imported>Ser Amantio di Nicolao m Moving from Category:Janya Ragas to Category:Janya ragas using Cat-a-lot |
robot: Update article (please report if you notice any mistake or error in this edit) |
||
| Line 1: | Line 1: | ||
{{Use British English|date=November 2011}} | |||
{{Use dmy dates|date=October 2021}} | |||
{{Carnatic}} | |||
{{Infobox ragam | {{Infobox ragam | ||
| name = Shuddha Saveri | | name = Shuddha Saveri | ||
| Line 16: | Line 19: | ||
| similar = | | similar = | ||
}} | }} | ||
'''Shuddha Saveri''' or '''śuddha sāveri''' is a [[raga]]m in [[Carnatic music]] (musical scale of South Indian classical music) and [[Yakshagana]] music. It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''[[janya]]'' rāgam (derived scale)of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In [[Hindustani music]] it is called ''[[Durga (raga)|Durga]]''.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> According to the school of [[Muthuswami Dikshitar]], this rāgam is called ''Devakriya''.<ref name="ragas" /><ref name="raganidhi" /> ''[[Karnataka Shuddha Saveri]]'', a janya rāgam of 1st ''[[melakarta]]'' ''[[Kanakangi]]'', is called ''Shuddha Saveri'' by the Dikshitar school.<ref name="raganidhi" /> | |||
'''Shuddha Saveri''' or '''śuddha sāveri''' is a [[ | |||
== Structure and Lakshana == | == Structure and Lakshana == | ||
[[Image:ShuddhaSaveri scale.svg|thumb|right|300px|''Shuddha Saveri'' scale with ''shadjam'' at C]] | [[Image:ShuddhaSaveri scale.svg|thumb|right|300px|''Shuddha Saveri'' scale with ''shadjam'' at C]] | ||
''Shuddha Saveri'' is a symmetric rāgam that does not contain ''gāndhāram'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam in Carnatic music classification – audava meaning 'of 5'). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara# | ''Shuddha Saveri'' is a symmetric rāgam that does not contain ''gāndhāram'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam in Carnatic music classification – audava meaning 'of 5'). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Svaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms): | ||
* [[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R2|M1|P|D2|S'|foot=yes}} | * [[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R2|M1|P|D2|S'|foot=yes}} | ||
* [[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|D2|P|M1|R2|S|foot=yes}} | * [[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|D2|P|M1|R2|S|foot=yes}} | ||
| Line 33: | Line 34: | ||
== Popular compositions == | == Popular compositions == | ||
Here are some popular ''[[ | Here are some popular ''[[Kriti (music)|kritis]]'' composed in ''Shuddha Saveri''.<ref>{{cite web | ||
|url=https://www.thehindu.com/features/metroplus//article59796102.ece | |||
|title=Joyful Suddha Saveri}}</ref> | |||
* ''Darinē telusukonṭi'' and ''Kālaharaṇamēla rā harē'' by [[Tyagaraja]] in [[Telugu language|Telugu]] | * ''Darinē telusukonṭi'' and ''Kālaharaṇamēla rā harē'' by [[Tyagaraja]] in [[Telugu language|Telugu]] | ||
* ''Taye tripura sundari'' by [[Periyasaamy Thooran]] | * ''Taye tripura sundari'' by [[Periyasaamy Thooran]] | ||
* ''Janani pahi sada (Navarathri 7th Day krithi)'' by [[Swathi Thirunal]] | * ''Janani pahi sada (Navarathri 7th Day krithi)'' by [[Swathi Thirunal]] | ||
''Ānalekara'', which is set to this rāgam, is one of the first few ''[[geetam]]s'' (very short compositions) taught to beginners. | ''Ānalekara'', by [[Purandara Dasa]] which is set to this rāgam, is one of the first few ''[[geetam]]s'' (very short compositions) taught to beginners. | ||
* ''Dharma Shravana'' By [[Purandara Dasa]] | |||
* ''Ee Muddu Krishnana'' By [[Vadiraja Tirtha]] | |||
* ''Shri guruguha tarayashu mam'' by [[Muthuswami Dikshitar]] | * ''Shri guruguha tarayashu mam'' by [[Muthuswami Dikshitar]] | ||
* ''sarvajīva dayākarī'' by [[Oothukkadu Venkata Kavi]] is also popular | * ''sarvajīva dayākarī'' by [[Oothukkadu Venkata Kavi]] is also popular | ||
| Line 43: | Line 48: | ||
* ''shankara gangadhara shrikantha'' and ''shrimat simhasaneshvari'' by [[Muthiah Bhagavatar]] | * ''shankara gangadhara shrikantha'' and ''shrimat simhasaneshvari'' by [[Muthiah Bhagavatar]] | ||
