Anandabhairavi: Difference between revisions

Anandabhairavi
Arohanam	S G₂ R₂ G₂ M₁ P D₂ P Ṡ
Avarohanam	Ṡ N₂ D₂ P M₁ G₂ R₂ S

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Latest revision as of 23:30, 13 August 2023

Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. Ānandam (Sanskrit) means happiness and the rāgam brings a happy mood to the listener.

It is a janya rāgam (derived scale) of the 20th Melakarta rāgam Natabhairavi

Structure and Lakshana[edit | edit source]

Parent scale *Natabhairavi* with *shadjam* at C

Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used):

ārohaṇa : S G₂ R₂ G₂ M₁ P D₂ P Ṡ^{[lower-alpha 1]}
avarohaṇa : Ṡ N₂ D₂ P M₁ G₂ R₂ S^{[lower-alpha 2]}

File:AnandaBhairavi.wav (chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham)

It is a sampoorna rāgam – rāgam having all 7 swarams, but it is not a melakarta rāgam, as it has vakra prayogam (zig-zag notes in scale) and uses anya swaram (external note) in comparison with its parent rāgam. The anya swaram is the usage of shuddha dhaivatham (D1) in some phrases of the rāgam.^[1] Anandabhairavi ragam is also a bhashanga rāgam, since it uses more than one anya swaram. Anya swaram of a rāgam is the swaram which does not belong to the arohana or avarohana of its melakarta (parent rāgam), but it is sung in prayogams (phrases used in raga alapana, kalpanaswarams). It is also classified as a "rakti" raga(a raga of high melodic content).

Swara phrases[edit | edit source]

The three anya swarams of Anandabhairavi are antara gandharam (G3), suddha dhaivatam (D1) and kakali nishadham (N3).^[1] All of these anya swaras occur only in prayogas (not in arohana avarohana). "G3" occurs in "ma pa ma ga ga ma", and "D1" occurs in "ga ma pa da". Subtler than the first two, "N3" occurs in "sa da ni sa."

It is said that Tyagaraja and Muthuswami Dikshitar do not use any of the anya swarams in their compositions.Template:Ciation needed

Anandabhairavi also has unique swara patterns both in manodharma (impromptu improvisations by performer) and in its compositions. The popular patterns are "sa ga ga ma", "sa pa", and "sa ga ma pa". The musician isn't allowed to stay long on nishadam, this characteristic distinguishes it from Reetigowla. Few allied ragas (similar) to this are Reetigowla and Huseni.

Popular compositions[edit | edit source]

Anandabhairavi is one of the favourite ragams of Syama Sastri. He is said to have made this a popular rāgam and also to have given the present form for this rāgam.^[1] More or less Anandabhairavi's synonym is "Marivere gati" by Syama Sastri. In "Mariverae" and in "O jagadhamba" Syama Sastri uses the anya swara "ga(2)".A very life changing incident is said to have happened in Thyagaraja's life. Once he is said to have attended a Kuchipudi bhagavata artists dance-drama recital,a ballad between mythological characters Radha and Krishna, and he is said to have highly praised their performance, especially a particular song Mathura Nagarilo, which was again set in Ananda Bhairavi. Thyagaraja wanting to acknowledge them offered to give them a gift, of anything that they may desire, that he could possibly give. After much thought they demanded him the Ragam Ananda Bhairavi itself as a gift ( meaning that he would accept to never sing in that ragam ever again in his life),so that when someone in the near future spoke of Thyagaraja or Ananda Bhairavi's legacy they would also remember the Kuchipudi dancers too.

