CleanupBot (talk | contribs) m →External links: clean up, add source tag |
No edit summary |
||
| Line 1: | Line 1: | ||
{{for2|the Hindustani thaat of the same name|[[Asavari (thaat)]]|the [[Carnatic music|Carnatic]] ragam|[[Asaveri]]}} | {{for2|the Hindustani thaat of the same name|[[Asavari (thaat)]] | the [[Carnatic music|Carnatic]] ragam|[[Asaveri]]}} | ||
{{Use dmy dates|date=August 2019}} | {{Use dmy dates|date=August 2019}} | ||
{{Infobox raga | {{Infobox raga | ||
| Line 8: | Line 8: | ||
| type = Audava-Sampurna | | type = Audava-Sampurna | ||
| time = Late morning, 9–12 | | time = Late morning, 9–12 | ||
| season = | | season = | ||
| arohana = {{svaraH|S|R|m|P|d|S'}} | | arohana = {{svaraH|S|R|m|P|d|S'}} | ||
| avarohana = {{svaraH|S'|n|d|P|m|P|d|m|P|g|R|S}} | | avarohana = {{svaraH|S'|n|d|P|m|P|d|m|P|g|R|S}} | ||
| Line 14: | Line 14: | ||
| samavadi = {{svaraH|g}} | | samavadi = {{svaraH|g}} | ||
| pakad = {{svaraH|m|P|d|m|P|g|R|S}} | | pakad = {{svaraH|m|P|d|m|P|g|R|S}} | ||
| chalan = | | chalan = | ||
| synonym = | | synonym = | ||
| equivalent = {{ubl|[[Natabhairavi]]|[[Aeolian mode]]}} | | equivalent = {{ubl|[[Natabhairavi]] | [[Aeolian mode]]}} | ||
| similar = {{ubl|[[Bhairav (raga)|Bhairavi]] | | similar = {{ubl|[[Bhairav (raga)|Bhairavi]] | ||
|[[Bilaskhani Todi]] | |[[Bilaskhani Todi]] | ||
| Line 23: | Line 23: | ||
}} | }} | ||
{{Hindustani Classical Music}} | {{Hindustani Classical Music}} | ||
'''Raga Asavari''' ({{IAST3|Āsāvari}}) is a [[Hindustani classical]] [[raga]]. It belongs to the [[Asavari (thaat)|Asavari]] [[thaat]] and is performed in the morning hours.<ref>https://chandrakantha.com/raga_raag/asavari/asawari.html</ref> | '''Raga Asavari''' ({{IAST3|Āsāvari}}) is a [[Hindustani classical]] [[raga]]. It belongs to the [[Asavari (thaat)|Asavari]] [[thaat]] and is performed in the morning hours.<ref name="auto">{{Cite web|url=https://chandrakantha.com/raga_raag/asavari/asawari.html|title=Indian Music - Rag Asavari (AKA Asawari, Asaawari, or Asaavari)|website=chandrakantha.com}}</ref> | ||
In pre-[[Bhatkhande]] days this Asavari used the Komal Rishab instead of Shuddh Rishab. When Bhatkhandeji created the thaat process, | In pre-[[Bhatkhande]] days this Asavari used the Komal Rishab instead of Shuddh Rishab. When Bhatkhandeji created the thaat process, he changed that Asavari's Komal Rishab to Shuddha Rishab but the name remained the same. From that time the old or real 'Asavari' has been called the [[Komal Rishabh Asavari]], and the new Shuddha Rishabh Asavari is simply called 'Asavari'.<ref name="auto"/> | ||
==Structure== | == Structure == | ||
Thaat: [[Asavari (thaat)|Asavari]] | Thaat: [[Asavari (thaat)|Asavari]] | ||
