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[[File:Hamsanandi scale.svg|thumb|right|300px|''Hamsanandi'' scale with ''shadjam'' at C]] | [[File:Hamsanandi scale.svg|thumb|right|300px|''Hamsanandi'' scale with ''shadjam'' at C]] | ||
''Hamsanandi'' is a symmetric scale that does not contain ''panchamam''. It is called a ''shadava-shadava'' rāgam,<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi" /> in Carnatic music classification (as it has 6 notes in both ascending and descending scales). Its ''ārohaṇa-avarohaṇa'' structure is as follows (see [[Swara# | ''Hamsanandi'' is a symmetric scale that does not contain ''panchamam''. It is called a ''shadava-shadava'' rāgam,<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi" /> in Carnatic music classification (as it has 6 notes in both ascending and descending scales). Its ''ārohaṇa-avarohaṇa'' structure is as follows (see [[Swara#Svaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms): | ||
*[[Arohana|ārohaṇa]] : {{svaraC|S|R1|G3|M2|D2|N3|S'|foot=yes}} | *[[Arohana|ārohaṇa]] : {{svaraC|S|R1|G3|M2|D2|N3|S'|foot=yes}} | ||
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*''Hantha Njn Enthu'' is a Padam in [[Malayalam]] by [[Swati Tirunal]] | *''Hantha Njn Enthu'' is a Padam in [[Malayalam]] by [[Swati Tirunal]] | ||
*''Needu Mahima Mogadana'' and a ''[[Thillana]]'' by [[Muthiah Bhagavatar]] | *''Needu Mahima Mogadana'' and a ''[[Thillana]]'' by [[Muthiah Bhagavatar]] | ||
*''Ee pariya Sobagu'', ''Kandena Govindana'' by [[Purandara Dasa]] | *''Ee pariya Sobagu'', ''Kandena Govindana'', ''Tattatha Dhimitha'' by [[Purandara Dasa]] | ||
*''Smarisu Gurugala'' By [[Gopala Dasa]] | *''Smarisu Gurugala'' (Importance and Power of a Guru) By [[Gopala Dasa]] | ||
*''Ranga kolalanoodalaagi'' by Prasanna venkata dasa in [[Kannada]] | *''Ranga kolalanoodalaagi'' by Prasanna venkata dasa in [[Kannada]] | ||
*''Raghavendra Rayara Padambuja'' By Kamalesha Vithala Dasu | |||
*''Shauriyuro Vasini'' by [[Kalyani Varadarajan]] | *''Shauriyuro Vasini'' by [[Kalyani Varadarajan]] | ||
*''Meenakshi Jayda varada'' by [[M. Balamuralikrishna]] | *''Meenakshi Jayda varada'' by [[M. Balamuralikrishna]] | ||
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|Pottu Vaithu Poomudikkum | |Pottu Vaithu Poomudikkum | ||
|[[Ninaithen Vandhai]] | |[[Ninaithen Vandhai]] | ||
|rowspan=" | |rowspan="4"|[[Deva (composer)|Deva]] | ||
|[[S. P. Balasubrahmanyam]], [[Swarnalatha]] | |[[S. P. Balasubrahmanyam]], [[Swarnalatha]] | ||
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|Nadodi Kathal | |Nadodi Kathal | ||
|[[Malaysia Vasudevan]] | |[[Malaysia Vasudevan]] | ||
|- | |- | ||
|Idhya Veliyil | |Idhya Veliyil | ||
Revision as of 02:51, 20 May 2022
 | This article needs additional citations for verification. (July 2020) |
| Arohanam | S R₁ G₃ M₂ D₂ N₃ Ṡ |
|---|---|
| Avarohanam | Ṡ N₃ D₂ M₂ G₃ R₁ S |
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
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Hamsanandi (pronounced hamsānandi) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a hexatonic scale (shadava rāgam, which means "of 6"). It is a derived scale (janya rāgam), as it does not have all the seven swaras (musical notes). Hamsanandi is a janya rāgam of Gamanashrama, the 53rd Melakarta rāgam. It has only the invariant panchamam missing from its parent scale, Gamanashrama, like Shree ranjani.[1]
Sohni raga in Hindustani classical music that belongs to the Marwa thaat resembles Hamsanandi.[1][2]
Structure and Lakshana
Hamsanandi is a symmetric scale that does not contain panchamam. It is called a shadava-shadava rāgam,[1][2] in Carnatic music classification (as it has 6 notes in both ascending and descending scales). Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
- ārohaṇa : S R₁ G₃ M₂ D₂ N₃ Ṡ[lower-alpha 1]
- avarohaṇa : Ṡ N₃ D₂ M₂ G₃ R₁ S[lower-alpha 2]
This scale uses the notes shadjam, shuddha rishabham, antara gandharam, prati madhyamam, chathusruthi dhaivatham and kakali nishadam.
Popular compositions
Hamsanandi is an evening rāgam.[1] It has ample scope for alapana and swara prasthara (phrases of notes). This scale has been used by many composers for compositions in classical music. It has been used to score film music too. Here are some popular compositions in Hamsanandi.
- Paahi jagajanani, Sankara Sreegiri by Swati Tirunal
- Srinivasa Thiruvenkata by Papanasam Sivan
- Paavana Guru Pavanapura by Lalitha Dasa
- Hantha Njn Enthu is a Padam in Malayalam by Swati Tirunal
- Needu Mahima Mogadana and a Thillana by Muthiah Bhagavatar
- Ee pariya Sobagu, Kandena Govindana, Tattatha Dhimitha by Purandara Dasa
- Smarisu Gurugala (Importance and Power of a Guru) By Gopala Dasa
- Ranga kolalanoodalaagi by Prasanna venkata dasa in Kannada
- Raghavendra Rayara Padambuja By Kamalesha Vithala Dasu
- Shauriyuro Vasini by Kalyani Varadarajan
- Meenakshi Jayda varada by M. Balamuralikrishna
Film Songs
Language:Tamil
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
Scale similarities
- Sunadavinodini is a popular rāgam which sounds similar to Hamsanandi, which does not have the shuddha rishabham. Its ārohaṇa-avarohaṇa structure is S G₃ M₂ D₂ N₃ Ṡ: Ṡ N₃ D₂ M₂ G₃ S
