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| chakra        =
| chakra        =
| type          =
| type          =
| arohanam      = S R2 M1 P N1 S
| arohanam      = S R2 M1 P N2 S
| avarohanam    = S N1 P M1 R2 S
| avarohanam    = S N2 P M1 R2 S
| jeeva        =
| jeeva        =
| chhaya        =
| chhaya        =
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}}
}}
{{Carnatic}}
{{Carnatic}}
'''Madhyamavati''' (madhyamāvati) is a [[rāga]] in [[Carnatic music]] (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''[[swara]]s''). It is a ''[[janya]]'' rāga (derived scale). The equivalent of ''Madhyamavati'' in [[Hindustani music]] is ''Madhumad Sarang''.<ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref><ref>{{Cite book|last=Rao|first=B. Subba|url=https://books.google.com/books?id=b9kHAQAAMAAJ&newbks=0&printsec=frontcover&dq=%22Madhyamavati%22+-wikipedia&q=%22Madhyamavati%22+-wikipedia&hl=en|title=Bharatiya Sangeet: Raga Nidhi: Encyclopedia of Indian Ragas, a Comparative Study of Hindustani & Karnatak Ragas|date=1956|publisher=V. Patwardhan, Chairman, Vishnu Digambar Smarak Samiti|language=en}}</ref>
'''Madhyamavati''' (madhyamāvati) is a [[rāga]] in [[Carnatic music]] (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''[[swara]]s''). It is a ''[[janya]]'' rāga (derived scale). The equivalent of ''Madhyamavati'' in [[Hindustani music]] is ''Madhumad Sarang''.<ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref><ref>{{Cite book|last=Rao|first=B. Subba|url=https://books.google.com/books?id=b9kHAQAAMAAJ&q=%22Madhyamavati%22+-wikipedia|title=Bharatiya Sangeet: Raga Nidhi: Encyclopedia of Indian Ragas, a Comparative Study of Hindustani & Karnatak Ragas|date=1956|publisher=V. Patwardhan, Chairman, Vishnu Digambar Smarak Samiti|language=en}}</ref> It also has other equivalents in Hindustani music such as ragas [[Megh (raga)|Megh]] and [[Megh Malhar]].


It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in ''Madhyamavati'' or the ending of the last song is sung in this rāgam.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref> It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the [[Circle of fifths|cycle of fifths]] ''S, P and R2'' and fourths ''S, M1 and N2''.<ref name="ragas" />
It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in ''Madhyamavati'' or the ending of the last song is sung in this rāgam.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref> It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the [[Circle of fifths|cycle of fifths]] ''S, P and R2'' and fourths ''S, M1 and N2''.<ref name="ragas" />


==Structure and Lakshana==
==Structure and Lakshana==
''Madhyamavati'' is a symmetric rāga that does not contain ''gāndhāram'' or ''dhaivatam''. It is a pentatonic scale (''audava-audava'' rāgam<ref name="raganidhi" /><ref name="ragas" /> in Carnatic music classification - audava meaning 'of 5'). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Swaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):
''Madhyamavati'' is a symmetric rāga that does not contain ''gāndhāram'' or ''dhaivatam''. It is a pentatonic scale (''audava-audava'' rāgam<ref name="raganidhi" /><ref name="ragas" /> in Carnatic music classification - audava meaning 'of 5'). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Svaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):


*[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R2|M1|P|N2|S'|foot=yes}}
*[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R2|M1|P|N2|S'|foot=yes}}
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== Popular compositions ==
== Popular compositions ==
''Madhyamavati'' rāgam lends itself for extensive elaboration and exploration and has many compositions. Here are some popular ''[[kriti]]s'' composed in this scale.
''Madhyamavati'' rāgam lends itself for extensive elaboration and exploration and has many compositions. Here are some popular ''[[Kriti (music)|kritis]]'' composed in this scale.
* Muruga enadharuyire varnam by periyasamitooran


