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{{Short description|Literature originating in the Kashmir region of | {{Short description|Literature originating in the Kashmir region}} | ||
{{Redirect|Kashmiri literature|other uses|Culture of Kashmir#Language and literature}} | |||
'''Literature of Kashmir''' has a long history, the oldest texts having been composed in the [[Sanskrit]] language. Early names include [[Patanjali]], the author of the ''[[Mahābhāṣya]]'' commentary on [[Pāṇini]]'s grammar, suggested by some to have been the same to write the [[Hindu]] treatise known as the ''[[Yogasutra]]'', and Dridhbala, who revised the ''[[Charaka Samhita]]'' of ''[[Ayurveda]]''. | '''Literature of Kashmir''' has a long history, the oldest texts having been composed in the [[Sanskrit]] language. Early names include [[Patanjali]], the author of the ''[[Mahābhāṣya]]'' commentary on [[Pāṇini]]'s grammar, suggested by some to have been the same to write the [[Hindu]] treatise known as the ''[[Yogasutra]]'', and Dridhbala, who revised the ''[[Charaka Samhita]]'' of ''[[Ayurveda]]''. | ||
In medieval times, philosophers of [[Kashmir Shaivism]] include [[Vasugupta]] (c. 800), [[Utpaladeva|Utpala]] (c. 925), [[Abhinavagupta]], [[Kshemaraja]], and [[Anandavardhana]]. | In medieval times, philosophers of [[Kashmir Shaivism]] include [[Vasugupta]] (c. 800), [[Utpaladeva|Utpala]] (c. 925), [[Abhinavagupta]], [[Kshemaraja]], and [[Anandavardhana]]. Within contemporary Kashmir literature there are many poets, including Asif Tariq Bhat<ref>{{Cite web|date=2021-02-15|title=The new face of contemporary poetry. Meet Asif Tariq Bhat|url=https://kashmiranalyser.com/2021/02/15/the-new-face-of-contemporary-poetry-meet-asif-tariq-bhat/|access-date=2021-02-17|website=Kashmir Analyser|language=en-US}}</ref><ref>{{cite news|last1=Nabi|first1=Humaira|date=2020-12-19|title=Promoting mother tongue with poetry|url=http://risingkashmir.com/index.php/home/news_description/370845/Promoting-mother-tongue-with-poetry|url-status=dead|work=[[Rising Kashmir]]|location=[[Srinagar]]|archive-url=https://web.archive.org/web/20210108083201/http://risingkashmir.com/index.php/home/news_description/370845/Promoting-mother-tongue-with-poetry|archive-date=2021-01-08|access-date=2021-02-17}}</ref> Tashi Shah,<ref>{{Cite web|title=How Poetry Helped Bring a Piece of Kashmir to Delhi|url=https://thewire.in/culture/how-poetry-helped-bring-a-piece-of-kashmir-to-delhi|access-date=2021-02-17|website=The Wire}}</ref> Akeel Mohiuddin Bhat,<ref>{{Cite web|last=Admin|first=India Education Diary Bureau|date=2020-11-17|title=Literary function, Mushaira held at Bandipora|url=https://indiaeducationdiary.in/literary-function-mushaira-held-at-bandipora/|access-date=2021-02-17|website=India Education, Education News India, Education News {{!}} India Education Diary|language=en-US}}</ref> Omair Bhat [https://www.taylorfrancis.com/chapters/edit/10.4324/9781003602712-3/cryptopolitics-sahana-mukherjee] [https://scroll.in/article/951662/i-gift-you-a-rugged-map-carved-from-cracks-between-divorced-nations-five-poems-from-kashmir] and Zeeshan Jaipuri.<ref>{{Cite web|last=Saffudin|first=Ali|date=2018-06-05|title=For the love of language: Kashmir's new age Urdu poets—Part I {{!}} Free Press Kashmir|url=https://freepresskashmir.news/2018/06/05/for-the-love-of-language-kashmirs-new-age-urdu-poets-part-i/|access-date=2021-02-17|website=freepresskashmir.news|language=en-GB}}</ref> | ||
== Kashmiri language literature == | == Kashmiri language literature == | ||
<!-- Please respect the chronological order --> | <!-- Please respect the chronological order --> | ||
The below listed table marks [[Kashmiri language]] poets as per the | The below listed table marks [[Kashmiri language]] poets in chronological order as per the book— ''A History of Kashmiri literature'' by Trilokinath Raina.<ref>{{Cite book|last=Raina|first=Trilokinath|url=https://archive.org/details/a-history-of-kashmiri-literature-triloki-nath-raina/page/n3/mode/2up|title=A History of Kashmiri literature|publisher=Sahitya Akademi|year=2002 |isbn=9788126013661 |location=New Delhi}}</ref> | ||
{| class="wikitable plainrowheaders" style="font-size:75%;"| | {| class="wikitable plainrowheaders" style="font-size:75%;"| | ||
! Name | ! Name | ||
| Line 18: | Line 17: | ||
|[[Lalleshwari|Lal Ded]] | |[[Lalleshwari|Lal Ded]] | ||
||1320–1392 | ||1320–1392 | ||
|Pandrethan | |[[Pandrethan]], or Padmanpore (modern Sempore, [[Pampore]]) | ||
||[[Kashmir Shaivism]] | ||[[Kashmir Shaivism]] | ||
|| She was the Kashmiri [[Mysticism|mystic]] poet credited with pioneering [[Vatsun|Vaakh]]/Vatsun | || She was the Kashmiri [[Mysticism|mystic]] poet credited with pioneering the [[Vatsun|Vaakh]]/Vatsun genre of Kashmiri literature. | ||
|- | |- | ||
|[[Nund Rishi|Nund Reshi]] | |[[Nund Rishi|Nund Reshi]] | ||
| Line 26: | Line 25: | ||
|[[Qaimoh]], [[Kulgam district|Kulgam]] | |[[Qaimoh]], [[Kulgam district|Kulgam]] | ||
||[[Sufism]] | ||[[Sufism]] | ||
|[[Nund Rishi|Nund Reshi]] was among the founders of the [[Rishi order]], a [[Sufism|Sufi]] tradition of the region. He mainly wrote Shrukhs. His well-known disciples from this order include- [[Dehat Bibi|Dehat Ded]], [[Behat Bibi|Behat Ded]], [[Yawan Mats|Shanga Bibi]], Sham Ded and Ganga Bibi. | |||
|[[Nund Rishi|Nund Reshi]] was among the founders of the [[Rishi order]], a [[Sufism|Sufi]] tradition of the region. | |- | ||
|[[Shaykh Yaqub Sarfi Kashmiri|Hazrat Shaikh Yaqub Sarfi]] | |||
||1521–1595 | |||
|[[Zaina Kadal|Zainkadal]], [[Srinagar]] | |||
||Sufism | |||
|Popularly known as "''Ishan sa'eb''", Sarfi was a Kashmiri Sufi Shaikh of the [[Kubrawiya|Kubrawi Hamadani order]]. He became a [[Hafiz (Quran)|Hafiz Quran]] at the age of seven. He has many [[Vatsun|Vaakhs]] to his credit. | |||
|- | |- | ||
|[[Habba Khatoon]] | |[[Habba Khatoon]] | ||
| Line 33: | Line 37: | ||
|[[Chandhara|Chandhur]], [[Pampore]] | |[[Chandhara|Chandhur]], [[Pampore]] | ||
||Lyricism | ||Lyricism | ||
|The | |She is known to lyricize her wailing cries for lost time. The [[Chak dynasty|queen]] poet was popularly known as the "Nightingale of [[Kashmir]]". | ||
|- | |- | ||
| | |Jumma Bibi | ||
|N/A | |||
|[[Nowhatta]], Srinagar | |||
|Sufism and Lyricism | |||
|She was the daughter of a ''Kandur'' (baker), and was quite close to Mirza Akmal ud Din Badakshi. Her [[Vatsun|Vaakhs]] are mostly inspired by mystical subjects. She had also composed a [[Kashmiri Marsiya|Kashir marsiya]] (Kashmiri elegy) on the death of Mirza Kamal. | |||
|- | |||
|[[Khawaja Habibullah Nowshehri|Khawaja Habibullah Ganai Nowshehri]] | |||
|1555–1617 | |1555–1617 | ||
|[[Nowshera, Srinagar|Nowshera]], Srinagar | |[[Nowshera, Srinagar|Nowshera]], Srinagar | ||
|Sufism | |Sufism | ||
|He was | |He was the main ''Khulafa'' (successor) to [[Shaykh Yaqub Sarfi Kashmiri|Hazrat Shaikh Yaqub Sarfi]] and was [[Hafiz (Quran)|Hafiz Quran]], and very much fond of singing. He had written some notable [[Vatsun|Vaakhs]] too. | ||
|- | |- | ||
|[[Rupa Bhawani]] | |[[Rupa Bhawani]] | ||
||1621–1721 | ||1621–1721 | ||
|Khanqah-i-Shokta, Nawakadal (Srinagar at present) | |Khanqah-i-Shokta, Nawakadal ([[Srinagar]] at present) | ||
|| | ||[[Kashmir Shaivism]] and [[Sufism|Islamic Sufism]] | ||
||Her [[Vatsun|Vaakhs]] reveal the influence of both [[Kashmir Shaivism]] and [[Sufism|Islamic Sufism]]. | ||Her [[Vatsun|Vaakhs]] reveal the influence of both [[Kashmir Shaivism]] and [[Sufism|Islamic Sufism]]. | ||
|- | |- | ||
| Line 51: | Line 61: | ||
|[[Habba Kadal]], Srinagar | |[[Habba Kadal]], Srinagar | ||
|[[Kashmir Shaivism]] | |[[Kashmir Shaivism]] | ||
|His ''Krishna Avtaar Charit'' is the first [[Kashmiri language|Kashmiri]] poem of [[Lila (Hinduism)|Leela]] (Divine play) genre. | |His '<nowiki/>''Krishna Avtaar Charit''' is the first [[Kashmiri language|Kashmiri]] poem of [[Lila (Hinduism)|Leela]] (Divine play) genre. | ||
|- | |- | ||
|Nunda Dar | |Nunda Dar | ||
| Line 57: | Line 67: | ||
|Village Kaathyul | |Village Kaathyul | ||
|Sufism | |Sufism | ||
|He and Syed Ullah Shahabadi are the only two poets who attempted the [[Ghazal]] writing successfully before [[Mahmud Gami]]. | |He and [[Saadullah Shahabadi|Mir Syed Ullah Shahabadi]] are the only two poets who attempted the [[Ghazal]] writing successfully before [[Mahmud Gami]]. | ||
|- | |- | ||
|[[Arnimal]] | |[[Arnimal]] | ||
||1738–1778 | ||1738–1778 | ||
|Palhalan, [[Pattan]] | |Palhalan, [[Pattan]] | ||
||Lyricism | ||Lyricism | ||
|She is the second poet after [[Habba Khatoon]] in the field of | |She is the second poet after [[Habba Khatoon]] in the field of lyricism. | ||
|- | |- | ||
|Mir Abdulla Behaqi | |Mir Abdulla Behaqi | ||
| Line 70: | Line 80: | ||
|Sufism | |Sufism | ||
|He is the first Kashmiri poet to adopt ''[[Mathnawi|Mathnavi]]'' (rhyming couplets) as his medium in poetry. | |He is the first Kashmiri poet to adopt ''[[Mathnawi|Mathnavi]]'' (rhyming couplets) as his medium in poetry. | ||
|- | |||
|Shah Gafoor | |||
|N/A | |||
|Village Choon, [[Budgam district|Budgam]] | |||
|Lyricism | |||
|His well-known works include {{'}}''Rosh Paan Havtam Kashvaniye''{{'}}, {{'}}''Sorui Chu Panai Be Vanai Kya''{{'}}, and {{'}}''Kya Gov Malaal tes Yarsei''{{'}} among others. | |||
|- | |||
|Momin Shah sa'eb | |||
|d. 1800 | |||
|Buried at [[Chandgam, Pulwama|Babgom]], [[Pulwama district|Pulwama]] | |||
|Sufism | |||
|To him belongs the honour of writing the first well-received ''[[Mathnawi|Mathnavi]]'' in [[Kashmiri language|Kashmiri]], titled '[[The Conference of the Birds|''Mantaq-al-tayyar'']]' based on [[Persian language|Persian]] mathnavi of the same title by [[Attar of Nishapur|Attar]]. | |||
|- | |- | ||
|[[Soch Kral|Swocha Kral]] | |[[Soch Kral|Swocha Kral]] | ||
|1774–1854 | |1774–1854 | ||
| | |Village Koil, [[Pulwama district|Pulwama]] (buried at Yendregam, Pulwama) | ||
|[[Sufism]] | |[[Sufism]] | ||
|His poetry is an exposition of the philosophy of | |He was known to be the ''mureed'' (disciple) of Momin sa'eb. His poetry is an exposition of the philosophy of [[Sufi metaphysics|''Wahdat-al-Wajood'']]. | ||
|- | |- | ||
| | |Khwaja Hussain Mir | ||
|d. | |d. 1826 | ||
| | |Habak, [[Magam]], buried at Gund Khawja Qasim | ||
| | |Devotional | ||
| | |Hussain Mir is regarded as the founder of the Classical Age in [[Kashmiri Marsiya|Kashir Marsiya]], known as {{'}}''Muqam Band''{{'}}. | ||
|- | |- | ||
|Parmananda | |Parmananda | ||
| Line 87: | Line 109: | ||
|Village Seer, Martand ([[Mattan, Jammu and Kashmir|Mattan]] at present) | |Village Seer, Martand ([[Mattan, Jammu and Kashmir|Mattan]] at present) | ||
||Mysticism | ||Mysticism | ||
||His most notable works include ''Radha Swayamvara.'' | ||His most notable works include {{'}}''Radha Swayamvara''{{'}}. | ||
|- | |||
|Pandit Mirza Kak | |||
|N/A | |||
|Hangulgund, [[Kokernag]], [[Anantnag district|Anantnag]] | |||
|Mysticism | |||
|He had authored {{'}}''Shiv Puraan''{{'}} in [[Kashmiri language]]. | |||
|- | |- | ||
|Shah Qalandar | |Shah Qalandar | ||
|d. 1850 | |d. 1850 | ||
|Haigam or Wahthora, [[Chadoora]] dist. [[Budgam district|Budgam]] | |Haigam ([[Sopore]]), or Wahthora, [[Chadoora]] dist. [[Budgam district|Budgam]] | ||
|Lyricism | |Lyricism | ||
|Known for his popular [[Mathnawi|mathnavi]] ' | |Known for his popular [[Mathnawi|mathnavi]] {{'}}''Adam ta Guljaan''{{'}} (love-story of faqir Adam and Princess Guljaan). | ||
|- | |- | ||
|[[Mahmud Gami]] | |[[Mahmud Gami]] | ||
||1765–1855 | ||1765–1855 | ||
|[[Doru Shahabad|Dooru Shahabad]], [[Anantnag district|Anantnag]] | |Village Aravaer (modern Mahmudabad), [[Doru Shahabad|Dooru Shahabad]], [[Anantnag district|Anantnag]] | ||
||Lyricism | ||Lyricism | ||
||Popularly known as [[Jami]] of Kashmir, he had also translated [[Nizami Ganjavi|Nizami]]'s ''[[Layla and Majnun|Layla Majnun]]'' into Kashmiri titled ''Lael Majnun''. | ||Popularly known as [[Jami]] of Kashmir, he had also translated [[Nizami Ganjavi|Nizami]]'s ''[[Layla and Majnun|Layla Majnun]]'' into Kashmiri titled '<nowiki/>''Lael Majnun'''. | ||
|- | |- | ||
|Rahim | |Rahim Sa'eb | ||
|1775–1850 | |1775–1850 | ||
| | |Telwaen mohallà, [[Sopore]] | ||
|[[Sufism]] | |[[Sufism]] | ||
|He belonged to the [[Qadiriyya|Qadri]] order of Sufism and was significantly influenced by [[Lalleshwari|Lal Ded]] and [[Nund Rishi|Nund Reshi]]. | |He belonged to the [[Qadiriyya|Qadri]] order of Sufism and was significantly influenced by [[Lalleshwari|Lal Ded]] and [[Nund Rishi|Nund Reshi]]. He is specifically known for using [[Sanskrit]] [[Shastra]] words in his poetry. | ||
|- | |||
|Mulla Munshi Mohammad Yusuf Baba | |||
|1798-1885 | |||
|Babapora, Habba Kadal, [[Srinagar]] | |||
|Devotional | |||
|He is best known for his portal of human loss and grief in [[Kashmiri Marsiya]]. Munshi Yusuf remains one of the most popular [[Kashmiri Marsiya]] writers. | |||
|- | |||
|[[Mulla Hakim Muhammad Azim]] | |||
|1803-1852 | |||
|Babapora, Habba Kadal, Srinagar | |||
|Devotional | |||
|He is known for introducing visual imagery in [[Kashmiri Marsiya]] and repositioning it in the urban, Persianate high culture associated with [[Srinagar]] city. | |||
|- | |||
|Mirza Aboul Qasim | |||
|d. 1853 | |||
|Gund Khawja Qasim, buried [[Karbala]], [[Iraq]] | |||
|Devotional | |||
|The most prolific and popular [[Marsiya]] writer of [[Kashmiri Marsiya|Kashmir Marsiyas]], his works reflects deep understanding of traditional Muslim knowledge both literary as well as religious. | |||
|- | |||
|Munshi Safdar Khan | |||
|d. 1850s | |||
|Awadh, [[Uttar Pradesh]] | |||
|Devotional | |||
|He worked in the court of Nawab Wajid Ali Shah and is said to have been poisoned in his late 20's. He is the first poet who introduced the genre of writing {{'}}''bey-nuqta''{{'}} (verses withouts any diacritical marks) in [[Kashmiri Marsiya]], in a marsiya of bearing the same name. | |||
|- | |- | ||
|Wali Ullah Motoo | |Wali Ullah Motoo | ||
| Line 111: | Line 163: | ||
|Wuhan, [[Beerwah, Jammu and Kashmir|Beerwah]] dist. [[Budgam district|Budgam]] | |Wuhan, [[Beerwah, Jammu and Kashmir|Beerwah]] dist. [[Budgam district|Budgam]] | ||
|Sufism | |Sufism | ||
|He has written a ''[[Mathnawi|Mathnavi]]'' based on the legend of Hemal and Nagrai. | |He has written a ''[[Mathnawi|Mathnavi]]'' based on the legend of [[Himal and Nagaray|Hemal and Nagrai]]. | ||
|- | |- | ||
| | |Nyam sa'eb | ||
| | |1805–1865 | ||
|[[Habba Kadal]], Srinagar | |Agh hamaam [[Habba Kadal]], Srinagar | ||
|Lyricism | |Lyricism | ||
| | |He is best known for his lyrical [[ghazal]]s that have been sung by generation of Kashmiris. His ''Taelib'' (tutee) named Rasul Shah Haaqsa was the ''murshid'' (spiritual guide) to [[Shamas Faqir]]. | ||
|- | |||
|Abdul Ahad Nazim | |||
|1807–1865 | |||
|N/A | |||
|Sufism and Lyricism | |||
|He was also known as 'Waiz Shah Nur-ud-din', considered the finest [[Naʽat|Na'at]] writer of Kashmir. He had penned the famous Sufi song- ''Yim Zaar Vanahas Bardar''. | |||
|- | |- | ||
|Lakshman Joo Raina Bulbul | |Lakshman Joo Raina Bulbul | ||
|1812–1898 | |1812–1898 | ||
|Malapora, [[Ganderbal district|Ganderbal]] | |Malapora, [[Ganderbal district|Ganderbal]] | ||
|Lyricism | |Lyricism | ||
|Wrote the well-known razmia [[Mathnawi|mathnavi]] ''Saamnaama | |Wrote the well-known razmia [[Mathnawi|mathnavi]] ''Saamnaama'', translation of [[Ferdowsi|Firdausi]]'s Classic [[Shahnameh|''Shahnaama'']]. | ||
|- | |- | ||
|Karam Buland | |Karam Buland | ||
| Line 131: | Line 189: | ||
|He had great love of music, theatre and organizing musical sessions. The NGO- Karam Buland Folk Theatre Group in Budgam is also named after him. | |He had great love of music, theatre and organizing musical sessions. The NGO- Karam Buland Folk Theatre Group in Budgam is also named after him. | ||
|- | |- | ||
|[[Maqbool Shah Kralawari|Maqbool Shah | |[[Maqbool Shah Kralawari|Maqbool Shah Kralwaer]] | ||
|1820–1877 | |1820–1877 | ||
|Kralwara, Nagam [[Budgam]] | |Kralwara, Nagam [[Budgam]] | ||
|[[Sufism]] | |[[Sufism]] | ||
|He is best known for his ''[[Mathnawi|mathnavi]]'' 'Gulrez'. | |He is best known for his ''[[Mathnawi|mathnavi]]'' '''Gulrez''<nowiki/>'. A mathnavi, many claim as finest descriptive poetry of the 19th-century Kashmiri literature. | ||
|- | |||
|[[Ahmad Batwaer]] | |||
|1838–1918 | |||
|Batawara, Soura, [[Srinagar]] | |||
|Sufism | |||
|His well known works include {{'}}''Az Boaz Saeni Mudda''{{'}}, '<nowiki/>''Yendraaz Zyeni Darbaar''<nowiki/>', '''Bedaar Cheshmov Dedaar''<nowiki/>' and many others. | |||
|- | |- | ||
|[[Rasul Mir]] | |[[Rasul Mir]] | ||
||1840–1870 | ||1840–1870 | ||
|[[Doru Shahabad|Dooru Shahabad]], [[Anantnag district|Anantnag]] | |[[Doru Shahabad|Dooru Shahabad]], [[Anantnag district|Anantnag]] | ||
||Romanticism | ||Romanticism | ||
||Rasul Mir formally inaugurated [[Ghazal]] into Kashmiri poetry. Gazals with rivers, valleys, birds, fruits and imagery of Kashmir are his forte. | ||He is popularly known as the [[John Keats]] of Kashmir. Rasul Mir formally inaugurated [[Ghazal]] into Kashmiri poetry. Gazals with rivers, valleys, birds, fruits and imagery of Kashmir are his forte. | ||
|- | |- | ||
|Abdul Ahad Nadim | |Abdul Ahad Nadim | ||
| Line 147: | Line 211: | ||
|[[Bandipore|Bandipora]] | |[[Bandipore|Bandipora]] | ||
|Lyricism | |Lyricism | ||
|Had written the social satire '' | |Had written the social satire ''Shahar'ashob''. | ||
|- | |- | ||
|[[Wahab Khar]] | |[[Wahab Khar]] | ||
|1842–1912 | |1842–1912 | ||
|[[Pampore]], [[Pulwama district|Pulwama]] | |[[Khrew]], [[Pampore]], [[Pulwama district|Pulwama]] | ||
|Sufism | |Sufism | ||
|He came from a lineage of poets: his father and grandfather, both blacksmiths by profession, were also venerated [[Sufism|Sufi]] poets. | |He came from a lineage of poets: his father and grandfather, both blacksmiths by profession, were also venerated [[Sufism|Sufi]] poets. | ||
|- | |||
|Wahab Parray | |||
|1845–1914 | |||
|Khos mohallà, [[Hajan|Hajin]], [[Bandipore district|Bandipora]] | |||
|Sufism | |||
|He had translated [[Ferdowsi|Firdausi]]'s '[[Shahnameh|''Shahnaama'']]' from [[Persian language|Persian]] to [[Kashmiri language|Kashmiri]] in the year 1900. | |||
|- | |||
|Pandit Govind Kaul | |||
