Jagannath Temple, Puri

"Jagannath Temple" redirects here. For other uses, see Jagannath Temple (disambiguation).

For the Indian filmmaker, see Puri Jagannadh.

Jagannath Temple
Religion
Affiliation	Hinduism
District	Puri
Deity	Jagannath
Festivals	Ratha Yatra Chandan Yatra Snana Yatra Nabakalebara
Governing body	Shree Jagannath Temple Office, Puri, Shree Jagannath Temple Managing Committee, Puri
Location
Location	Puri
State	Odisha
Country	India
Location in Odisha Jagannath Temple, Puri (India)
Coordinates	19°48′17″N 85°49′6″E
Architecture
Type	Kalinga Architecture
Creator	Indradyumna
Completed	1161 CE
Specifications
Length	650 feet (east to west)
Width	644 feet (north to south)
Height (max)	214 feet 8 inches
Site area	10 acres
Temple	31
Materials	Stone for the temple Neem wood for the idols
Elevation	65.47 m (215 ft)
Website
https://www.shreejagannatha.in

The Jagannath Temple is a Hindu temple dedicated to Jagannath, a form of Vishnu. It is located in Puri, Odisha, on the eastern coast of India. As per temple records, King Indradyumna of Avanti built the main temple. The present temple complex was rebuilt from the eleventh century onwards on the site of the earlier shrines, excluding the main Jagannath temple, and was begun by Anantavarman Chodaganga, the first ruler of the Eastern Ganga dynasty. Many of the temple rituals are based on Shabari Tantras which are evolved from tribal beliefs respectively. The local legends link the idols with Nilamadhaba deva worshipped by tribala and the daitapatis (servitors) claim to be descendants of the tribes. The temple is one of the 108 Abhimana Kshethram of the Sri Vaishnavite tradition.

The temple is renowned for its annual Ratha Yatra, chariot festival, which honors the three deities - Jagannath, Balabhadra and Subhadra. During the festival, the three principal deities are pulled on large and elaborately decorated raths, or temple cars. The worship is performed by the Bhil Sabar tribal priests, as well as priests of other communities in the temple. Unlike the stone or metal icons found in most Hindu temples, the image of Jagannath is carved from margosa wood and is ceremoniously replaced every 12 or 19 years with an identical replica, with an elaborate month long ceremony called nabakalebar. The temple is one of the Char Dham pilgrimage sites. It is also famous because many legends believe that Krishna's heart was placed here, and it is the true Jagannath within the wooden idol. Since wood deteriorates, they have to change it every several years.

The temple is sacred and holy to all Hindus, and especially in those of the Vaishnava traditions. Many great Vaishnava saints, such as Chaitanya Mahaprabhu, Ramanujacharya, Madhvacharya, Nimbarkacharya, Vallabhacharya and Ramananda were closely associated with the temple. Ramanuja established the Emar Matha in the south-eastern corner of the temple, and Adi Shankaracharya established the Govardhan Math, which is the seat of one of the four Shankaracharyas. It is also of particular significance to the followers of Gaudiya Vaishnavism, whose founder, Chaitanya Mahaprabhu, was attracted to the deity, Jagannath, and lived in Puri for many years.

History

See also: Jagannath § Origins

The temple was rebuilt by the King of the Eastern Ganga dynasty, Anantavarman Chodaganga, in the 11th century CE, as described by the Kendupatna copper-plate inscription of his descendant, Narasimhadeva II and Rajendra Chola from the mother side. Anantavarman was originally a Shaivite, and became a Vaishnavite sometime after he conquered the Utkala region, in which the temple is located, in 1112 CE. A 1134–1135 CE inscription records his donation to the temple. Therefore, the temple construction must have started sometime after 1112 CE.

Engraving sketch of front gate of Jagannath Temple, 1891

According to a story in the temple chronicles, it was founded by Anangabhimadeva II. Different chronicles variously mention the year of construction as 1196, 1197, 1205, 1216, or 1226. This suggests that the temple's construction was completed or that the temple was renovated during the reign of Anantavarman's son, Anangabhima. The temple complex was further developed during the reigns of the subsequent kings, including those of the Ganga dynasty and the Gajapati dynasty.

The temple annals, the Madala Panji, records that the Jagannath temple has been invaded and plundered eighteen times. The temple is believed to have been attacked by Kalapahad, a Muslim convert general, in the 16th century.