*''Bhagyada Lakshmi Baaramma'' by [[Purandara Dasaru]] in [[Kannada language|Kannada]] (originally composed in [[Shree (Carnatic raga)|Shree ragam]])<ref>https://karnatik.com/c1146.shtml</ref>
*''Bhagyada Lakshmi Baaramma'' by [[Purandara Dasaru]] in [[Kannada]] (originally composed in [[Shree (Carnatic raga)|Shree ragam]])<ref>{{Cite web|url=https://karnatik.com/c1146.shtml|title = Carnatic Songs - bhAgyada laksmI bArammA}}</ref>
*''Eshtu Sahasavantha'', ''Sevakanelo naanu'',  By [[Vadiraja Tirtha]]
*''Eshtu Sahasavantha'', ''Sevakanelo naanu'',  By [[Vadiraja Tirtha]]
*''Baro Guru Raghavendra'' By Shreesha Vittala Dasaru
*''Edurarai Guruve'' By [[Vyasatirtha]]
*''Edurarai Guruve'' By [[Vyasatirtha]]
*''Marulu madikonde'', ''Shiva Darushana'', ''Ellanu balle'', ''Indu Nanenu Sukrutava'', , ''Enu Pelali Thangi'',  By [[Purandara Dasa]]
*''Marulu madikonde'', ''Makutake Mangalam'', ''Ellanu balle'', ''Indu Nanenu Sukrutava'', ''Enu Pelali Thangi'', ''Shiva Darushana'' By [[Purandara Dasa]]
*''Tolu Tolu Ranga'', An evergreen song by [[Purandara Dasa]] commonly sung in [[Madhyamavathi]]  
*''Tolu Tolu Ranga'', An evergreen song by [[Purandara Dasa]] commonly sung in [[Madhyamavathi]]  
* Ninna Olumeinda By [[Vijaya Dasa]]
* Ninna Olumeinda, Vyasa Badari Nivasa By [[Vijaya Dasa]]
* Dasanagu Visheshanagu By [[Kanaka Dasa]]
* Dasanagu Visheshanagu By [[Kanaka Dasa]]
*''Nyayiru Kayathu'', Ancient Tamil [[Kuṟuntokai]] poetry by Poet Kayamanar in [[Sandham- Symphony Meets Classical Tamil]] by [[Rajan Somasundaram|Composer Rajan]]
*''Nyayiru Kayathu'', Ancient Tamil [[Kuṟuntokai]] poetry by Poet Kayamanar in [[Sandham- Symphony Meets Classical Tamil]] by [[Rajan Somasundaram|Composer Rajan]]
*''Alakalalla'', ''Nadupai'' and ''Muchchada brahma'' and ''Rama Katha Sudha'' by [[Tyagaraja]] in [[Telugu language|Telugu]]
*''Alakalalla'', ''Nadupai'' and ''Muchchada brahma'' and ''Rama Katha Sudha'' by [[Tyagaraja]]  
*''Dharmasamvardhinim'', ''mahatripurasundari mamava jagadishvari'' by [[Muthuswami Dikshitar]] in [[Sanskrit]]
*''Dharmasamvardhinim'', ''mahatripurasundari mamava jagadishvari'' by [[Muthuswami Dikshitar]] in [[Sanskrit]]
*''Palinchu kamakshi'' by [[Shyama Sastri]] in [[Telugu language|Telugu]]
*''Palinchu kamakshi'' by [[Shyama Sastri]] in [[Telugu language|Telugu]]
*''Kosalendra mamavamita'', ''Bhavaye Padmanabham Iha'', ''Sarasamukha sarasijanabha'' by [[Swathi Thirunal]]
*''Kosalendra mamavamita'', ''Bhavaye Padmanabham Iha'', ''Sarasamukha sarasijanabha'' by [[Swathi Thirunal]]
*''Ramabhirama'' by [[Mysore Vasudevachar]] in [[Sanskrit]]
*''Ramabhirama'' by [[Mysore Vasudevachar]] in [[Sanskrit]]
*''Sri Ramani Jaya Tribhuvana'' By Guru Mahipati Dasa
*''Sharavanabhava Guhane'' and ''Karpagame Kan'' by [[Papanasam Sivan]] in [[Tamil language|Tamil]]
*''Sharavanabhava Guhane'' and ''Karpagame Kan'' by [[Papanasam Sivan]] in [[Tamil language|Tamil]]
*''Akhilanda Nayaka'' by [[R. Ramachandran Nair|Thulasivanam]] in [[Sanskrit]]
*''Akhilanda Nayaka'' by [[R. Ramachandran Nair|Thulasivanam]] in [[Sanskrit]]
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*''Vidachi sukhimpave'' and '' Devi parvati'' by Saint Gnanananda Teertha (Ogirala Veera Raghava Sarma) in [[Telugu language|Telugu]]
*''Vidachi sukhimpave'' and '' Devi parvati'' by Saint Gnanananda Teertha (Ogirala Veera Raghava Sarma) in [[Telugu language|Telugu]]
*''Shankari ShrI Rajarajeshvari'', ''Aadaadhu Ashangaadhu vaa'' by [[Oothukkadu Venkata Kavi]] in [[Tamil language|Tamil]]
*''Shankari ShrI Rajarajeshvari'', ''Aadaadhu Ashangaadhu vaa'' by [[Oothukkadu Venkata Kavi]] in [[Tamil language|Tamil]]
*Tuning of ''Adivo Alladivo'' and ''Marali Marali Jayamangalamu'' by [[Annamacharya]] in [[Telugu language|Telugu]]
*''Marali Marali Jayamangalam'', ''Adivo Alladivo'', ''Choodaramma Satulala'', ''Alara Chanchala'' by [[Annamacharya]] in [[Telugu language|Telugu]]
*''Santoshi Mata'' by [[Kalyani Varadarajan]]
*''Santoshi Mata'' by [[Kalyani Varadarajan]]
*''Shri Parameshwaram Chinmaya tava'', ''Shri Rama Jaya Bhuma'', ''Shrimat Tripurasundari Amba'' by [[Muthiah Bhagavatar]]
*''Shri Parameshwaram Chinmaya tava'', ''Shri Rama Jaya Bhuma'', ''Shrimat Tripurasundari Amba'' by [[Muthiah Bhagavatar]]
*''Bhajamahe Shri Tripurasundari'' by Hari Sundareswara Sharma in [[Sanskrit]]
*''Bhajamahe Shri Tripurasundari'' by Hari Sundareswara Sharma in [[Sanskrit]]
*''Harivarasanam'' by K. Janaki Amma in [[Sanskrit]]
*''Vinayakuni''
*’’Vinayakuni’n
* [https://m.youtube.com/watch?v=ATpdRfzNHHs&feature=youtu.be Madhyamvathi] (instrumental bansuri) by one of the mediators in Isha yoga center.
*[https://m.youtube.com/watch?v=ATpdRfzNHHs&feature=youtu.be Madhyamvathi] ( instrumental bansuri ) by one of the mediators in Isha yoga center.
* Radha vadhana an ashtapati by jeyadeva


