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{{Use dmy dates|date=January | {{distinguish|Natabhairavi}} | ||
{{Use dmy dates|date=January 2023}} | |||
{{Infobox raga | {{Infobox raga | ||
| name = Nat Bhairav | | name = Nat Bhairav | ||
| image_name = | | image_name = | ||
| image_alt = | | image_alt = | ||
| thaat = [[Bhairav (thaat)|Bhairav]]<ref name=Tan>http://www.tanarang.com/english/nut-bhairav_eng.htm</ref> | | thaat = [[Bhairav (thaat)|Bhairav]]<ref name=Tan>{{cite web|url=http://www.tanarang.com/english/nut-bhairav_eng.htm |title=Raag Nut Bhairav – Indian Classical Music |publisher=Tanarang.com |accessdate=2022-08-25}}</ref> | ||
| type = Sampurna<ref name=Tan /> | | type = Sampurna<ref name=Tan /> | ||
| time = Morning, 6–9 | | time = Morning, 6–9 | ||
| Line 23: | Line 24: | ||
'''Nat Bhairav''' (or also written as '''Nut Bhairav''') ([[Hindi]]: नट भैरव) is a [[Hindustani classical music|Hindustani classical]] [[heptatonic]] ([[Sampurna raga|Sampurna]]) [[raga]] of [[Bhairav (thaat)|Bhairav]] [[Thaat]]. Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga.<ref name=Tan /> | '''Nat Bhairav''' (or also written as '''Nut Bhairav''') ([[Hindi]]: नट भैरव) is a [[Hindustani classical music|Hindustani classical]] [[heptatonic]] ([[Sampurna raga|Sampurna]]) [[raga]] of [[Bhairav (thaat)|Bhairav]] [[Thaat]]. Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga.<ref name=Tan /> | ||
[[Sarasangi]] in Carnatic music has the same scale as the Nat Bhairav in Hindustani music. | This raga is not be confused with the ''[[Natabhairavi]]'', the 20th ''Melakarta'' of Carnatic Music.{{cn|date=November 2024}} ''[[Sarasangi]]'', which is the 27th Melakarta in Carnatic music, has the same scale as the Nat Bhairav in Hindustani music. In Western theory it is called the [[harmonic major scale]].{{cn|date=November 2024}} | ||
==Theory== | ==Theory== | ||
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Sa, Re, Ga, Ma, Pa, {{underline|Dha}}, Ni, Sa' | Sa, Re, Ga, Ma, Pa, {{underline|Dha}}, Ni, Sa' | ||
C, | C, D, E, F, G, A♭, B, C' | ||
[[Avarohana]] | [[Avarohana]] | ||
Sa', Ni, {{underline|Dha}}, Pa, Ma, Ga, Re, Sa | Sa', Ni, {{underline|Dha}}, Pa, Ma, Ga, Re, Sa | ||
C', | C', B, A♭, G, F, E, D, C | ||
===Pakad or Chalan=== | ===Pakad or Chalan=== | ||
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Sa-Re-Ga-Ma-{{underline|Dha}}-Pa, Ga-Ma-Re-Sa, Re-'Ni-'{{underline|Dha}}-Sa | Sa-Re-Ga-Ma-{{underline|Dha}}-Pa, Ga-Ma-Re-Sa, Re-'Ni-'{{underline|Dha}}-Sa | ||
While the above is true, modern (20th century) treatment of the Raga is slightly different. The basic Chalan of the Raga has de facto shifted the Vadi-Samvadi (Point-Counterpoint) duo to Re-{{underline|Dha}}; and the basic characteristic phrase has become Re-{{underline|Dha}}-Re, Re-Ga, Ga-Ma, Ma-Pa; Ma-Ni{{underline|Dha}}-Pa, Ga-(Ma)-Re-Sa; Sa-'NiSa-'{{underline|Dha}}. | While the above is true, modern (20th century) treatment of the Raga is slightly different. The basic Chalan of the Raga has de facto shifted the Vadi-Samvadi (Point-Counterpoint) duo to Re-{{underline|Dha}}; and the basic characteristic phrase has become Re-{{underline|Dha}}-Re, Re-Ga, Ga-Ma, Ma-Pa; Ma-Ni{{underline|Dha}}-Pa, Ga-(Ma)-Re-Sa; Sa-'NiSa-'{{underline|Dha}}. | ||
It is believed that this Chalan brings out clearly the Nat-ang in Nat Bhairav. | It is believed that this Chalan brings out clearly the Nat-ang in Nat Bhairav. | ||
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==Film Songs== | ==Film Songs== | ||
Nat Bhairav is a popular raga for film songs. Here are some film songs based on Nat Bhairav: | Nat Bhairav is a popular raga for film songs. Here are some film songs based on Nat Bhairav: | ||
* "Badli Se Nikla Hai Chaand" | * "Badli Se Nikla Hai Chaand" – [[Sanjog(1961 film)|Sanjog]], 1961 | ||
* "Tere Naina Kyon Bhar Aaye" | * "Tere Naina Kyon Bhar Aaye" – [[Geet (1970 film)|Geet]], 1970 | ||
