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Thirumal Perumai
| Thirumal Perumai | |
|---|---|
| File:Thirumal Perumai poster.jpg Poster | |
| Directed by | A. P. Nagarajan |
| Screenplay by | A. P. Nagarajan |
| Based on | Naalayira Divya Prabandham by Alvars |
| Starring | Sivaji Ganesan Padmini |
| Music by | K. V. Mahadevan |
| Cinematography | W. R. Subba Rao |
| Edited by | M. N. Rajan T. R. Natarajan |
Production company | Thiruvenkateswara Movies |
Release date |
|
Running time | 159 minutes |
| Country | India |
| Language | Tamil |
Thirumal Perumai (transl. Pride of Vishnu) is a 1968 Indian Tamil-language Hindu mythological film, directed by A. P. Nagarajan.[1][2] The film stars Sivaji Ganesan and Padmini. It was released on 16 February 1968.[3]
Plot[edit]
Thirumal Perumai tells three spell-binding stories about how far you can get with Lord Vishnu's grace, and how he can solve problems.
- Andal
Goddess Lakshmi had been reincarnated on earth as the daughter of a devotee. She was named Kothai.
As she grew up, she learnt about Krishna and loved him. Once, she wore the Lord's garland. Just as she was admiring herself – her father caught her and slapped her. After much crying, she promised never to wear the Lord's garland again. The devotee did service to Lord Vishnu and put the garland on him. To his surprise, it fell off.
The devotee learnt that Lord Vishnu only liked garlands that had been worn by Kothai. Kothai comes in with the previous garland and then they garland Lord Vishnu.
The story ends with Kothai merging with Lord Vishnu.
- The Thief
There is a king, who makes one of his men a king of a city. He then gives his daughter in marriage to the new king. The new king is engrossed in war. His wife makes him change his views and he begins building a temple. Gradually he is reduced to the state of robbing to get money for God's temple. Once he comes across a wedding couple. He takes all their jewels and then looks at the groom's toe ring. He cannot remove it. The groom is actually Lord Vishnu and the bride Goddess Lakshmi. He falls at their feet and then accompanies the lord to his abode.
- The Dancer
There is a dancer who goes to see a sage. Then she vows to make him her slave. Finally the sage falls in love with her and then the dancer goes to visit her mother. While she is at the temple the sage arrives. The mother is disgusted seeing that he is not rich. Finally Lord Vishnu takes the temple deity's jewels in a pot to the mother and she welcomes the sage. The sage is accused of stealing, and just before he is going to be killed, Lord Vishnu comes and saves the day.
Cast[edit]
- Sivaji Ganesan as Periyalvar, Thirumangai Alwar, Thondaradi podi Alwar (Vibranarayanar).
- Sivakumar... Vishnu[4]
- Sowcar Janaki... Kumuthavalli
- Padmini... Devadevi
- K. R. Vijaya... Andal[4]
- Kutty Padmini... Younger Kodhai or Andal
- Rajasulochana... Devi, Dancer's sister
- S. N. Lakshmi... Dancer's Mother
- M. Bhanumathi as Goddess Lakshmi
Cameo Appearance:
- Nagesh... Raman
- M. N. Nambiar... Chola King
- E. R. Sahadevan.... Chola King
- T. R. Ramachandran... Ranga Thondaradi Podi Alwar Student
- Manorama
- G. Sakunthala...Yasodha
- P. D. Sambandam
- S. Ramarao
- A. Karunanidhi as Nattamai
- T. P. Muthulakshmi as Nattamai's wife
- K. R. Devaki
- Master Prabhakar as little Krishna
Soundtrack[edit]
The music was composed by K. V. Mahadevan.[5] The song "Thirumal Perumaikku" is a ragamalika that starts off with Madhyamavati raga followed by Dhanyasi, Mohanam, Kaanada, Saranga, Khamas, Paras, Saramathi, Surutti and Begada ending with Madhyamavathi again.[6][7] "Kakkai Chiraginiley" is based on Subramania Bharati's song of the same name.[8]
| No. | Song | Singers | Lyrics | Length |
|---|---|---|---|---|
| 1 | "Gopiyar Konjum Ramana" | T. M. Soundararajan | Kannadasan | 02:12 |
| 2 | "Hari Hari Gokula" | T. M. Soundararajan, Master Maharajan, P. Susheela | Kannadasan | 03:23 |
| 3 | "Kakkai Chiraginiley" | Soolamangalam Rajalakshmi | Subramania Bharati | 02:51 |
| 4 | "Kannanukkum Kalvanukkum" | P. Susheela | Kannadasan | 02:44 |
| 5 | "Kanna Kanna Kaviya Vanna" | P. Susheela | Kannadasan | 02:44 |
| 6 | "Malargaliley Pala" | T. M. Soundararajan | Kannadasan | 02:46 |
| 7 | "Margazhi Thingal" | P. Susheela | Andal | 02:09 |
| 8 | "Pachchai Maa Malaipol Meni" | T. M. Soundararajan | Thondaradippodi Alvar | 02:08 |
| 9 | "Thirumal Perumaikku" | T. M. Soundararajan | Kannadasan | 04:43 |
| 10 | "Vaaranamayiram" | P. Susheela | Nachiar Tirumozhi | 02:34 |
| 11 | "Karaiyeru Meen Vilaiyaadum" | P. Susheela, Soolamangalam Rajalakshmi | Kannadasan | 02:49 |
References[edit]
- ↑ https://kalkionline.com/kalkionline_archive/imagegallery/archiveimages/kalki/1968/feb/25-02-1968/p64.jpg Template:Bare URL image
- ↑ https://kalkionline.com/kalkionline_archive/imagegallery/archiveimages/kalki/1968/mar/10-03-1968/p25.jpg Template:Bare URL image
- ↑ "Thirumal Perumai". The Indian Express. 16 February 1968. p. 12.
- ↑ 4.0 4.1 Aravind, CV (20 June 2017). "Revisiting AP Nagarajan, the man who gave us immortal films like 'Thiruvilayadal' and 'Saraswathi Sabatham'". The News Minute. Archived from the original on 16 January 2018. Retrieved 21 June 2021.
- ↑ "Thirumal Perumai (1968)". Raaga.com. Archived from the original on 19 June 2014. Retrieved 19 June 2014.
- ↑ Mani, Charulatha (30 August 2013). "The power of three". The Hindu. Archived from the original on 24 June 2021. Retrieved 24 June 2021.
- ↑ ராமானுஜன், டாக்டர் ஜி. (8 June 2018). "ராக யாத்திரை 08: முத்துக்களோ ராகம்; தித்திப்பதோ பாடல்!". Hindu Tamil Thisai (in தமிழ்). Archived from the original on 24 June 2021. Retrieved 24 June 2021.
- ↑ Vamanan (19 January 2018). "Andal, the mystic who inspired stage and cinematic classics". The Times of India. Archived from the original on 24 June 2021. Retrieved 24 June 2021.
External links[edit]
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