== Film songs ==
== Film songs ==
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|Aagaya Gangai
|Aagaya Gangai
|[[Dharma Yuddham]]
|[[Dharma Yuddham]]
| rowspan="19" |[[Illayaraja]]
| rowspan="20" |[[Illayaraja]]
| rowspan="3" |[[Malaysia Vasudevan]], [[S. Janaki]]
| rowspan="3" |[[Malaysia Vasudevan]], [[S. Janaki]]
|-
|-
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|Nila Kayuthu
|Nila Kayuthu
(Sri Ragam traces too)
(Sri Ragam traces too)
|[[Sakalakala Vallavan]]
|[[Sakalakala Vallavan (1982 film)|Sakalakala Vallavan]]
|-
|-
|Adi Penney
|Adi Penney
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|Thazham Poovae Vaasam
|Thazham Poovae Vaasam
|[[Kai Kodukkum Kai]]
|[[Kai Kodukkum Kai]]
|[[S. P. Balasubrahmanyam]], [[S. Janaki]]
|rowspan=2|[[S. P. Balasubrahmanyam]], [[S. Janaki]]
|-
|Oh Maanae Maana
|[[Vellai Roja]]
|-
|-
|Sevvanthi pookalil
|Sevvanthi pookalil
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|Nee Thane Enthan
|Nee Thane Enthan
|[[Ninaivellam Nithya]]
|[[Ninaivellam Nithya]]
| rowspan="3" |[[S. P. Balasubrahmanyam]]
| rowspan="4" |[[S. P. Balasubrahmanyam]]
|-
|Thulli Thulli
|[[Sippikkul Muthu]]
|-
|-
|Kavithai Paadu
|Kavithai Paadu
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|Thanga Nilavukkul
|Thanga Nilavukkul
|[[Rickshaw Mama]]
|[[Rickshaw Mama]]
|-
|Velli Nilave
|[[Nandhavana Theru]]
|[[S. P. Balasubrahmanyam]],[[Uma Ramanan]]
|-
|-
|Ponmeni Uruguthey
|Ponmeni Uruguthey
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|Tholvi Nilayenna
|Tholvi Nilayenna
|[[Oomai Vizhigal]]
|[[Oomai Vizhigal]]
|rowspan=2|[[Manoj Gyan]]
|rowspan=2|[[Manoj–Gyan]]
|[[P. B. Srinivas]], [[Aabavanan]]
|[[P. B. Srinivas]], [[Aabavanan]]
|-
|-
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|[[A. R. Rahman]]
|[[A. R. Rahman]]
|-
|-
|Thaiyya Thaiyya
|[[Chaiyya Chaiyya|Thaiyya Thaiyya]]
|[[Dil Se..|Uyire]]
|[[Dil Se..|Uyire]]
|[[Sukhwinder Singh]], [[Malgudi Subha]], Palakkad Sriram
|[[Sukhwinder Singh]], [[Malgudi Subha]], Palakkad Sriram
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|Thumbi Thullal
|Thumbi Thullal
(Abheri traces also)
(Abheri traces also)
|[[Cobra (2020 film)|Cobra]]
|[[Cobra (upcoming film)|Cobra]]
|[[Nakul Abhyankar]], [[Shreya Ghoshal]]
|[[Nakul Abhyankar]], [[Shreya Ghoshal]]
|-
|-
|Anandham Anandham
|Anandham Anandham
|[[Murai Maman]]
|[[Murai Maman]]
| rowspan="2" |[[Vidyasagar (composer)|Vidyasagar]]