[[Raga|Jati]]: Audava-Sampoorna | [[Raga|Jati]]: Audava-Sampoorna | ||
[[Arohana]]: {{svaraH|S|R| | [[Arohana]]: {{svaraH|S|R|m|P|d|S'|foot=yes}} | ||
[[Avarohana]]: {{svaraH|S'|n|d|P| | [[Avarohana]]: {{svaraH|S'|n|d|P|m|P|d|m|P|g|R|S|foot=yes}} | ||
[[Vadi (music)|Vadi]]: {{svaraH|d}} | [[Vadi (music)|Vadi]]: {{svaraH|d}} | ||
| Line 40: | Line 40: | ||
[[Samavadi]]: {{svaraH|g}} | [[Samavadi]]: {{svaraH|g}} | ||
[[Pakad]]: {{svaraH| | [[Pakad]]: {{svaraH|m|P|d|m|P|g|R|S}} | ||
Time: Second | Time: Second period of the day (9am-12pm) | ||
[[Raga|Mood]]: Renunciation and sacrifice | [[Raga|Mood]]: Renunciation and sacrifice | ||
==Organization and relationships== | == Organization and relationships == | ||
The ragas closest to Asavari are [[Komal Rishabh Asavari]] and [[Jaunpuri (raga)|Jaunpuri]] and it is part of the [[Kanada Raga group]] | The ragas closest to Asavari are [[Komal Rishabh Asavari]] and [[Jaunpuri (raga)|Jaunpuri]] and it is part of the [[Kanada Raga group]] | ||
== Film | == Film songs == | ||
Note that the following songs are composed in [[Natabhairavi]], the equivalent of raga Asavari in [[Carnatic music]]. | |||
=== Language:[[Tamil language|Tamil]] === | === Language:[[Tamil language|Tamil]] === | ||
{| class="wikitable" | {| class="wikitable" | ||
!Song | !Song | ||
| Line 161: | Line 164: | ||
|Yen Iniya Pon Nilavae | |Yen Iniya Pon Nilavae | ||
|[[Moodu Pani]] | |[[Moodu Pani]] | ||
|rowspan= | |rowspan=41|[[Ilaiyaraaja]] | ||
|- | |- | ||
|Aarariroo | |Aarariroo | ||
| Line 190: | Line 193: | ||
|[[Panneer Pushpangal]] | |[[Panneer Pushpangal]] | ||
|[[Malaysia Vasudevan]] | |[[Malaysia Vasudevan]] | ||
|- | |||
|Kadavul Ullame | |||
|[[Anbulla Rajinikanth]] | |||
|[[Latha Rajinikanth]] & Chorus | |||
|- | |- | ||
|Pesa koodathu | |Pesa koodathu | ||
| Line 198: | Line 205: | ||
|[[Vaidehi Kathirunthal]] | |[[Vaidehi Kathirunthal]] | ||
|[[P. Jayachandran]] | |[[P. Jayachandran]] | ||
|- | |||
|En Jeevan Paduthu | |||
|Neethana Andha Kuyil | |||
|[[K. J. Yesudas]](ver 1)[[S. Janaki]](ver 2) | |||
|- | |||
|Pillai Nila | |||
|[[Neengal Kettavai]] | |||
| [[S. Janaki]], [[K. J. Yesudas]](Pathos) | |||
|- | |- | ||
|Panivizhum Iravu | |Panivizhum Iravu | ||
| Line 263: | Line 278: | ||
|Kaalai Nera Raagamey | |Kaalai Nera Raagamey | ||
|[[Raasave Unnai Nambi]] | |[[Raasave Unnai Nambi]] | ||
|[[K. S. Chithra]] | |rowspan=2|[[K. S. Chithra]] | ||
|- | |||
|Vaan Megam Poo Poovaai | |||
|[[Punnagai Mannan]] | |||
|- | |- | ||
|Thenmadurai Vaigai Nadhi | |Thenmadurai Vaigai Nadhi | ||
|[[Dharmathin Thalaivan]] | |[[Dharmathin Thalaivan]] | ||