Sami ni pai Adathalavarnam by Veena Kuppayyar
Yathum oore Anthem (written by Kaniyan Pungundranar) by Composer Rajan, the theme song of 10th World Tamil Conference from Sandham: Symphony Meets Classical Tamil
Paavanasuguna Aadithalavarnam by Swathi Thirunal in Sanskrit
Sakhiye intha velayil Padavarnam by Ponniah Pillai in Tamil
Ittii MuddulAdibAludedavade by Annamacharya in Telugu
Kamti SukravAramu by Annamacharya in Telugu
Neene Dayalu, Veera Hanuma Bahu, Hodi Nagari Mele, Summane Baruvude Mukti, Srinivasa neene, by Purandaradasa in Kannada
Laali Govinda Laali By Sripadaraja
Palayachyutha Palayajitha, By Vadiraja Tirtha in Sanskrit
Smarasi Puraguru from the KuchelaUpakyanam by Swathi Thirunal
Paluke Bangaramayena by Bhadrachala Ramadasu in Telugu
Nike Teliyaka in Adi thalam by Thyagaraja in Telugu
Marivere Gati, O jagadhamba, Pahi Srigirijasuthe, Himachala Tanaya by Syama Sastri in Telugu
Maanasa guruguha, Dandayudhapanim, Kamalamba Samrakshatu, Anandeswarena and Thyagaraja yoga vaibhavam by Muthuswami Dikshitar in Sanskrit
Shringara velavan vandhan, by Papanasam Sivan in Tamil
Krishna Karuna, Pahi Tharakshupuralaya, Varija Vadana by Swathi Thirunal in Sanskrit
Poonthen Nermozhi, Balike Moham, Maanini Vamata are three padams by Swathi Thirunal in Malayalam
Dhim dhim dhim thillana by Swathi Thirunal
Andolika Vahane (Utsavaprabandham) by Swathi Thirunal in Malayalam
Samaganapriye by Periyasaamy Thooran in Tamil
Poo Mel Valarum Annaiye by Mazhavai Chidambara Bharathi in Tamil
Raghudvaha Dâsa by Kalyani Varadarajan

Film Songs[edit | edit source]

Language:Tamil[edit | edit source]

Song	Movie	Composer	Singer
Poi Vaa Magale	Karnan	Viswanathan–Ramamoorthy	Soolamangalam Rajalakshmi
Sri Janakidevi Semmantham	Missiamma	S. Rajeswara Rao	P. Leela, P. Susheela
Aagaya Pandhalile (Ragamalika:Anandhabhairavi,Kharaharapriya,Shree,Mathyamavathi)	Ponnunjal	M. S. Viswanathan	T. M. Soundararajan, P. Susheela
Nalvazhvu Naamkaana	Veettuku Veedu	M. S. Viswanathan	P. Susheela
Naan Atchi Seithuvarum	Aathi Parasakthi	K. V. Mahadevan	P. Susheela
Chittu Pole Muthu Pole	Iniya Uravu Poothathu	Illayaraja	K.S. Chitra
Paarthale Theriyaatha	Sri Raghavendrar		Manorama
Thevai Indha Paavai(Charanam only)	Andha Oru Nimidam		S. P. Balasubrahmanyam, S. P. Sailaja
Thangamey Enga Kongunattuku	Madurai Veeran Enga Saami		K. S. Chithra, Arunmozhi
Ponnu Velayara	Periya Marudhu		K. S. Chithra, Mano
Karava madu moonu(last Charanam only)	Magalir Mattum		S. P. Balasubrahmanyam, S. Janaki
Senguruvi Senguruvi	Thirumoorthy	Deva
Sembaruthi Sembaruthi	Vasanthakala Paravai
Konjanaal poru Thalaiva	Aasai		Hariharan
Kalyaanam Kalyaanam	Vaidehi Kalyanam		Sunanda
Vannakkolu Paaru	Karayai Thodatha Alaigal	Chandrabose	Vani Jairam
Mettu Podu	Duet	A. R. Rahman	S. P. Balasubrahmanyam
Anbendra Mazhaiyile	Minsara Kanavu		Anuradha Sriram
Nadhiye Nadhiye	Rhythm		Unni Menon
Mel Isaiyae	Mr. Romeo		Unni Menon, Swarnalatha, Srinivas, Sujatha
Telephone Manipol(Charanam only)	Indian		Hariharan, Harini
Kallori Salai(starting portion only)	Kadhal Desam		Hariharan, A. R. Rahman,Aslam Mustafa
Chudithar Aninthu	Poovellam Kettuppar	Yuvan Shankar Raja	Hariharan, Sadhana Sargam
Devathai Vamsam	Snegithiye	Vidyasagar	K.S. Chitra
Chinna Chinna Kannukulle	Kamarasu	S. A. Rajkumar	P. Unnikrishnan, K.S. Chitra
Partha Muthalnale	Vettaiyaadu Vilaiyaadu	Harris Jayaraj	Unni Menon, Bombay Jayashree
Pudichirukku	Saamy		Hariharan, Mahathi,Komal Ramesh
Kummiyadi	Chellamae		Sandhya
Azhiyilae	Dhaam Dhoom		Haricharan
Naanaga Naan	Gambeeram	Mani Sharma	Vijay Yesudas, Sujatha Mohan
Neeye En Thaaye	Maraikkayar: Arabikadalin Singam	Ronnie Raphael	Sreekanth Hariharan, Reshma Raghavendra