| rowspan="3" |[[Vidyasagar (composer)|Vidyasagar]]
|[[P. Unni Krishnan]], [[Sujatha Mohan]], [[Manorama (Tamil actress)|Manorama]]
|[[P. Unni Krishnan]], [[Sujatha Mohan]], [[Manorama (Tamil actress)|Manorama]]
|-
|-
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|[[Majaa]]
|[[Majaa]]
|[[Shankar Mahadevan]], [[Anuradha Sriram]]
|[[Shankar Mahadevan]], [[Anuradha Sriram]]
|-
| Vaadi Vaadi Naattu Katta
| [[Alli Thandha Vaanam]]
| [[Shankar Mahadevan]], [[Sujatha Mohan]]
|-
|-
|Edhedho Karpanai
|Edhedho Karpanai
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|[[Minor Mappillai]]
|[[Minor Mappillai]]
|Isaivanan
|Isaivanan
|-
|Dhavanipotta Deepavali
|[[Sandakozhi]]
| rowspan="3" |[[Yuvan Shankar Raja]]
|[[Vijay Yesudas]], [[Shreya Ghoshal]]
|-
|Thaaliyae Thevaiyillai
|[[Thaamirabharani]]
|[[Hariharan (singer)|Hariharan]], [[Bhavatharini]]
|-
|-
|Kaatrukku Kaatrukku
|Kaatrukku Kaatrukku
|[[Thulluvadho Ilamai]]
|[[Thulluvadho Ilamai]]
|[[Yuvan Shankar Raja]]
|[[Harish Raghavendra]], [[Harini (singer)|Harini]], [[Febi Mani]], Sunder Rajan
|[[Harish Raghavendra]], [[Harini (singer)|Harini]], [[Febi Mani]], Sunder Rajan
|-
|Anbae Anbae
|[[Idhu Kathirvelan Kadhal]]
|[[Harris Jayaraj]]
|[[Harish Raghavendra]], [[Harini (singer)|Harini]]
|-
|Nenjangootil
|[[Dishyum]]
|[[Vijay Antony]]
|Jayadev, Rajalakshmi
|-
|-
|Chembaruthi Poo
|Chembaruthi Poo
|[[Vinnukum Mannukum]]
|[[Vinnukum Mannukum]]
|rowspan=3|[[Sirpy]]
|rowspan=3|[[Sirpy]]
|Arunmozhi, [[K.S. Chitra]]
|[[Arunmozhi]], [[K.S. Chitra]]
|-
|-
|Chinna Chinna Idangalai
|Chinna Chinna Idangalai
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|[[Harish Raghavendra]], [[Harini (singer)|Harini]]
|[[Harish Raghavendra]], [[Harini (singer)|Harini]]
|-
|-
|Paathi Kadhal
|Yetho Yetho
|[[Modhi Vilayadu]]
|[[Thullura Vayasu]]
|[[Colonial Cousins]]
|[[Karthik Raja]]
|[[Bombay Jayashree]], [[Sunitha Sarathy]]
|[[Karthik (singer)|Karthik]] (Male vers), [[Sujatha Mohan]] (Female Vers)
|-
|-
|Kannum Kannum
|Kannum Kannum
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|Sathyaprakash, Lalitha Sudha
|Sathyaprakash, Lalitha Sudha
|-
|-
|Sivakumar Pondatti
|Vaayadi Petha Pulla
|[[Sivakumarin Sabadham]]
|[[Kanaa (film)|Kanaa]]
|[[Hiphop Tamizha]]
|[[Dhibu Ninan Thomas]]
|Gana Michael
|Aaradhana Sivakarthikeyan, [[Vaikom Vijayalakshmi]], [[Sivakarthikeyan]]
|-
|Saami Saami
|[[Pushpa: The Rise]]
|[[Devi Sri Prasad]]
|Rajalakshmi Senthiganesh
|}
|}