Deities

Jagannath, Subhadra and Balabhadra are the principal deities worshipped in the temple. The inner sanctum of the temple houses images of them, carved from sacred neem wood (daru), placed on the jewelled platform (ratnabedi). The sanctum also contains the deities Sudarshana Chakra, Madanmohan, Sridevi and Vishwadhatri. The deities are adorned with different clothing and ornaments according to the season. Their worship predates the construction of the temple and may have originated in an ancient tribal shrine. The earliest known reference to Jagannath appears in the Oddiyana Vajrayāna Tantric text Jñānasiddhi by Indrabhuti, which begins with an invocation of the deity. In Sarala Mahabharata, Sarala Das presents Lord Jagannath in multiple forms, emphasizing his connection to Krishna. He also described Lord Jagannath as being one with Krishna, Rama, and Buddha, reflecting a synthesis of the different faith traditions.

Legends

According to legends recorded in Madala Panji, the construction of the first Jagannath temple was commissioned by King Indradyumna, a Malava king mentioned in the Mahabharata and the Puranas.

Indradyumna commissioned the construction of a monument for Jagannath that was intended to be the tallest in the world. The construction was said to measure 1,000 cubits (457.2 meters) in height. He invited Brahma, the cosmic creator, to consecrate the temple and its images.

According to traditional accounts, the origins of the Jagannath temple trace back to the end of the Dvapara Yuga, when the original image of Jagannath was said to have manifested near a banyan tree by the shore in the form of the Indranila Mani (the Blue Jewel). It was said to be so dazzling that it could grant instant moksha. The god Dharma sought to conceal it within the earth and succeeded. In the Kali Yuga, Indradyumna wanted to find that mysterious image. To achieve that he performed severe penance. Vishnu then instructed him to go to the seashore at Puri, where he would find a floating log from which the image could be carved.

Indradyumna then discovered the log of wood. He performed a yajna, from which Narasimha appeared and instructed that Narayana be manifested as a fourfold expansion: Paramatma as Vasudeva (Krishna),Vyuha as Samkarshana (Balabhadra), Yogamaya as Subhadra, and Vibhava as Sudarshana. After this, Vishwakarma appeared in the form of an artisan and prepared images of Jagannath, Balabadra and Subhadra from the tree.

When this log, radiant with light, was seen floating in the sea, Narada told the king to make three deities out of it and place them in a pavilion. Indradyumna got Vishwakarma, the architect of gods, to build a magnificent temple to house the deities, and Vishnu himself appeared in the guise of a carpenter to make the deities, on condition that he was to be left undisturbed until he finished the work.

But just after two weeks, the queen of Indradyumna became very anxious. She took the carpenter to be dead as no sound came from the temple. Therefore, she requested the king to open the door. Thus, they went to see Vishnu at work, at which the latter abandoned his work, leaving the deities unfinished. The deity was devoid of any hands. But a divine voice told Indradyumna to install them in the temple. It has also been widely believed that in spite of the deity being without hands, it can watch over the world and be its lord. Thus, the idiom.

Entry and Darshan

Non-Hindus (excluding Jains, Sikhs, Buddhists) and foreigners are not permitted to enter the temple. Such a rule is believed to have existed since the temple was built, and at present, it often becomes a subject to controversy and debates that have lasted for several decades. According to Ganeshi Lal, the former Governor of Odisha, foreigners can enter the temple only if he/she can meet the Gajapati servitors and the Shankaracharya, then he/she could also be allowed to witness Jagannath. But, this theory has not wielded influence yet, and continues to be a subject of longstanding debate. The temple is open everyday from 5:00 am to 10:30 pm.

Cultural integrity

The Jagannath Temple at night

According to historical traditions, Jagannath is believed to have originated as a tribal deity venerated by the Bhil and Sabar communities as a form of Narayana. Another legend identifies him as Nilamadhava, a blue-stone image of Narayana that was worshipped by these tribal groups. He was brought to Nilagiri, the blue mountain, or Nilachala, and installed there as Jagannath, in company with Balabhadra and Subhadra. Worship of wooden images at the Jagannath temple is claimed to have a distant connection with the Vanvasi, or forest dwellers, who traditionally worship wooden poles. The Daitapatis, who are responsible for performing certain temple rituals, are claimed to be descendants of the hill tribes of Odisha and are also believed to be closely related to Jagannath. The cultural history of Shrikshetra, regarded as the cultural capital of Odisha, is traced to the traditions of Hindu tribes. The three deities came to be regarded as the symbols of Samyak Darshan, Samyak Jnana, and Samyak Charita, together known as Ratnatraya, the triple gems of the Jain culture, whose assimilation is believed to lead to omniscience and moksha (salvation).