Album[edit | edit source]

Song	Album	Composer	Singer
Yaadhum Ure Anthem	Sandham	Rajan Somasundaram	Karthik, Bombay Jayashri

Notes[edit | edit source]

↑
Alternate notations:
- Hindustani: S G̱ R G̱ M P D P Ṡ
- Western: C E♭ D E♭ F G A G C
↑
Alternate notations:
- Hindustani: Ṡ Ṉ D P M G̱ R S
- Western: C B♭ A G F E♭ D C

References[edit | edit source]

↑ ^1.0 ^1.1 ^1.2 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications

[1] Alternate notations:
Hindustani: S G̱ R G̱ M P D P Ṡ
Western: C E♭ D E♭ F G A G C

[2] Hindustani: S G̱ R G̱ M P D P Ṡ

[3] Western: C E♭ D E♭ F G A G C

[2] Alternate notations:
Hindustani: Ṡ Ṉ D P M G̱ R S
Western: C B♭ A G F E♭ D C

[5] Hindustani: Ṡ Ṉ D P M G̱ R S

[6] Western: C B♭ A G F E♭ D C

[ragas-3] 1.0 ^1.1 ^1.2 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications

[lower-alpha 1]

[lower-alpha 2]

[1]

@@ Line 1: / Line 1: @@
-{{Short description|Rhythm that maintains a happy beat throughout the song}}{{About||the 2007 film|Anandabhairavi (2007 film)}}
+{{Short description|Rhythm that maintains a happy beat throughout the song}}
+{{About||the 2007 film|Anandabhairavi (2007 film)}}
+{{Use dmy dates|date=September 2021}}
+{{Carnatic}}
 {{Infobox ragam
 | name          = Anandabhairavi
@@ Line 8: / Line 11: @@
 | chakra        =
 | type          =
-| arohanam      = {{svaraC|S|G1|R1
+| arohanam      = {{svaraC|S|G2|R2
 |G2|M1|P|D2|P|S'}}
 | avarohanam    = {{svaraC|S'|N2|D2|P|M1|G2|R2|S}}
@@ Line 18: / Line 21: @@
 | similar       =
 }}
-{{Use dmy dates|date=September 2011}}
-{{Carnatic}}
 '''Anandabhairavi''' or '''Ananda Bhairavi''' (pronounced ānandabhairavi) is a very old melodious [[rāga]]m (musical scale) of [[Carnatic music]] (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener.
-It is a ''[[janya]]'' rāgam (derived scale) of the 20th ''[[Melakarta]]'' rāgam ''[[Natabhairavi]]'',<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> although some suggest that it is ''janya'' of 22nd ''melakarta [[Kharaharapriya]]''.
+It is a ''[[janya]]'' rāgam (derived scale) of the 20th ''[[Melakarta]]'' rāgam ''[[Natabhairavi]]''
 ==Structure and Lakshana==
 [[File:Natabhairavi scale.svg|thumb|right|300px|Parent scale ''Natabhairavi'' with ''shadjam'' at C]]
-Its {{IAST|ārohaṇa-avarohaṇa}} structure is as follows (see [[Swara#Swaras in Carnatic music|swaras in Carnatic music]] for details on the notations used):
+Its {{IAST|ārohaṇa-avarohaṇa}} structure is as follows (see [[Swara#Svaras in Carnatic music|swaras in Carnatic music]] for details on the notations used):
 *[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|G2|R2|G2|M1|P|D2|P|S'|foot=yes}}
 *[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|N2|D2|P|M1|G2|R2|S|foot=yes}}
@@ Line 32: / Line 34: @@
 (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'')
-It is a [[sampoorna raga|''sampoorna'' rāgam]] – rāgam having all 7 ''[[swara]]ms'', but it is not a ''melakarta'' rāgam, as it has {{transl|sa|vakra prayogam}} (zig-zag notes in scale) and uses {{transl|sa|anya swaram}} (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.<ref name="ragas" />