=== Language:[[Tamil language|Kannada]] ===
=== Language:[[Kannada]] ===
{| class="wikitable"
{| class="wikitable"
!Song
!Song
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|Vijaya Narasimha
|Vijaya Narasimha
|}
|}


=== Language:[[Telugu language|Telugu]] ===
=== Language:[[Telugu language|Telugu]] ===
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|Kashmiru Loyalo Kanya kumarailo O Chandamama
|Kashmiru Loyalo Kanya kumarailo O Chandamama
|[[Pasivadi Pranam]]
|[[Pasivadi Pranam]]
|[[K._Chakravarthy|K._Chakravarthy]]
|[[K. Chakravarthy]]
|[[S. P. Balasubrahmanyam |S. P. Balasubramanyam]]
|[[S. P. Balasubrahmanyam|S. P. Balasubramanyam]]


|-
|-
|Manasu Aagadhu Vayasu Thaggadhu
|Manasu Aagadhu Vayasu Thaggadhu
|[[Bangaru Bullodu]]
|[[Bangaru Bullodu]]
|[[Raj–Koti|Raj–Koti]]
|[[Raj–Koti]]
|[[S. P. Balasubrahmanyam |S. P. Balasubramanyam]]
|[[S. P. Balasubrahmanyam|S. P. Balasubramanyam]]
 
|-
|Swati lo Mutyamanta muddula
|[[Bangaru Bullodu]]
|[[Raj–Koti]]
|[[S. P. Balasubrahmanyam|S. P. Balasubramanyam]]


