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Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th Melakarta rāgam (parent scale) in the 72 melakarta rāgam system.
One of the first scales employed by the ancient Tamils(3BCE) was the Mullaipann, a pentatonic scale composed of the notes sa ri ga pa da, equivalent to C, D, E, G and A in the western notations. These fully harmonic scales, constitutes the raga Mohanam in the Carnatic music style. Mullaipann further evolved into Sempaalai, a scale based on seven notes by the addition of two more notes, ma and ni to the pentatonic scale. Sempaalai pann corresponds to the Carnatic raga Harikambhoji.
It is the 4th rāgam in the 5th chakra Bana. The mnemonic name is Bana-Bhu. The mnemonic phrase is sa ri ga ma pa dha ni sa.[1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
Harikambhoji has a lot of janya rāgams (derived rāgams) associated with it, of which Kambhoji is by far the most famous and frequently sung in concerts. The globally famous pentatonic scale Mohanam is also considered a janya of this rāgam. Andolika[2] (also considered as janya of Kharaharapriya), Kamas, Pashupatipriya,
Kedaragaula, Natakurinji, Navarasa kannada, Sahana, Senchuruti, Suruti , Sudhasaveri, Kamas and Yadukula kambhoji are also very popular janyas.
Among the Trinity of Carnatic music, only Thyagaraja has composed songs in Harikambhoji. He has composed the popular kritis Ramanannu brovara, Entara Neethana, Nenendhu Vedakudhura, Enduku Nirdaya, Undedi Ramudu, Chanithodi, Dinamani Vamsha amongst many others.
Papanasam Sivan has composed Enadhu manam kavalai, Pamalaikkinai Undo and Paadamalar Tunaiye which are popularly performed among other kritis.