+It is a [[sampoorna raga|''sampoorna'' rāgam]] – rāgam having all 7 ''[[swara]]ms'', but it is not a ''melakarta'' rāgam, as it has {{transliteration|sa|vakra prayogam}} (zig-zag notes in scale) and uses {{transliteration|sa|anya swaram}} (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref>
-''Anandabhairavi'' ragam is also a {{transl|sa|bhashanga}} rāgam, since it uses more than one ''anya swaram''. ''Anya swaram'' of a rāgam is the ''[[swara]]m'' which does not belong to the ''arohana'' or ''avarohana'' of its ''melakarta'' (parent rāgam), but it is sung in {{transl|sa|prayogams}} (phrases used in {{transl|sa|raga [[alapana]]}}, ''[[kalpanaswaram]]s''). It is also classified as a "rakti" raga(a raga of high melodic content).
+''Anandabhairavi'' ragam is also a {{transliteration|sa|bhashanga}} rāgam, since it uses more than one ''anya swaram''. ''Anya swaram'' of a rāgam is the ''[[swara]]m'' which does not belong to the ''arohana'' or ''avarohana'' of its ''melakarta'' (parent rāgam), but it is sung in {{transliteration|sa|prayogams}} (phrases used in {{transliteration|sa|raga [[alapana]]}}, ''[[kalpanaswaram]]s''). It is also classified as a "rakti" raga(a raga of high melodic content).
 ==Swara phrases==
-The three {{transl|sa|anya swarams}} of {{transl|sa|Anandabhairavi'' are {{transl|sa|antara gandharam}} (G3), {{transl|sa|suddha dhaivatam}} (D1) and kakali nishadham (N3).<ref name="ragas" /> All of these ''anya swaras'' occur only in {{transl|sa|prayogas}} (not in {{transl|sa|arohana avarohana}}). "G3" occurs in "ma pa ma ga ga ma", and "D1" occurs in "ga ma pa da". Subtler than the first two, "N3" occurs in "sa da ni sa."
+The three {{transliteration|sa|anya swarams}} of {{transliteration|sa|Anandabhairavi}} are {{transliteration|sa|antara gandharam}} (G3), {{transliteration|sa|suddha dhaivatam}} (D1) and kakali nishadham (N3).<ref name="ragas" /> All of these ''anya swaras'' occur only in {{transliteration|sa|prayogas}} (not in {{transliteration|sa|arohana avarohana}}). "G3" occurs in "ma pa ma ga ga ma", and "D1" occurs in "ga ma pa da". Subtler than the first two, "N3" occurs in "sa da ni sa."
-It is said that [[Tyagaraja]] and [[Muthuswami Dikshitar]] do not use any of the {{transl|sa|anya swarams}} in their compositions.{{ciation needed|date=June 2020}}
+It is said that [[Tyagaraja]] and [[Muthuswami Dikshitar]] do not use any of the {{transliteration|sa|anya swarams}} in their compositions.{{ciation needed|date=June 2020}}
 ''Anandabhairavi'' also has unique ''swara'' patterns both in ''manodharma'' (impromptu improvisations by performer) and in its compositions. The popular patterns are  ''"sa ga ga ma"'', ''"sa pa"'', and ''"sa ga ma pa"''. The musician isn't allowed to stay long on ''nishadam'', this characteristic distinguishes it from ''[[Reetigowla]].'' Few allied ragas (similar) to this are ''Reetigowla'' and ''Huseni''.
-==Popular Compositions==
+==Popular compositions==