|-
|-
|Vastaadu naa raju ee roju
|Vastaadu naa raju ee roju
|[[Alluri Seetarama Raju]]
|[[Alluri Seetarama Raju]]
|[[P Adinarayana rao |P. Adinarayana Rao]]
|[[P Adinarayana Rao|P. Adinarayana Rao]]
|[[P. Suseela |P. Suseela]]
|[[P. Suseela]]
 


|}
|}

Revision as of 19:33, 25 May 2022


Madhyamavati
ArohanamS R2 M1 P N2 S
AvarohanamS N2 P M1 R2 S
Carnatic music
Error creating thumbnail: File missing
Tanjavur-style Tambura
Concepts
Compositions
Instruments
Melody
Sarasvati Vīṇā
Veṇu
Nādasvaraṃ
Goṭṭuvādyaṃ (Citra Vīṇā)
Violin
Percussion
Mr̥daṅgaṃ
Ghaṭaṃ
Morsing
Kanjira
Thavil
Drone
Tambura
Shruti box

Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale), as it does not have all the seven musical notes (swaras). It is a janya rāga (derived scale). The equivalent of Madhyamavati in Hindustani music is Madhumad Sarang.[1][2] It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar.

It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in Madhyamavati or the ending of the last song is sung in this rāgam.[3] It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the cycle of fifths S, P and R2 and fourths S, M1 and N2.[3]

Structure and Lakshana

Madhyamavati is a symmetric rāga that does not contain gāndhāram or dhaivatam. It is a pentatonic scale (audava-audava rāgam[1][3] in Carnatic music classification - audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

This scale uses the notes chatushruti rishabham, shuddha madhyamam, panchamam and kaisiki nishadam. Madhyamavati is considered a janya rāga of Kharaharapriya, the 22nd Melakarta rāga, though it can be derived from other melakarta rāgas, Charukesi, Natabhairavi or Harikambhoji, by dropping both gāndhāram and dhaivatam.[citation needed]

Popular compositions

Madhyamavati rāgam lends itself for extensive elaboration and exploration and has many compositions. Here are some popular kritis composed in this scale.

  • Muruga enadharuyire varnam by periyasamitooran

Film songs

Language:Tamil

Song Movie Composer Singer
Arbutha Leelaigalai Sivagami K. V. Mahadevan M. K. Thyagaraja Bhagavathar
Engiruntho Vanthan Padikkadha Medhai Seerkazhi Govindarajan
Thirumal Perumaikku

(Ragamalika)

Thirumal Perumai T. M. Soundararajan
Malarodu Vilaiyaadum Deiva Balam Aswathama P. B. Srinivas, S. Janaki
Muthukkalo Kangal Nenjirukkum Varai M.S.Viswanathan T. M. Soundararajan, P. Susheela
Pachaikili Muthucharam Ulagam Sutrum Valiban
Velale Vizhigal Ennai Pol Oruvan
Sandhanathil Nala Vaasam Praptham
Kana Kaanum Agni Sakshi S. P. Balasubrahmanyam, Saritha
Aagaya Gangai Dharma Yuddham Illayaraja Malaysia Vasudevan, S. Janaki
Anandham Then Sindhum Mann Vasanai
Nila Kayuthu

(Sri Ragam traces too)