|1846–1899 | |||
|[[Srinagar]] | |||
|Mysticism | |||
|As a profound Kashmiri scholar he had helped [[Aurel Stein]] in translating [[Kalhana]]'s [[Rajatarangini]]. | |||
|- | |- | ||
|Rahman Dar | |Rahman Dar | ||
| Line 159: | Line 235: | ||
|[[Safa Kadal]], Srinagar | |[[Safa Kadal]], Srinagar | ||
|Sufism | |Sufism | ||
|He is best known for his [[Mathnawi|Mathnavi]] ''Sheeshrang | |He is best known for his [[Mathnawi|Mathnavi]] ''Sheeshrang''. | ||
|- | |- | ||
|[[Shamas Faqir]] | |[[Shamas Faqir]] | ||
| Line 165: | Line 241: | ||
|Zaindar, Srinagar | |Zaindar, Srinagar | ||
|[[Sufism]] | |[[Sufism]] | ||
|He belonged to the [[Qadiriyya|Qadriya]] silsila of [[Sufism]] and had also written the mathnavi | |He belonged to the [[Qadiriyya|Qadriya]] silsila of [[Sufism]] and had also written the mathnavi ''Mehrajnaama'', recounting the Islamic prophet [[Muhammad]]'s [[Isra and Mi'raj|Mehraj]] (spiritual journey) to Allah. | ||
|- | |||
|Aga Sayyid Muhammad Safvi | |||
|d. 1932 | |||
|Mirgund, [[Budgam district|Budgam]] | |||
|Religious Prose | |||
|A religious scholar by training he wrote '<nowiki/>''Minhaj ul Salah wa Miraj al Falah''<nowiki/>', popularly known as '''Kashir Kitab''<nowiki/>' (c.1888), one of the first works in Kashmiri prose. | |||
|- | |- | ||
|Pir Ghulam Mohammad Hanfi | |Pir Ghulam Mohammad Hanfi | ||
| Line 171: | Line 253: | ||
|N/A | |N/A | ||
|Sufism | |Sufism | ||
| | |He is said to have translated [[Quran]] into [[Kashmiri language|Kashmiri]]. Some scholars believe that the [[Kashmiri language|Kashmiri]] translation of [[Quran]] which was published under the name of Maulvi Yusuf Shah was actually done by Hanfi. | ||
|- | |- | ||
| | |Krishan Joo Razdan | ||
|1850–1925 | |1850–1925 | ||
|Wanpoh, [[Anantnag district|Anantnag]] | |Wanpoh, [[Anantnag district|Anantnag]] | ||
| | |[[Kashmir Shaivism]] | ||
|He is known for his ''Shiv Puraan'' and ''Shiv Lagan.'' | |He is known for his ''Shiv Puraan'' and ''Shiv Lagan.'' | ||
|- | |||
|Mulla Hakim Habib ul Lah | |||
|1852-1904 | |||
|Babapora, Habba Kadal, [[Srinagar]] | |||
|Devotional Mysticism | |||
|In addition to his Persian poetry is known for his [[Kashmiri Marsiya]], especially ''Yusuf''. His ''Sahlab Nama'' is devoted to the tragic floods of 1903 which devastated Kashmir. | |||
|- | |- | ||
|Aziz Ullah Haqqani | |Aziz Ullah Haqqani | ||
|1854–1919 | |1854–1919 | ||
|Narparistan, Srinagar | |Narparistan, Srinagar | ||
|Romanticism | |Sufism and Romanticism | ||
|His best known [[Mathnawi|mathnavi]] is '''Mumtaaz Benazir' | |He is remembered as a prominent [[Naʽat|Na'at]] writer. His best known [[Mathnawi|mathnavi]] is {{'}}''Mumtaaz Benazir''{{'}}, which had attained the same popularity as [[Maqbool Shah Kralawari|Maqbool Shah Kralwari]]'s ''Gulrez''. | ||
|- | |- | ||
|Saif-ud-din Ariz | |Saif-ud-din Ariz | ||
| Line 189: | Line 279: | ||
|[[Pulwama]] | |[[Pulwama]] | ||
|Lyricism | |Lyricism | ||
|His [[Mathnawi|mathnavi]] | |His [[Mathnawi|mathnavi]] titled ''Nav Bahaar'', had been translated into Persian. Though, the manuscript remains undiscovered so far. | ||
|- | |||
|Asad Parray | |||
|1862–1930 | |||
|Hajin, [[Bandipore district|Bandipora]] | |||
|Mysticism | |||
|He was highly influenced by [[Hindu mythology]] and had written works in praise of Lord [[Rama]] and Lord [[Shiva]]. | |||
|- | |||
|Hakim Hassan Ali | |||
|1870–1915 | |||
|Babapora, Habba Kadal, [[Srinagar]] | |||
|Devotional | |||
|A respected [[Kashmiri Marsiya|Marsiya]] writer, his Bey-Nuqta (Dotless) is considered a literary feat because in 25 verses it avoids the use of letters with any diacritical markings (nuqta). | |||
|- | |- | ||
|Haji Mohammad Alyaas | |Haji Mohammad Alyaas | ||
| Line 195: | Line 297: | ||
|[[Charari Sharief|Tsrar Sharief]], Budgam | |[[Charari Sharief|Tsrar Sharief]], Budgam | ||
|Romanticism | |Romanticism | ||
|He had been inspired by Aziz Ullah Haqqani, and wrote his rendering of the [[Mathnawi|mathnavi]] ''Mumtaaz Benazir | |He had been inspired by Aziz Ullah Haqqani, and wrote his rendering of the [[Mathnawi|mathnavi]] ''Mumtaaz Benazir''. | ||
|- | |- | ||
|Mohammad Ismail Nami | |Mohammad Ismail Nami | ||
| Line 213: | Line 315: | ||
|Anantnag | |Anantnag | ||
|[[Sufism]] | |[[Sufism]] | ||
|He roamed as a ''[[fakir]]'' all over the valley for two years and after this peregrination wrote the poem ''Saalgah | |He roamed as a ''[[fakir]]'' all over the valley for two years and after this peregrination wrote the poem "''Saalgah"''. | ||
|- | |- | ||
|Kaefi Shah | |Kaefi Shah | ||
| Line 225: | Line 327: | ||
|Nagam, [[Banihal]] | |Nagam, [[Banihal]] | ||
|Sufism | |Sufism | ||
|His mathnavi 'Gulbadan' is a translation of Muhammad Ali Murad's [[Urdu]] [[Mathnawi|mathnavi]] of the same title. | |His mathnavi '''Gulbadan''<nowiki/>' is a translation of Muhammad Ali Murad's [[Urdu]] [[Mathnawi|mathnavi]] of the same title. | ||
|- | |- | ||
|Pir Mohi-u-din Miskeen | |Pir Mohi-u-din Miskeen | ||
| Line 231: | Line 333: | ||
|[[Kulgam]] | |[[Kulgam]] | ||
|Sufism | |Sufism | ||
|Had written 6 | |Had written 6 masnavis, including Yusuf Zuleikha, Zeba Nigaar and Laal Majnoon. He had also translated the popular tragic romance of [[Punjab, Pakistan]]- [[Sohni Mahiwal]] into [[Kashmiri language|Kashmiri]]. | ||
|- | |||
|Prakash Kurgami | |||
|N/A | |||
|[[Kurigam]], [[Qazigund]] | |||
|Mysticism | |||
|He had translated Ramayana to Kashmiri language. | |||
|- | |- | ||
|Vishna Kaul | |Vishna Kaul | ||
| Line 241: | Line 349: | ||
|[[Haji Mohi-ud-din Miskin]] | |[[Haji Mohi-ud-din Miskin]] | ||
|d. 1921 | |d. 1921 | ||
|Srinagar | |[[Srinagar]] | ||
|Sufism | |Sufism | ||
|His [[Mathnawi|mathnavi]] 'Zeba Nigaar' has been credited to [[Rasul Mir]] by [[Abdul Ahad Azad]] in ''Kashmiri zuban aur shairi'' vol.II | |His [[Mathnawi|mathnavi]] 'Zeba Nigaar' has been credited to [[Rasul Mir]] by [[Abdul Ahad Azad]] in ''Kashmiri zuban aur shairi'' vol.II | ||
| Line 247: | Line 355: | ||
|Asad Mir | |Asad Mir | ||
|d. 1930 | |d. 1930 | ||
| | |[[Hakura Badas Gam|Hakura Badasgam]], [[Anantnag district|Anantnag]] | ||
|[[ | |Lyricism | ||
|He had written the popular ghazal ''Yeli Janaan Ralem'' | |He had written the popular [[ghazal]] ''Yeli Janaan Ralem''. He has numerous ghazals to his credit that have been sung by generations of Kashmiris. | ||
|- | |- | ||
|Abdul Qaadir Faarig | |Abdul Qaadir Faarig | ||
| Line 255: | Line 363: | ||
|N/A | |N/A | ||
|Sufism | |Sufism | ||
|He was the father of ex-chief minister, [[Ghulam Mohammed Sadiq|Ghulam Mohammad Sadiq]] | |He was the father of ex-chief minister, [[Ghulam Mohammed Sadiq|Ghulam Mohammad Sadiq]]. | ||
|- | |- | ||
|Ahad Zargar | |[[Ahad Zargar]] | ||
|1882–1984 | |1882–1984 | ||
|Narvara, Srinagar | |Narvara, [[Srinagar]] | ||
|Sufism | |Sufism | ||
|His well known | |His well known masnavis including- {{'}}''Kaefir Sapdith Korum Iqraar''{{'}}, expressing the philosophy [[Sufi metaphysics|Wahadat-al-Wajood]]. | ||
|- | |- | ||
|[[Zinda Kaul]] | |[[Zinda Kaul]] | ||
|1884–1965 | |1884–1965 | ||
|Srinagar | |Madanyar, [[Srinagar]] | ||
|Lyricism | |Lyricism | ||
|He had won the [[Sahitya Akademi Award|Sahitya Akademi]] award, 1956 for his volume ''Sumaran'' (The Rosary). | |He was the first Kashmiri writer who had won the [[Sahitya Akademi Award|Sahitya Akademi]] award, 1956 for his volume ''Sumaran'' (The Rosary). | ||
|- | |- | ||
|[[Mahjoor]] | |[[Mahjoor]] | ||
| Line 273: | Line 381: | ||
|Mitrigam, [[Pulwama district|Pulwama]] | |Mitrigam, [[Pulwama district|Pulwama]] | ||
|Lyricism | |Lyricism | ||
|Being a revolutionary poet, he is famously known as ''Shair-e-Kashmir | |Being a revolutionary poet, he is famously known as ''Shair-e-Kashmir''. | ||
|- | |- | ||
|[[Samad Mir]] | |[[Samad Mir]] | ||
|1892–1959 | |1892–1959 | ||
|Haar Nambal, Narwara Srinagar | |Haar Nambal, Narwara [[Srinagar]] | ||
|[[Sufism]] | |[[Sufism]] | ||
|His ' | |His {{'}}''Aka Nandun''{{'}} is the Kashmiri rendering of the legend of prophet [[Abraham in Islam|Ibrahim]] and his son [[Ishmael in Islam|Ismael]]. | ||
|- | |||
|Lassa Khan Fida | |||
|1898–1965 | |||
|Qazi mohallà, [[Anantnag district|Anantnag]] | |||
|Sufism | |||
|At the age of 21, he wrote his first book '''Gulbakwal''<nowiki/>' which was later adapted into a TV serial. | |||
|- | |||
|Abdul Qadoos Rasa Javidani | |||
|1901-1980 | |||
|[[Bhaderwah]] | |||
|Lyricism | |||
|He had published his [[Kashmiri language|Kashmiri]] poems under the title '''Nairang-e-Gazal''<nowiki/>'. He had also represented [[Kashmir]] at the National Mushaira in 1961. He had also penned the famous song- ''Mashravthas Janaan'' sung by Faheem Abdullah. | |||
|- | |- | ||
|Abdul Ahad Zargar | |Abdul Ahad Zargar | ||
| Line 295: | Line 415: | ||
|[[Abdul Ahad Azad]] | |[[Abdul Ahad Azad]] | ||
|1909–1948 | |1909–1948 | ||
|[[Chadoora]], [[Budgam district|Budgam]] | |Rangar, [[Chadoora]], [[Budgam district|Budgam]] | ||
|Lyricism | |Lyricism | ||
|He had written the essay ''Kashmiri zuban aur shairi | |He had written the essay ''Kashmiri zuban aur shairi''. | ||
|- | |- | ||
|[[Ghulam Rasool Nazki|Mir Ghulam Rasool Nazki]] | |[[Ghulam Rasool Nazki|Mir Ghulam Rasool Nazki]] | ||
|1910–1998 | |1910–1998 | ||
|[[Bandipore|Bandipora]] | |Mader, [[Bandipore|Bandipora]] | ||
|[[Sufism]] | |[[Sufism]] | ||
|His well known works include ''Namrodnama | |His well known works include ''Namrodnama'', a collection of 200 quatrains published in 1964. | ||
|- | |- | ||
|Ali Mohammad Gilkar | |Ali Mohammad Gilkar | ||
| Line 309: | Line 429: | ||
|[[Nowhatta]], Srinagar | |[[Nowhatta]], Srinagar | ||
|Sufism | |Sufism | ||
|He was a great spiritual leader and a great [[Sufism|Sufi]] saint, and popular among masses as ''Woast bab'' or ''Dassil bab''. He is best known for his book ''Kaleed Ludni.'' | |He was a great spiritual leader and a great [[Sufism|Sufi]] saint, and popular among masses as ''Woast bab'' or ''Dassil bab''. He is best known for his book '''Kaleed Ludni'.'' | ||
|- | |- | ||
|Mirza Ghulam Hassan Beg Arif | |Mirza Ghulam Hassan Beg Arif | ||
| Line 315: | Line 435: | ||
|[[Anantnag]] | |[[Anantnag]] | ||
|Progressive movement | |Progressive movement | ||
|Known for his satirical piece ''Aawaaz-i-dost.'' | |Known for his satirical piece ''Aawaaz-i-dost''. He had also translated 100 quatrains of [[Omar Khayyam]], and [[Rabindranath Tagore]]'s 'Cycle of Spring' into [[Kashmiri language|Kashmiri]]. | ||
|- | |- | ||
|[[Dinanath Nadim|Dina Nath Nadim]] | |[[Dinanath Nadim|Dina Nath Nadim]] | ||
|1916–1988 | |1916–1988 | ||
|Srinagar | |[[Habba Kadal]], Srinagar | ||
|Progressive movement | |Progressive movement | ||
| | |He had penned the famous folksong '''Bumbro Bumbro''<nowiki/>'. He had also written the anti-war poem {{'}}''Mae Chhum aash paghich''{{'}}. | ||
|- | |- | ||
|[[Fazil Kashmiri]] | |[[Fazil Kashmiri]] | ||
|1916–2004 | |1916–2004 | ||
|Srinagar | |[[Srinagar]] | ||
|Progressive movement | |Progressive movement | ||
|As a versatile poet he had proven his command or mastery in all genres of poetry – [[Ghazal]], [[Nazm]], [[Rubai (poetry)|Rubai]], Qata, [[Marsiya]], Munajat, [[Naʽat|Na'at]], | |As a versatile poet he had proven his command or mastery in all genres of poetry – [[Ghazal]], [[Nazm]], [[Rubai (poetry)|Rubai]], Qata, [[Marsiya]], Munajat, [[Naʽat|Na'at]], Manqabat, [[Lila (Hinduism)|Leela]] etc. | ||
|- | |- | ||
|[[Mohiuddin Hajni]] | |[[Mohiuddin Hajni]] | ||
|1917–1993 | |1917–1993 | ||
|[[Bandipore district|Bandipora]] | |Hajin, [[Bandipore district|Bandipora]] | ||
|Progressive movement | |||
|His play {{'}}''Grees Sund Ghar''{{'}} is the first play in [[Kashmiri language]]. He had translated '[[One Thousand and One Nights|''Alif Layla'']]' (One Thousand and One Nights) in Kashmiri. During his career, he criticised the political doctrine of [[Sheikh Abdullah]], 3rd chief ministers and 2nd prime minister of Jammu and Kashmir. | |||
|- | |||
|Noor Mohammad Roshan | |||
|b. 1919 | |||
|[[Khanyar]], [[Srinagar]] | |||
|Progressive movement | |Progressive movement | ||
| | |He had translated [[Premchand|Munshi Premchand]]'s [[Godaan]] in Kashmiri. | ||
|- | |- | ||
|[[Lala Aragami|Lal Aragami]] | |[[Lala Aragami|Lal Aragami]] | ||
| Line 339: | Line 465: | ||
|Chattibanday [[Aragam]], [[Bandipore district|Bandipora]] | |Chattibanday [[Aragam]], [[Bandipore district|Bandipora]] | ||
|Sufism | |Sufism | ||
|His well known works include ''Sareth Rahbar Lobum Moula | |His well known works include ''Sareth Rahbar Lobum Moula''. | ||
|- | |- | ||
|Abdul Khaliq Tak Zainageri | |Abdul Khaliq Tak Zainageri | ||
| Line 345: | Line 471: | ||
|Hardishiva, [[Zaingair|Zaingeer]] [[Sopore]] | |Hardishiva, [[Zaingair|Zaingeer]] [[Sopore]] | ||
|[[Sufism]] | |[[Sufism]] | ||
|It was in 1972 that he laid the foundation of the J& K Yateem Trust. He has also written poems for children, depicting his love for the orphans and the weak. | |It was in 1972 that he laid the foundation of the J & K Yateem Trust. He has also written poems for children, depicting his love for the orphans and the weak. | ||
|- | |- | ||
|[[Sarwanand Koul Premi|Sarwananda Koul Premi]] | |[[Sarwanand Koul Premi|Sarwananda Koul Premi]] | ||
|1924–1990 | |1924–1990 | ||
| | |Soaf Shalli, [[Kokernag]] [[Anantnag district|Anantnag]] | ||
|Progressive movement | |Progressive movement | ||
|[[Mahjoor]] gave him the name "Premi" (meaning Lover) because his poetry was full of love for Kashmir. | |[[Mahjoor]] gave him the name "Premi" (meaning Lover) because his poetry was full of love for Kashmir. | ||
| Line 357: | Line 483: | ||
|Kaprin, [[Shopian district|Shopian]] | |Kaprin, [[Shopian district|Shopian]] | ||
|Progressive movement | |Progressive movement | ||
|His notable works include the collections ''Beyi Sui Paan'' and ''Padis Pod Tshaayi | |His notable works include the collections ''Beyi Sui Paan'' and ''Padis Pod Tshaayi''. | ||
|- | |- | ||
|Arjan Dev Majboor | |Arjan Dev Majboor | ||
| Line 365: | Line 491: | ||
|He had translated [[Kalidasa|Kalidas]]'s ''Meghadootam'' into [[Kashmiri language|Kashmiri]]. | |He had translated [[Kalidasa|Kalidas]]'s ''Meghadootam'' into [[Kashmiri language|Kashmiri]]. | ||
|- | |- | ||
|[[Rehman Rahi| | |Janbaz Kishtwari | ||
|1925-1990 | |||
|Dool Hasti, [[Chenab Valley]], [[Kishtwar district|Kishtwar]] | |||
|Progressive movement | |||
|He is known for his collection of poetry '''Phalwin Sangar''<nowiki/>'. He is also known for pioneering the "''Chalant''" style of music in Kashmiri poetry. | |||
|- | |||
|[[Rehman Rahi]] | |||
|1925–2023 | |||
|Wazpora, [[Downtown, Srinagar|Downtown]] [[Srinagar]] | |||
|Progressive movement | |||
|His '<nowiki/>''Navroz-e-Saba'<nowiki/>'' had won the [[Sahitya Akademi Award|Sahitya Akademi]] award, 1961. His other notable work is a poetic collection titled '''Siyah Rood Jaeren Manz'.'' | |||
|- | |||
|[[Pran Kishore Kaul]] | |||
|1925–present | |1925–present | ||
|Srinagar | |Srinagar | ||
|Modern-age | |||
|He had written the screenplay for the popular [[Doordarshan]] Television series '<nowiki/>''Gul Gulshan Gulfaam'''. | |||
|- | |||
|Vasudev Reh | |||
|b. 1926 | |||
|[[Sopore]] | |||
|Progressive movement | |||
|He is known for his collection of poetry '''Shab Gardun''<nowiki/>' (The Night Watchman). | |||
|- | |||
|Vishwanath Vishwas | |||
|b. 1926 | |||
|[[Sopore]] | |||
|Progressive movement | |Progressive movement | ||
|His '' | |His well known poems include '<nowiki/>''Anaady Haanz''' (The Foolish Boatman). | ||
|- | |- | ||
|[[Pushkar Bhan]] | |[[Pushkar Bhan]] | ||
| Line 381: | Line 531: | ||
|Drogjan, [[Dal Lake|Dal Gate]] Srinagar | |Drogjan, [[Dal Lake|Dal Gate]] Srinagar | ||
|Progressive movement | |Progressive movement | ||
|He was a prominent dramatist of [[Kashmiri language]] and had written the plays ''Te Vyeth Rooz Pakaan'' and ''Suyya.'' | |He was a prominent dramatist of [[Kashmiri language]] and had written the plays ''Te Vyeth Rooz Pakaan'', and ''Suyya''. | ||
|- | |||
|Ghulam Nabi Nazir | |||
|1927–2015 | |||
|Yaripora, [[Kulgam district|Kulgam]] | |||
|Progressive movement | |||
|His well known works include '''Kashir Lukh Baath''<nowiki/>'. He had also translated [[William Shakespeare|Shakespeare]]'s [[Othello]] to [[Kashmiri language|Kashmiri]]. | |||
|- | |- | ||
|[[Ghulam Nabi Firaq]] | |[[Ghulam Nabi Firaq]] | ||
|1927–2016 | |1927–2016 | ||
|[[Nowshera, Srinagar|Naushera]] | |[[Nowshera, Srinagar|Naushera, Srinagar]] | ||
|Progressive movement | |Progressive movement | ||
|Adapted play [[Doctor Faustus (play)|Doctor Faustus]] by [[Christopher Marlowe]] into [[Kashmiri language|Kashmiri]] language. | |Adapted play [[Doctor Faustus (play)|Doctor Faustus]] by [[Christopher Marlowe]] into [[Kashmiri language|Kashmiri]] language. | ||
| Line 391: | Line 547: | ||
|[[Akhtar Mohiuddin (writer)|Akhtar Mohiuddin]] | |[[Akhtar Mohiuddin (writer)|Akhtar Mohiuddin]] | ||
|1928–2001 | |1928–2001 | ||
| | |Battamalyun, Srinagar | ||
|Progressive movement | |Progressive movement | ||
|He had written the first novel in [[Kashmiri language]], | |He had written the first novel in [[Kashmiri language]], titled Dod ''Dag'' (1957), and was a prominent short story writer in Kashmiri. | ||
|- | |- | ||
|[[Ghulam Rasool Santosh]] | |[[Ghulam Rasool Santosh]] | ||
| Line 400: | Line 556: | ||
|[[Kashmir Shaivism]] | |[[Kashmir Shaivism]] | ||
|As a poet he had been the recipient of [[Sahitya Akademi Award|Sahitya Akademi award]] for his poem ''Be Soakh Rooh'' (1978). | |As a poet he had been the recipient of [[Sahitya Akademi Award|Sahitya Akademi award]] for his poem ''Be Soakh Rooh'' (1978). | ||
|- | |||
|Bansi Nirdosh | |||
|1930-2001 | |||
|Badyar Bala, [[Srinagar]] | |||
|Progressive movement | |||
|He was a prolific writer who wrote in [[Urdu]], [[Hindi]], and [[Kashmiri language|Kashmiri]]. He had written over 100 plays including '<nowiki/>''Daenther'<nowiki/>'' (Branch of pomegranate tree) and '''Vaav, Naav te Dariyaav''<nowiki/>'. As a short story writer, his well-known short stories include- ''Yutamat Naal Votum Damanas Tal.'' | |||
|- | |||
|[[Rashid Nazki]] | |||
|1931–2016 | |||
|[[Bandipore district|Bandipora]] | |||
|[[Sufism]] | |||
