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| time = Dawn time (Brahma Muhurt) <ref name="auto"/> | | time = Dawn time (Brahma Muhurt) <ref name="auto"/> | ||
| season = | | season = | ||
| arohana = | | arohana = {{ubl|{{svaraH|S|r|m|P|d|N|S’}}|{{svaraH|S|r|m|P|d|S'}}}}<ref name="auto"/> | ||
| | | avarohana = {{ubl|{{svaraH|S'|N|d|P|m|r|S}}|{{svaraH|S'|N|d|P|d|m|r|S}}}}<ref name="auto"/> | ||
| avarohana = | | vadi = Ma <ref name="auto"/> | ||
| | | samavadi = Sa <ref name="auto"/> | ||
| vadi = Ma <ref name="auto"/> | | pakad = {{svaraH|r|m|m|m|P|d|P|d|N|d|P|P|d|m|r|S}}<ref name="auto"/> | ||
| samavadi = Sa <ref name="auto"/> | | chalan = {{svaraH|r|m|m|m|P|d|P|d|N|d|P|P|d|m|r|S}}<ref name="auto"/> | ||
| pakad = r m m m P d P d N d P P d m r S<ref name="auto"/> | |||
| chalan = r m m m P d P d N d P P d m r S<ref name="auto"/> | |||
| synonym = | | synonym = | ||
| equivalent = | | equivalent = | ||
| Line 22: | Line 20: | ||
}} | }} | ||
'''Jogiya''', or '''Jogia''', is a [[raga]] in [[Hindustani classical music]]. It is based on [[Bhairav (thaat)|Bhairav]] Thaat.<ref name="auto"/> It is played at the 1st Prahar of the day, dawn time ([[Brahma Muhurt]]).<ref name="auto"/> The name Jogiya came from Jogi, a | '''Jogiya''', or '''Jogia''', is a [[raga]] in [[Hindustani classical music]]. It is based on [[Bhairav (thaat)|Bhairav]] Thaat.<ref name="auto"/> It is played at the 1st Prahar of the day, dawn time ([[Brahma Muhurt]]).<ref name="auto"/> The name Jogiya came from Jogi, a colloquial version of the word [[yogi]].<ref name="auto"/> | ||
==Nature== | ==Nature== | ||
It lacks Ga. Re-ma and Dha-ma are frequently rendered in Meend. | It lacks Ga. Re-ma and Dha-ma are frequently rendered in Meend. | ||
==Raga description== | ==Raga description== | ||
Madhyam is powerful, a nyas Swar as well as a Vadi Swara. Jogiya has Rishabha and Dhaivata Komal like Raag Bhairav, however they are not oscillated here (Andolit). In Avroh, Shuddha Nishad is Alp and is always used as a Kan Swar of Komal Dhaivat like: S' (N)d P. Sometimes Komal Nishad is also used as a Kan Swar with Komal Dhaivat like: | Madhyam is powerful, a nyas Swar as well as a Vadi Swara. Jogiya has Rishabha and Dhaivata Komal like Raag Bhairav, however they are not oscillated here (Andolit). In Avroh, Shuddha Nishad is Alp and is always used as a Kan Swar of Komal Dhaivat like: S' (N)d P. Sometimes Komal Nishad is also used as a Kan Swar with Komal Dhaivat like: M P d (n)d M; M r S to enhance the beauty of this Raag. r-M and d-M are rendered in Meend.<ref name="auto"/> | ||
==See also == | ==See also == | ||
| Line 51: | Line 45: | ||
[[Category:Ragas in the Guru Granth Sahib]] | [[Category:Ragas in the Guru Granth Sahib]] | ||
[[Category:Hindustani ragas]] | [[Category:Hindustani ragas]] | ||
{{India-music-stub}} | {{India-music-stub}} | ||
{{sikh-stub}} | |||
Latest revision as of 05:43, 8 March 2026
| Thaat | Bhairav[1] |
|---|---|
| Type | Audhav - Shadhav[1] |
| Time of day | Dawn time (Brahma Muhurt) [1] |
| Arohana |
|
| Avarohana |
|
| Pakad | Ṟ M M M P Ḏ P Ḏ N Ḏ P P Ḏ M Ṟ S[1] |
| Chalan | Ṟ M M M P Ḏ P Ḏ N Ḏ P P Ḏ M Ṟ S[1] |
| Vadi | Ma [1] |
| Samavadi | Sa [1] |
Jogiya, or Jogia, is a raga in Hindustani classical music. It is based on Bhairav Thaat.[1] It is played at the 1st Prahar of the day, dawn time (Brahma Muhurt).[1] The name Jogiya came from Jogi, a colloquial version of the word yogi.[1]
Nature[edit | edit source]
It lacks Ga. Re-ma and Dha-ma are frequently rendered in Meend.
Raga description[edit | edit source]
Madhyam is powerful, a nyas Swar as well as a Vadi Swara. Jogiya has Rishabha and Dhaivata Komal like Raag Bhairav, however they are not oscillated here (Andolit). In Avroh, Shuddha Nishad is Alp and is always used as a Kan Swar of Komal Dhaivat like: S' (N)d P. Sometimes Komal Nishad is also used as a Kan Swar with Komal Dhaivat like: M P d (n)d M; M r S to enhance the beauty of this Raag. r-M and d-M are rendered in Meend.[1]
