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*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D2|P|M2|G2|R2|S|foot=yes}} | *[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D2|P|M2|G2|R2|S|foot=yes}} | ||
The notes used are ''Chathusruthi Rishabham (R2), Sadharana Gandharam (G2), Prati Madhyamam (M2), Chathusruthi Dhaivatham (D2)'' and ''Kakali Nishadham (N3)''.<ref name="ragas" /><ref name="raganidhi" /> Notations of Carnatic music and Hindustani music differ a little bit (see ''[[Swara# | The notes used are ''Chathusruthi Rishabham (R2), Sadharana Gandharam (G2), Prati Madhyamam (M2), Chathusruthi Dhaivatham (D2)'' and ''Kakali Nishadham (N3)''.<ref name="ragas" /><ref name="raganidhi" /> Notations of Carnatic music and Hindustani music differ a little bit (see ''[[Swara#Svaras in Carnatic music|swaras in Carnatic music]]'' for details on above notation and terms). It is an ''audava-sampurna'' raga (5 notes in ascending and all 7 notes in descending scale). | ||
===Compositions=== | ===Compositions=== | ||
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==Film Songs== | ==Film Songs== | ||
===Language: | ===Language:tamil=== | ||
{| class="wikitable" | {| class="wikitable" | ||
!style="background:#1E90FF" |Song | !style="background:#1E90FF" |Song | ||
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|[[Bombay Jayashri]] | |[[Bombay Jayashri]] | ||
|- | |- | ||
| | |Muskurahat | ||
|[[Maaligai]] | |[[Maaligai|Gangubai Kathiavadi]] | ||
| | |Sanjay Leela Bhansali | ||
| | |Arijit Singh | ||
|} | |} | ||
==See also== | ==See also== | ||
*[[List of Film Songs based on Ragas]] | *[[List of Film Songs based on Ragas]] | ||
Latest revision as of 15:45, 14 August 2023
| Thaat | Todi |
|---|---|
| Type | Audava-sampurna |
| Time of day | Late evening |
| Arohana | S G₂ M₂ P N₃ Ṡ |
| Avarohana | Ṡ N₃ D₂ P M₂ G₂ R₂ S |
| Synonym | Ambika |
| Equivalent | Dharmavati |
| Similar |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Madhuvanti is a raga used in Indian classical music. It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music,[1][2] and is structurally similar to Multani.
This Raag is based on Todi Thaat (Mode). It is a romantic raga based on the foundation, eternity and colors of love. Madhu literally means honey. It is a very sweet raga with a very simple philosophy of love and romance.
Hindustani music[edit | edit source]
Madhuvanti's notes are N S Mg M P N S'(Mg in meend) while ascending and all the swaras, S' N D P M g R S, in the descent. (notations M - tivra, g-komal gandhar). Madhuvanti belongs to thaat Todi.
Time[edit | edit source]
Madhuvanti is played after 4 pm before 8 pm.
Rasa[edit | edit source]
Madhuvanti expresses a gentle loving sentiment. It depicts the sringaar rasa, used to express the love of an individual towards his or her beloved.
Carnatic music[edit | edit source]
Madhuvanti is the janya raga of the 59th Melakarta of Carnatic Music, Dharmavati.
Structure and Lakshana[edit | edit source]
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
|
Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows:
- ārohaṇa: S G₂ M₂ P N₃ Ṡ[lower-alpha 1]
- avarohaṇa: Ṡ N₃ D₂ P M₂ G₂ R₂ S[lower-alpha 2]
The notes used are Chathusruthi Rishabham (R2), Sadharana Gandharam (G2), Prati Madhyamam (M2), Chathusruthi Dhaivatham (D2) and Kakali Nishadham (N3).[1][2] Notations of Carnatic music and Hindustani music differ a little bit (see swaras in Carnatic music for details on above notation and terms). It is an audava-sampurna raga (5 notes in ascending and all 7 notes in descending scale).
Compositions[edit | edit source]
Madhuvanti is a popular raga. This raga has been used to compose many tukadas (short compositions sung towards end of Carnatic music concert).
It has also been used in Indian movie songs and music as it lends itself to lilting melodies.