Sakalakala Vallavan
Adi Penney Mullum Malarum Jency Anthony
Dhagam Edukira Neram Enakkaga Kaathiru Uma Ramanan
En Kalyana Azhage Unnai Aarathikkiren Vani Jairam
Solaikuyile Ponnu Oorukku Pudhusu S. P. Sailaja
Eeramana Rojave Ilamai Kaalangal K. J. Yesudas, S. Janaki(little girl's voice)
Thazham Poovae Vaasam Kai Kodukkum Kai S. P. Balasubrahmanyam, S. Janaki
Oh Maanae Maana Vellai Roja
Sevvanthi pookalil Mella Pesungal Deepan Chakravarthy, Uma Ramanan
Kuyile Kuyile Aan Paavam Malaysia Vasudevan, K.S. Chitra
Ejamaan Kaladi Ejamaan Malaysia Vasudevan
Azhagaana Mancha Pura Ellame En Rasathan Mano, S. Janaki
Nee Thane Enthan Ninaivellam Nithya S. P. Balasubrahmanyam
Thulli Thulli Sippikkul Muthu
Kavithai Paadu Thendrale Ennai Thodu
Thanga Nilavukkul Rickshaw Mama
Ponmeni Uruguthey Moondram Pirai S. Janaki
Adi Aadivarum Pallaakku I Love India
Kadhal Vennila Lakshmi Vandhachu Ravindran
Siraiyinil Veenai Kaalaiyum Neeye Maalaiyum Neeye Devendran
Pon Vaniley Koocham Gangai Amaran K. J. Yesudas
Ennadi Muniyamma Vaanga Mappillai Vaanga Shankar–Ganesh T. K. S. Natarajan
Tholvi Nilayenna Oomai Vizhigal Manoj–Gyan P. B. Srinivas, Aabavanan
Jalakku Jalakku Endrendrum Kadhal Sujatha Mohan, S. N. Surendar
Thom Karuvil Irundom Star A. R. Rahman Shankar Mahadevan
Columbus Jeans A. R. Rahman
Thaiyya Thaiyya Uyire Sukhwinder Singh, Malgudi Subha, Palakkad Sriram
Alangatti Mazhai Thenali Kamal Haasan, Srinivas, Sujatha Mohan, Baby Silono Rath & Baby Sharanya Srinivas
Vaan Varuvaan Kaatru Veliyidai Shashaa Tirupati
Thumbi Thullal

(Abheri traces also)

Cobra Nakul Abhyankar, Shreya Ghoshal
Anandham Anandham Murai Maman Vidyasagar P. Unni Krishnan, Sujatha Mohan, Manorama
Aiyyarettu Majaa Shankar Mahadevan, Anuradha Sriram
Vaadi Vaadi Naattu Katta Alli Thandha Vaanam Shankar Mahadevan, Sujatha Mohan
Edhedho Karpanai Vaai Kozhuppu Chandrabose TL Thyagarajan, Lalitha Sagari
Vizhamale Irukka Mudiyuma Student Number 1 M. M. Keeravaani S. P. B. Charan, K.S. Chitra
Aadiyile Sedhi En Aasai Machan Deva K.S. Chitra
Mamarakkuyile Maamarakuyile En Aasai Rasave S. P. Balasubrahmanyam, Swarnalatha
Semeena Vinmeena Anantha Poongatre Hariharan
Uthu Uthu Paakathinga Veeram Vilanja Mannu P. Unnikrishnan, Swarnalatha
Athipazham Sivappa Raja Pandi S. P. Balasubrahmanyam, K. S. Chithra
Paathi Nila Kamarasu S. A. Rajkumar
Va Va Vanam Ingu Thooramillai Minor Mappillai Isaivanan
Kaatrukku Kaatrukku Thulluvadho Ilamai Yuvan Shankar Raja Harish Raghavendra, Harini, Febi Mani, Sunder Rajan
Chembaruthi Poo Vinnukum Mannukum Sirpy Arunmozhi, K.S. Chitra
Chinna Chinna Idangalai Chinna Madam Mano, Sujatha Mohan
Ragasiyamanthu Kadhal Kodambakkam Harish Raghavendra, Harini
Yetho Yetho Thullura Vayasu Karthik Raja Karthik (Male vers), Sujatha Mohan (Female Vers)
Kannum Kannum Sundhara Travels Bharani Krishnaraj
Kangal Neeye Muppozhudhum Un Karpanaigal G. V. Prakash Kumar Sithara
Siragi Un Sirippaala Mehandi Circus Sean Roldan Sathyaprakash, Lalitha Sudha
Vaayadi Petha Pulla Kanaa Dhibu Ninan Thomas Aaradhana Sivakarthikeyan, Vaikom Vijayalakshmi, Sivakarthikeyan
Saami Saami Pushpa: The Rise Devi Sri Prasad Rajalakshmi Senthiganesh