Acharyas and Jagannatha Puri

Many renowned acharyas, including Madhvacharya, are believed to have visited this kshetra. Adi Shankaracharya established the Govardhan Math here. Guru Nanak had visited this place with his disciples Bala and Mardana. Chaitanya Mahaprabhu the founder of Gaudiya Vaishnavism resided here for 24 years and taught that the love of God can be spread by chanting the Hare Krishna mantra. Vallabha is traditionally believed to have visited the temple, where he performed a seven-day recitation of the Srimad Bhagavata. His sitting place, known as his baithakji, (literally "seat") remains a notable site and is regarded as evidence of his visit to Puri.

Some of the pandits who participated in the recitation said to become jealous of the young Vallabha and sought to test him. The following day was Ekadashi, a fasting observance during which devotees abstain from grains. The pandits offered Vallabha rice prasad of Lord Jagannath, for which the temple remains renowned. Accepting it would break his vow of fasting, while refusing it would have been seen as disrespectful to Jagannath. Vallabha, with due honor and respect, accepted the prasad in his hand. He remained in the temple, spending the rest of the day and night explaining the shlokas that extolled the greatness of prasad, and consumed it the following morning after sunrise.

The Sikh aarti "Gagan mein thaal" was recited by the first Sikh guru, Guru Nanak, in 1506 or 1508, during his udasi (spritiual journey) to eastern India, at the revered Jagannath Temple, Puri. Unlike traditional aarti, it is sung without the use of platters, lamps or other ritual implements.

Char Dham

Bird's eye view of Jagannath Temple

The temple is one of the four Vaishnava Hindu pilgrimage sites collectively known as the Char Dham, the others being Rameswaram, Badrinath and Dwarka. The origins of the Char Dham are uncertain, but the Advaita school of Hinduism propagated by Adi Shankaracharya, who established Hindu monastic institutions across India, attributes the origin of Char Dham to the seer. The four temples are located at the cardinal points of India: Badrinath Temple in the north at Badrinath, Jagannath Temple in the east at Puri, Dwarakadheesh Temple in the west at Dwarka and Ramanathaswamy Temple in the south at Rameswaram. Although the temples are ideologically associated with different sections of Hinduism, namely Shaivism and Vaishnavism, the four pilgrimage sites are regarded as integral to Hinduism as a whole. The pilgrimage to the four cardinal points of India is regarded as sacred by Hindus, who aspire to visit these temples at least once in their lifetime. Traditionally, the pilgrimage begins at Puri in the east and proceeds clockwise, following the customary practice of circumambulation in Hindu temples.

Architectural description

Site plan of Jagannath Temple, c. 1910 Template:Image key

The temple complex, which contains at least 120 temples and shrines, covers more than 37,000 square metres (400,000 sq ft) and is enclosed by a high fortified wall. The wall, 6.1 metres (20 ft) high, is known as Meghanada Pacheri. Another wall, called kurma bedha, surrounds the main temple. With its sculptural richness and the fluidity of Kalinga architecture, it is regarded as one of the most magnificent temples in India. he temple comprises four distinct sections: the deula; the vimana (garbhagriha or sanctum sanctorum), where the triad deities are placed on the ratnavedi (“throne of pearls”); the mukhashala (frontal porch); the natamandapa, also known as the jagamohan (audience or dancing hall); and the bhogamandapa (offerings hall). In the Rekha Deula style, these elements appear in sequence, with the vimana forming the main tower and the associated halls extending westward. The main temple is curvilinear in design, and its summit is crowned by the Nila chakra, an eight-spoked wheel associated with Vishnu. It is crafted from ashtadhatu, an alloy of eight metals, and is regarded as sacrosanct. Among the temples of Odisha, the Jagannath temple is the tallest. Its tower, constructed on a raised stone platform, rises 65 metres (214 ft) above the inner sanctum where the deities reside and dominates the surrounding landscape. The pyramidal roofs of the surrounding temples and adjoining halls, or mandapas, rise in tiers toward the tower, resembling a ridge of mountain peaks.

Nila Chakra

The Nila Chakra (lit. "blue discus") is mounted atop the shikhara of the Jagannath temple. By custom, a different flag is hoisted on the Nila Chakra each day. The flag hoisted on the Nila Chakra is called the Patita Pavana (lit. "Purifier of the Fallen"), and is equivalent to the image of the deities placed in the sanctum sanctorum.