* ''Veedhula Veedhula'' by [[Annamacharya]] | * ''Veedhula Veedhula'' by [[Annamacharya]] | ||
* ''Ada Pogona '' By [[Sripadaraja]] | * ''Ada Pogona'', ''Elladi Bande'' By [[Sripadaraja]] | ||
* ''Hyange Madalayya '' By [[Gopala Dasa]] | * ''Hyange Madalayya '' By [[Gopala Dasa]] | ||
*Sadhasiva kumara by pabanasamsivan | |||
== Film Songs == | == Film Songs == | ||
| Line 62: | Line 68: | ||
|[[Kalyana Parisu]] | |[[Kalyana Parisu]] | ||
|[[A. M. Rajah]] | |[[A. M. Rajah]] | ||
|[[ A. M. Rajah]], [[P. Susheela]] | |[[A. M. Rajah]], [[P. Susheela]] | ||
|- | |- | ||
|Manjal Mugam | |Manjal Mugam | ||
| Line 71: | Line 77: | ||
|Aadiyile Perukkeduthu Aadivarum | |Aadiyile Perukkeduthu Aadivarum | ||
|Radha (1973) | |Radha (1973) | ||
|[[M. S. Viswanathan]] | |rowspan=2|[[M. S. Viswanathan]] | ||
|- | |||
|Swararaaga | |||
(Ragamalika:ShuddhaSaveri,Shivaranjani) | |||
|[[Andha 7 Naatkal]] | |||
|[[P. Jayachandran]], [[Vani Jairam]] | |||
|- | |- | ||
|Poonthendral Kaatrraga | |Poonthendral Kaatrraga | ||
| Line 93: | Line 104: | ||
|Rettai Killigal | |Rettai Killigal | ||
|[[Ore Oru Gramathiley]] | |[[Ore Oru Gramathiley]] | ||
|[[K.J. Yesudas]], [[K.S. | |[[K.J. Yesudas]], [[K. S. Chithra]] | ||
|- | |- | ||
|Malargalil Adum ilamai | |Malargalil Adum ilamai | ||
|[[Kalyanaraman (1979 film)|Kalyanaraman]] | |[[Kalyanaraman (1979 film)|Kalyanaraman]] | ||
|[[S. P. Sailaja]] | |[[S. P. Sailaja]] | ||
| Line 105: | Line 116: | ||
|Sithakathi pookale | |Sithakathi pookale | ||
|[[Rajakumaran (film)|Rajakumaran]] | |[[Rajakumaran (film)|Rajakumaran]] | ||
|[[S. P. Balasubrahmanyam]], [[K.S. | |[[S. P. Balasubrahmanyam]], [[K. S. Chithra]] | ||
|- | |- | ||
|Nattu Vacha Roja | |Nattu Vacha Roja | ||
| Line 157: | Line 168: | ||
|Garuda Garuda | |Garuda Garuda | ||
|[[Natpukkaga]] | |[[Natpukkaga]] | ||
|[[Deva (composer)|Deva]] | |||
|Krishnaraj, [[Sujatha Mohan|Sujatha]] | |Krishnaraj, [[Sujatha Mohan|Sujatha]] | ||
|- | |- | ||
|O Maha Zeeya | |O Maha Zeeya | ||
| Line 181: | Line 188: | ||
* ''[[Arabhi|Ārabhi]]'' is a rāgam which has the ascending scale of ''Shuddha Saveri'' and descending scale of ''Sankarabharanam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S | * ''[[Arabhi|Ārabhi]]'' is a rāgam which has the ascending scale of ''Shuddha Saveri'' and descending scale of ''Sankarabharanam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S | ||
* ''[[Devagandhari#In Carnatic music|Devagāndhāri]]'' is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of ''Shankarabharanam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S (there are differences in intonation, swara phrases, prayoga, bhava and rasa between this rāgam and Ārabhi, though scale notation in simple terms are same) | * ''[[Devagandhari#In Carnatic music|Devagāndhāri]]'' is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of ''Shankarabharanam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S (there are differences in intonation, swara phrases, prayoga, bhava and rasa between this rāgam and Ārabhi, though scale notation in simple terms are same) | ||
* ''Janaranjani'' is a rāgam which has the ascending scale of ''Shankarabharanam'' and descending scale of ''Shuddha Saveri''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 G3 M1 P D2 N3 S : S D2 P M1 R2 S | * ''Janaranjani'' is a rāgam which has the ascending scale of ''Shankarabharanam'' and descending scale of ''Shuddha Saveri''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 G3 M1 P D2 N3 P S : S D2 P M1 R2 S | ||
* ''[[Karnataka Shuddha Saveri]]'' of Dikshitar school has ''Shuddha Rishabham'' in place of ''Chatushruti Rishabham'' and ''Shuddha Dhaivatam'' in place of ''Chatushruti Dhaivatam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R1 M1 P D1 S : S D1 P M1 R1 S. | * ''[[Karnataka Shuddha Saveri]]'' of Dikshitar school has ''Shuddha Rishabham'' in place of ''Chatushruti Rishabham'' and ''Shuddha Dhaivatam'' in place of ''Chatushruti Dhaivatam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R1 M1 P D1 S : S D1 P M1 R1 S. | ||