==References== | ==References== | ||
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==External links== | ==External links== | ||
*https://www.swarganga.org/raaga_details.php?raagid=28 | * [https://www.swarganga.org/raaga_details.php?raagid=28 Bhairav, Nat]{{Dead link|date=July 2025 |bot=InternetArchiveBot |fix-attempted=yes }} | ||
*https://autrimncpa.wordpress.com/nat-bhairav/ | * [https://autrimncpa.wordpress.com/nat-bhairav/ Nat bhairav] | ||
{{Hindustani Classical Music page end}} | {{Hindustani Classical Music page end}} | ||
Latest revision as of 06:39, 31 July 2025
| Thaat | Bhairav[1] |
|---|---|
| Type | Sampurna[1] |
| Time of day | Morning, 6–9 |
| Arohana | Sa Re Ga Ma Pa Template:Underline Ni Sa'[1] |
| Avarohana | Sa' Ni Template:Underline Pa Ma Ga Re Sa[1] |
| Pakad |
|
| Vadi | Ma[1] |
| Samavadi | Sa[1] |
| Equivalent |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Nat Bhairav (or also written as Nut Bhairav) (Hindi: नट भैरव) is a Hindustani classical heptatonic (Sampurna) raga of Bhairav Thaat. Traditionally it is a morning raga. It is one of the most important ragas of the Bhairav anga.[1]
This raga is not be confused with the Natabhairavi, the 20th Melakarta of Carnatic Music.[citation needed] Sarasangi, which is the 27th Melakarta in Carnatic music, has the same scale as the Nat Bhairav in Hindustani music. In Western theory it is called the harmonic major scale.[citation needed]
Theory[edit | edit source]
Writing about the musical theory of Hindustani music is fraught with complications. Firstly, there have been no set, formal methods of written notation. Secondly, Hindustani music is an aural tradition, and therefore writing is not an essential part of learning. However, Nat Bhairav is a morning raga. The raga reflects the mood of slight pathos with heroic exuberance.
Arohana and Avarohana[edit | edit source]
Sa, Re, Ga, Ma, Pa, Template:Underline, Ni, Sa' C, D, E, F, G, A♭, B, C'
Sa', Ni, Template:Underline, Pa, Ma, Ga, Re, Sa C', B, A♭, G, F, E, D, C
Pakad or Chalan[edit | edit source]
Template:Underline-Ni-Sa'
Sa-Re-Sa
Sa-Re-Ga-Ma-Template:Underline-Pa, Ga-Ma-Re-Sa, Re-'Ni-'Template:Underline-Sa
While the above is true, modern (20th century) treatment of the Raga is slightly different. The basic Chalan of the Raga has de facto shifted the Vadi-Samvadi (Point-Counterpoint) duo to Re-Template:Underline; and the basic characteristic phrase has become Re-Template:Underline-Re, Re-Ga, Ga-Ma, Ma-Pa; Ma-NiTemplate:Underline-Pa, Ga-(Ma)-Re-Sa; Sa-'NiSa-'Template:Underline.
It is believed that this Chalan brings out clearly the Nat-ang in Nat Bhairav.
Organization and relationships[edit | edit source]
Related ragas:
Behaviour[edit | edit source]
As the name suggests, this raga is a combination of Nat and Bhairav (Shah [Bhairav ke Prakar] 1991: 255). It is regarded as one of the varieties of Bhairav. The lower tetra chord has the notes of Nat whereas in the upper tetra chord Bhairav is evident. Therefore, except Komal Dha, all the other notes are natural. The raga comes across as a musical entity with heroic exuberance, along with a slight feeling of pathos.
Samay (Time)[edit | edit source]
Nat Bhairav is an early morning raga. This raga has a distinct character although at times imbued with impressions of Bhairav.
Seasonality[edit | edit source]
Nat Bhairav is one of few ragas that can be sung in any season.
Rasa[edit | edit source]
Nat Bhairav is typically performed with a musical entity with heroic exuberance, along with a slight feeling of pathos.
Film Songs[edit | edit source]
Nat Bhairav is a popular raga for film songs. Here are some film songs based on Nat Bhairav:
References[edit | edit source]
External links[edit | edit source]
| Concepts |  | |
|---|---|---|
| Instruments | ||
| Genres | ||
| Semi-classical genres | ||
| Thaats | ||