|[[S. P. Balasubrahmanyam]], [[Malaysia Vasudevan]], [[P. Susheela]] | |[[S. P. Balasubrahmanyam]], [[Malaysia Vasudevan]], [[P. Susheela]] | ||
|- | |||
|Thendral Kaatre | |||
|[[Kumbakarai Thangaiah]] | |||
|[[Mano (singer)|Mano]], [[S. Janaki]] | |||
|- | |- | ||
|Muthirai Eppodhu | |Muthirai Eppodhu | ||
| Line 276: | Line 298: | ||
|[[Kaalapani|Siraichalai]] | |[[Kaalapani|Siraichalai]] | ||
|[[M. G. Sreekumar]], [[K. S. Chithra]], Chorus | |[[M. G. Sreekumar]], [[K. S. Chithra]], Chorus | ||
|- | |||
|Malliga Mottu | |||
|[[Sakthivel]] | |||
|Arunmozhi, [[Swarnalatha]] | |||
|- | |- | ||
|Nee Partha | |Nee Partha | ||
| Line 291: | Line 317: | ||
|Minnalae | |Minnalae | ||
|[[May Maadham]] | |[[May Maadham]] | ||
|rowspan= | |rowspan=8|[[A. R. Rahman]] | ||
|- | |- | ||
| | |Chandralekha | ||
|[[ | |[[Thiruda Thiruda]] | ||
|[[ | |[[Annupamaa]], [[Suresh Peters]] | ||
|- | |- | ||
|Kadhal Sadugudu | |Kadhal Sadugudu | ||
|[[Alaipayuthey]] | |[[Alaipayuthey]] | ||
|[[S. P. B. Charan]], Naveen | |[[S. P. B. Charan]], Naveen | ||
|- | |||
|Porkalam Ange | |||
|[[Thenali]] | |||
|[[Srinivas (singer)|Srinivas]], [[Gopika Poornima]] | |||
|- | |- | ||
|New York Nagaram | |New York Nagaram | ||
| Line 312: | Line 342: | ||
|[[24 (2016 film)|24]] | |[[24 (2016 film)|24]] | ||
|[[Arijit Singh]], [[Chinmayi]] | |[[Arijit Singh]], [[Chinmayi]] | ||
|- | |||
|Vennilavin Theril | |||
|[[Duet (1994 film)|Duet]] | |||
|rowspan=2|[[K. J. Yesudas]] | |||
|- | |||
|Yen Ooru Madurapakkam | |||
|Vaasalile Oru Vennila | |||
|rowspan=5|[[Deva (composer)|Deva]] | |||
|- | |||
|Enakenna Perandhava | |||
|[[Kizhakku Karai]] | |||
|[[S. P. Balasubrahmanyam]], [[K. S. Chithra]] | |||
|- | |||
|Othayadi Paadhayile | |||
|[[Aatha Un Koyilile]] | |||
|[[S. P. Balasubrahmanyam]], [[Jikki]] | |||
|- | |||
|Chinna Chinna | |||
|[[Sendhoorapandi]] | |||
|[[Mano (singer)|Mano]], [[Swarnalatha]] | |||
|- | |||
|Muthu Nagaye | |||
|[[Samundi]] | |||
|[[S. P. Balasubrahmanyam]], [[S. Janaki]] | |||
|- | |||
|Pattuvana Rosavam | |||
|[[Kanni Paruvathile]] | |||
|[[Shankar–Ganesh]] | |||
|rowspan=2|[[Malaysia Vasudevan]], [[S. Janaki]] | |||
|- | |||
|Kadhal Vaibhogame | |||
|[[Suvarilladha Chiththirangal]] | |||
|[[Gangai Amaran]] | |||
|- | |- | ||
|Neeradi Vaa Thenrale | |Neeradi Vaa Thenrale | ||
| Line 327: | Line 390: | ||
|[[Manoj Gyan]] | |[[Manoj Gyan]] | ||
|[[P. Jayachandran]], [[K. S. Chithra]] | |[[P. Jayachandran]], [[K. S. Chithra]] | ||
|- | |- | ||
|Enakoru Snegidhi | |Enakoru Snegidhi | ||
| Line 341: | Line 395: | ||
|[[S. A. Rajkumar]] | |[[S. A. Rajkumar]] | ||
|[[Hariharan (singer)|Hariharan]], [[Mahalakshmi Iyer]] | |[[Hariharan (singer)|Hariharan]], [[Mahalakshmi Iyer]] | ||
