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{{Short description|Hindustani raga}}
{{Use dmy dates|date=August 2019}}
{{Use dmy dates|date=August 2019}}


{{Infobox raga
{{Infobox raga
| name          = Kedar  
| name          = Kedar
| image_name    =
| image_name    =  
| image_alt    =
| image_alt    =  
| thaat        = [[Kalyan (thaat)|Kalyan]]
| thaat        = [[Kalyan (thaat)|Kalyan]]
| type          = Chanchal raga  
| type          = Chanchal raga
| time          = 1st prahar of the night  
| time          = 1st prahar of the night
| season        = No specific season but sung mostly in [[rainy season]]
| season        = No specific season but sung mostly in [[rainy season]]
| arohana      = S M G P D N S'(Tar Saptak)
| arohana      = S M G P D N S'(Tar Saptak)
| avarohana    = S' N D P M ({{lang|hi-Latn|Tivra}}) P M R S  
| avarohana    = S' N D P M ({{lang|hi-Latn|Tivra}}) P M R S
|Jaati          = Shaadav-Sampoorn  
| jaati        = Shaadav-Sampoorn
| vadi          = म
| vadi          = Ma
| samavadi      = सा
| samavadi      = Sa
| pakad        = The [[pakad]] of this raga is सा म ग प मे ({{lang|hi-Latn|tivra}}) म रे सा
| pakad        = The [[pakad]] of this raga is सा म ग प मे ({{lang|hi-Latn|tivra}}) म रे सा
| chalan        = सा म ग प मे ({{lang|hi-Latn|tivra}}) म रे सा
| chalan        = सा म ग प मे ({{lang|hi-Latn|tivra}}) म रे सा
| synonym      = [[Hameer]] raga  
| synonym      = [[Hameer]] raga
| equivalent    = [[Hameer]], [[Gaud Sarang]], Kamod, [[Chhayanat (raga)|Chhayanat]].
| equivalent    = [[Hameer]], [[Gaud Sarang]], Kamod, [[Chhayanat (raga)|Chhayanat]].
| similar      = raga Hameer Kalyani (Carnatic raaga)
| similar      = raga Hameer Kalyani (Carnatic raaga)
}}
}}


{{Hindustani Classical Music}}  
{{Hindustani Classical Music}}
[[File:Kedara Ragini.jpg|thumb|Kedara Ragini]]
[[File:Kedara Ragini.jpg|thumb|Kedara Ragini]]
Raga '''Kedar''', also known as '''Kedara''', is a [[Hindustani classical music|Hindustani classical]] [[raga]]. Named after [[Lord Shiva]], the raga is placed on a high pedestal in the realms of Indian classical music. It is characterised by many complex turns, which are brilliantly melodious but difficult to express in words. This raag is the repetition of the swaras सा and म. It is generally accepted that there is much thermal energy in this melody and hence it is regarded as the Raagini of Raag Deepak. While preceding from Shuddha Madhyam (m) to Pancham (P), a touch of Gandhar (G) or a smooth passage from Gandhar (G) to Pancham (P) expressed as m G P is the more common way of instant Raag manifestation.
Raga '''Kedar''', also known as '''Kedara''', is a [[Hindustani classical music|Hindustani classical]] [[raga]]. Named after [[Lord Shiva]], the raga occupies a high pedestal in [[Indian classical music]]. It is characterised by many melodious turns. This raga is the repetition of the [[Svara|swaras]] सा and म. It is generally accepted that it displays much thermal energy and is regarded as the Raagini of Raag Deepak. While preceding from Shuddha Madhyam (m) to Pancham (P), a touch of Gandhar (G) or a smooth passage from Gandhar (G) to Pancham (P) expressed as m G P is the more common way of instant raga manifestation.


==Origin==
== Origin ==
The raga emerges from the [[Kalyan (thaat)|Kalyan]] [[thaat]]. This raga is named after [[lord Shiva]] but this raaga is loved by [[lord Krishna]]. Lord krishna played this raga on his flute and everyone in [[Gokul]] is mesmerized.
The raga emerges from the [[Kalyan (thaat)|Kalyan thaat]]. This raga is named after [[Lord Shiva]] and is loved by [[Lord Krishna]]. Lord Krishna played this raga on his flute and everyone in [[Gokul]] was mesmerized.


==Technical description==
== Technical description ==
The raga is of ''shaadava-sampurna'' nature, i.e., in its [[arohana]] (ascent), only six notes are used, and in [[avarohana]] (descent), all seven notes are used. In general, the progression of the raga is highly non-linear, which makes it difficult to capture the essence of the raga using ''arohana'' and ''avarohana''.
The raga is of ''shaadava-sampurna'' nature, i.e., in its [[arohana]] (ascent), only six notes are used, and in [[avarohana]] (descent), all seven notes are used. In general, the progression of the raga is highly non-linear, which makes it difficult to capture its essence using ''arohana'' and ''avarohana''.