|He was the founding president of [[Adbee Markaz Kamraz]]. He had won the Sahitya Akademi award for '''Vahraat''<nowiki/>' in 1999. He had written the biography of [[Muhammad]] in [[Kashmiri language|Kashmiri]]. He had also translated Sir [[Muhammad Iqbal|Allama Iqbal]]'s [[The Secrets of the Self|Asrar-i-Khudi]] to Kashmiri. | |||
|- | |||
|[[Hamidi Kashmiri]] | |||
|1932–2018 | |||
|[[Srinagar]] | |||
|Progressive movement | |||
|He had won the Sahitya Akademi award for '''Yath Miani Joye''<nowiki/>' in 2005. He had also won the [[Padma Shri]] in 2010. | |||
|- | |- | ||
|[[Moti Lal Kemmu]] | |[[Moti Lal Kemmu]] | ||
| Line 405: | Line 579: | ||
|Srinagar | |Srinagar | ||
|Progressive movement | |Progressive movement | ||
|Being a multi-faceted artist, he had worked as a choreographer for [[Dinanath Nadim|Dina Nath Nadim]]'s ''Bombur Yembarzal | |Being a multi-faceted artist, he had worked as a choreographer for [[Dinanath Nadim|Dina Nath Nadim]]'s ''Bombur Yembarzal'', and ''Himal Nagrai''. | ||
|- | |- | ||
|Naji Munawar | |Naji Munawar | ||
| Line 411: | Line 585: | ||
|Kaprin, [[Shopian district|Shopian]] | |Kaprin, [[Shopian district|Shopian]] | ||
|Modern-age | |Modern-age | ||
|Best known for his collection ''Mwokhta lar | |Best known for his collection ''Mwokhta lar'', a book of stories for children. Alongside Shafi Shauq, he had compiled the history of Kashmiri literature in a book in the [[Kashmiri language]]. | ||
|- | |- | ||
|[[Autar Krishen Rahbar]] | |[[Autar Krishen Rahbar]] | ||
| Line 423: | Line 597: | ||
|Nadihal, [[Bandipora]] | |Nadihal, [[Bandipora]] | ||
|[[Sufism]] | |[[Sufism]] | ||
|She is a mystic poet whose work is based on self-exploration. | |She is a mystic poet whose work is based on self-exploration. | ||
|- | |- | ||
|Hari Kishan Kaul | |Hari Kishan Kaul | ||
| | |1934–2009 | ||
|[[Srinagar]] | |[[Srinagar]] | ||
|Modern-age | |Modern-age | ||
|He is a well-known playwright and short story writer in Kashmiri. He is best known for his play ''Yeli Watan Khur Chu Yevan''. | |He is a well-known playwright and short story writer in Kashmiri. He is best known for his play ''Yeli Watan Khur Chu Yevan''. | ||
|- | |- | ||
|[[Ghulam Nabi Gowhar|Ghulam Nabi Gauhar]] | |[[Ghulam Nabi Gowhar|Ghulam Nabi Gauhar]] | ||
| Line 435: | Line 609: | ||
|[[Charari Sharief|Charar-e-Sharief]], [[Budgam district|Budgam]] | |[[Charari Sharief|Charar-e-Sharief]], [[Budgam district|Budgam]] | ||
|Modern-age | |Modern-age | ||
|He had written the second novel in [[Kashmiri language|Kashmiri]] language, | |He had written the second novel in [[Kashmiri language|Kashmiri]] language, titled ''Mujrim'' (1971). | ||
|- | |- | ||
|Muzaffar Aazim | |[[Muzaffar Aazim]] | ||
| | |1934–2022 | ||
|Gotlipora, [[Tangmarg]] | |||
|[[ | |||
|Modern-age | |Modern-age | ||
|He | |His notable works include three poetry books in Kashmiri and one in Urdu in addition to plays ''Havas ta Haasil'' and ''Nai Mout''. He created the first ''Kashmiri Narqalam'' font and ''Gulmarg Nastaliq'' font. | ||
|- | |- | ||
|[[Som Nath Sadhu]] | |[[Som Nath Sadhu]] | ||
| Line 453: | Line 621: | ||
|N/A | |N/A | ||
|Modern-age | |Modern-age | ||
|Apart from being a significant playwright, he | |Apart from being a significant playwright, he had also won the [[Padma Shri]] (fourth highest Indian civilian award) in 1974. | ||
|- | |- | ||
|Taj Begum Renzu | |Taj Begum Renzu | ||
| Line 460: | Line 628: | ||
|Modern-age | |Modern-age | ||
|She is the first Kashmiri female fiction writer and journalist. | |She is the first Kashmiri female fiction writer and journalist. | ||
|- | |||
|Ghulam Nabi Tak Naazir | |||
|1935-2015 | |||
|Yaripora, [[Kulgam district|Kulgam]] | |||
|Modern-age | |||
|He had won the [[Sahitya Akademi Award|Sahitya Akademi award]] for '''Achhre Tsange''<nowiki/>' in 1991. | |||
|- | |||
|[[Bashir Bhadarwahi|Bashir Bhaderwahi]] | |||
|1935–present | |||
|[[Bhaderwah]] | |||
|Modern-age | |||
|He had won the Sahitya Akademi award for his literary criticism '''Jamis Ta Kasheeri Manz Kashir Natia Adbuk Tawareekh''<nowiki/>' in 2015. | |||
|- | |- | ||
|[[Mohammad Yousuf Taing]] | |[[Mohammad Yousuf Taing]] | ||
|1935–present | |1935–present | ||
|[[Shopian district|Shopian]] | |[[Shopian district|Shopian]] | ||
|Modern-age | |Modern-age | ||
|His work, ''Mahjoor Shinasi'' (A criticism on [[Mahjoor]]) won him the Sahitya Akademi Award in 1998. | |His work, ''Mahjoor Shinasi'' (A criticism on [[Mahjoor]]) won him the Sahitya Akademi Award in 1998. | ||
|- | |||
|Makhan Lal Kanwal | |||
|1936-2016 | |||
|Sangrama, [[Sopore]] | |||
|Modern-age | |||
|He had won the [[Sahitya Akademi Award|Sahitya Akademi award]] for '''Yath Aangnas Manz''<nowiki/>' in 2012. | |||
|- | |||
|Mushtaq Kashmiri | |||
|1936-2022 | |||
|Kav mohallà, Khanyar, Srinagar | |||
|Resistance literature | |||
|His book '''Tohfa-e-Shaheed''<nowiki/>' is written in the memory of his son, Ahmad ul Islam, who was a [[Kashmir conflict|militant]]. | |||
|- | |- | ||
|Moti Lal Saqi | |Moti Lal Saqi | ||
|1936–1999 | |1936–1999 | ||
| | |Mehnoor, Chadora, [[Budgam district|Budgam]] | ||
|Modern-age | |Modern-age | ||
|He received the [[Sahitya Akademi Award|Sahitya Akademi award]] in 1981 for ''Mansar | |He received the [[Sahitya Akademi Award|Sahitya Akademi award]] in 1981 for ''Mansar''. | ||
|- | |- | ||
|[[Sajood Sailani]] | |[[Sajood Sailani]] | ||
| Line 485: | Line 677: | ||
|He had represented Kashmir at the National Conference of poets in 1960. | |He had represented Kashmir at the National Conference of poets in 1960. | ||
|- | |- | ||
| | |[[Hakeem Manzoor]] | ||
| | |1937-2006 | ||
| | |Akhoon Sahib, Gojwara, [[Srinagar]] | ||
|Modern-age | |||
|Though a prominent [[Urdu]] writer, he had written some works in [[Kashmiri language]] including ''Mea Chu Vartav Tai'' (1998) and ''Dopmai Baale Yaaras'' (1998). | |||
|- | |||
|Ayoub Sabir | |||
|1937–present | |||
|Bugam, [[Kulgam]] | |||
|Modern-age | |||
|He is a well known Satirist. For his famed book ''Gulalan Shaadmani'', Sabir was awarded children's best literature award by Sahitya Academy New Delhi in 2013. | |||
|- | |||
|Ali Mohammad Sheerazi | |||
|1950–present | |||
|Kralwari, Chadora, [[Budgam]] | |||
|Modern-age | |Modern-age | ||
| | |He is a well known poet. His known books include ''Tamseel Aadam, Wouth Sangar Fulli, and Yaddi Vitur.'' Sheerazi is a Sarparstay Aala of Aazad Cultural forum Chadora which was founded by Moti Laal Saqi. | ||
|- | |- | ||
|[[Mashal Sultanpuri|Mishal Sultanpuri]] | |[[Mashal Sultanpuri|Mishal Sultanpuri]] | ||
| Line 495: | Line 699: | ||
|Sultanpur, [[Baramulla district|Baramulla]] | |Sultanpur, [[Baramulla district|Baramulla]] | ||
|Modern-age | |Modern-age | ||
|In 2009 he got the Sahitya | |In 2009 he got the Sahitya Akademi award for his book ''Vont'' on literary criticism. | ||
|- | |- | ||
|[[Marghoob Banihali]] | |[[Marghoob Banihali]] | ||
| Line 501: | Line 705: | ||
|Bankoot, [[Banihal]] | |Bankoot, [[Banihal]] | ||
|Modern-age | |Modern-age | ||
|He had returned his Sahitya Akademi award in 2015, for his ''Partavistan'' (1979), a collection of poetry. | |He had returned his [[Sahitya Akademi Award|Sahitya Akademi]] award in 2015, for his ''Partavistan'' (1979), a collection of poetry. | ||
|- | |- | ||
|Hriday Kaul Bharti | |Hriday Kaul Bharti | ||
| Line 507: | Line 711: | ||
|[[Sopore]] | |[[Sopore]] | ||
|Modern-age | |Modern-age | ||
|He is best known for his contemporary short stories including- ''Doan athan hinz dastaan.'' | |He is best known for his contemporary short stories including- ''Doan athan hinz dastaan''. | ||
|- | |||
|Rattan Lal Shant | |||
|1938–present | |||
|[[Srinagar]] | |||
|Modern-age | |||
|He had won the Sahitya Akademi award for his short story '''Tshen''<nowiki/>' in 2007. He is also the recipient of President's Gold medal and Nehru award. | |||
|- | |||
|Bashar Bashir | |||
|N/A | |||
|N/A | |||
|Moden-age | |||
|He had won the Sahitya Akademi award for {{'}}''Yiman Padan Mye Yetsaar Gotshuy''{{'}} in 2010. | |||
|- | |- | ||
|[[Ghulam Nabi Khayal]] | |[[Ghulam Nabi Khayal]] | ||
|1938–present | |1938–present | ||
| | |Shal mohallà, [[Srinagar]] | ||
|Modern-age | |Modern-age | ||
|He became the first Kashmiri writer to return the [[Sahitya Akademi Award|Sahitya Akademi award]] in 2015, for his ''Gashik Minaar'' (Luminaries), 1975. | |He became the first Kashmiri writer to return the [[Sahitya Akademi Award|Sahitya Akademi award]] in 2015, for his ''Gashik Minaar'' (Luminaries), 1975. | ||
|- | |- | ||
| Line 532: | Line 748: | ||
|Modern-age | |Modern-age | ||
|He is the son of [[Ghulam Rasool Nazki]]. | |He is the son of [[Ghulam Rasool Nazki]]. | ||
|- | |||
|Pyarelal Handoo | |||
|1941-2014 | |||
|Chandapora, [[Habba Kadal]], [[Srinagar]] | |||
|Modern-age | |||
|As a prominent theatre actor he is regarded as the 'Father of Monologues' in Kashmiri theatre. He has directed and produced around 3000 programmes which include a number of short films and documentaries. | |||
|- | |- | ||
|Shafi Shaida | |Shafi Shaida | ||
| Line 549: | Line 771: | ||
|Aali kadal, [[Downtown Srinagar|Downtown]] Srinagar | |Aali kadal, [[Downtown Srinagar|Downtown]] Srinagar | ||
|Modern-age | |Modern-age | ||
| | |He is best known for his [[satirical poetry]] and efforts to highlight various social and political problems. He had won the [[Sahitya Akademi Award|Sahitya Akademi award]] for his work {{'}}''Tchoonch poot''{{'}} (a compilation of poems and prose for children). | ||
|- | |||
|Somnath Zutshi | |||
|1944-2014 | |||
|[[Srinagar]] | |||
|Modern-age | |||
|He had won the [[Sahitya Akademi Award|Sahitya Akademi award]] for his short story '<nowiki/>''Yeli Fol Gaash''<nowiki/>' in 2003. He had also written a Kashmiri drama for [[AIR Srinagar|Radio Kashmir]] titled '''Viji Vaav''<nowiki/>'. As a translator he had translated [[Franz Kafka]]'s [[The Trial]] and [[Nikolai Gogol]]'s [[The Government Inspector|The Inspector General]] to [[Kashmiri language|Kashmiri]]. He was awarded the Soviet Land Nehru award for Gogol's translation in 1974. | |||
|- | |||
|Anis Hamadani | |||
|N/A | |||
|N/A | |||
|Modern-age | |||
|He is particularly known for his short stories- '<nowiki/>''Wajood te Chhai''<nowiki/>' (Existence and Shadow), '<nowiki/>''Radio Aelaana Petha Az Taam''<nowiki/>', '<nowiki/>''Wajoodas Nakha Chhaai''<nowiki/>', '<nowiki/>''Su Yeli Wuchhan Oas''<nowiki/>', '<nowiki/>''Po'z S'ad'ar te Akh Kath''<nowiki/>' and '''Buth te Zaath''<nowiki/>'. | |||
|- | |||
|Gulshan Majeed | |||
|1947–present | |||
|[[Ganderbal]] | |||
|Modern-age | |||
|He had written the literary criticism on Wahab Parray, Lassa Khan Fida and Lakhimanjoo Bulbul titled ''Na'gdi Shqar''. He had also translated [[Albert Camus]]' '[[The Fall (Camus novel)|The Fall]]' to [[Kashmiri language|Kashmiri]]. | |||
|- | |- | ||
|Shahnaz Rasheed | |Shahnaz Rasheed | ||
|1947–present | |1947–present | ||
|[[Sopore]] | |Nowpora, [[Sopore]] | ||
|Modern-age | |||
|He released his first book ''Doad Khatith Guldanan Manz'' (Pain concealed in flower vases) in 2006, and was highly acclaimed by critics. | |||
|- | |||
|[[Abdul Ahad Hajini]] | |||
|1948–present | |||
|Hajin, [[Bandipore district|Bandipora]] | |||
|Modern-age | |||
|He had won the [[Sahitya Akademi Award|Sahitya Akademi award]] for his collection of short stories '''Akh Yaad Akh Qayamat''<nowiki/>' in 2019. | |||
|- | |||
|M. K. Raina | |||
|1948-present | |||
|Srinagar | |||
|Modern-age | |Modern-age | ||
|He | |M. K. Raina has contributed to the Kashmiri language as a lexicographer, editor, writer and translator since 1989. He has written short story collections like ''Patsch'' (2004), ''Pentachord'' (2005) and ''Tsók Módúr'' (2014). | ||
|- | |- | ||
|[[Rafiq Raaz]] | |[[Rafiq Raaz]] | ||
| Line 565: | Line 817: | ||
|Shafi Shauq | |Shafi Shauq | ||
|1950–present | |1950–present | ||
| | |Harwan, [[Srinagar]] | ||
|Modern-age | |||
|Shauq received the [[Padma Shri]] award in 2026. He is the author of ''Kaesher Lugaat'' (Dictionary of [[Kashmiri language|Kashmiri]] language). He translated [[Leo Tolstoy]]'s short novel '[[The Death of Ivan Ilyich|The Death of Ivan Ilych]]' to Kashmiri. | |||
|- | |||
|Mohi-ud-Din Reshi | |||
|1951–present | |||
|Srinagar | |||
|Modern-age | |Modern-age | ||
|He | |He won the Sahitya Akademi award for his collection of short stories '''Aina Aatash''<nowiki/>' in 2013. | ||
|- | |- | ||
|[[Naseem Shafaie]] | |[[Naseem Shafaie]] | ||
|1952–present | |1952–present | ||
|Srinagar | |[[Srinagar]] | ||
|Modern-age | |Modern-age | ||
|She is the first Kashmiri women to win the [[Sahitya Akademi Award|Sahitya Akademi award]]. | |She is the first Kashmiri women to win the [[Sahitya Akademi Award|Sahitya Akademi award]] for her work {{'}}''Na Thsay Na Aks''{{'}} (Neither Shadow Nor Reflection) in 2009. She also won the Tagore literature award in 2009 for this work. | ||
|- | |- | ||
|Basheer Asrar | |Basheer Asrar | ||
| Line 579: | Line 837: | ||
|Malaknag, [[Anantnag district|Anantnag]] | |Malaknag, [[Anantnag district|Anantnag]] | ||
|Modern-age | |Modern-age | ||
|He is the founder of 'The District Cultural Association | |He is the founder of {{'}}''The District Cultural Association Anantnag''{{'}} | ||
|- | |||
|Bashir Dada | |||
|1953–present | |||
|[[Anantnag district|Anantnag]] | |||
|Modern-age | |||
|He is a prominent theatre actor, screenwriter and poet. His notable literary works in [[Kashmiri language]] include '<nowiki/>''Zarum Na Doorer''<nowiki/>' and '<nowiki/>''Kar Mokli Safar''<nowiki/>'. He had also represented Kashmir in National Symposium of Poets 2009, Bhubaneshwar with his Kashmiri poem titled '''Yath Varee Andar''<nowiki/>'.<nowiki/> | |||
|- | |||
|Wali Mohd Aseer Kashtawari | |||
|1954–present | |||
|Berwar, [[Kishtwar]] | |||
|Modern-age | |||
|He had won the [[Sahitya Akademi Award|Sahitya Akademi award]] for his literary criticism {{'}}''Tawazun''{{'}} in 2021. | |||
|- | |||
|Yaqoob Dilkash | |||
|1954–2023 | |||
|Shishgari Mohalla, Khanyar, [[Srinagar]] | |||
|Modern-age | |||
|He was an eminent Radio playwright, director and actor. His notable works include '<nowiki/>''Mallekhush watte zaroor''<nowiki/>', '<nowiki/>''Band Makanas Manz''<nowiki/>', '<nowiki/>''Ratte Mongul''<nowiki/>', '''Zulmaat''<nowiki/>' etc. | |||
|- | |||
|Ghulam Ahmad Najar | |||
|1954–present | |||
|Najar Mohalla, Tekipora, [[Lolab Valley]], [[Kupwara district|Kupwara]] | |||
|Sufism | |||
|He has many Sufism books to his credit, but notably his book "''Jaam-i-Arifayan''" is the most comprehensive collection. | |||
|- | |||
|Sohan Lal Kaul | |||
|1955-present | |||
|Parnewan, [[Budgam district|Budgam]] | |||
|Modern-age | |||
|He is one of the most significant authors of [[Kashmiri language]] and literature. Essentially a novelist, a playwright, short story writer and a critic. His noteworthy novels are "''Panien Panien Gunah''", "''Ded''", "''Pasiek Dar''", and "''Yotam Sarie Paeth Gow''". In 2026, he authored Kashmir's first [[queer]] novel titled "The American Dream". | |||
|- | |||
|Piarey Hatash | |||
|N/A | |||
|Anantnag | |||
|Modern-age | |||
|He is particularly known for his [[Nazm]] '''Aes Bayo Naeb Nishanay Rov''<nowiki/>' that had featured in the documentary [[Jashn-e-Azadi: How We Celebrate Freedom]] (2007) by [[Sanjay Kak]]. He has also translated many short stories from [[Dogri language]] to [[Kashmiri language|Kashmiri]]. | |||
|- | |- | ||
|[[Shad Ramzan]] | |[[Shad Ramzan]] | ||
| Line 585: | Line 879: | ||
|[[Kulgam]] | |[[Kulgam]] | ||
|Modern-age | |Modern-age | ||
|He had won the Sahitya Akademi award for '''Kore Kaakud Gome Pushrith''<nowiki/>' (2014). | |He had won the Sahitya Akademi award for '''Kore Kaakud Gome Pushrith''<nowiki/>' (2014). | ||
|- | |- | ||
|Aadil Mohi-ud-din | |Aadil Mohi-ud-din | ||
| Line 591: | Line 885: | ||
|[[Sumbal, Jammu and Kashmir|Sumbal]], Bandipora | |[[Sumbal, Jammu and Kashmir|Sumbal]], Bandipora | ||
|Modern-age | |Modern-age | ||
|He had received the Sahitya Akademi award for his literary criticism | |He had received the Sahitya Akademi award for his literary criticism titled- ''Zol Dith Sadras'' (2016). | ||
|- | |- | ||
|[[Aziz Hajini]] | |[[Aziz Hajini]] | ||
| | |1957–2021 | ||
|Hajin, [[Bandipore district|Bandipora]] | |Hajin, [[Bandipore district|Bandipora]] | ||
|Modern-age | |Modern-age | ||
|He was the former Secretary of [[Jammu and Kashmir Academy of Art, Culture and Languages|Jammu Kashmir Academy of Art Culture and languages]] (JAACL). | |He was the former Secretary of [[Jammu and Kashmir Academy of Art, Culture and Languages|Jammu Kashmir Academy of Art Culture and languages]] (JAACL). | ||
|- | |||
|Shamshad Kralwari | |||
|N/A | |||
|Kralwara, Nagam, [[Budgam district|Budgam]] | |||
|Modern-age | |||
|He is a distinguished Kashmiri poet, broadcaster, and translator. He had served as the former director of [[AIR Srinagar|Radio Kashmir Srinagar]]. As a translator, he had done the translation of [[Fyodor Dostoevsky|Fyodor Dostoevsky's]] '[[Crime and Punishment]]' in Kashmiri titled— ''Jurm te Saza'' (2015). | |||
|- | |||
|Majrooh Rashid | |||
|1958–present | |||
|Arwani, [[Bijbehara|Vejibror]] [[Anantnag district|Anantnag]] | |||
|Modern-age | |||
|Being a poet, he also a critic and translator. He has authored the books- '<nowiki/>''Asri Kashir Shairi''<nowiki/>' (1995), '''Zaban Te Adab''<nowiki/>' (2007), '<nowiki/>''Kashiri Shairi Hund Intikhab''<nowiki/>' (2010) etc. He is also the author of the monographs on Asad Mir and Lassa Khan Fida published by the [[Sahitya Akademi]]. As a translator he had translated [[Franz Kafka]]'s '[[The Judgment|The Judgement]]' into [[Kashmiri language|Kashmiri]]. | |||
|- | |||
|[[Mushtaq Ahmad Mushtaq]] | |||
|1961–present | |||
|[[Budgam district|Budgam]] | |||
|Modern-age | |||
|He had won the Sahitya Akademi Award for his collection of short stories '''Aakh''<nowiki/>' in 2018. | |||
|- | |||
|Farooq Fayaz | |||
|N/A | |||
|N/A | |||
|Modern-age | |||
|He had won the [[Sahitya Akademi Award|Sahitya Akademi award]] for his literary criticism '''Zael Dab''<nowiki/>' in 2022. | |||
|- | |||
|Sajad Inquilabi | |||
|1964–present | |||
|Khudwani, [[Kulgam district|Kulgam]] | |||
|Modern-age | |||