Language:Kannada

Song Movie Composer Singer
Nammora Mandara Hoove Aalemane C. Ashwath S. P. Balasubramanyam
Hrudayave Ninna Belli Modagalu Upendra Kumar S. Janaki, Mano
Kodagana Koli Nungitha Santa Shishunala Sharifa C. Ashwath C. Ashwath
Sakala Karya Karanige Malaya Marutha K.J. Yesudas Vijaya Narasimha

Language:Telugu

Song Movie Composer Singer
Kashmiru Loyalo Kanya kumarailo O Chandamama Pasivadi Pranam K. Chakravarthy S. P. Balasubramanyam
Manasu Aagadhu Vayasu Thaggadhu Bangaru Bullodu Raj–Koti S. P. Balasubramanyam
Swati lo Mutyamanta muddula Bangaru Bullodu Raj–Koti S. P. Balasubramanyam
Vastaadu naa raju ee roju Alluri Seetarama Raju P. Adinarayana Rao P. Suseela

Non-film songs

Song Language Album Composer Lyricist Singer Audio Label
Nagendra Haraya Sanskrit Shiva Stotram Mahesh Mahadev Adi Shankaracharya Mahesh Mahadev, Priyadarshini PM Audios
Paliso Sri Hari enna ne Paliso Kannada Dasamruta Mahesh Mahadev Harapanahalli Bhimavva Mahesh Mahadev, Priyadarshini PM Audios

Related rāgas

This section covers the theoretical and scientific aspect of this rāgam.

Graha bhedam

Madhyamavati's notes when shifted using Graha bhedam, yields 4 other major pentatonic rāgas, namely, Mohanam, Hindolam, Shuddha Saveri and Udayaravichandrika (also known as Shuddha Dhanyasi).[3] Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāga. For more details and illustration of this concept refer Graha bhedam on Mohanam.

Scale similarities

  • Kedaragaula is a rāgam\ which has the ascending scale of Madhyamavati and descending scale of Harikambhoji. Its ārohaṇa-avarohaṇa structure is S R₂ M₁ P N₂ S: S N₂ D₂ P M₁ G₃ R₂ Ṡ
  • Manirangu is a rāga which has gāndhāram in the descending scale, while all other notes in both the ascending and descending scale are same as Madhyamavati. Its ārohaṇa-avarohaṇa structure is Ṡ R₂ M₁ P N₂ S: S N₂ P M₁ G₂ R₂ Ṡ
  • Revati is a rāga which has shuddha rishabham in place of chatushruti rishabham in the scale, while all other notes are same as Madhyamavati. Its ārohaṇa-avarohaṇa structure is Ṡ R₁ M₁ P N₂ S: S N₂ P M₁ R₁ Ṡ
  • Brindāvana Sāranga is also a rāga that has some similarities in scale with Madhyamavati. Its ārohaṇa-avarohaṇa structure is Ṡ R₂ M₁ P N₃ S: S N₂ P M₁ R₂ G₂ Ṡ
  • Andolika is an asymmetric rāga which has chatusruti dhaivata in place of panchama only in the descending scale, while all other notes are same as Madhyamavati. Its ārohaṇa-avarohaṇa structure is Ṡ R₂ M₁ P N₂ S: S N₂ D₂ M₁ R₂ S

Notes

  1. ↑ Alternate notations:
    • Hindustani: S R M P Ṉ Ṡ
    • Western: C D F G B♭ C
  2. ↑ Alternate notations:
    • Hindustani: Ṡ Ṉ P M R S
    • Western: C B♭ G F D C

References

  1. ↑ 1.0 1.1 Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  2. ↑ Rao, B. Subba (1956). Bharatiya Sangeet: Raga Nidhi: Encyclopedia of Indian Ragas, a Comparative Study of Hindustani & Karnatak Ragas. V. Patwardhan, Chairman, Vishnu Digambar Smarak Samiti.
  3. ↑ 3.0 3.1 3.2 3.3 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  4. ↑ "Carnatic Songs - bhAgyada laksmI bArammA".
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