-''Anandabhairavi'' is one of the favourite ragams of [[Syama Sastri]]. He is said to have made this a popular rāgam and also to have given the present form for this rāgam.<ref name="ragas" /> More or less ''Anandabhairavi's'' synonym is "Marivere gati" by Syama Sastri. In "Mariverae" and in "O jagadhamba" Syama Sastri uses the ''anya swara'' "ga(2)".A very life changing incident is said to have happened in [[Thyagaraja]]'s life. Once he is said to have attended a Kuchipudi bhagavata artists dance-drama recital,a ballad between mythological characters [[Radha]] and [[Krishna]], and he is said to have highly praised their performance, especially a particular song [[Mathura Nagarilo]], which was again set in ''Ananda Bhairavi''.[[Thyagaraja]] wanting to acknowledge them offered to give them a gift, of anything that they may desire, that he could possibly give. After much thought they demanded him the [[Ragam]] [[Ananda Bhairavi]] itself as a gift ( meaning that he would accept to never sing in that [[ragam]] ever again in his life),so that when someone in the near future spoke of [[Thyagaraja]] or [[Ananda Bhairavi]]'s legacy they would also remember the Kuchipudi dancers too.
+''Anandabhairavi'' is one of the favourite ragams of [[Syama Sastri]]. He is said to have made this a popular rāgam and also to have given the present form for this rāgam.<ref name="ragas" /> More or less ''Anandabhairavi's'' synonym is "Marivere gati" by Syama Sastri. In "Mariverae" and in "O jagadhamba" Syama Sastri uses the ''anya swara'' "ga(2)".A very life changing incident is said to have happened in [[Thyagaraja]]'s life. Once he is said to have attended a Kuchipudi bhagavata artists dance-drama recital,a ballad between mythological characters [[Radha]] and [[Krishna]], and he is said to have highly praised their performance, especially a particular song [[Mathura Nagarilo]], which was again set in ''Ananda Bhairavi''. [[Thyagaraja]] wanting to acknowledge them offered to give them a gift, of anything that they may desire, that he could possibly give. After much thought they demanded him the [[Ragam]] [[Ananda Bhairavi]] itself as a gift ( meaning that he would accept to never sing in that [[ragam]] ever again in his life),so that when someone in the near future spoke of [[Thyagaraja]] or [[Ananda Bhairavi]]'s legacy they would also remember the Kuchipudi dancers too.
 *''Sami ni pai'' Adathalavarnam by [[Veena Kuppayyar]]
 *''Yathum oore Anthem'' (written by [[Kaniyan Pungundranar]]) by [[Rajan Somasundaram|Composer Rajan]], the theme song of 10th [[World Tamil Conference]] from [[Sandham: Symphony Meets Classical Tamil]]
 *''Paavanasuguna'' Aadithalavarnam by [[Swathi Thirunal]] in [[Sanskrit]]
-*{{transl|sa|Sakhiye intha velayil}} Padavarnam by [[Ponniah Pillai]] in [[Tamil language|Tamil]]
+*{{transliteration|sa|Sakhiye intha velayil}} Padavarnam by [[Ponniah Pillai]] in [[Tamil language|Tamil]]
 *''Ittii MuddulAdibAludedavade'' by [[Annamacharya]] in [[Telugu language|Telugu]]
 *''Kamti SukravAramu'' by [[Annamacharya]] in [[Telugu language|Telugu]]
-*''RAmabhadra Raghuvira'' by [[Annamacharya]] in [[Telugu language|Telugu]]
+*''Neene Dayalu'', ''Veera Hanuma Bahu'', ''Hodi Nagari Mele'', ''Summane Baruvude Mukti'', ''Srinivasa neene'', by [[Purandaradasa]] in [[Kannada]]
-*''Neene Dayalu'', ''Srinivasa neene'', ''Veera Hanuma Bahu'' by [[Purandaradasa]] in [[Kannada]]
+*''Laali Govinda Laali'' By [[Sripadaraja]]
-*''Palayachyutha Palayajitha'',  By [[Vadiraja Tirtha]] in [[Sanskrit]]