|His debut collection of poetry was '''Poushgound''<nowiki/>' (Bucket of Flowers). When he wrote this, he was just 14. | |||
|- | |- | ||
|[[Madhosh Balhami]] | |[[Madhosh Balhami]] | ||
| Line 603: | Line 927: | ||
|Balhama, [[Pampore]] [[Pulwama district|Pulwama]] | |Balhama, [[Pampore]] [[Pulwama district|Pulwama]] | ||
|Resistance literature | |Resistance literature | ||
|He is particularly known for his recitation of elegies composed for the funerals of [[Insurgency in Jammu and Kashmir|militants in Kashmir]]. | |He is particularly known for his recitation of elegies composed for the funerals of [[Insurgency in Jammu and Kashmir|militants in Kashmir]]. On 15 March 2018, he lost his house and thirty years of written poetry to a fire in the middle of a gun battle between [[Indian Army]] and Militants. | ||
|- | |||
|Gulab Saify | |||
|1966–present | |||
|[[Kishtwar district|Kishtwar]] | |||
|''Triyout literature'' | |||
|Being a poet, he is also a critic. He is particularly known as the ''takhleeqkaar'' (pioneer) of ''Triyout'' genre of literature from [[Jammu and Kashmir (union territory)|Jammu and Kashmir]], and the only writer who writes in this genre from the state. His well known works from this genre include '<nowiki/>''Lal Chowk''<nowiki/>', '<nowiki/>''Haar''<nowiki/>' etc. The well known Kashmiri song '''Taqdeer''<nowiki/>' sung by Ishfaq Kawa has also been penned by him. | |||
|- | |- | ||
|Zareefa Jan | |Zareefa Jan | ||
| Line 610: | Line 940: | ||
|[[Sufism]] | |[[Sufism]] | ||
|Her poetic world is as fascinating as her mystifying appearance. Her poetry treasure includes a few of her notebooks filled with circles. Those circles or codes can be read by her only. | |Her poetic world is as fascinating as her mystifying appearance. Her poetry treasure includes a few of her notebooks filled with circles. Those circles or codes can be read by her only. | ||
|- | |||
|Riyaz Anzoo | |||
|N/A | |||
|[[Bijbehara]], Anantnag | |||
|Modern-age | |||
|His notable [[ghazal]]s include- '<nowiki/>''Myon Dill Wadnovthan''<nowiki/>' and '''Watan Waalyo Watan Wapas Tarakhna''<nowiki/>'. | |||
|- | |- | ||
|Sunita Raina Pandit | |Sunita Raina Pandit | ||
| | |1967–present | ||
|Anantnag | |[[Anantnag district|Anantnag]] | ||
|Modern-age | |Modern-age | ||
|Her | |Her well known works include "''T'chhopi Hindi Aalaw''" (The Call of Silence). Her other published [[Kashmiri language|Kashmiri]] books are '<nowiki/>''Rihij Yaad''<nowiki/>', '<nowiki/>''Suanzal''<nowiki/>', '<nowiki/>''Pott Zooni Vathith''<nowiki/>', '<nowiki/>''Mann Sar Tsyunum''<nowiki/>', '<nowiki/>''Lalli Hindi Maaline Zaayun Lob''<nowiki/>' and '''Shuri Lyye''<nowiki/>'. | ||
|- | |- | ||
|Haleema Qadri | |Haleema Qadri | ||
|1972–present | |1972–present | ||
|Churmujur, [[Budgam]] | |Churmujur, [[Budgam]] | ||
|Sufism | |[[Sufism]] | ||
|In 2015, she had self-published her | |In 2015, she had self-published her collection of poetry, titled ''Ishq-e-Nabi''. | ||
|- | |||
|Arshad Mushtaq | |||
|1974–present | |||
|[[Srinagar]] | |||
|Modern-age | |||
|He is considered as a prominent director in [[Kashmiri language]] theatre. His well known adaptations of foreign plays or literary works include- ''Su Yee''; based on [[Samuel Beckett]]'s [[Waiting for Godot]], and ''Aalav''; based on [[John Millington Synge]]'s [[Riders to the Sea]]. He wrote his first original play- ''Be'chus Shahid'' (I am witness) in remembrance of [[Agha Shahid Ali]]. | |||
|- | |||
|Shabir Hussain Shabir | |||
|1975—present | |||
|Khairkoot, Nowgam, [[Banihal]] | |||
|Modern-age | |||
|His collection of poetry include- ''Gash Paghuk'', ''Warqan Chikhrith Gaash,'' and ''Wadi-e-Chenab tehzeeb-o-saqafat''. | |||
|- | |||
|Nisar Azam | |||
|1977–present | |||
|Dangiwotsh, [[Rafiabad, India|Rafiabad]] [[Baramulla district|Baramulla]] | |||
|Modern-age | |||
|He released his first book ''Patti Leji Zoon Daras'' (Then the Moon's eyes froze), for which he bagged his first Sahitya Akademi Award in 2011. He has also translated many books and his works have been highly acclaimed by critics. | |||
|- | |- | ||
|Nighat Sahiba | |Nighat Sahiba | ||
| Line 628: | Line 982: | ||
|Modern-age | |Modern-age | ||
|She had won the Sahitya Akademi Yuva Puraskar for her ''Zard Paniek Daer'' (2017). | |She had won the Sahitya Akademi Yuva Puraskar for her ''Zard Paniek Daer'' (2017). | ||
|- | |||
|Shabir Magami | |||
|1984–present | |||
|[[Magam]], [[Budgam district|Budgam]] | |||
|Modern-age | |||
|Being a poet, he is also a translator and critic. Some of his well known [[Ghazal]]s that have been sung by [[Grammy Awards|Grammy award]] nominee Qaiser Nizami include- {{'}}''Maani Sir Saev Preth Isharan Manz''{{'}}, {{'}}''Mae Chu Phairan Choan''{{'}}, {{'}}''Phyur Loag Soacha Siparan''{{'}} etc. | |||
|- | |- | ||
|Sofi Ghulam Mohd | |Sofi Ghulam Mohd | ||
| | |1986–present | ||
|[[Charari Sharief]] | |[[Charari Sharief]] | ||
|Modern-age | |Modern-age | ||
|A critic, short-story writer, translator. He is also the author of Sadre Tchakis tal, Wande Bavath, Sari Harf, | |A critic, short-story writer, translator. He is also the author of {{'}}''Sadre Tchakis tal''{{'}}, {{'}}''Wande Bavath''{{'}}, {{'}}''Sari Harf''{{'}}, {{'}}''Pragash''{{'}} etc. | ||
|- | |- | ||
|Rumuz | |Rumuz-e-Bekhudi | ||
|N/A | |N/A | ||
|Srinagar | |[[Srinagar]] | ||
|Modern-age | |Modern-age | ||
|As soon as she devoted herself to poetry writing, her verses reflected self-reliance, empowerment, and struggle amidst the valley's strife backdrop. | |As soon as she devoted herself to poetry writing, her verses reflected self-reliance, empowerment, and struggle amidst the valley's strife backdrop. | ||
| Line 646: | Line 1,005: | ||
|Duderhama, [[Ganderbal district|Ganderbal]] | |Duderhama, [[Ganderbal district|Ganderbal]] | ||
|Modern-age | |Modern-age | ||
| | |He is the author of [[Kashmiri language|Kashmiri]] novel '''Khawaban Khayalan Manz''<nowiki/>' (2022). | ||
|} | |} | ||
| Line 674: | Line 1,033: | ||
}}</ref> Another mystic of her time equally revered in Kashmir and popularly known as [[Nund Rishi|Nund Reshi]] wrote powerful poetry. Later came [[Habba Khatun]] (16th century) with her own style. Other major names are [[Rupa Bhavani]] (1621–1721), Paramananda (1791–1864), [[Arnimal]] (d. 1800), [[Mahmud Gami]] (1765–1855), [[Rasul Mir]] (d. 1870), [[Maqbool Shah Kralawari]] (1820–1877). Also, the [[Sufi]] poets like [[Shamas Faqir]], [[Wahab Khar]], [[Soch Kral]], [[Samad Mir]], and Ahad Zargar. Among modern poets are [[Ghulam Ahmad Mahjur|Ghulam Ahmad Mahjoor]] (1885–1952), [[Abdul Ahad Azad]] (1903–1948), and [[Zinda Kaul]] (1884–1965). | }}</ref> Another mystic of her time equally revered in Kashmir and popularly known as [[Nund Rishi|Nund Reshi]] wrote powerful poetry. Later came [[Habba Khatun]] (16th century) with her own style. Other major names are [[Rupa Bhavani]] (1621–1721), Paramananda (1791–1864), [[Arnimal]] (d. 1800), [[Mahmud Gami]] (1765–1855), [[Rasul Mir]] (d. 1870), [[Maqbool Shah Kralawari]] (1820–1877). Also, the [[Sufi]] poets like [[Shamas Faqir]], [[Wahab Khar]], [[Soch Kral]], [[Samad Mir]], and Ahad Zargar. Among modern poets are [[Ghulam Ahmad Mahjur|Ghulam Ahmad Mahjoor]] (1885–1952), [[Abdul Ahad Azad]] (1903–1948), and [[Zinda Kaul]] (1884–1965). | ||
During the 1950s, a number of well educated youth turned to Kashmiri writing, both poetry and prose, and enriched modern Kashmiri writing by leaps and bounds. Among these writers are [[Dinanath Nadim]] (1916–1988), [[Amin Kamil]] (1923–2014),<ref>{{cite web |url=http://kamil.neabinternational.org |title=Amin Kamil - Kashmiri literature, Kashmiri poetry |publisher=Kamil.neabinternational.org |access-date =2013-03-03 }}</ref> [[Sarwanand Koul Premi|Sarwanand Kaol Premi]] (1924–1990), [[Rehman Rahi]] (born 1925), [[Ghulam Nabi Firaq]] (1927–2016), Ali Mohammed Lone<ref>{{Cite web|last=Ali Mohammed Lone|first=A fearless dramatist|date=|title=Ali Mohammed Lone, Greater Kashmir|url=https://www.greaterkashmir.com/news/opinion/ali-mohammed-lone-a-fearless-dramatist/ | During the 1950s, a number of well educated youth turned to Kashmiri writing, both poetry and prose, and enriched modern Kashmiri writing by leaps and bounds. Among these writers are [[Dinanath Nadim]] (1916–1988), [[Amin Kamil]] (1923–2014),<ref>{{cite web |url=http://kamil.neabinternational.org |title=Amin Kamil - Kashmiri literature, Kashmiri poetry |publisher=Kamil.neabinternational.org |access-date =2013-03-03 }}</ref> [[Sarwanand Koul Premi|Sarwanand Kaol Premi]] (1924–1990), [[Rehman Rahi]] (born 1925), [[Ghulam Nabi Firaq]] (1927–2016), Ali Mohammed Lone<ref>{{Cite web|last=Ali Mohammed Lone|first=A fearless dramatist|date=|title=Ali Mohammed Lone, Greater Kashmir|url=https://www.greaterkashmir.com/news/opinion/ali-mohammed-lone-a-fearless-dramatist/|access-date=18 January 2021|website=Greater Kashmir}}</ref> (1928–1987), [[Akhtar Mohiuddin (writer)|Akhtar Mohiuddin]] (1928–2001), [[Ali Mohammad Shahbaz]], Avtar Krishen Rahbar (born 1933), [[Sajood Sailani]], Som Nath Zutshi, [[Muzaffar Aazim]].<ref>{{cite web |url=http://kashmirilanguage.com|title=Kashmiri Language}}</ref> Some later day writers are Hari Kishan Kaul, Majrooh Rashid, Rattanlal Shant, Hirdhey Kaul Bharti, [[Omkar Nath Koul|Omkar N Koul]], Roop Krishen Bhat, [[Rafiq Raaz]], Tariq Shehraz, Shafi Shauq, Showkat Shehri, M.H Zaffar, G.M Azad, Anis Hamdani, Barkat Nida, Shafi Sumbli, Bashar Bashir, Shenaz Rashid, Shabir Ahmad Shabir, Shabir Magami, Tariq Ahmad Tariq,<ref>{{cite web |url=http://lalded.8k.com |title=Welcome To the Homepage of LALDED |publisher=Lalded.8k.com |access-date=2013-03-03 }}</ref> and [[Moti Lal Kemmu]]. | ||
Contemporary Kashmiri literature appears in such magazines as "''Sheeraza"'' published by the Jammu & Kashmir Academy of Art, Culture and Languages, "''Anhar"'' published by the | Contemporary Kashmiri literature appears in such magazines as "''Sheeraza"'' published by the Jammu & Kashmir Academy of Art, Culture and Languages, "''Anhar"'' published by the Kashmiri Department of the Kashmir University, and an independent magazines/portals like "The Kashmir Tales".<ref>{{Cite web|title=How young poets from Kashmir are creating a parallel poets' society with online mushairas|url=https://theprint.in/india/how-young-poets-from-kashmir-are-creating-a-parallel-poets-society-with-online-mushairas/448372/|website=The Print|date=27 June 2020 }}</ref> "[[Mountain Ink]]", Inverse Journal ''Neab International Kashmiri Magazine''<ref>{{Cite web|title=Kashmiri Language and Literature - Kashmiri Magazine of Kashmiri Poetry, Kashmiri Fiction|url=http://www.neabinternational.org/|access-date=2021-01-18|website=www.neabinternational.org}}</ref> published from Boston, ''Vaakh'' (published by All India Kashmiri Samaj, Delhi) and ''Koshur Samachar'' (published by Kashmiri Sahayak Sammiti, Delhi). | ||
==Ancient writers in Sanskrit== | ==Ancient writers in Sanskrit== | ||
*[[Charaka]],<ref>Martin Levey, ''Early Arabic Pharmacology: An Introduction Based on Ancient and Medieval Sources'', Brill Archive (1973), p. 10</ref><ref>[[Prithivi Nath Kaul Bamzai|P. N. K. Bamzai]], ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.268</ref><ref>S.K. Sopory, ''Glimpses Of Kashmir'', APH Publishing Corporation (2004), p. 62</ref><ref>Krishan Lal Kalla, ''The Literary Heritage of Kashmir'', Mittal Publications (1985), p.65</ref> c. 300 BC. One of the most important authors in [[Ayurveda]]. | *[[Charaka]],<ref>Martin Levey, ''Early Arabic Pharmacology: An Introduction Based on Ancient and Medieval Sources'', Brill Archive (1973), p. 10</ref><ref>[[Prithivi Nath Kaul Bamzai|P. N. K. Bamzai]], ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.268</ref><ref>S.K. Sopory, ''Glimpses Of Kashmir'', APH Publishing Corporation (2004), p. 62</ref><ref>Krishan Lal Kalla, ''The Literary Heritage of Kashmir'', Mittal Publications (1985), p.65</ref> c. 300 BC. One of the most important authors in [[Ayurveda]]. | ||
*[[Nagasena]],<ref>Guang Xing, ''The Concept of the Buddha'', RoutledgeCurzon (2005), p. 26</ref><ref>Phyllis G. Jestice, ''Holy People of the World: A Cross-cultural Encyclopedia'', ABC-CLIO Ltd (2004), p. 621</ref> c. 2nd century BC. One of the major figures of [[Buddhism]], his answers to questions about the religion posed by [[Menander I]] ([[Pāli|Pali]]: Milinda), the [[Indo-Greek]] king of northwestern [[India]] (now [[Pakistan]]), are recorded in the ''[[Milinda Panha|Milinda Pañha]]''. | *[[Nagasena]],<ref>Guang Xing, ''The Concept of the Buddha'', RoutledgeCurzon (2005), p. 26</ref><ref>Phyllis G. Jestice, ''Holy People of the World: A Cross-cultural Encyclopedia'', ABC-CLIO Ltd (2004), p. 621</ref> c. 2nd century BC. One of the major figures of [[Buddhism]], his answers to questions about the religion posed by [[Menander I]] ([[Pāli|Pali]]: Milinda), the [[Indo-Greek]] king of northwestern [[India]] (now [[Pakistan]]), are recorded in the ''[[Milinda Panha|Milinda Pañha]]''. | ||
*Tisata, c. 500 AD. A medical writer.<ref>''Encyclopaedia of Indian Medicine: Historical perspective'', Popular Prakashan (1985), p. 100</ref> | *Tisata, c. 500 AD. A medical writer.<ref>''Encyclopaedia of Indian Medicine: Historical perspective'', Popular Prakashan (1985), p. 100</ref> | ||
*Jaijjata, 5th century, a medical writer and probably the earliest commentator (known) on the [[Sushruta Samhita]], later quoted by [[Dalhana]].<ref>Ramachandra S.K. Rao, Encyclopaedia of Indian medicine : volume 1, Popular Prakashan (2005), p. 63</ref> | *Jaijjata, 5th century, a medical writer and probably the earliest commentator (known) on the [[Sushruta Samhita]], later quoted by [[Dalhana]].<ref>Ramachandra S.K. Rao, Encyclopaedia of Indian medicine : volume 1, Popular Prakashan (2005), p. 63</ref> | ||
*[[Vagbhata]],<ref>[[:de:Claus Vogel|Claus Vogel]], ''Vāgbhaṭa Aṣṭāṅgahṛdayasaṃhitā. The First Five Chapters of Its Tibetan Version'', Franz Steiner (1965), p.13</ref><ref>Anna Akasoy & co., ''Islam and Tibet: Interactions Along the Musk Routes'', Ashgate Publishing Limited (2011), p.76</ref> c. 7th century. Considered one of the 'trinity' (with [[Charaka]] and [[Sushruta]]) of [[Ayurveda]]. | *[[Vagbhata]],<ref>[[:de:Claus Vogel|Claus Vogel]], ''Vāgbhaṭa Aṣṭāṅgahṛdayasaṃhitā. The First Five Chapters of Its Tibetan Version'', Franz Steiner (1965), p.13</ref><ref>Anna Akasoy & co., ''Islam and Tibet: Interactions Along the Musk Routes'', Ashgate Publishing Limited (2011), p.76</ref> c. 7th century. Considered one of the 'trinity' (with [[Charaka]] and [[Sushruta]]) of [[Ayurveda]]. | ||
*[[Bhamaha]],<ref>[[Richard Pischel]], ''A Grammar of the Prakrit Languages'', Motilal Banarsidass (1999), p. 43</ref><ref>Satya Ranjan Banerjee, ''The Eastern School of Prakrit Grammarians: A Linguistic Study'', Vidyasagar Pustak Mandir (1977), p. 31</ref><ref>Kamaleswar Bhattacharya, ''India & Beyond'', [[Routledge]] (2009), p. 2</ref><ref>John E. Cort, ''Open Boundaries: Jain Communities and Cultures in Indian History'', [[State University of New York Press]] (1998), p.57</ref> c. 7th century | *[[Bhamaha]],<ref>[[Richard Pischel]], ''A Grammar of the Prakrit Languages'', Motilal Banarsidass (1999), p. 43</ref><ref>Satya Ranjan Banerjee, ''The Eastern School of Prakrit Grammarians: A Linguistic Study'', Vidyasagar Pustak Mandir (1977), p. 31</ref><ref>Kamaleswar Bhattacharya, ''India & Beyond'', [[Routledge]] (2009), p. 2</ref><ref>John E. Cort, ''Open Boundaries: Jain Communities and Cultures in Indian History'', [[State University of New York Press]] (1998), p.57</ref> c. 7th century | ||
* Ravigupta, 700–725. "Ravigupta is, perhaps, the earliest among the Buddhist philosophers of Kashmir..."<ref>Kolar Sesha Iyer Nagarajan, ''Contribution of Kashmir to Sanskrit literature'', V.B. Soobbiah (1970), p. 426</ref> | * Ravigupta, 700–725. "Ravigupta is, perhaps, the earliest among the Buddhist philosophers of Kashmir..."<ref>Kolar Sesha Iyer Nagarajan, ''Contribution of Kashmir to Sanskrit literature'', V.B. Soobbiah (1970), p. 426</ref> | ||
*[[Anandavardhana]], | *[[Anandavardhana]], 820–890 | ||
*[[Vasugupta]], | *[[Vasugupta]], 860–925 | ||
*[[Somananda]], | *[[Somananda]], 875–925 | ||
*[[Vatesvara]],<ref>R.N. Rai, ''Karanasara Of Vatesvara'', Indian National Science Academy (1970), vol. 6, n. I, [http://www.new1.dli.ernet.in/data1/upload/insa/INSA_1/20005b63_27.pdf p. 34] {{Webarchive|url=https://web.archive.org/web/20150609213439/http://www.new1.dli.ernet.in/data1/upload/insa/INSA_1/20005b63_27.pdf |date=2015-06-09 }}</ref><ref>Vaṭeśvara, ''Vaṭeśvara-siddhānta and Gola of Vaṭeśvara: English translation and commentary'', National Commission for the Compilation of History of Sciences in India (1985), p. xxvii</ref> b. 880, author of [[Vaṭeśvara-siddhānta]]. | *[[Vatesvara]],<ref>R.N. Rai, ''Karanasara Of Vatesvara'', Indian National Science Academy (1970), vol. 6, n. I, [http://www.new1.dli.ernet.in/data1/upload/insa/INSA_1/20005b63_27.pdf p. 34] {{Webarchive|url=https://web.archive.org/web/20150609213439/http://www.new1.dli.ernet.in/data1/upload/insa/INSA_1/20005b63_27.pdf |date=2015-06-09 }}</ref><ref>Vaṭeśvara, ''Vaṭeśvara-siddhānta and Gola of Vaṭeśvara: English translation and commentary'', National Commission for the Compilation of History of Sciences in India (1985), p. xxvii</ref> b. 880, author of [[Vaṭeśvara-siddhānta]]. | ||
*[[Rudrata]], c. 9th century | *[[Rudrata]], c. 9th century | ||
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*Bhatta Nayaka, c. 9th-10th century, considered by [[Sheldon Pollock]] to be the greatest author on [[aesthetics]] in the pre-modern period | *Bhatta Nayaka, c. 9th-10th century, considered by [[Sheldon Pollock]] to be the greatest author on [[aesthetics]] in the pre-modern period | ||
* [[Medhātithi]], c. 9th-10th century, one of the most influential commentators of the [[Manusmriti]] | * [[Medhātithi]], c. 9th-10th century, one of the most influential commentators of the [[Manusmriti]] | ||
*[[Utpaladeva]], | *[[Utpaladeva]], 900–950 | ||
*[[Abhinavagupta]], c. | *[[Abhinavagupta]], c. 950–1020 | ||