|- | |||
|Marutha Azhagaro | |||
|[[Sundara Purushan (1996 film)|Sundara Purushan]] | |||
|[[Sirpy]] | |||
|[[K. S. Chithra]] | |||
|- | |||
|Pudhu Uravu | |||
|[[Nila Pennae]] | |||
|rowspan=3|[[Vidyasagar (composer)|Vidyasagar]] | |||
|[[K. J. Yesudas]], [[P. Susheela]] | |||
|- | |- | ||
|Nilave Nilave | |Nilave Nilave | ||
|[[Nilaave Vaa]] | |[[Nilaave Vaa]] | ||
|[[Vijay (actor)|Vijay]], [[Anuradha Sriram]] | |[[Vijay (actor)|Vijay]], [[Anuradha Sriram]] | ||
|- | |||
|Anbe Sivam | |||
|[[Anbe Sivam]] | |||
|[[Kamal Haasan]], [[Karthik (singer)|Karthik]] | |||
|- | |- | ||
|Vaseegara | |Vaseegara | ||
|[[Minnale]] | |[[Minnale]] | ||
|[[Harris Jayaraj]] | |rowspan=3|[[Harris Jayaraj]] | ||
|[[Bombay Jayashree]] | |[[Bombay Jayashree]] | ||
|- | |||
|Vaigasi Nilavae | |||
|[[Unnale Unnale]] | |||
|[[Haricharan]], [[Madhushree]] | |||
|- | |||
|Vaarayo Vaarayo | |||
|[[Aadhavan]] | |||
|[[P. Unnikrishnan]], [[Chinmayi]], [[Megha (singer)|Megha]] | |||
|- | |- | ||
|Mun Paniyaa | |Mun Paniyaa | ||
| Line 377: | Line 452: | ||
|[[Devi Sri Prasad]] | |[[Devi Sri Prasad]] | ||
|[[Kalpana Raghavendar|Kalpana]], [[S. P. B. Charan]] | |[[Kalpana Raghavendar|Kalpana]], [[S. P. B. Charan]] | ||
|- | |||
|Akkam Pakkam | |||
|[[Kireedam (2007 film)|Kireedam]] | |||
|rowspan=2|[[G. V. Prakash Kumar]] | |||
|[[Sadhana Sargam]] | |||
|- | |||
|Kaathodu Kaathanen | |||
|[[Jail (upcoming film)|Jail]] | |||
|[[Dhanush]],[[Aditi Rao Hydari]] | |||
|- | |- | ||
|Oru Killi Oru Killi | |Oru Killi Oru Killi | ||
| Line 385: | Line 469: | ||
|Jilendru Oru Kalavaram | |Jilendru Oru Kalavaram | ||
|[[Satish Chakravarthy]] | |[[Satish Chakravarthy]] | ||
|- | |- | ||
|Kaathalae Kaathalae | |Kaathalae Kaathalae | ||
| Line 397: | Line 476: | ||
|} | |} | ||
=== | === Hindi === | ||
* Hume Aur Jeene Ki by [(Kishore Kumar] and [Lata Mangeshkar]) | * Hume Aur Jeene Ki by [(Kishore Kumar] and [Lata Mangeshkar]) | ||
==Notes== | == Notes == | ||
{{notelist|30em}} | {{notelist|30em}} | ||
==References== | == References == | ||
{{Reflist}} | {{Reflist}} | ||
*Bor, Joep ''(ed).'' Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane ''(co-authors)'' ''The Raga Guide: A Survey of 74 Hindustani Ragas''. Zenith Media, London: 1999. | * Bor, Joep ''(ed).'' Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane ''(co-authors)'' ''The Raga Guide: A Survey of 74 Hindustani Ragas''. Zenith Media, London: 1999. | ||
==External links== | == External links == | ||
*[https://web.archive.org/web/20070514235610/http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas] | * [https://web.archive.org/web/20070514235610/http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas] | ||