+*''Palayachyutha Palayajitha'', By [[Vadiraja Tirtha]] in [[Sanskrit]]
 *''Smarasi Puraguru'' from the KuchelaUpakyanam by [[Swathi Thirunal]]
 *''Paluke Bangaramayena'' by [[Bhadrachala Ramadasu]] in [[Telugu language|Telugu]]
@@ Line 59: / Line 61: @@
 *''Marivere Gati'', ''O jagadhamba'', ''Pahi Srigirijasuthe'', ''Himachala Tanaya'' by [[Syama Sastri]] in [[Telugu language|Telugu]]
 *''Maanasa guruguha'', ''Dandayudhapanim'', ''Kamalamba Samrakshatu'', ''Anandeswarena'' and ''Thyagaraja yoga vaibhavam'' by [[Muthuswami Dikshitar]] in [[Sanskrit]]
-*''Shringara velavan vandhan'', by [[Papanasam Sivan]]  in [[Tamil language|Tamil]]
+*''Shringara velavan vandhan'', by [[Papanasam Sivan]] in [[Tamil language|Tamil]]
 *''Krishna Karuna'', ''Pahi Tharakshupuralaya'', ''Varija Vadana'' by [[Swathi Thirunal]] in [[Sanskrit]]
-*''Poonthen Nermozhi'', ''Balike Moham'', ''Maanini Vamata'' are three padams by [[Swathi Thirunal]] in [[Malayalam language|Malayalam]]
+*''Poonthen Nermozhi'', ''Balike Moham'', ''Maanini Vamata'' are three padams by [[Swathi Thirunal]] in [[Malayalam]]
 *''Dhim dhim dhim'' thillana by [[Swathi Thirunal]]
 *''Andolika Vahane'' (Utsavaprabandham) by [[Swathi Thirunal]] in [[Malayalam]]
@@ Line 102: / Line 104: @@
 |Chittu Pole Muthu Pole
 |[[Iniya Uravu Poothathu]]
-|rowspan="5"|[[Illayaraja]]
+|rowspan="6"|[[Illayaraja]]
 |[[K.S. Chitra]]
 |-
@@ Line 115: / Line 117: @@
 |Thangamey Enga Kongunattuku
 |[[Madurai Veeran Enga Saami]]
-|[[K. S. Chithra]],Arunmozhi
+|[[K. S. Chithra]], [[Arunmozhi]]
+|-
+|Ponnu Velayara
+|[[Periya Marudhu (film)|Periya Marudhu]]
+|[[K. S. Chithra]], [[Mano (singer)|Mano]]
 |-
 |Karava madu moonu(last Charanam only)
@@ Line 121: / Line 127: @@
 |rowspan="3"|[[S. P. Balasubrahmanyam]], [[S. Janaki]]
 |-
-|Senguruvi Senguruvi(Ragam Abheri Traces also)
+|Senguruvi Senguruvi
 |[[Thirumoorthy]]
 |rowspan="4"|[[Deva (composer)|Deva]]
@@ Line 151: / Line 157: @@
 |-
 |Nadhiye Nadhiye
-|rowspan="2"|[[Rhythm (2000 film)|Rhythm]]
+|[[Rhythm (2000 film)|Rhythm]]
 |[[Unni Menon]]
 |-
-|Thaniye Thannanthaniye
+|Mel Isaiyae
-|[[Shankar Mahadevan]]
+|[[Mr. Romeo]]
+|[[Unni Menon]], [[Swarnalatha]], [[Srinivas (singer)|Srinivas]], [[Sujatha Mohan|Sujatha]]
 |-
 |Telephone Manipol(Charanam only)
@@ Line 181: / Line 188: @@
 |-
 |Partha Muthalnale
-|[[Vettaiyaadu Vilaiyaadu (2006 film)|Vettaiyaadu Vilaiyaadu]]
+|[[Vettaiyaadu Vilaiyaadu]]
-|rowspan="2"|[[Harris Jayaraj]]
+|rowspan="4"|[[Harris Jayaraj]]
 |[[Unni Menon]], [[Bombay Jayashree]]
 |-
@@ Line 188: / Line 195: @@
 |[[Saamy]]
 |[[Hariharan (singer)|Hariharan]], [[Mahathi]],Komal Ramesh
+|-
+|Kummiyadi
+|[[Chellamae]]
+|Sandhya
+|-
+|Azhiyilae
+|[[Dhaam Dhoom]]
+|[[Haricharan]]
 |-
 |Naanaga Naan
@@ Line 194: / Line 209: @@
 |[[Vijay Yesudas]], [[Sujatha Mohan]]
 |-
-|Nee paartha vizhigal
+|Neeye En Thaaye
-|[[3 (2012 Indian film)|3]]
+|[[Marakkar: Lion of the Arabian Sea|Maraikkayar: Arabikadalin Singam]]
-|[[Anirudh Ravichander]]
+|Ronnie Raphael
-|[[Vijay Yesudas]], [[Shweta Mohan]]
+|Sreekanth Hariharan, Reshma Raghavendra
 |}
@@ Line 214: / Line 229: @@
 ==See also==
-{{Portal|India|Music}}
 *[[List of Film Songs based on Ragas]]