Latest revision as of 12:51, 22 June 2022
| Carnatic music |
|---|
 |
| Concepts |
| Compositions |
| Instruments |
|
| Arohanam | S R₂ M₁ P D₂ Ṡ |
|---|---|
| Avarohanam | Ṡ D₂ P M₁ R₂ S |
Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music (musical scale of South Indian classical music) and Yakshagana music. It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale)of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In Hindustani music it is called Durga.[1][2] According to the school of Muthuswami Dikshitar, this rāgam is called Devakriya.[1][2] Karnataka Shuddha Saveri, a janya rāgam of 1st melakarta Kanakangi, is called Shuddha Saveri by the Dikshitar school.[2]
Structure and Lakshana[edit | edit source]
Shuddha Saveri is a symmetric rāgam that does not contain gāndhāram or nishādam. It is a pentatonic scale (audava-audava ragam in Carnatic music classification – audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
- ārohaṇa : S R₂ M₁ P D₂ Ṡ[lower-alpha 1]
- avarohaṇa : Ṡ D₂ P M₁ R₂ S[lower-alpha 2]
It is a scale that uses the following variants of the swaras – chatushruti rishabham, shuddha madhyamam, panchamam and chatushruti dhaivatam.
Shuddha Saveri is considered a janya rāgam of Sankarabharanam, the 29th melakarta rāgam,[2] though it can be derived from other melakarta rāgams, Kharaharapriya, Gourimanohari or Harikambhoji, by dropping both gāndhāram and nishādam.
Popular compositions[edit | edit source]
Here are some popular kritis composed in Shuddha Saveri.[3]
- Darinē telusukonṭi and Kālaharaṇamēla rā harē by Tyagaraja in Telugu
- Taye tripura sundari by Periyasaamy Thooran
- Janani pahi sada (Navarathri 7th Day krithi) by Swathi Thirunal
Ānalekara, by Purandara Dasa which is set to this rāgam, is one of the first few geetams (very short compositions) taught to beginners.
- Dharma Shravana By Purandara Dasa
- Ee Muddu Krishnana By Vadiraja Tirtha
- Shri guruguha tarayashu mam by Muthuswami Dikshitar
- sarvajīva dayākarī by Oothukkadu Venkata Kavi is also popular
- kamala-vilochani by Hari Sundareswara sharma
- shankara gangadhara shrikantha and shrimat simhasaneshvari by Muthiah Bhagavatar
- Veedhula Veedhula by Annamacharya
- Ada Pogona, Elladi Bande By Sripadaraja
- Hyange Madalayya By Gopala Dasa
- Sadhasiva kumara by pabanasamsivan
Film Songs[edit | edit source]
Language:Tamil[edit | edit source]
Related rāgams[edit | edit source]
This section covers the theoretical and scientific aspect of this rāgam.
Graha bhedam[edit | edit source]
Shuddha Saveri's notes when shifted using Graha bhedam, yields 4 other major pentatonic rāgams, namely, Mohanam, Hindolam, Madhyamavati and Udayaravichandrika (also known as Shuddha Dhanyasi). Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. See Graha bhedam on Mohanam for more details and illustration of this concept.
Scale similarities[edit | edit source]
- Sālaga Bhairavi is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of Kharaharapriya. Its ārohaṇa-avarohaṇa structure is S R2 M1 P D2 S : S N2 D2 P M1 G2 R2 S
- Yadhukula Kambhoji is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of Harikambhoji. Its ārohaṇa-avarohaṇa structure is S R2 M1 P D2 S : S N2 D2 P M1 G3 R2 S
- Ārabhi is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of Sankarabharanam. Its ārohaṇa-avarohaṇa structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S
- Devagāndhāri is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of Shankarabharanam. Its ārohaṇa-avarohaṇa structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S (there are differences in intonation, swara phrases, prayoga, bhava and rasa between this rāgam and Ārabhi, though scale notation in simple terms are same)
- Janaranjani is a rāgam which has the ascending scale of Shankarabharanam and descending scale of Shuddha Saveri. Its ārohaṇa-avarohaṇa structure is S R2 G3 M1 P D2 N3 P S : S D2 P M1 R2 S
- Karnataka Shuddha Saveri of Dikshitar school has Shuddha Rishabham in place of Chatushruti Rishabham and Shuddha Dhaivatam in place of Chatushruti Dhaivatam. Its ārohaṇa-avarohaṇa structure is S R1 M1 P D1 S : S D1 P M1 R1 S.