The Nila Chakra is a disc with eight Navagunjaras carved along its outer circumference, all facing the flagpost above. It is made of ashtadhatu and measures 3.5 metres (11 ft) in height, with a circumference of about 11 metres (36 ft).

The Singhadwara

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  The Singhadwara in 1870, with lion sculptures and the Aruna Stambha in the foreground
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  The Singhadhwara of the temple complex, with the main temple spire in the background
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  Statue of Aruna, charioteer of Surya, atop the Aruna Stambha in front of the Singhadwara
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  The Singhadwara of the temple at present

The Singhadwara (Sanskrit for "Lion Gate") is one of the four gates of the temple, and serves as the main entrance. It is named for the large statue of crouching lion positioned on either side of the gateway. The gate faces east, opening onto the Bada Danda (the "Grand Road"). The Baisi Pahacha, a flight of twenty-two steps, leads into the temple complex. A representation of Jagannath known as Patita Pavana (Sanskrit for "savior of the downtrodden and the fallen") is painted on the right side of the entrance. In ancient times, when untouchables were not allowed inside the temple, they could pray to the Patita Pavana. The statues of the temple guards, Jaya and Vijaya, stand on either side of the doorway. Shortly before the commencement of the Ratha Yatra, the deities Jagannath, Balabhadra and Subhadra are taken out of the temple through this gate. On their return from the Gundicha Temple, they must ceremonially placate Goddess Lakshmi, whose image is carved atop the door, for neglecting to take her with them on the Yatra. Only then does the goddess grant them permission to enter the temple. A sixteen-sided monolithic pillar, known as the Aruna Stambha, stands in front of the main gate. At its top is an idol of Aruna, the charioteer of the sun god Surya. Prior to its current location, the Aruna Stambha stood at the Konark Sun Temple. It was later brought from Konark by the Maratha guru Brahmachari Gosain.

Other entrances

The Ashwadwara Gate

Apart from the Singhadwara, the temple's main entrance, there are three other entrances facing north, south and west. Named for the animal sculptures that guard them, they are the Hathidwara (Elephant Gate), the Vyaghradwara (Tiger Gate) and the Ashwadwara (Horse Gate).

Minor temples

Cluster of minor temples in the southern part of Jagannath temple complex, including the Vimala Temple (extreme right), c. 1890

Within the temple complex, there are about thirty smaller temples and shrines where active worship is regularly conducted. Several of these are considered significant and are generally visited before entering the main Jagannath temple. Notable examples include the Ganesha Temple near the kalpavata banyan tree, Vimala Temple, Nilamadhaba Temple, Gopalaballava Temple and Lakshmi Temple.

The Vimala Temple (Bimala Temple) is regarded as one of the most important of the Shakta pithas. It is situated near Rohini Kund within the temple complex. The food offered to Jagannath is not considered Mahaprasad until it is offered to Goddess Vimala. The Lakshmitemple, dedicated to the consort of Jagannath, plays an important role in the rituals of the main temple.

There are additional shrines within the complex dedicated to Kanchi Ganesha, Shiva, Surya, Saraswati, Bhuvaneshwari, Narasimha, Rama, and Hanuman.

The Mandapas

The Dola Mandapa in 1890, where the annual Dol Yatra is held.

There are many mandapas, or pillared halls on raised platforms, within the temple complex that serves as venues for religious congregations. The most prominent is the Mukti Mandapa, the congregation hall associated with the holy seat of selected learned Brahmins.

Daily food offerings

Main article: Mahaprasad (Jagannath Temple)

Daily offerings are made to the deity six times a day. These include:

• The Gopala Vallabha Bhoga, the morning offering regarded as the deity's breakfast. It consists of seven items: Khoa, Lahuni, sweetened coconut grating, coconut water, and rice grain sweetened with sugar known as Khai, curd and ripe bananas.
  • The next offering, Sakala Dhupa, is made at about 10 am. It generally includes thirteen items, including the Enduri pitha and the Mantha puli.
• The next offering, Bada Sankhudi Bhoga, consist of Pakhala with curd and Kanji payas. The offerings are made in the Bhog Mandapa, located about 61 metres (200 ft) from the Ratnabedi. This ritual is called the Chatra Bhog, and is traditionally attributed to Adi Shankaracharya, who is believed to have introduced it in the eighth century to enable pilgrims to share the temple food.
• Madhyanha dhupa forms the next offering at the noon.
• The evening offering to the deity, Sandhya Dhupa, is performed at around 8 p.m.
• The final offering of the day to the deity is called Bada Singhara Bhoga.

