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Gourimanohari or Gaurimanohari is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 23rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. The 23rd melakarta rāgam as per Muthuswami Dikshitar school of music is
IAST (IAST: IAST)
.
The Western equivalent is the melodic minor scale .
Hindustani music does not have an equivalent to this rāgam, where the purvanga (first half of the scale) is like Kafi thaat , while the uttaranga (second half) is like Bilaval thaat .[1]
Structure and Lakshana [ edit ]
Gourimanohari scale with Shadjam at C
It is the 5th rāgam in the 4th chakra Veda . The mnemonic name is Veda-Ma . The mnemonic phrase is sa ri gi ma pa dhi nu .[2] Its
IAST (IAST: IAST)
structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
IAST (IAST: IAST)
]]: S R₂ G₂ M₁ P D₂ N₃ Ṡ [lower-alpha 1]
IAST (IAST: IAST)
]]: Ṡ N₃ D₂ P M₁ G₂ R₂ S [lower-alpha 2]
The notes used in this scale are shadjam, chatushruti rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chatushruti daivatam and kakali nishadham . It is a sampurna rāgam – a rāgam that has all seven swaras (notes). It is the shuddha madhyamam equivalent of Dharmavati , which is the 59th melakarta .
Janya rāgams[ edit ]
It has a few minor janya rāgams (derived scales) associated with it. See List of janya rāgams to look up all rāgams associated with it.
Popular compositions [ edit ]
The following are a few popular compositions in this rāgam.
Guruleka etuvanti by Thyagaraja
Varalakshmi Namostute by Mysore Vasudevacharya
Sarasa sama mridu pada by Swati Tirunal
Brova Samayamide Ramayya by Karur Devudu Iyer
Gangadhara Shiva by Sri Ganapathy Sachchidananda Swamiji
Film Songs [ edit ]
Song
Movie/Album
Composer
Singer
Paattum Naane
Thiruvilaiyadal
K. V. Mahadevan
T. M. Soundararajan
Poonthenil Kalanthu
Enippadigal
S. P. Balasubramanyam , P. Susheela
Aadatha Manamum
Kalathur Kannamma
R. Sudarsanam
A. M. Rajah , P. Susheela
Sonnadhellam
Paadha Kaanikkai
Viswanathan–Ramamoorthy
P. Susheela , L. R. Eswari
Naan Paadum Paadalukku
Raga Bandhangal
Kunnakudi Vaidyanathan
Sirkazhi G. Sivachidambaram , S. Janaki
Malarae Kurinji Malarae
Dr. Siva
M. S. Viswanathan
K. J. Yesudas , S. Janaki
Oru Aalayamaagum
Sumathi En Sundari
P. Susheela
Jal Jal Jalenum
Paasam
Dheivam Thantha Veedu
Aval Oru Thodar Kathai
K. J. Yesudas
Kadavul Amaithu Vaitha
S. P. Balasubrahmanyam
Gowri Manohariyai Kanden
Mazhalai Pattalam
S. P. Balasubrahmanyam , Vani Jairam
Agayam kanatha
Alaya Deepam
Vani Jairam
Kaalai Maalai Paadu Paadu
Gnana Paravai
K. J. Yesudas , K. S. Chithra
Kannaa Varuvaayaa
Manathil Uruthi Vendum
Ilayaraja
Muthamizh Kaviyae
(Ragam Dharmavati touches)
Dharmathin Thalaivan
Dhoorathil Naan
Nizhalgal
S. Janaki
Chinna Chinna Vanna Kuyil
Mouna Ragam
O Endhan
Unakkaagave Vaazhgiren
Isaiyin Deivam
Maragatha Veenai
Ponvaanam Panneer Thoovuthu
Indru Nee Nalai Naan
Thalampoove Kannurangu
S. P. Balasubrahmanyam , S. Janaki , Uma Ramanan
Bhoopalam Isaikkum
Thooral Ninnu Pochchu
K. J. Yesudas , Uma Ramanan
Paadum Vanambadi
Naan Paadum Paadal
S. P. Balasubrahmanyam
Oru Kaaviam
Aruvadai Naal
Illayaraja
Katha Pola Thonum
Veera Thalattu
Raja Magal Roja Malar
Pillai Nila
P. Jayachandran , S. Janaki
Adhi Kaalai Nilave
Urudhi Mozhi
Anbe Vaa Arugile
Kilipetchu Ketkava
K. J. Yesudas , S. Janaki
Then Poove
Anbulla Rajinikanth
S. P. Balasubrahmanyam , S. Janaki
Santhana Kaatre
Thanikattu Raja
Solai Poovil Malai Thenral
Vellai Roja
Maanguyilae (Only till 1st half of verse)
Karakattakkaran
Ennathaan Sugamo
Mappillai
Maalai Ennai Vaaduthu
Pookalai Pareekatheergal
T. Rajendar
Roja Roja
Kadhalar Dhinam
A. R. Rahman
P. Unnikrishnan
Vidai Kodu Engal Naadae
Kannathil Muthamittal
M. S. Viswanathan ,Balram, Febi Mani , A. R. Reihana , Manikka Vinayagam
Malaiyorum Kuyil
Inaindha Kaigal
Manoj Gyan
Deepan Chakravarthy ,Vidhya
Sakalakala Vallavane
Pammal K. Sambandam
Deva
Hariharan , Sujatha Mohan
Silu Silu Siluvena Kaathu
(Ragam Dharmavathi touches in Charanam)
Kizhakku Karai
K. S. Chithra
Vizhiyum Vizhiyum
Sadhurangam
Vidyasagar
Madhu Balakrishnan , Harini
Aasai Aasai(Charanam only)
Dhool
Shankar Mahadevan , Sujatha Mohan
Kolaikara Analatchu En Muchu
Thambi Vettothi Sundaram
Karthik ,Kalyani
Vanvillin Vannam
Thendral
Sadhana Sargam
En Nenjil
Baana Kaathadi
Yuvan Shankar Raja
Vennmegam Pennaga
Yaaradi Nee Mohini
Hariharan
Aarariraro
Raam
K. J. Yesudas
Nijama Nijama
Bose
KK , Shreya Ghoshal
Kadhal Vanoli
(starting Male voice in Ragam Reethigowla)
Album
Karthik Raja
Sujatha Mohan , Harish Raghavendra
Penn Oruthi
Gemini
Bharadwaj
S. P. Balasubrahmanyam
Kaadhal Mazhaiye
Jay Jay
Srinivas
Mailaanji Mailaanji
Namma Veettu Pillai
D. Imman
Shreya Ghoshal , Pradeep Kumar
Sundari Penne
Oru Oorla Rendu Raja
Shreya Ghoshal
Related rāgams [ edit ]
This section covers the theoretical and scientific aspect of this rāgam.
Gourimanohari's notes when shifted using Graha bhedam , yields 3 other major melakarta rāgams, namely, Vachaspati , Natakapriya and Charukesi . Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration see Graha bhedam on Vachaspati .
↑ Alternate notations:Hindustani: S R G̱ M P D N Ṡ Western: C D E♭ F G A B C
↑ Alternate notations:Hindustani: Ṡ N D P M G̱ R S Western: C B A G F E♭ D C
References [ edit ]
↑ Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
↑ Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
Shuddha Madhyama Ragas
Indu chakraNetra chakra Agni chakra Veda chakra Bana chakra Ritu chakra
Prati Madhyama Ragas