*Vallabhadeva,<ref>P. N. K. Bamzai, ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.269</ref><ref>[[Sheldon Pollock]], ''Literary Cultures in History: Reconstructions from South Asia'', [[University of California Press]] (2003), p. 112</ref> c. 10th century. Wrote, amongst other works, ''Raghupanchika'', the earliest commentary on the ''[[Raghuvamsa]]'' of [[Kalidasa]]. | *Vallabhadeva,<ref>P. N. K. Bamzai, ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.269</ref><ref>[[Sheldon Pollock]], ''Literary Cultures in History: Reconstructions from South Asia'', [[University of California Press]] (2003), p. 112</ref> c. 10th century. Wrote, amongst other works, ''Raghupanchika'', the earliest commentary on the ''[[Raghuvamsa]]'' of [[Kalidasa]]. | ||
*[[Utpala (astronomer)|Utpala]],<ref>Bina Chatterjee (introduction by), ''The Khandakhadyaka of Brahmagupta'', Motilal Banarsidass (1970), p. 13</ref><ref>Lallanji Gopal, ''History of Agriculture in India, Up to C. 1200 A.D.'', Concept Publishing Company (2008), p. 603</ref><ref>Kosla Vepa, ''Astronomical Dating of Events & Select Vignettes from Indian History'', Indic Studies Foundation (2008), p. 372</ref><ref>[[Dwijendra Narayan Jha]] (edited by), ''The feudal order: state, society, and ideology in early medieval India'', Manohar Publishers & Distributors (2000), p. 276</ref> c. 10th century. An important mathematician. | *[[Utpala (astronomer)|Utpala]],<ref>Bina Chatterjee (introduction by), ''The Khandakhadyaka of Brahmagupta'', Motilal Banarsidass (1970), p. 13</ref><ref>Lallanji Gopal, ''History of Agriculture in India, Up to C. 1200 A.D.'', Concept Publishing Company (2008), p. 603</ref><ref>Kosla Vepa, ''Astronomical Dating of Events & Select Vignettes from Indian History'', Indic Studies Foundation (2008), p. 372</ref><ref>[[Dwijendra Narayan Jha]] (edited by), ''The feudal order: state, society, and ideology in early medieval India'', Manohar Publishers & Distributors (2000), p. 276</ref> c. 10th century. An important mathematician. | ||
*[[Kshemendra]], c. | *[[Kshemendra]], c. 990–1070 | ||
*[[Kshemaraja]], c. late 10th century/early 11th century | *[[Kshemaraja]], c. late 10th century/early 11th century | ||
*[[Kathasaritsagara]], c. 11th century | *[[Kathasaritsagara]], c. 11th century | ||
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*Jalhana,<ref>P. N. K. Bamzai, ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.269</ref> c. 12th century, the author of ''Mugdhopadesa'' (not to be confused with Jalhana who commissioned the ''[[Suktimuktavali]]'') | *Jalhana,<ref>P. N. K. Bamzai, ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.269</ref> c. 12th century, the author of ''Mugdhopadesa'' (not to be confused with Jalhana who commissioned the ''[[Suktimuktavali]]'') | ||
*[[Sarangadeva]], c. 13th century. A [[musicologist]], he wrote [[Sangita Ratnakara]], one of the most important text when it comes to Indian music. | *[[Sarangadeva]], c. 13th century. A [[musicologist]], he wrote [[Sangita Ratnakara]], one of the most important text when it comes to Indian music. | ||
==Writers in Persian== | ==Writers in Persian== | ||
{{See also|Persian language in the Indian subcontinent}} | {{See also|Persian language in the Indian subcontinent}} | ||
After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of | After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of Persian culture by the [[Mughal Empire|Mughals]], Persian became the literary language also of the region. Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperor [[Muhammad Shah]] (1131-61/1719-48), alone lists 303 poets".<ref>Collective, ''The Cambridge History of Iran'', Volume 6, p. 980</ref> Late scholar from [[Pakistan]], [[Hassam-ud-Din Rashidi|Pir Hassam-ud-Din Rashidi]], edited, translated, and enlarged this work later, and had it published by the [[Iqbal Academy Pakistan|Iqbal Academy]]. | ||
Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperor Muhammad Shah (1131-61/1719-48), alone lists 303 poets".<ref>Collective, ''The Cambridge History of Iran'', Volume 6, p. 980</ref> Late scholar from [[Pakistan]], [[Hassam-ud-Din Rashidi|Pir Hassam-ud-Din Rashidi]], edited, translated, and enlarged this work later, and had it published by the [[Iqbal Academy Pakistan|Iqbal Academy]]. | |||
The most famous of them was Muhammad Tahir Ghani (d. 1669), better known as [[Gani Kashmiri]], whose poetry was recently translated into English, for the first time, by Mufti Mudasir Farooqi and Nusrat Bazaz as 'The Captured Gazelle' in the world-renowned [[Penguin Classics]] list. Ghani influenced many generations of Persian-and Urdu writing poets in South Asia including Mir Taqi Mir, Ghalib and most importantly, [[Muhammad Iqbal|Iqbal]]. Ghani's "forte" lies in creating delightful poetic images, usually by stating an abstract idea in the first hemistich and following it up with a concrete exemplification in the other. He also stands out for his multi-layered poems, which exploit the double meaning of words. | |||
Another name in the field of Persian-language writers from Kashmir is [[Shaykh Yaqub Sarfi Kashmiri]] (1521–1595), a 16th-century [[Sufi poet]]-[[philosopher]] who was internationally acknowledged and who had for students, amongst others, well-known religious scholar [[Ahmad Sirhindi]] (more particularly, he taught him [[Hadith studies|hadith]])<ref>Anna Zelkina, ''In Quest for God and Freedom: The Sufi Response to the Russian Advance in the North Caucasus'', C. Hurst & Co. Publishers (200), p. 88</ref><ref>Irshad Alam, ''Faith Practice and Piety: An Excerpt from the Maktūbāt'', Sufi Peace Mission (2006), p. 20</ref> and Persian-language poet Mohsin Fani Kashmiri (d. 1671 or 1672) (himself the teacher of Ghani Kashmiri and author of the pivotal work of [[comparative religion]], the [[Dabestan-e Mazaheb]]). | |||
Other of the well-known and influential Persian-language poets of Kashmir would include | |||
* [[Khawaja Habibullah Nowshehri|Habibullah Nowshehri]] (1556–1617) | |||
*Mirza Dirab Big Juya (d. 1707) | |||
*[[Gani Kashmiri]] (1630–1669) | |||
*Mirza Beg Akmal Kamil (1645–1719) | |||
*Muhammad Aslam Salim (d. 1718) | |||
*Mulla Muhammad Taufiq (1765) | |||
*[[Muhammed Azam Didamari]] (d. 1765) | |||
*Mulla Muhammad Hamid (1848) | |||
*Birbal Kachru Varasta (d. 1865) | |||
*[[Pandit Taba Ram Turki]] (1776–1847), who was a celebrity as far as Central Asia. | |||
==Writers in Urdu== | ==Writers in Urdu== | ||
Despite being a numerically small community, the [[Kashmiri Pandits]] are | Despite being a numerically small community, the [[Kashmiri Pandits]] are influential in their contribution to Urdu literature. One important early example is [[Daya Shankar Kaul Nasim]] (1811–1845), a renowned Urdu poet of the 19th century, and hundreds of others followed his path.<ref>Shri Ram Bakshi, ''Kashmir: Valley and Its Culture'', Sarun & Son (1997), p. 165</ref> | ||
Some eminent Urdu literary personalities of Kashmiri origins (from both the Valley and the diaspora) include (in [[chronological]] order): | Some eminent Urdu literary personalities of Kashmiri origins (from both the Valley and the diaspora) include (in [[chronological]] order): | ||
<!-- PLEASE RESPECT CHRONOLOGICAL ORDER --> | <!-- PLEASE RESPECT CHRONOLOGICAL ORDER --> | ||
*Mir Tafazzul Hussain Khan Kashmiri ( | *Mir Tafazzul Hussain Khan Kashmiri (1727–1800), originally from [[Kashmir Valley|Kashmir]],<ref>Hamid Afaq Qureshi, ''The Mughals, the English & the rulers of Awadh, from 1722 A.D. to 1856 A.D.'', New Royal Book Co (2003), p.79</ref><ref>Amaresh Misra, ''Lucknow, fire of grace: the story of its revolution, renaissance and the aftermath'', HarperCollins Publishers India (1998), p. 57</ref><ref>Purnendu Basu, ''Oudh and the East India Company, 1785-1801'', Maxwell Company (1943), p. 22</ref> born in [[Sialkot]]<ref>[[Simon Schaffer]], ''The Brokered World: Go-Betweens and Global Intelligence, 1770-1820'', Science History Publications (2009), p. 53</ref> where his parents moved and himself based in [[Lucknow]] where he served as [[Prime Minister]] (or ''diwan'') to the [[Nawab of Oudh]] [[Asaf-ud-Daula]] thanks his erudition. He was called "khan-e-allama" (the Scholarly Khan)<ref>Surendra Mohan, ''Awadh Under the Nawabs: Politics, Culture, and Communal Relations, 1722-1856'', Manohar Publishers & Distributors (1997), p.80</ref> due to his deep scholarship on many subjects but is best known today for having translated [[Sir Isaac Newton]]'s [[Philosophiæ Naturalis Principia Mathematica]] from [[Latin]] into [[Arabic]].<ref>Edited by Bernard Lightman, ''The Circulation of Knowledge Between Britain, India and China'', [[Brill Publishers|BRILL]] (2013), p.67</ref> | ||
*Mufti Sadruddin Khan 'Azurda',<ref>Abida Samiuddin, ''Encyclopaedic Dictionary of Urdu Literature'', Global Vision Publishing House (2008), p. 94</ref> 1789–1868, apart from being the [[Grand Mufti]] of [[Delhi]], he was also a personal friend to [[Ghalib]] (whose own mother was from Kashmir)<ref>Mirza Asadullah Khan Ghalib, ''Persian poetry of Mirza Ghalib'', Pen Productions (2000), p. 7</ref> and himself a poet of note in Urdu as well as in Arabic and Persian. He also wrote a ''tazkira'' (biographical [[anthology]] of poets). | *Mufti Sadruddin Khan 'Azurda',<ref>Abida Samiuddin, ''Encyclopaedic Dictionary of Urdu Literature'', Global Vision Publishing House (2008), p. 94</ref> 1789–1868, apart from being the [[Grand Mufti]] of [[Delhi]], he was also a personal friend to [[Ghalib]] (whose own mother was from Kashmir)<ref>Mirza Asadullah Khan Ghalib, ''Persian poetry of Mirza Ghalib'', Pen Productions (2000), p. 7</ref> and himself a poet of note in Urdu as well as in Arabic and Persian. He also wrote a ''tazkira'' (biographical [[anthology]] of poets). | ||
*[[Momin Khan Momin]], 1801–1852, considered one of the three pillars of the [[Delhi]] school of Urdu poetry, with [[Ghalib]] and [[Zauq]].<ref>K.C. Kanda, ''Masterpieces of Urdu Ghazal from the 17th to the 20th Century'', Sterling (1992), p. 182</ref> Other fields where he was competent included [[mathematics]], [[geomancy]], [[astrology]], [[chess]] or [[music]].<ref>K.C. Kanda, ''Masterpieces of Urdu Ghazal from the 17th to the 20th Century'', Sterling (1992), p. 182</ref><ref>Ali Jawad Zaidi, ''A History of Urdu literature'', Sahitya Akademi (1993), p. 181</ref><ref>D.J. Matthews, ''Urdu Literature'', South Asia Books (1985), p. 86</ref> | *[[Momin Khan Momin]], 1801–1852, considered one of the three pillars of the [[Delhi]] school of Urdu poetry, with [[Ghalib]] and [[Zauq]].<ref>K.C. Kanda, ''Masterpieces of Urdu Ghazal from the 17th to the 20th Century'', Sterling (1992), p. 182</ref> Other fields where he was competent included [[mathematics]], [[geomancy]], [[astrology]], [[chess]] or [[music]].<ref>K.C. Kanda, ''Masterpieces of Urdu Ghazal from the 17th to the 20th Century'', Sterling (1992), p. 182</ref><ref>Ali Jawad Zaidi, ''A History of Urdu literature'', Sahitya Akademi (1993), p. 181</ref><ref>D.J. Matthews, ''Urdu Literature'', South Asia Books (1985), p. 86</ref> | ||
*[[Daya Shankar Kaul Nasim]], 1811–1845 | *[[Daya Shankar Kaul Nasim]], 1811–1845 | ||
*[[Ratan Nath Dhar Sarshar]], | *[[Ratan Nath Dhar Sarshar]], 1846–1903 | ||
*[[Muhammad Iqbal]], 1877–1938 | *[[Muhammad Iqbal]], 1877–1938 | ||
*[[Agha Hashar Kashmiri]], 1879–1935 (called "the Shakespeare of Urdu" for his works as playwright) | *[[Agha Hashar Kashmiri]], 1879–1935 (called "the Shakespeare of Urdu" for his works as playwright) | ||
*[[Brij Narayan Chakbast]], 1882–1926 | *[[Brij Narayan Chakbast]], 1882–1926 | ||
*Aziz Lucknawi, | *Aziz Lucknawi, 1882–1935 | ||
*Khalifa Abdul Hakim, 1896-1959 (a philosopher who has the honour of writing the only book on the [[metaphysics]] of Persian mystical poet [[Jalaluddin Rumi]])<ref>[http://khalifaabdulhakim.com/ A website on Dr Khalifa Abdul Hakim maintained by a relative and with a lot of bibliographical resources]</ref> | *[[Khalifa Abdul Hakim]], 1896-1959 (a philosopher who has the honour of writing the only book on the [[metaphysics]] of Persian mystical poet [[Jalaluddin Rumi]])<ref>[http://khalifaabdulhakim.com/ A website on Dr Khalifa Abdul Hakim maintained by a relative and with a lot of bibliographical resources]</ref> | ||
*[[Patras Bokhari]], 1898–1958 | *[[Patras Bokhari]], 1898–1958 | ||
*[[Ghulam Mustafa Tabassum]], 1899–1978 | *[[Ghulam Mustafa Tabassum]], 1899–1978 | ||
*Muhammad Din Taseer, 1902-1950 (short-story writer, literary critic and Iqbal scholar. Father of slain Pakistan's [[Governor of Punjab, Pakistan|Punjab governor]] [[Salman Taseer]] and first individual from the Sub-continent to get a PhD in English Literature from [[Cambridge University]])<ref>[http://www.kashmirlife.net/punjabs-kashmir-connection/ Punjab's Kashmir connection]</ref> | *Muhammad Din Taseer, 1902-1950 (short-story writer, literary critic and Iqbal scholar. Father of slain Pakistan's [[Governor of Punjab, Pakistan|Punjab governor]] [[Salman Taseer]] and first individual from the Sub-continent to get a PhD in English Literature from [[Cambridge University]])<ref>[http://www.kashmirlife.net/punjabs-kashmir-connection/ Punjab's Kashmir connection]</ref> | ||
*[[Shaikh Abdullah]], 1905–1982 | *[[Shaikh Abdullah]], 1905–1982 | ||
*[[Meeraji]], 1912–1949 | |||
*[[Meeraji]], | |||
*[[Saadat Hasan Manto]], 1912–1955 | *[[Saadat Hasan Manto]], 1912–1955 | ||
*[[Agha Shorish Kashmiri]], 1917–1975 | |||
*[[Agha Shorish Kashmiri]], | *[[Syed Akbar Jaipuri|Syed Akbar Jaipuri (Mujahid-E-Urdu)]], 1923–1998 | ||
*[[Razia Butt]], 1924–2012 | |||
*[[Syed Akbar Jaipuri|Syed Akbar Jaipuri (Mujahid-E-Urdu)]], | *[[Anwar Shemza]], 1928–1985 | ||
*[[Razia Butt]], | *[[Hakeem Manzoor]], 1937–2006, prominent [[urdu]] writer, poet and administrator. | ||
*[[Anwar Shemza]], | *[[Obaidullah Aleem]], 1939–2008 | ||
*[[Hakeem Manzoor]], 1937–2006 | |||
*[[Obaidullah Aleem]], | |||
*[[Muhammed Amin Andrabi]], 1940–2001, a scholar who belonged to the [[Traditionalist School]] of [[metaphysics]], inspired by authors like [[Ibn Arabi]], [[Muhammad Iqbal]], [[Frithjof Schuon]], [[Seyyed Hossein Nasr]] and [[Henry Corbin]].<ref>[http://www.greaterkashmir.com/news/opinion/story/193515.html A Scholar-Intellectual]</ref> | *[[Muhammed Amin Andrabi]], 1940–2001, a scholar who belonged to the [[Traditionalist School]] of [[metaphysics]], inspired by authors like [[Ibn Arabi]], [[Muhammad Iqbal]], [[Frithjof Schuon]], [[Seyyed Hossein Nasr]] and [[Henry Corbin]].<ref>[http://www.greaterkashmir.com/news/opinion/story/193515.html A Scholar-Intellectual]</ref> | ||
*[[Allama Mustafa Hussain Ansari]], 1945–2006 | *[[Allama Mustafa Hussain Ansari]], 1945–2006 | ||
*[[Abid Hassan Minto]] | *[[Abid Hassan Minto]] | ||
*[[Muhammad Asim Butt]], novelist, translator and critic. | *[[Muhammad Asim Butt]], novelist, translator and critic. | ||
| Line 787: | Line 1,124: | ||
==Writers in Hindi== | ==Writers in Hindi== | ||
*[[Amar Nath Kak]] | *[[Amar Nath Kak]] | ||
*[[Chandrakanta (author)]] | *[[Chandrakanta (author)]] | ||
*[[Omkar N. Koul]] | *[[Omkar N. Koul]] | ||
==Writers in English== | ==Writers in English== | ||
*[[I. K. Taimni]] | *[[I. K. Taimni]] | ||
*[[M. P. Pandit]], prolific writer who authored some 150 books and as many articles exposing in English the thought of [[Sri Aurobindo]]. | *[[M. P. Pandit]], prolific writer who authored some 150 books and as many articles exposing in English the thought of [[Sri Aurobindo]]. | ||
| Line 814: | Line 1,141: | ||
*[[Nayantara Sahgal]] | *[[Nayantara Sahgal]] | ||
*[[M.J. Akbar]] | *[[M.J. Akbar]] | ||
*[[Hari Kunzru]] | *[[Hari Kunzru]] | ||
*[[Kailas Nath Kaul]] | *[[Kailas Nath Kaul]] | ||
*[[Salman Rushdie]] | |||
*[[Agha Shahid Ali]] | *[[Agha Shahid Ali]] | ||
*[[Mirza Waheed]] | |||
*[[Nitasha Kaul]] | |||
*[[Basharat Peer]] | *[[Basharat Peer]] | ||
*[[Adeeba Riyaz]] | *[[Adeeba Riyaz]] | ||
* | *[[Khalid Bashir Ahmad]] | ||
==See also== | ==See also== | ||
| Line 826: | Line 1,155: | ||
* [[List of Indian poets#Kashmiri|List of Kashmiri poets]] | * [[List of Indian poets#Kashmiri|List of Kashmiri poets]] | ||
* [[List of topics on the land and the people of Jammu and Kashmir]] | * [[List of topics on the land and the people of Jammu and Kashmir]] | ||
* [[Kashmir Shaivism]] | * [[Kashmir Shaivism]] | ||
* [[Kashmiriyat]] | * [[Kashmiriyat]] | ||
==References== | ==References== | ||
{{Reflist|2}} | |||
{{ | == Further reading == | ||
* {{cite book |last=Kaul |first=J. L. |title=Kashmiri Literature (Three Special Lectures) |location=Mysore |publisher=[[University of Mysore]] |series=Special Lecture Series |volume=31 |date=1970}} | |||
* {{cite book |first=Braj B. |last=Kachru |title=Kashmiri literature |series=A History of Indian Literature |volume=VIII, Fasc. 4 |location=Wiesbaden |publisher=Otto Harrassowitz |date=1981 |editor=Jan Gonda |editor-link=Jan Gonda}} | |||
* {{Cite book |editor-last=Raina |editor-first=Trilokinath |title=A History of Kashmiri Literature |location=New Delhi |publisher=Sahitya Akademi |date=2002}} | |||
* {{cite book |last=Zutshi |first=Chitralekha |chapter=The Kashmiri Narrative Public: Textuality, Orality, and Performance |title=Kashmir's Contested Pasts: Narratives, Sacred Geographies, and the Historical Imagination |location=Delhi |publisher=Oxford University Press |date=2014 |pages=240–297 |doi=10.1093/acprof:oso/9780199450671.003.0006}} Accessed 17 Dec. 2024. | |||
{{DEFAULTSORT:Kashmiri Literature}} | {{DEFAULTSORT:Kashmiri Literature}} | ||
[[Category:Culture of Kashmir]] | [[Category:Culture of Kashmir]] | ||
[[Category:Indian literature]] | [[Category:Indian literature by language]] | ||
[[Category:Kashmiri literature]] | [[Category:Kashmiri literature]] | ||
[[Category:Literature by language]] | [[Category:Literature by language]] | ||
[[Category:Pakistani literature]] | [[Category:Pakistani literature]] | ||
Latest revision as of 01:47, 30 March 2026
Literature of Kashmir has a long history, the oldest texts having been composed in the Sanskrit language. Early names include Patanjali, the author of the Mahābhāṣya commentary on Pāṇini's grammar, suggested by some to have been the same to write the Hindu treatise known as the Yogasutra, and Dridhbala, who revised the Charaka Samhita of Ayurveda.