Shopping in Swargadwar Market

Swargadwar Market in Puri is known for its vibrant collection of souvenirs and local handicrafts. Visitors can find a variety of items, including Jagannath murtis (idols), sankhs (conch shells), Pattachitra paintings, seashell crafts, and Odisha handlooms. Bargaining is common in the market, allowing travellers to negotiate prices for unique mementos of their trip.

Rosaghara

Main article: Rosaghara

The temple's kitchen is the second largest in the world. According to tradition, all Mahaprasad cooked in the temple kitchen is supervised by Goddess Lakshmi, regarded as the empress of the temple. It is believed that if the food contains any fault in it, a shadow dog appears near the kitchen as a sign of her displeasure. When the shadow dog is sighted, the food is promptly buried and a new batch is prepared. All fifty-six varieties of food are vegetarian and cooked without onions or garlic.

Festivals

Main article: List of festivals observed at Jagannatha Temple, Puri

Ratha Yatra festival in Puri, a painting by James Fergusson

Numerous festivals are held in the temple complex each year, attracting millions of people. Some of the principal festivals celebrated include Anavasara, Ratha Yatra, Niladri Bije, Gupta Gundicha, Nabakalebara, and Pana Sankranti (or Vishuva Sankranti).

Anavasara or Anasara

Main article: Snana Yatra

Every year, the principal deities -Jagannath, Balabhadra, Subhadra and Sudarshan- retire to a secluded chamber called Anavasara Ghar after the holy Snana Yatra on Jyeshtha Purnima, where they remain for the following dark fortnight, or Krishna Paksha. According to tradition, the deities are believed to fall ill after undergoing the ceremonial bathing ritual, and they are tended for fifteen days by the special servitors known as Daitapatis. During this period, cooked food is not offered to the deities. Hence, devotees are not permitted to view the deities, and instead offer worship at the nearby temple of Alarnath at Brahmagiri, where a four-armed Vishnu is revered as a manifestation of Jagannath. Devotees received their first glimpse of the deities on the day before Ratha Yatra, an occasion known as Navayouvana.

Ratha Yatra at Puri

Main article: Ratha Yatra (Puri)

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  Artwork depicting the Ratha Yatra in Puri, 1818
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  Drawing of Ratha Yatra, Puri, from the book, Account Of The Temple Of Jagannath, 1895
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  The Ratha Yatra in Puri in modern times, showing the three raths with the temple in the background

Pahandi Bije during the Ratha Yatra at Puri

The Jagannath triad is usually worshipped in the sanctum sanctorum of the Puri temple. However, during the month of Ashadha, the monsoon month that usually falls in June or July, the deities are brought out onto the Bada Danda (Grand Road) and taken in huge chariots (ratha) to the Gundicha Temple, about 3 km away, allowing the public to have the darshana, or the holy view, of the deities. This festival is known as Ratha Yatra, meaning the journey (yatra) of the chariots (raths). The rathas are large wheeled wooden structures that are newly constructed each year and are pulled by devotees using ropes. Jagannath's ratha is approximately 14 metres (45 ft) high and 11 metres (35 ft) wide, and requires about two months to build. The artists and painters of Puri decorate the chariots with painted flower petals and other motifs on the wheels, the wood-carved charioteer and horses, and the inverted lotuses on the panel behind the throne. The massive chariots of Jagannath pulled during Ratha Yatra are the etymological origin of the English word 'Juggernaut'. The Ratha Yatra is also known as Shri Gundicha Yatra.

The most significant ritual associated with the Ratha Yatra is the Chhera Pahara (literally, "sweeping with water"). During the festival, the Gajapati king dresses as a sweeper and ceremonially sweeps around the deities and their chariots. The king cleanses the road before the chariots with a gold-handled broom and sprinkles sandalwood water and powder with devotion. According to custom, although the Gajapati King is regarded as the most exalted person in the Kalinga kingdom, he still performs menial service to Jagannath. The ritual signifies that under the lordship of Jagannath, there is no distinction between the powerful sovereign and the most humble devotee.

Moreover, the ruling dynasty instituted the Ratha Yatra upon the completion of the great temple around 1150 CE. This festival was among the earliest Hindu festivals that was reported to the Western world. Odoric of Pordenone, a Franciscan friar from what is now Pordenone in Italy, visited India between 1316 and 1318, about twenty years after Marco Polo had dictated the account of his travels while imprisoned in Genoa. In his 1321 account, Odoric described how the people placed the deities on chariots, and how the king, queen and the populace drew them from the "church" accompanied by song and music.