*[https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html SRA on Ragas and Thaats] | * [https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html SRA on Ragas and Thaats] | ||
*[http://www.parrikar.org/hindustani/asavari/ Rajan Parrikar on Asavari] | * [http://www.parrikar.org/hindustani/asavari/ Rajan Parrikar on Asavari] | ||
*[https://learnharmonium.com/2016/01/raga-asavari-song-list.html Film Songs in Rag Asavari] | * [https://learnharmonium.com/2016/01/raga-asavari-song-list.html Film Songs in Rag Asavari] | ||
*[http://oceanofragas.com/ocean_htmlpages/Asavari.html More details about raga Asavari] | * [http://oceanofragas.com/ocean_htmlpages/Asavari.html More details about raga Asavari] | ||
{{Hindustani Classical Music Page End}} | {{Hindustani Classical Music Page End}} | ||
| Line 422: | Line 500: | ||
{{India-music-stub}} | {{India-music-stub}} | ||
Revision as of 07:53, 18 August 2021
![]() | |
| Thaat | Asavari |
|---|---|
| Type | Audava-Sampurna |
| Time of day | Late morning, 9–12 |
| Arohana | S R M P Ḏ Ṡ |
| Avarohana | Ṡ Ṉ Ḏ P M P Ḏ M P G̱ R S |
| Pakad | M P Ḏ M P G̱ R S |
| Vadi | Ḏ |
| Samavadi | G̱ |
| Equivalent | |
| Similar | |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Raga Asavari (IAST: Āsāvari) is a Hindustani classical raga. It belongs to the Asavari thaat and is performed in the morning hours.[1]
In pre-Bhatkhande days this Asavari used the Komal Rishab instead of Shuddh Rishab. When Bhatkhandeji created the thaat process, he changed that Asavari's Komal Rishab to Shuddha Rishab but the name remained the same. From that time the old or real 'Asavari' has been called the Komal Rishabh Asavari, and the new Shuddha Rishabh Asavari is simply called 'Asavari'.[1]
Structure
Thaat: Asavari
Jati: Audava-Sampoorna
Arohana: S R M P Ḏ Ṡ[lower-alpha 1]
Avarohana: Ṡ Ṉ Ḏ P M P Ḏ M P G̱ R S[lower-alpha 2]
Vadi: Ḏ
Samavadi: G̱
Pakad: M P Ḏ M P G̱ R S
Time: Second period of the day (9am-12pm)
Mood: Renunciation and sacrifice
Organization and relationships
The ragas closest to Asavari are Komal Rishabh Asavari and Jaunpuri and it is part of the Kanada Raga group
Film songs
Note that the following songs are composed in Natabhairavi, the equivalent of raga Asavari in Carnatic music.
Language:Tamil
Hindi
- Hume Aur Jeene Ki by [(Kishore Kumar] and [Lata Mangeshkar])
Notes
References
- ↑ 1.0 1.1 "Indian Music - Rag Asavari (AKA Asawari, Asaawari, or Asaavari)". chandrakantha.com.
- Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.
External links
- SRA on Samay and Ragas
- SRA on Ragas and Thaats
- Rajan Parrikar on Asavari
- Film Songs in Rag Asavari
- More details about raga Asavari