In medieval times, philosophers of Kashmir Shaivism include Vasugupta (c. 800), Utpala (c. 925), Abhinavagupta, Kshemaraja, and Anandavardhana. Within contemporary Kashmir literature there are many poets, including Asif Tariq Bhat[1][2] Tashi Shah,[3] Akeel Mohiuddin Bhat,[4] Omair Bhat [1] [2] and Zeeshan Jaipuri.[5]
Kashmiri language literature[edit | edit source]
The below listed table marks Kashmiri language poets in chronological order as per the book— A History of Kashmiri literature by Trilokinath Raina.[6]
| Name | Years | Birthplace | Period | Remarks |
|---|---|---|---|---|
| Lal Ded | 1320–1392 | Pandrethan, or Padmanpore (modern Sempore, Pampore) | Kashmir Shaivism | She was the Kashmiri mystic poet credited with pioneering the Vaakh/Vatsun genre of Kashmiri literature. |
| Nund Reshi | 1377–1438 | Qaimoh, Kulgam | Sufism | Nund Reshi was among the founders of the Rishi order, a Sufi tradition of the region. He mainly wrote Shrukhs. His well-known disciples from this order include- Dehat Ded, Behat Ded, Shanga Bibi, Sham Ded and Ganga Bibi. |
| Hazrat Shaikh Yaqub Sarfi | 1521–1595 | Zainkadal, Srinagar | Sufism | Popularly known as "Ishan sa'eb", Sarfi was a Kashmiri Sufi Shaikh of the Kubrawi Hamadani order. He became a Hafiz Quran at the age of seven. He has many Vaakhs to his credit. |
| Habba Khatoon | 1554–1609 | Chandhur, Pampore | Lyricism | She is known to lyricize her wailing cries for lost time. The queen poet was popularly known as the "Nightingale of Kashmir". |
| Jumma Bibi | N/A | Nowhatta, Srinagar | Sufism and Lyricism | She was the daughter of a Kandur (baker), and was quite close to Mirza Akmal ud Din Badakshi. Her Vaakhs are mostly inspired by mystical subjects. She had also composed a Kashir marsiya (Kashmiri elegy) on the death of Mirza Kamal. |
| Khawaja Habibullah Ganai Nowshehri | 1555–1617 | Nowshera, Srinagar | Sufism | He was the main Khulafa (successor) to Hazrat Shaikh Yaqub Sarfi and was Hafiz Quran, and very much fond of singing. He had written some notable Vaakhs too. |
| Rupa Bhawani | 1621–1721 | Khanqah-i-Shokta, Nawakadal (Srinagar at present) | Kashmir Shaivism and Islamic Sufism | Her Vaakhs reveal the influence of both Kashmir Shaivism and Islamic Sufism. |
| Sahab Kaul | b. 1629 | Habba Kadal, Srinagar | Kashmir Shaivism | His 'Krishna Avtaar Charit' is the first Kashmiri poem of Leela (Divine play) genre. |
| Nunda Dar | d. 1774 | Village Kaathyul | Sufism | He and Mir Syed Ullah Shahabadi are the only two poets who attempted the Ghazal writing successfully before Mahmud Gami. |
| Arnimal | 1738–1778 | Palhalan, Pattan | Lyricism | She is the second poet after Habba Khatoon in the field of lyricism. |
| Mir Abdulla Behaqi | d. 1798 | N/A | Sufism | He is the first Kashmiri poet to adopt Mathnavi (rhyming couplets) as his medium in poetry. |
| Shah Gafoor | N/A | Village Choon, Budgam | Lyricism | His well-known works include 'Rosh Paan Havtam Kashvaniye', 'Sorui Chu Panai Be Vanai Kya', and 'Kya Gov Malaal tes Yarsei' among others. |
| Momin Shah sa'eb | d. 1800 | Buried at Babgom, Pulwama | Sufism | To him belongs the honour of writing the first well-received Mathnavi in Kashmiri, titled 'Mantaq-al-tayyar' based on Persian mathnavi of the same title by Attar. |
| Swocha Kral | 1774–1854 | Village Koil, Pulwama (buried at Yendregam, Pulwama) | Sufism | He was known to be the mureed (disciple) of Momin sa'eb. His poetry is an exposition of the philosophy of Wahdat-al-Wajood. |
| Khwaja Hussain Mir | d. 1826 | Habak, Magam, buried at Gund Khawja Qasim | Devotional | Hussain Mir is regarded as the founder of the Classical Age in Kashir Marsiya, known as 'Muqam Band'. |
| Parmananda | 1791–1864 | Village Seer, Martand (Mattan at present) | Mysticism | His most notable works include 'Radha Swayamvara'. |
| Pandit Mirza Kak | N/A | Hangulgund, Kokernag, Anantnag | Mysticism | He had authored 'Shiv Puraan' in Kashmiri language. |
| Shah Qalandar | d. 1850 | Haigam (Sopore), or Wahthora, Chadoora dist. Budgam | Lyricism | Known for his popular mathnavi 'Adam ta Guljaan' (love-story of faqir Adam and Princess Guljaan). |
| Mahmud Gami | 1765–1855 | Village Aravaer (modern Mahmudabad), Dooru Shahabad, Anantnag | Lyricism | Popularly known as Jami of Kashmir, he had also translated Nizami's Layla Majnun into Kashmiri titled 'Lael Majnun'. |
| Rahim Sa'eb | 1775–1850 | Telwaen mohallà, Sopore | Sufism | He belonged to the Qadri order of Sufism and was significantly influenced by Lal Ded and Nund Reshi. He is specifically known for using Sanskrit Shastra words in his poetry. |
| Mulla Munshi Mohammad Yusuf Baba | 1798-1885 | Babapora, Habba Kadal, Srinagar | Devotional | He is best known for his portal of human loss and grief in Kashmiri Marsiya. Munshi Yusuf remains one of the most popular Kashmiri Marsiya writers. |
| Mulla Hakim Muhammad Azim | 1803-1852 | Babapora, Habba Kadal, Srinagar | Devotional | He is known for introducing visual imagery in Kashmiri Marsiya and repositioning it in the urban, Persianate high culture associated with Srinagar city. |
| Mirza Aboul Qasim | d. 1853 | Gund Khawja Qasim, buried Karbala, Iraq | Devotional | The most prolific and popular Marsiya writer of Kashmir Marsiyas, his works reflects deep understanding of traditional Muslim knowledge both literary as well as religious. |
| Munshi Safdar Khan | d. 1850s | Awadh, Uttar Pradesh | Devotional | He worked in the court of Nawab Wajid Ali Shah and is said to have been poisoned in his late 20's. He is the first poet who introduced the genre of writing 'bey-nuqta' (verses withouts any diacritical marks) in Kashmiri Marsiya, in a marsiya of bearing the same name. |
| Wali Ullah Motoo | d. 1858 | Wuhan, Beerwah dist. Budgam | Sufism | He has written a Mathnavi based on the legend of Hemal and Nagrai. |
| Nyam sa'eb | 1805–1865 | Agh hamaam Habba Kadal, Srinagar | Lyricism | He is best known for his lyrical ghazals that have been sung by generation of Kashmiris. His Taelib (tutee) named Rasul Shah Haaqsa was the murshid (spiritual guide) to Shamas Faqir. |
| Abdul Ahad Nazim | 1807–1865 | N/A | Sufism and Lyricism | He was also known as 'Waiz Shah Nur-ud-din', considered the finest Na'at writer of Kashmir. He had penned the famous Sufi song- Yim Zaar Vanahas Bardar. |
| Lakshman Joo Raina Bulbul | 1812–1898 | Malapora, Ganderbal | Lyricism | Wrote the well-known razmia mathnavi Saamnaama, translation of Firdausi's Classic Shahnaama. |
| Karam Buland | d. 1899 | Haanz Gund, Wahthora Budgam | Lyricism | He had great love of music, theatre and organizing musical sessions. The NGO- Karam Buland Folk Theatre Group in Budgam is also named after him. |
| Maqbool Shah Kralwaer | 1820–1877 | Kralwara, Nagam Budgam | Sufism | He is best known for his mathnavi 'Gulrez'. A mathnavi, many claim as finest descriptive poetry of the 19th-century Kashmiri literature. |
| Ahmad Batwaer | 1838–1918 | Batawara, Soura, Srinagar | Sufism | His well known works include 'Az Boaz Saeni Mudda', 'Yendraaz Zyeni Darbaar', 'Bedaar Cheshmov Dedaar' and many others. |
| Rasul Mir | 1840–1870 | Dooru Shahabad, Anantnag | Romanticism | He is popularly known as the John Keats of Kashmir. Rasul Mir formally inaugurated Ghazal into Kashmiri poetry. Gazals with rivers, valleys, birds, fruits and imagery of Kashmir are his forte. |
| Abdul Ahad Nadim | 1842–1911 | Bandipora | Lyricism | Had written the social satire Shahar'ashob. |
| Wahab Khar | 1842–1912 | Khrew, Pampore, Pulwama | Sufism | He came from a lineage of poets: his father and grandfather, both blacksmiths by profession, were also venerated Sufi poets. |
| Wahab Parray | 1845–1914 | Khos mohallà, Hajin, Bandipora | Sufism | He had translated Firdausi's 'Shahnaama' from Persian to Kashmiri in the year 1900. |
| Pandit Govind Kaul | 1846–1899 | Srinagar | Mysticism | As a profound Kashmiri scholar he had helped Aurel Stein in translating Kalhana's Rajatarangini. |
| Rahman Dar | d. 1897 | Safa Kadal, Srinagar | Sufism | He is best known for his Mathnavi Sheeshrang. |
| Shamas Faqir | 1849–1904 | Zaindar, Srinagar | Sufism | He belonged to the Qadriya silsila of Sufism and had also written the mathnavi Mehrajnaama, recounting the Islamic prophet Muhammad's Mehraj (spiritual journey) to Allah. |
| Aga Sayyid Muhammad Safvi | d. 1932 | Mirgund, Budgam | Religious Prose | A religious scholar by training he wrote 'Minhaj ul Salah wa Miraj al Falah', popularly known as 'Kashir Kitab' (c.1888), one of the first works in Kashmiri prose. |
| Pir Ghulam Mohammad Hanfi | 1849–1937 | N/A | Sufism | He is said to have translated Quran into Kashmiri. Some scholars believe that the Kashmiri translation of Quran which was published under the name of Maulvi Yusuf Shah was actually done by Hanfi. |
| Krishan Joo Razdan | 1850–1925 | Wanpoh, Anantnag | Kashmir Shaivism | He is known for his Shiv Puraan and Shiv Lagan. |
| Mulla Hakim Habib ul Lah | 1852-1904 | Babapora, Habba Kadal, Srinagar | Devotional Mysticism | In addition to his Persian poetry is known for his Kashmiri Marsiya, especially Yusuf. His Sahlab Nama is devoted to the tragic floods of 1903 which devastated Kashmir. |
| Aziz Ullah Haqqani | 1854–1919 | Narparistan, Srinagar | Sufism and Romanticism | He is remembered as a prominent Na'at writer. His best known mathnavi is 'Mumtaaz Benazir', which had attained the same popularity as Maqbool Shah Kralwari's Gulrez. |
| Saif-ud-din Ariz | N/A | Pulwama | Lyricism | His mathnavi titled Nav Bahaar, had been translated into Persian. Though, the manuscript remains undiscovered so far. |
| Asad Parray | 1862–1930 | Hajin, Bandipora | Mysticism | He was highly influenced by Hindu mythology and had written works in praise of Lord Rama and Lord Shiva. |
| Hakim Hassan Ali | 1870–1915 | Babapora, Habba Kadal, Srinagar | Devotional | A respected Marsiya writer, his Bey-Nuqta (Dotless) is considered a literary feat because in 25 verses it avoids the use of letters with any diacritical markings (nuqta). |
| Haji Mohammad Alyaas | 1881–1941 | Tsrar Sharief, Budgam | Romanticism | He had been inspired by Aziz Ullah Haqqani, and wrote his rendering of the mathnavi Mumtaaz Benazir. |
| Mohammad Ismail Nami | 1884–1940 | Kavador, Srinagar | Lyricism | He was an extensive traveller of Tibet and had written Tibet Safarnama and Nizami's Sheeren Farhad in Kashmiri. |
| Prakash Ram Bhat | d. 1885 | Devsar dist. Kulgam | Mysticism | He is the author of the first Razmia (war) mathnavi in Kashmiri literature, 'Ramavtaar Charit', based on Ramayana. |
| Akbar Bhat | d. 1910 | Anantnag | Sufism | He roamed as a fakir all over the valley for two years and after this peregrination wrote the poem "Saalgah". |
| Kaefi Shah | d. 1910 | Kothar dist. Udhampur | Romanticism | Wrote a romantic mathnavi, 'Qissa Behraam Shah' |
| Abdul Rahim Aima | d. 1911 | Nagam, Banihal | Sufism | His mathnavi 'Gulbadan' is a translation of Muhammad Ali Murad's Urdu mathnavi of the same title. |
| Pir Mohi-u-din Miskeen | d. 1915 | Kulgam | Sufism | Had written 6 masnavis, including Yusuf Zuleikha, Zeba Nigaar and Laal Majnoon. He had also translated the popular tragic romance of Punjab, Pakistan- Sohni Mahiwal into Kashmiri. |
| Prakash Kurgami | N/A | Kurigam, Qazigund | Mysticism | He had translated Ramayana to Kashmiri language. |
| Vishna Kaul | d. 1917 | Kulgam | Mysticism | He had translated Valmiki's Ramayana into Kashmiri |
| Haji Mohi-ud-din Miskin | d. 1921 | Srinagar | Sufism | His mathnavi 'Zeba Nigaar' has been credited to Rasul Mir by Abdul Ahad Azad in Kashmiri zuban aur shairi vol.II |
| Asad Mir | d. 1930 | Hakura Badasgam, Anantnag | Lyricism | He had written the popular ghazal Yeli Janaan Ralem. He has numerous ghazals to his credit that have been sung by generations of Kashmiris. |
| Abdul Qaadir Faarig | N/A | N/A | Sufism | He was the father of ex-chief minister, Ghulam Mohammad Sadiq. |
| Ahad Zargar | 1882–1984 | Narvara, Srinagar | Sufism | His well known masnavis including- 'Kaefir Sapdith Korum Iqraar', expressing the philosophy Wahadat-al-Wajood. |
| Zinda Kaul | 1884–1965 | Madanyar, Srinagar | Lyricism | He was the first Kashmiri writer who had won the Sahitya Akademi award, 1956 for his volume Sumaran (The Rosary). |
| Mahjoor | 1887–1952 | Mitrigam, Pulwama | Lyricism | Being a revolutionary poet, he is famously known as Shair-e-Kashmir. |
| Samad Mir | 1892–1959 | Haar Nambal, Narwara Srinagar | Sufism | His 'Aka Nandun' is the Kashmiri rendering of the legend of prophet Ibrahim and his son Ismael. |
| Lassa Khan Fida | 1898–1965 | Qazi mohallà, Anantnag | Sufism | At the age of 21, he wrote his first book 'Gulbakwal' which was later adapted into a TV serial. |
| Abdul Qadoos Rasa Javidani | 1901-1980 | Bhaderwah | Lyricism | He had published his Kashmiri poems under the title 'Nairang-e-Gazal'. He had also represented Kashmir at the National Mushaira in 1961. He had also penned the famous song- Mashravthas Janaan sung by Faheem Abdullah. |
| Abdul Ahad Zargar | b. 1908 | Srinagar | Sufism | Being a disciple of Samad Mir, his expression was also multi-lingual that assimilated Arabic, Sanskrit and Persian languages and brewed them with Kashmiri language. |
| Dina Nath Wali Almast | 1908–2006 | Badyar Bala, Srinagar | Progressive movement | His collection of poetry include Bala Yapair (This side of Mountains, 1955) and Sahaavukh Posh (Desert Flowers, 1981). |
| Abdul Ahad Azad | 1909–1948 | Rangar, Chadoora, Budgam | Lyricism | He had written the essay Kashmiri zuban aur shairi. |
| Mir Ghulam Rasool Nazki | 1910–1998 | Mader, Bandipora | Sufism | His well known works include Namrodnama, a collection of 200 quatrains published in 1964. |
| Ali Mohammad Gilkar | d. 1976 | Nowhatta, Srinagar | Sufism | He was a great spiritual leader and a great Sufi saint, and popular among masses as Woast bab or Dassil bab. He is best known for his book 'Kaleed Ludni'. |
| Mirza Ghulam Hassan Beg Arif | 1910–2005 | Anantnag | Progressive movement | Known for his satirical piece Aawaaz-i-dost. He had also translated 100 quatrains of Omar Khayyam, and Rabindranath Tagore's 'Cycle of Spring' into Kashmiri. |
| Dina Nath Nadim | 1916–1988 | Habba Kadal, Srinagar | Progressive movement | He had penned the famous folksong 'Bumbro Bumbro'. He had also written the anti-war poem 'Mae Chhum aash paghich'. |
| Fazil Kashmiri | 1916–2004 | Srinagar | Progressive movement | As a versatile poet he had proven his command or mastery in all genres of poetry – Ghazal, Nazm, Rubai, Qata, Marsiya, Munajat, Na'at, Manqabat, Leela etc. |
| Mohiuddin Hajni | 1917–1993 | Hajin, Bandipora | Progressive movement | His play 'Grees Sund Ghar' is the first play in Kashmiri language. He had translated 'Alif Layla' (One Thousand and One Nights) in Kashmiri. During his career, he criticised the political doctrine of Sheikh Abdullah, 3rd chief ministers and 2nd prime minister of Jammu and Kashmir. |
| Noor Mohammad Roshan | b. 1919 | Khanyar, Srinagar | Progressive movement | He had translated Munshi Premchand's Godaan in Kashmiri. |
| Lal Aragami | 1923–1988 | Chattibanday Aragam, Bandipora | Sufism | His well known works include Sareth Rahbar Lobum Moula. |
| Abdul Khaliq Tak Zainageri | 1924–1989 | Hardishiva, Zaingeer Sopore | Sufism | It was in 1972 that he laid the foundation of the J & K Yateem Trust. He has also written poems for children, depicting his love for the orphans and the weak. |
| Sarwananda Koul Premi | 1924–1990 | Soaf Shalli, Kokernag Anantnag | Progressive movement | Mahjoor gave him the name "Premi" (meaning Lover) because his poetry was full of love for Kashmir. |
| Amin Kamil | 1924–2014 | Kaprin, Shopian | Progressive movement | His notable works include the collections Beyi Sui Paan and Padis Pod Tshaayi. |
| Arjan Dev Majboor | 1924–2015 | Zainpora, Pulwama | Progressive movement | He had translated Kalidas's Meghadootam into Kashmiri. |
| Janbaz Kishtwari | 1925-1990 | Dool Hasti, Chenab Valley, Kishtwar | Progressive movement | He is known for his collection of poetry 'Phalwin Sangar'. He is also known for pioneering the "Chalant" style of music in Kashmiri poetry. |
| Rehman Rahi | 1925–2023 | Wazpora, Downtown Srinagar | Progressive movement | His 'Navroz-e-Saba' had won the Sahitya Akademi award, 1961. His other notable work is a poetic collection titled 'Siyah Rood Jaeren Manz'. |
| Pran Kishore Kaul | 1925–present | Srinagar | Modern-age | He had written the screenplay for the popular Doordarshan Television series 'Gul Gulshan Gulfaam'. |
| Vasudev Reh | b. 1926 | Sopore | Progressive movement | He is known for his collection of poetry 'Shab Gardun' (The Night Watchman). |
| Vishwanath Vishwas | b. 1926 | Sopore | Progressive movement | His well known poems include 'Anaady Haanz' (The Foolish Boatman). |
| Pushkar Bhan | 1926–2008 | N/A | Progressive movement | As a playwright he had collaborated 3 times with Som Nath Sadhu. |
| Ali Mohammed Lone | 1927–1987 | Drogjan, Dal Gate Srinagar | Progressive movement | He was a prominent dramatist of Kashmiri language and had written the plays Te Vyeth Rooz Pakaan, and Suyya. |
| Ghulam Nabi Nazir | 1927–2015 | Yaripora, Kulgam | Progressive movement | His well known works include 'Kashir Lukh Baath'. He had also translated Shakespeare's Othello to Kashmiri. |