Niladri Bije

Celebrated on Ashadha Trayodashi, Niladri Bije marks the concluding day of Ratha Yatra. On this day, the deities return to the Ratnabedi. At this point, Jagannath offers rasgulla to Goddess Lakshmi in order to reenter the temple.

Gupta Gundicha

It is celebrated for sixteen days from Krishna Dwitiya of the month of Ashwin to Vijayadashami. As per tradition, Madhava, along with Durga (known as Durgamadhaba) is taken on a procession around the temple premises. The procession within the temple is observed for the first eight days. During the following next eight days, the deities are carried outside the temple on a palanquin to the nearby Narayani Temple located in the Dola mandapa lane. After the rituals are completed, they are brought back to the temple.

Nabakalebara

Main article: Nabakalevara

Nabakalabera is a ritual associated with Jagannath, obsereved every eight, twelve or nineteen years, when one lunar month of Ashadha is followed by another. Meaning "new body", the ritual involves installation of new images in the Jagannath Temple and the burial of the old images at the temple at Koili Vaikuntha. The festival is attended by millions of people and its budget exceeds ₹41,000,000 (US$570,000). More than three million devotees are estimated to have visited the temple during the Nabakalevara of 2015, making it one of the most widely attended festivals in the world.

Management

The backside of the Jagannath temple with the Koili Baikuntha garden in the foreground

After independence, the Government of Odisha, with a view to getting better administrative system, passed "The Puri Shri Jagannath Temple (Administration) Act, 1952".

Dibyasingha Deba, the incumbent Gajapati king of Puri, serves as the adhyasevak (chief servitor) of the temple. He assumed the role in 1970 at the age of 17, following the death of his father, Birakishore Deb, the then King of Puri.

Security

The security at the temple has increased ahead of Ratha Yatra, the homecoming festival of the deities of Jagannath temple. In the wake of terror alert on 27 June 2012, the security forces were increased to ensure smooth functioning of the crowded Ratha Yatra and Suna Besha. As part of the modernisation of the temple premises and surroundings, the temple's security force has been further advanced, such as 44 police platoons with 30 police officers each, and 135 CCTV cameras with advanced face-scanning technology have been installed in the premises, to cater to more pilgrims and visitors and provide them with enhanced security. To enhance aerial security and prevent unauthorized drone flights, the Directorate General of Civil Aviation (DGCA) on 25 September 2025 declared a “Red Zone,” a more stringent category than the earlier “No‑Fly Zone” classification.

Shree Jagannath Heritage Corridor

Main article: Shree Jagannath Heritage Corridor, Puri

Shri Dibyasingha Deb, the incumbent Chief Servitor of the Temple

The Shree Mandir Parikrama, also known as the Shree Jagannath Heritage Corridor (SJHC), is a 75-metre-wide corridor surrounding the Jagannath temple. It was developed to create an expansive and unobstructed pathway around the Meghanad Pacheri, allowing devotees and pilgrims to have better view, darshan, of the Temple, Nila Chakra and Meghanad Pacheri. The project is conceptually similar to the Kashi Vishwanath Corridor that surrounds the Kashi Vishwanath Temple in Varanasi. The corridor provides a range of facilities and amenities to offer pilgrims and visitors a hassle-free experience while enhancing the safety and security of the temple and the devotees. Construction began after Chief Minister Naveen Patnaik and Dibyasingha Deba -the incumbent King of the Gajapati Empire of Puri and the adhyasevak (chief servitor) of the Jagannath temple- laid the foundation stone in November 2021. The corridor was inaugurated and opened to the public by Chief Minister Naveen Patnaik and King Dibyasingha Deba on 17 January 2024.

See also

• Jagannath Temple, Digha
• History of Odisha
• List of historic sites in Odisha
• Jagannath
• Indradyumna
• Char Dham
• Vaishnavism
• Chanakya
• Guru Nanak
• Kalinga architecture
• Gajapati Empire
• Dibyasingha Deba
• Archaeological Survey of India
• Shree Jagannath Heritage Corridor, Puri
• Konark Sun Temple
• Lingaraj Temple
• Kashi Vishwanath temple
• Chari Kshetra

External links

• Puruṣottama-kṣetra-māhātmya, Skanda Purana
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• Sri Jagannath Temple – Jagannath Dharma (Official website of the Puri district administration)
• Street View around Jagannath Temple