11]
The raag has komal Ni and Ga. It is an Audava-Sampoorna raga, implying that it has 5 notes in Arohana and 7 in Avarohana.[12]
- Vadi: M[9][13]
- Samavadi: S[9][14]
- Thaat: Kafi[9][15]
- Pakad or Chalan: Ṉ̣ S M ❟ M G̱ P M ❟ G̱ M G̱ R S[lower-alpha 3][9]
Bandish by Niyamat Khan 'Sadarang'[edit]
Jaa, jaa re apane mandiravaa
Suna paave gi (mori) saas-nanadiyaa
Suna ho sadaa-rang, tuma ko chaahata hay
kya tum hamako chalana kiyaa, (or kya tum hamako Thagana diya)
Jaa, jaa re
Organisation and relationships[edit]
Related ragas:
- Bageshree, Dhanashree, Dhani, Patdeep, Hamsakinkini, Patdeepaki
- In Carnatic music, Karnataka Devagandhari is the most similar raga, falling with Melakarta 22 (Karaharapriya).
Behaviour[edit]
The madhyam (fourth) is the most important note - an important 'nyaas' sthaan (note for rest) with emphasized elaboration around this note - S g M, M g M, g M P, M P g M P (M) g (M) g M... The Rishabh (second) and the Dhaivat (sixth) are skipped in Aarohi (ascending) passages, but are given due importance when descending (Avrohi). Use of the Dhaivat and Rishabh is symmetric and both are approached via the succeeding notes (D from n, and R from g).g is taken with karn of m, n from sa. E.g.-g=mg and n=sn
Film Songs[edit]
Language: Tamil[edit]
See also[edit]
Notes[edit]
References[edit]
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ 8.0 8.1 Bor & Rao 1999.
- ↑ 9.0 9.1 9.2 9.3 9.4 9.5 OEMI:BP.
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
- ↑ http://www.tanarang.com/english/bheempalasi_eng.htm
Sources[edit]
- Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 40. ISBN 9780954397609.
- Bhimpalāsi Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983. Retrieved 12 October 2018.
- Gosvami, O. (1957). The Story Of Indian Music. Bombay: Asia Publishing House.