v t e Janya ragas
A-B	Abheri Abhogi Ahiri Amritavarshini Anandabhairavi Andolika Arabhi Asaveri Atana Bageshri Bahudari Bhairavi Bhupalam Bilahari Bowli
D-J	Darbar Darbari Kanada Devagandhari Dhanyasi Gambhiranata Garudadhvani Gaula Hamsadhvani Hamsanadam Hamsanandi Hindolam Jana Ranjani Jaunpuri
K-L	Kalyanavasantam Kambhoji Kāpi Karnataka Shuddha Saveri Kedaragaula Kedaram Khamas Lavangi
M	Madhuvanti Madhyamavati Malahari Malayamarutam Mohanakalyani Mohanam Mukhari
N-R	Nagasvaravali Nata Nattakurinji Navarasa kannada Niroshta Patmanjiri Pharaju Poornachandrika Punnagavarali Ranjani Reethigowla Revagupti Revati
S	Sahana Salaga Bhairavi Saramati Saveri Shivaranjani Shree ragam Shree ranjani Shuddha Saveri Sindhu Bhairavi Sunadavinodini
T-V	Tilang Udayaravichandrika (Shuddha Dhanyasi) Valaji Varali Vasantha Yadukulakamboji Yamunakalyani
Carnatic music Swaras Melakarta ragas Asampurna Melakarta ragas List of Janya ragas