Jogiya (raga): Difference between revisions

Jogiya
Thaat	Bhairav
Type	Audhav - Shadhav
Time of day	Dawn time (Brahma Muhurt)
Arohana	Sa Template:Underline Ma Pa Template:Underline Sa
Avarohana	Sa Ni Template:Underline Pa Ma Template:Underline Sa
Pakad	r m m m P d P d N d P P d m r S
Chalan	r m m m P d P d N d P P d m r S
Vadi	Ma
Samavadi	Sa

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Revision as of 10:23, 2 June 2021

Jogiya, or Jogia, is a raga in Hindustani classical music. It is based on Bhairav Thaat.^[10] It is played at the 1st Prahar of the day, dawn time (Brahma Muhurt).^[11] The name Jogiya came from Jogi, a corruption of yogi.^[12]

Nature

It lacks Ga. Re-ma and Dha-ma are frequently rendered in Meend.

Aroha : Sa Re (komal) Ma Pa Dha (Komal) Ni Sa^[13]
Avaroha : Sa Ni Dha (komal) Pa Ma Re (komal) Sa^[14]
Vadi: Ma^[15]
Samvadi: Sa ^[16]

Raga description

Madhyam is powerful, a nyas Swar as well as a Vadi Swara. Jogiya has Rishabha and Dhaivata Komal like Raag Bhairav, however they are not oscillated here (Andolit). In Avroh, Shuddha Nishad is Alp and is always used as a Kan Swar of Komal Dhaivat like: S' (N)d P. Sometimes Komal Nishad is also used as a Kan Swar with Komal Dhaivat like: m P d (n)d m ; m r S to enhance the beauty of this Raag. R-m and d-m are rendered in Meend.^[17]

References

External links

Raag Jogiya at Tanarang

This article about the music of India is a stub. You can help Bharatpedia by expanding it.

[1] ttp://www.tanarang.com/english/jogiya_eng.htm

[2] ttp://www.tanarang.com/english/jogiya_eng.htm

[3] ttp://www.tanarang.com/english/jogiya_eng.htm

[4] ttp://www.tanarang.com/english/jogiya_eng.htm

[5] ttp://www.tanarang.com/english/jogiya_eng.htm

[6] ttp://www.tanarang.com/english/jogiya_eng.htm

[7] ttp://www.tanarang.com/english/jogiya_eng.htm

[8] ttp://www.tanarang.com/english/jogiya_eng.htm

[9] ttp://www.tanarang.com/english/jogiya_eng.htm

[10] ttp://www.tanarang.com/english/jogiya_eng.htm

[11] ttp://www.tanarang.com/english/jogiya_eng.htm

[12] ttp://www.tanarang.com/english/jogiya_eng.htm

[13] ttp://www.tanarang.com/english/jogiya_eng.htm

[14] ttp://www.tanarang.com/english/jogiya_eng.htm

[15] ttp://www.tanarang.com/english/jogiya_eng.htm

[16] ttp://www.tanarang.com/english/jogiya_eng.htm

[17] ttp://www.tanarang.com/english/jogiya_eng.htm

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v t e Hindustani classical music
Concepts	Swara That Shruti Raga Sargam Tala Laya Bandish Gharana Swaralipi
Instruments	Sitar Sarod Veena Bansuri Santoor Shehnai Sarangi Tanpura Harmonium Tabla Pakhavaj
Genres	Dhrupad Dhamar Khyal Tarana Sadra
Semi-classical genres	Thumri Dadra Tappa Kajari Chaiti Sawani Hori Bhajan Abhang NatyaSangeet Qawwali Ghazal
Thaats	Bilaval Khamaj Kafi Asavari Bhairav Bhairavi Todi Purvi Marva Kalyan

v t e Rāgas as per performance time
Morning	Ahir Bhairav Asavari Bairagi Bhairav Basant Mukhari Bhairav Bhankar Bhatiyar Bhoopal Todi Bilaskhani Todi Bilawal Deshkar Desi Gunakri Gurjari Hindol Jaunpuri Jogiya Kalingada Lalit Nat Bhairav Sohni Todi Vibhas
Afternoon	Bhimpalasi Gaud Sarang Madhuvanti Madhyamad Sarang Marwa Multani Patdeep Poorvi Shree Shuddh Sarang
Evening	Bhoopali Desh Hansdhwani Kamod Khamaj Maru Bihag Pahadi Puriya Puriya Dhanashree Sham Kalyan Shankara Shuddh Kalyan Tilang Yaman Yaman Kalyan
Night	Adana Bageshri Bahar Basant Bhinna Shadja Bihag Chandani Kedar Chandrakauns Chhayanat Darbari Durga Gorakh Kalyan Hameer Jaijaivanti Jhinjhoti Kalavati Kedar Kirwani Malgunji Malhar Malkauns Malkauns Pancham Nand Rageshri Shivranjani Tilak Kamod
Anytime	Bhairavi Charukeshi Dhani Gara JanaSammohini Kafi Mand Piloo Vrindavani Sarang
Season	Gaud Malhar Miyan Malhar