| Ghulam Nabi Firaq | 1927–2016 | Naushera, Srinagar | Progressive movement | Adapted play Doctor Faustus by Christopher Marlowe into Kashmiri language. |
| Akhtar Mohiuddin | 1928–2001 | Battamalyun, Srinagar | Progressive movement | He had written the first novel in Kashmiri language, titled Dod Dag (1957), and was a prominent short story writer in Kashmiri. |
| Ghulam Rasool Santosh | 1929–1997 | Chinkral, Habba Kadal Srinagar | Kashmir Shaivism | As a poet he had been the recipient of Sahitya Akademi award for his poem Be Soakh Rooh (1978). |
| Bansi Nirdosh | 1930-2001 | Badyar Bala, Srinagar | Progressive movement | He was a prolific writer who wrote in Urdu, Hindi, and Kashmiri. He had written over 100 plays including 'Daenther' (Branch of pomegranate tree) and 'Vaav, Naav te Dariyaav'. As a short story writer, his well-known short stories include- Yutamat Naal Votum Damanas Tal. |
| Rashid Nazki | 1931–2016 | Bandipora | Sufism | He was the founding president of Adbee Markaz Kamraz. He had won the Sahitya Akademi award for 'Vahraat' in 1999. He had written the biography of Muhammad in Kashmiri. He had also translated Sir Allama Iqbal's Asrar-i-Khudi to Kashmiri. |
| Hamidi Kashmiri | 1932–2018 | Srinagar | Progressive movement | He had won the Sahitya Akademi award for 'Yath Miani Joye' in 2005. He had also won the Padma Shri in 2010. |
| Moti Lal Kemmu | 1933–2018 | Srinagar | Progressive movement | Being a multi-faceted artist, he had worked as a choreographer for Dina Nath Nadim's Bombur Yembarzal, and Himal Nagrai. |
| Naji Munawar | 1933–2021 | Kaprin, Shopian | Modern-age | Best known for his collection Mwokhta lar, a book of stories for children. Alongside Shafi Shauq, he had compiled the history of Kashmiri literature in a book in the Kashmiri language. |
| Autar Krishen Rahbar | 1934–2020 | Fatehkadal, Downtown Srinagar | Modern-age | He was a dramatist, and had written the famous play Badshah. |
| Zeba Zeenat | 1934–present | Nadihal, Bandipora | Sufism | She is a mystic poet whose work is based on self-exploration. |
| Hari Kishan Kaul | 1934–2009 | Srinagar | Modern-age | He is a well-known playwright and short story writer in Kashmiri. He is best known for his play Yeli Watan Khur Chu Yevan. |
| Ghulam Nabi Gauhar | 1934–present | Charar-e-Sharief, Budgam | Modern-age | He had written the second novel in Kashmiri language, titled Mujrim (1971). |
| Muzaffar Aazim | 1934–2022 | Gotlipora, Tangmarg | Modern-age | His notable works include three poetry books in Kashmiri and one in Urdu in addition to plays Havas ta Haasil and Nai Mout. He created the first Kashmiri Narqalam font and Gulmarg Nastaliq font. |
| Som Nath Sadhu | 1935–1982 | N/A | Modern-age | Apart from being a significant playwright, he had also won the Padma Shri (fourth highest Indian civilian award) in 1974. |
| Taj Begum Renzu | 1935–2015 | Srinagar | Modern-age | She is the first Kashmiri female fiction writer and journalist. |
| Ghulam Nabi Tak Naazir | 1935-2015 | Yaripora, Kulgam | Modern-age | He had won the Sahitya Akademi award for 'Achhre Tsange' in 1991. |
| Bashir Bhaderwahi | 1935–present | Bhaderwah | Modern-age | He had won the Sahitya Akademi award for his literary criticism 'Jamis Ta Kasheeri Manz Kashir Natia Adbuk Tawareekh' in 2015. |
| Mohammad Yousuf Taing | 1935–present | Shopian | Modern-age | His work, Mahjoor Shinasi (A criticism on Mahjoor) won him the Sahitya Akademi Award in 1998. |
| Makhan Lal Kanwal | 1936-2016 | Sangrama, Sopore | Modern-age | He had won the Sahitya Akademi award for 'Yath Aangnas Manz' in 2012. |
| Mushtaq Kashmiri | 1936-2022 | Kav mohallà, Khanyar, Srinagar | Resistance literature | His book 'Tohfa-e-Shaheed' is written in the memory of his son, Ahmad ul Islam, who was a militant. |
| Moti Lal Saqi | 1936–1999 | Mehnoor, Chadora, Budgam | Modern-age | He received the Sahitya Akademi award in 1981 for Mansar. |
| Sajood Sailani | 1936–2020 | Nowgam, Srinagar | Modern-age | He served as a member of Sahitya Akademi's advisory board from 1973 to 1977 and in 1990. |
| Chaman Lal Chaman | 1937–1999 | N/A | Romanticism | He had represented Kashmir at the National Conference of poets in 1960. |
| Hakeem Manzoor | 1937-2006 | Akhoon Sahib, Gojwara, Srinagar | Modern-age | Though a prominent Urdu writer, he had written some works in Kashmiri language including Mea Chu Vartav Tai (1998) and Dopmai Baale Yaaras (1998). |
| Ayoub Sabir | 1937–present | Bugam, Kulgam | Modern-age | He is a well known Satirist. For his famed book Gulalan Shaadmani, Sabir was awarded children's best literature award by Sahitya Academy New Delhi in 2013. |
| Ali Mohammad Sheerazi | 1950–present | Kralwari, Chadora, Budgam | Modern-age | He is a well known poet. His known books include Tamseel Aadam, Wouth Sangar Fulli, and Yaddi Vitur. Sheerazi is a Sarparstay Aala of Aazad Cultural forum Chadora which was founded by Moti Laal Saqi. |
| Mishal Sultanpuri | 1937–2020 | Sultanpur, Baramulla | Modern-age | In 2009 he got the Sahitya Akademi award for his book Vont on literary criticism. |
| Marghoob Banihali | 1937–2021 | Bankoot, Banihal | Modern-age | He had returned his Sahitya Akademi award in 2015, for his Partavistan (1979), a collection of poetry. |
| Hriday Kaul Bharti | 1937–2020 | Sopore | Modern-age | He is best known for his contemporary short stories including- Doan athan hinz dastaan. |
| Rattan Lal Shant | 1938–present | Srinagar | Modern-age | He had won the Sahitya Akademi award for his short story 'Tshen' in 2007. He is also the recipient of President's Gold medal and Nehru award. |
| Bashar Bashir | N/A | N/A | Moden-age | He had won the Sahitya Akademi award for 'Yiman Padan Mye Yetsaar Gotshuy' in 2010. |
| Ghulam Nabi Khayal | 1938–present | Shal mohallà, Srinagar | Modern-age | He became the first Kashmiri writer to return the Sahitya Akademi award in 2015, for his Gashik Minaar (Luminaries), 1975. |
| Ali Mohammad Shahbaz | 1939–1996 | Shathgund, Handwara | Resistance literature | His literary work pictured and voiced the agony of Kashmir conflict. |
| Rasool Pampur | 1940–2015 | Hassenpora, Bijbehara | Sufism | He was very much inspired by the Sufi compositions of Lal Ded and Sheikh-Ul-Alam. |
| Farooq Nazki | 1940–present | Bandipora | Modern-age | He is the son of Ghulam Rasool Nazki. |
| Pyarelal Handoo | 1941-2014 | Chandapora, Habba Kadal, Srinagar | Modern-age | As a prominent theatre actor he is regarded as the 'Father of Monologues' in Kashmiri theatre. He has directed and produced around 3000 programmes which include a number of short films and documentaries. |
| Shafi Shaida | 1941–2015 | Akilmir Khanyar, Srinagar | Modern-age | As a prominent dramatist, he scripted 26 episodes of Habba Khatoon- the first Urdu drama from Kashmir which was broadcast on DD Kaeshur. |
| Omkar Nath Koul | 1941–2018 | Kulgam | Modern-age | He was a prominent linguist of Kashmiri language. |
| Zareef Ahmad Zareef | 1943–present | Aali kadal, Downtown Srinagar | Modern-age | He is best known for his satirical poetry and efforts to highlight various social and political problems. He had won the Sahitya Akademi award for his work 'Tchoonch poot' (a compilation of poems and prose for children). |
| Somnath Zutshi | 1944-2014 | Srinagar | Modern-age | He had won the Sahitya Akademi award for his short story 'Yeli Fol Gaash' in 2003. He had also written a Kashmiri drama for Radio Kashmir titled 'Viji Vaav'. As a translator he had translated Franz Kafka's The Trial and Nikolai Gogol's The Inspector General to Kashmiri. He was awarded the Soviet Land Nehru award for Gogol's translation in 1974. |
| Anis Hamadani | N/A | N/A | Modern-age | He is particularly known for his short stories- 'Wajood te Chhai' (Existence and Shadow), 'Radio Aelaana Petha Az Taam', 'Wajoodas Nakha Chhaai', 'Su Yeli Wuchhan Oas', 'Po'z S'ad'ar te Akh Kath' and 'Buth te Zaath'. |
| Gulshan Majeed | 1947–present | Ganderbal | Modern-age | He had written the literary criticism on Wahab Parray, Lassa Khan Fida and Lakhimanjoo Bulbul titled Na'gdi Shqar. He had also translated Albert Camus' 'The Fall' to Kashmiri. |
| Shahnaz Rasheed | 1947–present | Nowpora, Sopore | Modern-age | He released his first book Doad Khatith Guldanan Manz (Pain concealed in flower vases) in 2006, and was highly acclaimed by critics. |
| Abdul Ahad Hajini | 1948–present | Hajin, Bandipora | Modern-age | He had won the Sahitya Akademi award for his collection of short stories 'Akh Yaad Akh Qayamat' in 2019. |
| M. K. Raina | 1948-present | Srinagar | Modern-age | M. K. Raina has contributed to the Kashmiri language as a lexicographer, editor, writer and translator since 1989. He has written short story collections like Patsch (2004), Pentachord (2005) and Tsók Módúr (2014). |
| Rafiq Raaz | 1950–present | Srinagar | Modern-age | He is the author of Arooz Kashir Zaban (Prosody of Kashmiri language). |
| Shafi Shauq | 1950–present | Harwan, Srinagar | Modern-age | Shauq received the Padma Shri award in 2026. He is the author of Kaesher Lugaat (Dictionary of Kashmiri language). He translated Leo Tolstoy's short novel 'The Death of Ivan Ilych' to Kashmiri. |
| Mohi-ud-Din Reshi | 1951–present | Srinagar | Modern-age | He won the Sahitya Akademi award for his collection of short stories 'Aina Aatash' in 2013. |
| Naseem Shafaie | 1952–present | Srinagar | Modern-age | She is the first Kashmiri women to win the Sahitya Akademi award for her work 'Na Thsay Na Aks' (Neither Shadow Nor Reflection) in 2009. She also won the Tagore literature award in 2009 for this work. |
| Basheer Asrar | 1953–2021 | Malaknag, Anantnag | Modern-age | He is the founder of 'The District Cultural Association Anantnag' |
| Bashir Dada | 1953–present | Anantnag | Modern-age | He is a prominent theatre actor, screenwriter and poet. His notable literary works in Kashmiri language include 'Zarum Na Doorer' and 'Kar Mokli Safar'. He had also represented Kashmir in National Symposium of Poets 2009, Bhubaneshwar with his Kashmiri poem titled 'Yath Varee Andar'. |
| Wali Mohd Aseer Kashtawari | 1954–present | Berwar, Kishtwar | Modern-age | He had won the Sahitya Akademi award for his literary criticism 'Tawazun' in 2021. |
| Yaqoob Dilkash | 1954–2023 | Shishgari Mohalla, Khanyar, Srinagar | Modern-age | He was an eminent Radio playwright, director and actor. His notable works include 'Mallekhush watte zaroor', 'Band Makanas Manz', 'Ratte Mongul', 'Zulmaat' etc. |
| Ghulam Ahmad Najar | 1954–present | Najar Mohalla, Tekipora, Lolab Valley, Kupwara | Sufism | He has many Sufism books to his credit, but notably his book "Jaam-i-Arifayan" is the most comprehensive collection. |
| Sohan Lal Kaul | 1955-present | Parnewan, Budgam | Modern-age | He is one of the most significant authors of Kashmiri language and literature. Essentially a novelist, a playwright, short story writer and a critic. His noteworthy novels are "Panien Panien Gunah", "Ded", "Pasiek Dar", and "Yotam Sarie Paeth Gow". In 2026, he authored Kashmir's first queer novel titled "The American Dream". |
| Piarey Hatash | N/A | Anantnag | Modern-age | He is particularly known for his Nazm 'Aes Bayo Naeb Nishanay Rov' that had featured in the documentary Jashn-e-Azadi: How We Celebrate Freedom (2007) by Sanjay Kak. He has also translated many short stories from Dogri language to Kashmiri. |
| Shad Ramzan | 1956–present | Kulgam | Modern-age | He had won the Sahitya Akademi award for 'Kore Kaakud Gome Pushrith' (2014). |
| Aadil Mohi-ud-din | N/A | Sumbal, Bandipora | Modern-age | He had received the Sahitya Akademi award for his literary criticism titled- Zol Dith Sadras (2016). |
| Aziz Hajini | 1957–2021 | Hajin, Bandipora | Modern-age | He was the former Secretary of Jammu Kashmir Academy of Art Culture and languages (JAACL). |
| Shamshad Kralwari | N/A | Kralwara, Nagam, Budgam | Modern-age | He is a distinguished Kashmiri poet, broadcaster, and translator. He had served as the former director of Radio Kashmir Srinagar. As a translator, he had done the translation of Fyodor Dostoevsky's 'Crime and Punishment' in Kashmiri titled— Jurm te Saza (2015). |
| Majrooh Rashid | 1958–present | Arwani, Vejibror Anantnag | Modern-age | Being a poet, he also a critic and translator. He has authored the books- 'Asri Kashir Shairi' (1995), 'Zaban Te Adab' (2007), 'Kashiri Shairi Hund Intikhab' (2010) etc. He is also the author of the monographs on Asad Mir and Lassa Khan Fida published by the Sahitya Akademi. As a translator he had translated Franz Kafka's 'The Judgement' into Kashmiri. |
| Mushtaq Ahmad Mushtaq | 1961–present | Budgam | Modern-age | He had won the Sahitya Akademi Award for his collection of short stories 'Aakh' in 2018. |
| Farooq Fayaz | N/A | N/A | Modern-age | He had won the Sahitya Akademi award for his literary criticism 'Zael Dab' in 2022. |
| Sajad Inquilabi | 1964–present | Khudwani, Kulgam | Modern-age | His debut collection of poetry was 'Poushgound' (Bucket of Flowers). When he wrote this, he was just 14. |
| Madhosh Balhami | 1965–present | Balhama, Pampore Pulwama | Resistance literature | He is particularly known for his recitation of elegies composed for the funerals of militants in Kashmir. On 15 March 2018, he lost his house and thirty years of written poetry to a fire in the middle of a gun battle between Indian Army and Militants. |
| Gulab Saify | 1966–present | Kishtwar | Triyout literature | Being a poet, he is also a critic. He is particularly known as the takhleeqkaar (pioneer) of Triyout genre of literature from Jammu and Kashmir, and the only writer who writes in this genre from the state. His well known works from this genre include 'Lal Chowk', 'Haar' etc. The well known Kashmiri song 'Taqdeer' sung by Ishfaq Kawa has also been penned by him. |
| Zareefa Jan | 1966–present | Poshwari, Sonawari Bandipora | Sufism | Her poetic world is as fascinating as her mystifying appearance. Her poetry treasure includes a few of her notebooks filled with circles. Those circles or codes can be read by her only. |
| Riyaz Anzoo | N/A | Bijbehara, Anantnag | Modern-age | His notable ghazals include- 'Myon Dill Wadnovthan' and 'Watan Waalyo Watan Wapas Tarakhna'. |
| Sunita Raina Pandit | 1967–present | Anantnag | Modern-age | Her well known works include "T'chhopi Hindi Aalaw" (The Call of Silence). Her other published Kashmiri books are 'Rihij Yaad', 'Suanzal', 'Pott Zooni Vathith', 'Mann Sar Tsyunum', 'Lalli Hindi Maaline Zaayun Lob' and 'Shuri Lyye'. |
| Haleema Qadri | 1972–present | Churmujur, Budgam | Sufism | In 2015, she had self-published her collection of poetry, titled Ishq-e-Nabi. |
| Arshad Mushtaq | 1974–present | Srinagar | Modern-age | He is considered as a prominent director in Kashmiri language theatre. His well known adaptations of foreign plays or literary works include- Su Yee; based on Samuel Beckett's Waiting for Godot, and Aalav; based on John Millington Synge's Riders to the Sea. He wrote his first original play- Be'chus Shahid (I am witness) in remembrance of Agha Shahid Ali. |
| Shabir Hussain Shabir | 1975—present | Khairkoot, Nowgam, Banihal | Modern-age | His collection of poetry include- Gash Paghuk, Warqan Chikhrith Gaash, and Wadi-e-Chenab tehzeeb-o-saqafat. |
| Nisar Azam | 1977–present | Dangiwotsh, Rafiabad Baramulla | Modern-age | He released his first book Patti Leji Zoon Daras (Then the Moon's eyes froze), for which he bagged his first Sahitya Akademi Award in 2011. He has also translated many books and his works have been highly acclaimed by critics. |
| Nighat Sahiba | 1983–present | Anantnag | Modern-age | She had won the Sahitya Akademi Yuva Puraskar for her Zard Paniek Daer (2017). |
| Shabir Magami | 1984–present | Magam, Budgam | Modern-age | Being a poet, he is also a translator and critic. Some of his well known Ghazals that have been sung by Grammy award nominee Qaiser Nizami include- 'Maani Sir Saev Preth Isharan Manz', 'Mae Chu Phairan Choan', 'Phyur Loag Soacha Siparan' etc. |
| Sofi Ghulam Mohd | 1986–present | Charari Sharief | Modern-age | A critic, short-story writer, translator. He is also the author of 'Sadre Tchakis tal', 'Wande Bavath', 'Sari Harf', 'Pragash' etc. |
| Rumuz-e-Bekhudi | N/A | Srinagar | Modern-age | As soon as she devoted herself to poetry writing, her verses reflected self-reliance, empowerment, and struggle amidst the valley's strife backdrop. |
| Asif Tariq Bhat | 2000–present | Duderhama, Ganderbal | Modern-age | He is the author of Kashmiri novel 'Khawaban Khayalan Manz' (2022). |
The use of the Kashmiri language began with the work Mahānaya-Prakāsha[7] by Rājānaka Shiti Kantha (c.1250),[8] and was followed by the poet Lalleshvari or Lal Ded (14th century), who wrote mystical verses in the vaakh or four-line couplet style.[9] Another mystic of her time equally revered in Kashmir and popularly known as Nund Reshi wrote powerful poetry. Later came Habba Khatun (16th century) with her own style. Other major names are Rupa Bhavani (1621–1721), Paramananda (1791–1864), Arnimal (d. 1800), Mahmud Gami (1765–1855), Rasul Mir (d. 1870), Maqbool Shah Kralawari (1820–1877). Also, the Sufi poets like Shamas Faqir, Wahab Khar, Soch Kral, Samad Mir, and Ahad Zargar. Among modern poets are Ghulam Ahmad Mahjoor (1885–1952), Abdul Ahad Azad (1903–1948), and Zinda Kaul (1884–1965).
