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{{Short description|Janya raga of Carnatic music}} | |||
{{more citations needed|date=July 2020}} | {{more citations needed|date=July 2020}} | ||
{{Use dmy dates|date=July 2020}} | {{Use dmy dates|date=July 2020}} | ||
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[[File:Revagupti scale.svg|thumb|right|300px|''Revagupti'' scale with ''shadjam'' at C]] | [[File:Revagupti scale.svg|thumb|right|300px|''Revagupti'' scale with ''shadjam'' at C]] | ||
''Revagupti'' is a symmetric rāgam that does not contain ''madhyamam'' or ''nishādham''. It is a symmetric pentatonic scale (''audava-audava'' ragam<ref name="ragas" /><ref name="raganidhi" /> in Carnatic music classification – ''audava'' meaning 'of 5'). Its ascending and descending scale (''{{IAST|ārohaṇa-avarohaṇa}}'' structure) is as follows: | ''Revagupti'' is a symmetric rāgam that does not contain ''madhyamam'' or ''nishādham''. It is a symmetric pentatonic scale (''audava-audava'' ragam<ref name="ragas" /><ref name="raganidhi" /> in Carnatic music classification – ''audava'' meaning 'of 5'). Its ascending and descending scale (''{{IAST|ārohaṇa-avarohaṇa}}'' structure) is as follows: | ||
*[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R1|G3|P|D1|S'|foot=yes}} | *[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R1|G3|P|D1|S'|foot=yes}} | ||
*[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|D1|P|G3|R1|S|foot=yes}} | *[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|D1|P|G3|R1|S|foot=yes}} | ||
The notes used in this scale are ''shadjam, shuddha rishabham, antara gandharam, panchamam'' and ''shuddha dhaivatham'', as per [[Swara# | The notes used in this scale are ''shadjam, shuddha rishabham, antara gandharam, panchamam'' and ''shuddha dhaivatham'', as per [[Swara#Svaras in Carnatic music|Carnatic music]] notation and terms for the ''swaras''. ''Revagupti'' is considered a ''janya'' rāgam of ''[[Mayamalavagowla]]'', the 15th ''[[Melakarta]]'' rāgam, though it can be derived from 5 other melakarta rāgams by dropping both the ''madhyamam'' and ''nishādham''. | ||
==Popular Compositions== | == Popular Compositions == | ||
Here are a few songs composed in ''Revagupti''.<ref name="ragas" /> | Here are a few songs composed in ''Revagupti''.<ref name="ragas" /> | ||
*''Gopalaka Pahimam'' is popular krithi rendered in this raga nowadays, though originally it was set in the raga Bhupalam by Maharaja [[Swathi Thirunal]] | *''Gopalaka Pahimam'' is popular krithi rendered in this raga nowadays, though originally it was set in the raga [[Bhupalam]] by Maharaja [[Swathi Thirunal]] | ||
*''Rama Rama Pahi Rama'' by Maharaja [[Swathi Thirunal]] | |||
*''Griha bala memi'' composed by [[Tyagaraja]] | *''Griha bala memi'' composed by [[Tyagaraja]] | ||
*''Sada | *''Sada vinata sadare'' and ''Sharavana bhava guruguham'' by [[Muthuswami Dikshitar]] | ||
*''Ni vera ganidhi and Purushottamuda'' by [[Annamacharya]] | *''Ni vera ganidhi and Purushottamuda'' by [[Annamacharya]] | ||
*''[[Varnam]]-Aravinda Malarkanna'' by ''Seetha Raman'' | |||
*''[[Varnam]]-Swayam Varenyam'' by ''Pallavi Subbayya Bhagavathar'' | |||
*''Shri Ganeshwara'' by [[N. Ravikiran]] | |||
==Film Songs== | == Film Songs == | ||
=== Language:[[Tamil language|Tamil]] === | === Language:[[Tamil language|Tamil]] === | ||
{| class="wikitable" | {| class="wikitable" | ||
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!Composer | !Composer | ||
!Singer | !Singer | ||
|- | |||
|Nee Palli Ezhundhaal | |||
|[[Raja Mukthi]] | |||
|[[C. R. Subburaman]] | |||
|[[M. K. Thyagaraja Bhagavathar]] | |||
|- | |- | ||
|Panniner Mozhiyaal | |Panniner Mozhiyaal | ||
|[[Thiruvarutchelvar]] | |[[Thiruvarutchelvar]] | ||
|[[K. V. Mahadevan]] | |[[K. V. Mahadevan]] | ||
|[[T. M. Soundararajan]],Master Maharajan | |[[T. M. Soundararajan]], Master Maharajan | ||
|- | |- | ||
|Sugamana Sindhanaiyil | |Sugamana Sindhanaiyil | ||
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|- | |- | ||
|Kathiravanai Paarthu | |Kathiravanai Paarthu | ||
