.svg)
Hanumatodi
  Thank you for being part of the Bharatpedia family! 0% transparency: ₹0 raised out of ₹100,000 (0 supporter) |
| Arohanam | S R₁ G₂ M₁ P D₁ N₂ Ṡ |
|---|---|
| Avarohanam | Ṡ N₂ D₁ P M₁ G₂ R₁ S |
| Equivalent | Phrygian mode |
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
|
Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th melakarta rāgam (parent scale) in the 72 melakarta rāgam system. This is sung very often in concerts. It is a difficult rāgam to perform in owing to its complexity in prayoga (phrases of notes and intonation). It is called Janatodi in Muthuswami Dikshitar school of Carnatic music.[1] Its Western equivalent is the Phrygian mode. Todi in Carnatic music is different from Todi (thaat) of Hindustani music (North Indian classical music). The equivalent of the Hindustani raga Todi in Carnatic music is Shubhapantuvarali (which is the 45th melakarta).[2][3] The equivalent of Carnatic Todi in Hindustani is Bhairavi thaat.[2]
Structure and Lakshana[edit]
It is the 2nd rāgam in the 2nd chakra Netra. The mnemonic name is Netra-Sri. The mnemonic phrase is sa ra gi ma pa dha ni.[2] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music page for details on below notation and terms):
- ārohaṇa : S R₁ G₂ M₁ P D₁ N₂ Ṡ[lower-alpha 1]
- avarohaṇa : Ṡ N₂ D₁ P M₁ G₂ R₁ S[lower-alpha 2]
This scale uses the notes shuddha rishabham, sadharana gandharam, shuddha madhyamam, shuddha dhaivatham and kaisiki nishadham.[what language is this?] It is a sampoorna rāgam - rāgam having all 7 swarams. It is the shuddha madhyamam equivalent of Bhavapriya, which is the 44th melakarta scale. A peculiarity of this raga is that it is sung in all lower notes. It is also classified as a "rakti" raga (a raga of high melodic content).
Janya rāgams[edit]
Hanumatodi has a quite a few janya rāgams (derived scales) associated with it, of which Asaveri, Janatodi, Dhanyasi, Punnagavarali and Shuddha Seemanthini are popular. See List of janya rāgams for all of Todi's janyas.
Popular compositions[edit]
Most composers have composed songs in Todi.[3] Thyagaraja alone has composed about 32 compositions in this raga with each composition starting at every single note of the three octaves. Thāye Yashoda, composed by Oottukkadu Venkata Kavi, is a very well known composition, in the Tamil language. This popular kriti is sung frequently in concerts. A popular varnam in the Todi rāgam is Erā Nāpai by Patnam Subramania Iyer, one of the famous composers of Carnatic music.
Other popular compositions are:
- Era Na Pai an Aadi thala varnam by Patnam Subramania Iyer
- Daani Samajendra, Saridisavasa (Varnams) by Swathi Thirunal
- Kādhanu vāriki, Dācu kovalena, Proddupoyenu, Dasarathi Nee Runamu, Aragimpave, Raju Vedale, Endu daginado, Chesinadella, Koluvamaregada, Nee vanti daivamu sadanana and Gati Neevani by Thyagaraja
- Sarasijanabha Murare, Devadevamam Palaya, Japatha Japatha, Devadeva Mam Palayamam, Mandara Dhara, Pankajaksha Tava Sevam, Samodam Kalayami by Swathi Thirunal
- Shri Krishnam Bhajamaanasa, Daakshayani,Shri Subramanyomam Rakshatu and Kamalambike by Muthuswami Dikshitar
- Raave Himagiri Kumari, Karunanidhi Ilalo by Syama Sastri
- Enu Dhanyalo Lakumi by Purandara Dasa
- Gajananam Ganapathim by Jayachamarajendra Wodeyar
- Kārthikeya Gangeya and Thamatham aen swami by Papanasam Sivan
- Paradevathe Nin Pada Bhajanam by Irayimman Thampi
- Sundaranga Kantha, a padam in Malayalam by Swathi Thirunal
- varnam miinakshi niidu by gnanananda teertha (ogirala veera raghava sarma)
- kriti kamakshi sada by gnanananda teertha (ogirala veera raghava sarma)
- Anjaneyam upasmahe by Bellary M. Sheshagiri Acharya
- Ninne namminanu by Shyama Shastri
- Notru Suvargam part of the Thiruppavai by Andal
- Sudha Nidhe Mamava Sadha by Balamurali Krishna
Film Songs[edit]
Language:Tamil[edit]
| Song | Movie | Year | Composer | Singer |
|---|---|---|---|---|
| Ellam Sivan Seyal | Sivakavi | 1943 | Papanasam Sivan | M. K. Thyagaraja Bhagavathar |
| Kattradhu Kai Mannalavu | Avvaiyar | 1953 | M. D. Parthasarathy,
Anandaraman and Mayavaram Venu |
K. B. Sundarambal |
| Ennai Pol Pennallavo | Vanangamudi | 1957 | G. Ramanathan | P. Suseela |
| Pesuvadhu Killiyaa | Panathottam | 1963 | Viswanathan–Ramamoorthy | T. M. Soundararajan, P. Susheela |
| Aadaludan Paadalai | Kudiyirundha Koyil | 1968 | ||
| Enge Nimmadhi | Puthiya Paravai | 1964 | T. M. Soundararajan | |
| Thodiyil Padugiren | Raga Bandhangal | Kunnakudi Vaidyanathan | T. N. Seshagopalan | |
| Gangai Karai Mannanadi | Varusham 16 | 1989 | Ilaiyaraaja | K. J. Yesudas |
| Nethu Kodutha | Kathal Saathi | Karthik | ||
| Usure Pogudhey | Raavanan | 2010 | A.R. Rahman | Karthik, Mohammad Irfan Ali |
| Megam Karukuthu | Kushi | 2000 | Deva | Harini |
| Thodi Raagam Paadava | Maanagara Kaaval | 1991 | Chandrabose | K. J. Yesudas, K. S. Chithra |
| Mankatha Theme | Mankatha | 2011 | Yuvan Shankar Raja |
Related rāgams[edit]
Todi's notes when shifted using Graha bhedam, yields 5 other major melakarta rāgams, namely, Kalyani, Shankarabharanam, Natabhairavi, Kharaharapriya and Harikambhoji. For further details and an illustration of graha bhedam of this rāgam refer related rāgams section in Shankarabharanam page.