During the 1950s, a number of well educated youth turned to Kashmiri writing, both poetry and prose, and enriched modern Kashmiri writing by leaps and bounds. Among these writers are Dinanath Nadim (1916–1988), Amin Kamil (1923–2014),[10] Sarwanand Kaol Premi (1924–1990), Rehman Rahi (born 1925), Ghulam Nabi Firaq (1927–2016), Ali Mohammed Lone[11] (1928–1987), Akhtar Mohiuddin (1928–2001), Ali Mohammad Shahbaz, Avtar Krishen Rahbar (born 1933), Sajood Sailani, Som Nath Zutshi, Muzaffar Aazim.[12] Some later day writers are Hari Kishan Kaul, Majrooh Rashid, Rattanlal Shant, Hirdhey Kaul Bharti, Omkar N Koul, Roop Krishen Bhat, Rafiq Raaz, Tariq Shehraz, Shafi Shauq, Showkat Shehri, M.H Zaffar, G.M Azad, Anis Hamdani, Barkat Nida, Shafi Sumbli, Bashar Bashir, Shenaz Rashid, Shabir Ahmad Shabir, Shabir Magami, Tariq Ahmad Tariq,[13] and Moti Lal Kemmu.
Contemporary Kashmiri literature appears in such magazines as "Sheeraza" published by the Jammu & Kashmir Academy of Art, Culture and Languages, "Anhar" published by the Kashmiri Department of the Kashmir University, and an independent magazines/portals like "The Kashmir Tales".[14] "Mountain Ink", Inverse Journal Neab International Kashmiri Magazine[15] published from Boston, Vaakh (published by All India Kashmiri Samaj, Delhi) and Koshur Samachar (published by Kashmiri Sahayak Sammiti, Delhi).
Ancient writers in Sanskrit[edit | edit source]
- Charaka,[16][17][18][19] c. 300 BC. One of the most important authors in Ayurveda.
- Nagasena,[20][21] c. 2nd century BC. One of the major figures of Buddhism, his answers to questions about the religion posed by Menander I (Pali: Milinda), the Indo-Greek king of northwestern India (now Pakistan), are recorded in the Milinda Pañha.
- Tisata, c. 500 AD. A medical writer.[22]
- Jaijjata, 5th century, a medical writer and probably the earliest commentator (known) on the Sushruta Samhita, later quoted by Dalhana.[23]
- Vagbhata,[24][25] c. 7th century. Considered one of the 'trinity' (with Charaka and Sushruta) of Ayurveda.
- Bhamaha,[26][27][28][29] c. 7th century
- Ravigupta, 700–725. "Ravigupta is, perhaps, the earliest among the Buddhist philosophers of Kashmir..."[30]
- Anandavardhana, 820–890
- Vasugupta, 860–925
- Somananda, 875–925
- Vatesvara,[31][32] b. 880, author of Vaṭeśvara-siddhānta.
- Rudrata, c. 9th century
- Jayanta Bhatta, c. 9th century
- Bhatta Nayaka, c. 9th-10th century, considered by Sheldon Pollock to be the greatest author on aesthetics in the pre-modern period
- Medhātithi, c. 9th-10th century, one of the most influential commentators of the Manusmriti
- Utpaladeva, 900–950
- Abhinavagupta, c. 950–1020
- Vallabhadeva,[33][34] c. 10th century. Wrote, amongst other works, Raghupanchika, the earliest commentary on the Raghuvamsa of Kalidasa.
- Utpala,[35][36][37][38] c. 10th century. An important mathematician.
- Kshemendra, c. 990–1070
- Kshemaraja, c. late 10th century/early 11th century
- Kathasaritsagara, c. 11th century
- Bilhana, c. 11th century
- Kalhana, c. 12th century
- Jalhana,[39] c. 12th century, the author of Mugdhopadesa (not to be confused with Jalhana who commissioned the Suktimuktavali)
- Sarangadeva, c. 13th century. A musicologist, he wrote Sangita Ratnakara, one of the most important text when it comes to Indian music.
Writers in Persian[edit | edit source]
After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of Persian culture by the Mughals, Persian became the literary language also of the region. Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperor Muhammad Shah (1131-61/1719-48), alone lists 303 poets".[40] Late scholar from Pakistan, Pir Hassam-ud-Din Rashidi, edited, translated, and enlarged this work later, and had it published by the Iqbal Academy.
The most famous of them was Muhammad Tahir Ghani (d. 1669), better known as Gani Kashmiri, whose poetry was recently translated into English, for the first time, by Mufti Mudasir Farooqi and Nusrat Bazaz as 'The Captured Gazelle' in the world-renowned Penguin Classics list. Ghani influenced many generations of Persian-and Urdu writing poets in South Asia including Mir Taqi Mir, Ghalib and most importantly, Iqbal. Ghani's "forte" lies in creating delightful poetic images, usually by stating an abstract idea in the first hemistich and following it up with a concrete exemplification in the other. He also stands out for his multi-layered poems, which exploit the double meaning of words.
Another name in the field of Persian-language writers from Kashmir is Shaykh Yaqub Sarfi Kashmiri (1521–1595), a 16th-century Sufi poet-philosopher who was internationally acknowledged and who had for students, amongst others, well-known religious scholar Ahmad Sirhindi (more particularly, he taught him hadith)[41][42] and Persian-language poet Mohsin Fani Kashmiri (d. 1671 or 1672) (himself the teacher of Ghani Kashmiri and author of the pivotal work of comparative religion, the Dabestan-e Mazaheb).
Other of the well-known and influential Persian-language poets of Kashmir would include
- Habibullah Nowshehri (1556–1617)
- Mirza Dirab Big Juya (d. 1707)
- Gani Kashmiri (1630–1669)
- Mirza Beg Akmal Kamil (1645–1719)
- Muhammad Aslam Salim (d. 1718)
- Mulla Muhammad Taufiq (1765)
- Muhammed Azam Didamari (d. 1765)
- Mulla Muhammad Hamid (1848)
- Birbal Kachru Varasta (d. 1865)
- Pandit Taba Ram Turki (1776–1847), who was a celebrity as far as Central Asia.
Writers in Urdu[edit | edit source]
Despite being a numerically small community, the Kashmiri Pandits are influential in their contribution to Urdu literature. One important early example is Daya Shankar Kaul Nasim (1811–1845), a renowned Urdu poet of the 19th century, and hundreds of others followed his path.[43]
Some eminent Urdu literary personalities of Kashmiri origins (from both the Valley and the diaspora) include (in chronological order):
- Mir Tafazzul Hussain Khan Kashmiri (1727–1800), originally from Kashmir,[44][45][46] born in Sialkot[47] where his parents moved and himself based in Lucknow where he served as Prime Minister (or diwan) to the Nawab of Oudh Asaf-ud-Daula thanks his erudition. He was called "khan-e-allama" (the Scholarly Khan)[48] due to his deep scholarship on many subjects but is best known today for having translated Sir Isaac Newton's Philosophiæ Naturalis Principia Mathematica from Latin into Arabic.[49]
- Mufti Sadruddin Khan 'Azurda',[50] 1789–1868, apart from being the Grand Mufti of Delhi, he was also a personal friend to Ghalib (whose own mother was from Kashmir)[51] and himself a poet of note in Urdu as well as in Arabic and Persian. He also wrote a tazkira (biographical anthology of poets).
- Momin Khan Momin, 1801–1852, considered one of the three pillars of the Delhi school of Urdu poetry, with Ghalib and Zauq.[52] Other fields where he was competent included mathematics, geomancy, astrology, chess or music.[53][54][55]
- Daya Shankar Kaul Nasim, 1811–1845
- Ratan Nath Dhar Sarshar, 1846–1903
- Muhammad Iqbal, 1877–1938
- Agha Hashar Kashmiri, 1879–1935 (called "the Shakespeare of Urdu" for his works as playwright)
- Brij Narayan Chakbast, 1882–1926
- Aziz Lucknawi, 1882–1935
- Khalifa Abdul Hakim, 1896-1959 (a philosopher who has the honour of writing the only book on the metaphysics of Persian mystical poet Jalaluddin Rumi)[56]
- Patras Bokhari, 1898–1958
- Ghulam Mustafa Tabassum, 1899–1978
- Muhammad Din Taseer, 1902-1950 (short-story writer, literary critic and Iqbal scholar. Father of slain Pakistan's Punjab governor Salman Taseer and first individual from the Sub-continent to get a PhD in English Literature from Cambridge University)[57]
- Shaikh Abdullah, 1905–1982
- Meeraji, 1912–1949
- Saadat Hasan Manto, 1912–1955
- Agha Shorish Kashmiri, 1917–1975
- Syed Akbar Jaipuri (Mujahid-E-Urdu), 1923–1998
- Razia Butt, 1924–2012
- Anwar Shemza, 1928–1985
- Hakeem Manzoor, 1937–2006, prominent urdu writer, poet and administrator.
- Obaidullah Aleem, 1939–2008
- Muhammed Amin Andrabi, 1940–2001, a scholar who belonged to the Traditionalist School of metaphysics, inspired by authors like Ibn Arabi, Muhammad Iqbal, Frithjof Schuon, Seyyed Hossein Nasr and Henry Corbin.[58]
- Allama Mustafa Hussain Ansari, 1945–2006
- Abid Hassan Minto
- Muhammad Asim Butt, novelist, translator and critic.
- Muhammad Younis Butt, writer of the most popular political satire show in Pakistan, Hum Sub Umeed Se Hain
- Rasheed Amjad
- Shahid Nadeem
Writers in Hindi[edit | edit source]
Writers in English[edit | edit source]
- I. K. Taimni
- M. P. Pandit, prolific writer who authored some 150 books and as many articles exposing in English the thought of Sri Aurobindo.
- Chiragh Ali, reformist Islamic scholar
- Taufiq Rafat, called the 'Ezra Pound of Pakistan'[59] for both his innovative writings and his position as one of - if not the - greatest English-language poets of Pakistan.
- Jawaharlal Nehru
- Vijaya Lakshmi Pandit
- Krishna Hutheesing
- Gopi Krishna
- Subhash Kak
- Nayantara Sahgal
- M.J. Akbar
- Hari Kunzru
- Kailas Nath Kaul
- Salman Rushdie
- Agha Shahid Ali
- Mirza Waheed
- Nitasha Kaul
- Basharat Peer
- Adeeba Riyaz
- Khalid Bashir Ahmad
See also[edit | edit source]
- List of Kashmiri poets
- List of topics on the land and the people of Jammu and Kashmir
- Kashmir Shaivism
- Kashmiriyat
References[edit | edit source]
- ↑ "The new face of contemporary poetry. Meet Asif Tariq Bhat". Kashmir Analyser. 2021-02-15. Retrieved 2021-02-17.
- ↑ Nabi, Humaira (2020-12-19). "Promoting mother tongue with poetry". Rising Kashmir. Srinagar. Archived from the original on 2021-01-08. Retrieved 2021-02-17.
- ↑ "How Poetry Helped Bring a Piece of Kashmir to Delhi". The Wire. Retrieved 2021-02-17.
- ↑ Admin, India Education Diary Bureau (2020-11-17). "Literary function, Mushaira held at Bandipora". India Education, Education News India, Education News | India Education Diary. Retrieved 2021-02-17.
- ↑ Saffudin, Ali (2018-06-05). "For the love of language: Kashmir's new age Urdu poets—Part I | Free Press Kashmir". freepresskashmir.news. Retrieved 2021-02-17.
- ↑ Raina, Trilokinath (2002). A History of Kashmiri literature. New Delhi: Sahitya Akademi. ISBN 9788126013661.
- ↑ Shiti Kanta (1918). Pandit Mukunda Rama Shastri (ed.). The Mahanaya-Prakasha of Rajanaka Shiti Kanta. The Research Department, Jammu & Kashmir State.
- ↑ Sisir Kumar Das (2006). A history of Indian literature, AD.500–1399: from courtly to the popular. Sahitya Akademi. p. 193. ISBN 9788126021710.
Scholars consider _Mahanayakaprakash_ (Light of the supreme lord) by Shitikantha (c.1250) as the earliest work in Kashmiri language.
- ↑ Lal Ded. I, Lalla : Poems of Lal Ded. Translated by Ranjit Hoskote. Penguin 2011.
- ↑ "Amin Kamil - Kashmiri literature, Kashmiri poetry". Kamil.neabinternational.org. Retrieved 2013-03-03.
- ↑ Ali Mohammed Lone, A fearless dramatist. "Ali Mohammed Lone, Greater Kashmir". Greater Kashmir. Retrieved 18 January 2021.
- ↑ "Kashmiri Language".
- ↑ "Welcome To the Homepage of LALDED". Lalded.8k.com. Retrieved 2013-03-03.
- ↑ "How young poets from Kashmir are creating a parallel poets' society with online mushairas". The Print. 27 June 2020.
- ↑ "Kashmiri Language and Literature - Kashmiri Magazine of Kashmiri Poetry, Kashmiri Fiction". www.neabinternational.org. Retrieved 2021-01-18.
- ↑ Martin Levey, Early Arabic Pharmacology: An Introduction Based on Ancient and Medieval Sources, Brill Archive (1973), p. 10
- ↑ P. N. K. Bamzai, Culture and Political History of Kashmir - Volume 1, M D Publications (1994), p.268
- ↑ S.K. Sopory, Glimpses Of Kashmir, APH Publishing Corporation (2004), p. 62
- ↑ Krishan Lal Kalla, The Literary Heritage of Kashmir, Mittal Publications (1985), p.65
- ↑ Guang Xing, The Concept of the Buddha, RoutledgeCurzon (2005), p. 26
- ↑ Phyllis G. Jestice, Holy People of the World: A Cross-cultural Encyclopedia, ABC-CLIO Ltd (2004), p. 621
- ↑ Encyclopaedia of Indian Medicine: Historical perspective, Popular Prakashan (1985), p. 100
- ↑ Ramachandra S.K. Rao, Encyclopaedia of Indian medicine : volume 1, Popular Prakashan (2005), p. 63
- ↑ Claus Vogel, Vāgbhaṭa Aṣṭāṅgahṛdayasaṃhitā. The First Five Chapters of Its Tibetan Version, Franz Steiner (1965), p.13
- ↑ Anna Akasoy & co., Islam and Tibet: Interactions Along the Musk Routes, Ashgate Publishing Limited (2011), p.76
- ↑ Richard Pischel, A Grammar of the Prakrit Languages, Motilal Banarsidass (1999), p. 43
- ↑ Satya Ranjan Banerjee, The Eastern School of Prakrit Grammarians: A Linguistic Study, Vidyasagar Pustak Mandir (1977), p. 31
- ↑ Kamaleswar Bhattacharya, India & Beyond, Routledge (2009), p. 2
- ↑ John E. Cort, Open Boundaries: Jain Communities and Cultures in Indian History, State University of New York Press (1998), p.57
- ↑ Kolar Sesha Iyer Nagarajan, Contribution of Kashmir to Sanskrit literature, V.B. Soobbiah (1970), p. 426
- ↑ R.N. Rai, Karanasara Of Vatesvara, Indian National Science Academy (1970), vol. 6, n. I, p. 34 Archived 2015-06-09 at the Wayback Machine
- ↑ Vaṭeśvara, Vaṭeśvara-siddhānta and Gola of Vaṭeśvara: English translation and commentary, National Commission for the Compilation of History of Sciences in India (1985), p. xxvii
- ↑ P. N. K. Bamzai, Culture and Political History of Kashmir - Volume 1, M D Publications (1994), p.269
- ↑ Sheldon Pollock, Literary Cultures in History: Reconstructions from South Asia, University of California Press (2003), p. 112
- ↑ Bina Chatterjee (introduction by), The Khandakhadyaka of Brahmagupta, Motilal Banarsidass (1970), p. 13
- ↑ Lallanji Gopal, History of Agriculture in India, Up to C. 1200 A.D., Concept Publishing Company (2008), p. 603
- ↑ Kosla Vepa, Astronomical Dating of Events & Select Vignettes from Indian History, Indic Studies Foundation (2008), p. 372
- ↑ Dwijendra Narayan Jha (edited by), The feudal order: state, society, and ideology in early medieval India, Manohar Publishers & Distributors (2000), p. 276
- ↑ P. N. K. Bamzai, Culture and Political History of Kashmir - Volume 1, M D Publications (1994), p.269
- ↑ Collective, The Cambridge History of Iran, Volume 6, p. 980
- ↑ Anna Zelkina, In Quest for God and Freedom: The Sufi Response to the Russian Advance in the North Caucasus, C. Hurst & Co. Publishers (200), p. 88
- ↑ Irshad Alam, Faith Practice and Piety: An Excerpt from the Maktūbāt, Sufi Peace Mission (2006), p. 20
- ↑ Shri Ram Bakshi, Kashmir: Valley and Its Culture, Sarun & Son (1997), p. 165
- ↑ Hamid Afaq Qureshi, The Mughals, the English & the rulers of Awadh, from 1722 A.D. to 1856 A.D., New Royal Book Co (2003), p.79
- ↑ Amaresh Misra, Lucknow, fire of grace: the story of its revolution, renaissance and the aftermath, HarperCollins Publishers India (1998), p. 57
- ↑ Purnendu Basu, Oudh and the East India Company, 1785-1801, Maxwell Company (1943), p. 22
- ↑ Simon Schaffer, The Brokered World: Go-Betweens and Global Intelligence, 1770-1820, Science History Publications (2009), p. 53
- ↑ Surendra Mohan, Awadh Under the Nawabs: Politics, Culture, and Communal Relations, 1722-1856, Manohar Publishers & Distributors (1997), p.80
- ↑ Edited by Bernard Lightman, The Circulation of Knowledge Between Britain, India and China, BRILL (2013), p.67
- ↑ Abida Samiuddin, Encyclopaedic Dictionary of Urdu Literature, Global Vision Publishing House (2008), p. 94
- ↑ Mirza Asadullah Khan Ghalib, Persian poetry of Mirza Ghalib, Pen Productions (2000), p. 7
- ↑ K.C. Kanda, Masterpieces of Urdu Ghazal from the 17th to the 20th Century, Sterling (1992), p. 182
- ↑ K.C. Kanda, Masterpieces of Urdu Ghazal from the 17th to the 20th Century, Sterling (1992), p. 182
- ↑ Ali Jawad Zaidi, A History of Urdu literature, Sahitya Akademi (1993), p. 181
- ↑ D.J. Matthews, Urdu Literature, South Asia Books (1985), p. 86
- ↑ A website on Dr Khalifa Abdul Hakim maintained by a relative and with a lot of bibliographical resources
- ↑ Punjab's Kashmir connection
- ↑ A Scholar-Intellectual
- ↑ "Taufiq Rafat - the Ezra Pound of Pakistan". The Nation. 2009-11-09. Retrieved 2014-04-18.
Further reading[edit | edit source]
- Kaul, J. L. (1970). Kashmiri Literature (Three Special Lectures). Special Lecture Series. Vol. 31. Mysore: University of Mysore.
- Kachru, Braj B. (1981). Jan Gonda (ed.). Kashmiri literature. A History of Indian Literature. Vol. VIII, Fasc. 4. Wiesbaden: Otto Harrassowitz.
- Raina, Trilokinath, ed. (2002). A History of Kashmiri Literature. New Delhi: Sahitya Akademi.
- Zutshi, Chitralekha (2014). "The Kashmiri Narrative Public: Textuality, Orality, and Performance". Kashmir's Contested Pasts: Narratives, Sacred Geographies, and the Historical Imagination. Delhi: Oxford University Press. pp. 240–297. doi:10.1093/acprof:oso/9780199450671.003.0006. Accessed 17 Dec. 2024.