|Pookkal Vidum | |[[Pookkal Vidum Thudhu]] | ||
|rowspan="2"|[[T. Rajendar]] | |rowspan="2"|[[T. Rajendar]] | ||
|- | |- | ||
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|- | |- | ||
|Boobalam Arangerum | |Boobalam Arangerum | ||
| | |Agni Theertham | ||
|rowspan=2|[[Shankar–Ganesh]] | |rowspan=2|[[Shankar–Ganesh]] | ||
|[[K.J. Yesudas]] | |[[K.J. Yesudas]] | ||
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|[[G. K. Venkatesh]] | |[[G. K. Venkatesh]] | ||
|[[Malaysia Vasudevan]], [[S. Janaki]] | |[[Malaysia Vasudevan]], [[S. Janaki]] | ||
|- | |||
|Kaalai Veyil Nerathile | |||
|Then Chittugal | |||
|Vijay Ramani | |||
|[[P. Jayachandran]] | |||
|- | |- | ||
|Kadhal Kavithai Paada | |Kadhal Kavithai Paada | ||
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*''[[Karnataka Shuddha Saveri]]'' rāgam uses ''shuddha madhyamam'' in place of ''antara gandharam'' of ''Revagupti''. Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is S R1 M1 P D1 S : S D1 P M1 R1 S | *''[[Karnataka Shuddha Saveri]]'' rāgam uses ''shuddha madhyamam'' in place of ''antara gandharam'' of ''Revagupti''. Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is S R1 M1 P D1 S : S D1 P M1 R1 S | ||
==Notes== | == Notes == | ||
{{notelist|30em}} | {{notelist|30em}} | ||
==References== | == References == | ||
{{reflist}} | {{reflist}} | ||
Latest revision as of 14:57, 5 August 2025
 | This article needs additional citations for verification. (July 2020) |
| Arohanam | S R₁ G₃ P D₁ Ṡ |
|---|---|
| Avarohanam | Ṡ D₁ P G₃ R₁ S |
| Carnatic music |
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| Concepts |
| Compositions |
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Revagupti (pronounced rēvagupti) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a pentatonic scale (audava rāgam or owdava rāgam). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes).
It is a morning rāgam.[1][2] The similar scales in Hindustani music are Rewa and Bibhas.[2]
Structure and Lakshana[edit | edit source]
Revagupti is a symmetric rāgam that does not contain madhyamam or nishādham. It is a symmetric pentatonic scale (audava-audava ragam[1][2] in Carnatic music classification – audava meaning 'of 5'). Its ascending and descending scale (ārohaṇa-avarohaṇa structure) is as follows:
- ārohaṇa : S R₁ G₃ P D₁ Ṡ[lower-alpha 1]
- avarohaṇa : Ṡ D₁ P G₃ R₁ S[lower-alpha 2]
The notes used in this scale are shadjam, shuddha rishabham, antara gandharam, panchamam and shuddha dhaivatham, as per Carnatic music notation and terms for the swaras. Revagupti is considered a janya rāgam of Mayamalavagowla, the 15th Melakarta rāgam, though it can be derived from 5 other melakarta rāgams by dropping both the madhyamam and nishādham.
Popular Compositions[edit | edit source]
Here are a few songs composed in Revagupti.[1]
- Gopalaka Pahimam is popular krithi rendered in this raga nowadays, though originally it was set in the raga Bhupalam by Maharaja Swathi Thirunal
- Rama Rama Pahi Rama by Maharaja Swathi Thirunal
- Griha bala memi composed by Tyagaraja
- Sada vinata sadare and Sharavana bhava guruguham by Muthuswami Dikshitar
- Ni vera ganidhi and Purushottamuda by Annamacharya
- Varnam-Aravinda Malarkanna by Seetha Raman
- Varnam-Swayam Varenyam by Pallavi Subbayya Bhagavathar
- Shri Ganeshwara by N. Ravikiran
Film Songs[edit | edit source]
Language:Tamil[edit | edit source]
Related rāgams[edit | edit source]
This section covers the theoretical and scientific aspect of this rāgam.
Scale similarities[edit | edit source]
- Bhupalam rāgam differs from Revagupti only by the gāndhāram. It uses sadharana gāndhāram instead of antara gāndhāram and its ārohaṇa-avarohaṇa structure is S R1 G2 P D1 S : S D1 P G2 R1 S[1][2]
- Bhauli rāgam uses an additional nishadam in descending scale, in comparison to Revagupti. Its ārohaṇa-avarohaṇa structure is S R1 G3 P D1 S : S N3 D1 P G3 R1 S[2]
- Karnataka Shuddha Saveri rāgam uses shuddha madhyamam in place of antara gandharam of Revagupti. Its ārohaṇa-avarohaṇa structure is S R1 M1 P D1 S : S D1 P M1 R1 S