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Madhuvanti: Difference between revisions
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*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D2|P|M2|G2|R2|S|foot=yes}} | *[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D2|P|M2|G2|R2|S|foot=yes}} | ||
The notes used are ''Chathusruthi Rishabham (R2), Sadharana Gandharam (G2), Prati Madhyamam (M2), Chathusruthi Dhaivatham (D2)'' and ''Kakali Nishadham (N3)''.<ref name="ragas" /><ref name="raganidhi" /> Notations of Carnatic music and Hindustani music differ a little bit (see ''[[Swara# | The notes used are ''Chathusruthi Rishabham (R2), Sadharana Gandharam (G2), Prati Madhyamam (M2), Chathusruthi Dhaivatham (D2)'' and ''Kakali Nishadham (N3)''.<ref name="ragas" /><ref name="raganidhi" /> Notations of Carnatic music and Hindustani music differ a little bit (see ''[[Swara#Svaras in Carnatic music|swaras in Carnatic music]]'' for details on above notation and terms). It is an ''audava-sampurna'' raga (5 notes in ascending and all 7 notes in descending scale). | ||
===Compositions=== | ===Compositions=== | ||
| Line 55: | Line 55: | ||
==Film Songs== | ==Film Songs== | ||
===Language: | ===Language:tamil=== | ||
{| class="wikitable" | {| class="wikitable" | ||
!style="background:#1E90FF" |Song | !style="background:#1E90FF" |Song | ||
| Line 185: | Line 187: | ||
|Enakena Yerkanave | |Enakena Yerkanave | ||
|[[Parthen Rasithen]] | |[[Parthen Rasithen]] | ||
|rowspan=" | |rowspan="3"|[[Bharathwaj]] | ||
|[[P. Unnikrishnan]], [[Harini (singer)|Harini]] | |[[P. Unnikrishnan]], [[Harini (singer)|Harini]] | ||
|- | |- | ||
| Line 191: | Line 193: | ||
|[[February 14 (film)|February 14]] | |[[February 14 (film)|February 14]] | ||
|[[Haricharan]] | |[[Haricharan]] | ||
|- | |||
|Aayiram Yaanai | |||
|[[Vallamai Tharayo]] | |||
|[[Nithyasree Mahadevan]], [[Chinmayi]] | |||
|- | |- | ||
|Unnai Thinam Ethirparthen | |Unnai Thinam Ethirparthen | ||
| Line 196: | Line 202: | ||
|[[S. A. Rajkumar]] | |[[S. A. Rajkumar]] | ||
|Prasanna, [[P. Unnikrishnan]] | |Prasanna, [[P. Unnikrishnan]] | ||
|- | |||
|Unnai Saranadainthen | |||
|[[Ammuvagiya Naan]] | |||
|[[Sabesh–Murali]] | |||
|[[Harish Raghavendra]], Kalyani | |||
|- | |- | ||
|Vaaney Vaaney | |Vaaney Vaaney | ||
| Line 207: | Line 218: | ||
|[[Bombay Jayashri]] | |[[Bombay Jayashri]] | ||
|- | |- | ||
| | |Muskurahat | ||
|[[Maaligai]] | |[[Maaligai|Gangubai Kathiavadi]] | ||
| | |Sanjay Leela Bhansali | ||
| | |Arijit Singh | ||
|} | |} | ||
==See also== | ==See also== | ||
*[[List of Film Songs based on Ragas]] | *[[List of Film Songs based on Ragas]] | ||
Latest revision as of 15:45, 14 August 2023
| Thaat | Todi |
|---|---|
| Type | Audava-sampurna |
| Time of day | Late evening |
| Arohana | S G₂ M₂ P N₃ Ṡ |
| Avarohana | Ṡ N₃ D₂ P M₂ G₂ R₂ S |
| Synonym | Ambika |
| Equivalent | Dharmavati |
| Similar |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Madhuvanti is a raga used in Indian classical music. It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music,[1][2] and is structurally similar to Multani.
This Raag is based on Todi Thaat (Mode). It is a romantic raga based on the foundation, eternity and colors of love. Madhu literally means honey. It is a very sweet raga with a very simple philosophy of love and romance.
Hindustani music[edit]
Madhuvanti's notes are N S Mg M P N S'(Mg in meend) while ascending and all the swaras, S' N D P M g R S, in the descent. (notations M - tivra, g-komal gandhar). Madhuvanti belongs to thaat Todi.
Time[edit]
Madhuvanti is played after 4 pm before 8 pm.
Rasa[edit]
Madhuvanti expresses a gentle loving sentiment. It depicts the sringaar rasa, used to express the love of an individual towards his or her beloved.
Carnatic music[edit]
Madhuvanti is the janya raga of the 59th Melakarta of Carnatic Music, Dharmavati.
Structure and Lakshana[edit]
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
|
Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows:
- ārohaṇa: S G₂ M₂ P N₃ Ṡ[lower-alpha 1]
- avarohaṇa: Ṡ N₃ D₂ P M₂ G₂ R₂ S[lower-alpha 2]
The notes used are Chathusruthi Rishabham (R2), Sadharana Gandharam (G2), Prati Madhyamam (M2), Chathusruthi Dhaivatham (D2) and Kakali Nishadham (N3).[1][2] Notations of Carnatic music and Hindustani music differ a little bit (see swaras in Carnatic music for details on above notation and terms). It is an audava-sampurna raga (5 notes in ascending and all 7 notes in descending scale).
Compositions[edit]
Madhuvanti is a popular raga. This raga has been used to compose many tukadas (short compositions sung towards end of Carnatic music concert).
It has also been used in Indian movie songs and music as it lends itself to lilting melodies.