The raga uses only natural (''shuddha'') versions of the Second (R), Third (G) and Sixth (D), both natural and sharp (''{{lang|hi-Latn|tivra}}'') versions of the Fourth (m and M, respectively  "( m- {{lang|hi-Latn|tivra}}, M- {{lang|hi-Latn|shuddh}})" and predominantly natural versions of the Seventh (N) but occasionally also its flat (''{{lang|hi-Latn|komal}}'') version (n). ( m- {{lang|hi-Latn|tivra}}, M- {{lang|hi-Latn|shuddh}}) "both natural and sharp" (''{{lang|hi-Latn|tivra}}'') versions of the Fourth (m and M, respectively)
The raga uses only natural (''shuddha'') versions of the Second (R), Third (G) and Sixth (D), both natural and sharp (''{{lang|hi-Latn|tivra}}'') versions of the Fourth (m and M, respectively  "( m- {{lang|hi-Latn|tivra}}, M- {{lang|hi-Latn|shuddh}})" and predominantly natural versions of the Seventh (N) but occasionally also its flat (''{{lang|hi-Latn|komal}}'') version (n). ( m- {{lang|hi-Latn|tivra}}, M- {{lang|hi-Latn|shuddh}}) "both natural and sharp" (''{{lang|hi-Latn|tivra}}'') versions of the Fourth (m and M, respectively)
Line 38: Line 39:


[[Pakad]]: S M, M P, m P m P, D P M, R S
[[Pakad]]: S M, M P, m P m P, D P M, R S
 
The notes of the raag are s r g m (m is {{lang|hi-Latn|tivra}}) p d n s.
The notes of the raga are s r g m (m is {{lang|hi-Latn|tivra}}) p d n s.


The most prominent ([[Vadi (music)|vadi]]) note is m, and the second most prominent ([[samvadi]]) is S.
The most prominent ([[Vadi (music)|vadi]]) note is m, and the second most prominent ([[samvadi]]) is S.


==Samay (time)==
== Samay ==
The raga is to be sung in the night. It is sung in the first [[prahar]] of night.
The raga is to be sung at night. It is sung in the first ''[[prahar]]'' of night. Most ragas with ''{{lang|hi-Latn|teevra}}'' ma (M) are sung at night (as per the time theory of ragas).
Most Ragas with ''{{lang|hi-Latn|teevra}}'' ma (M) are sung at night (as per the time theory of Ragas).


==Further Information==
== Further information ==
The [[meend]] from D to M via P is the heart of the raga. This phrase is repeated again and again. The G is used lightly as a grace note in the transition from m to P. The movements in the raga from one ''{{lang|hi-Latn|swara}}'' to another are quite complicated, and the extent of use of the different ''{{lang|hi-Latn|swaras}}'' often depends on the singer. Kedar is one of the five ragas that form the Kalyan Panchak or also called Panchya/Pancha Kalyan - Group of five similar ragas of [[Kalyan (thaat)|Kalyan Thaat]], namely [[Hameer]], [[Gaud Sarang]], Kamod, [[Chhayanat (raga)|Chhayanat]] and Kedar. Kedar is an ancient raga, with different genres of classical songs, like [[khayal]]s, [[thumri]]s, [[dhrupad]]s, as well as light classical songs based on it.
The [[meend]] from D to M via P is the heart of the raga. This phrase is repeated again and again. The G is used as a [[grace note]] in the transition from m to P. The movements in the raga from one ''{{lang|hi-Latn|swara}}'' to another are complicated, and the extent of use of the different ''{{lang|hi-Latn|swaras}}'' often depends on the singer. Kedar is one of five ragas that form the Kalyan Panchak or Panchya with [[Hameer]], [[Gaud Sarang]], Kamod, [[Chhayanat (raga)|Chhayanat]] and Kedar. Kedar is an ancient raga, with different genres of classical songs, like [[khayal]]s, [[thumri]]s, [[dhrupad]]s, as well as light classical songs based on it.


According to the [[Guru Granth Sahib]], raag Kedara (ਕੇਦਾਰਾ) expresses and makes the mind aware of the true character and nature of the soul. It conveys the emotions of honesty, integrity and truthfulness in a practical and caring way. This approach highlights the soul's character and is memorable, so that the mind is made aware, without arousing cynicism.
According to the [[Guru Granth Sahib]], raga Kedara (ਕੇਦਾਰਾ) expresses and makes the mind aware of the soul's true character. It conveys the emotions of honesty, integrity and truthfulness in a practical and caring way. This approach is memorable, so that the mind is made aware, without arousing cynicism.
 
==Variants of raga Kedar==


== Variants ==
* Adambari Kedar
* Anandi Kedar
* Basanti Kedar
* Chandni Kedar
* Deepak Kedar
* Jaladhar Kedar
* Kedar Bahar
* Kedari Malhar
* Maluha Kedar
* Maluha Kedar
* Jaladhar Kedar
* Deepak Kedar
* Basanti Kedar
* Nat Kedar
* Nat Kedar
* Adambari Kedar
* Shuddha Kedar
* Kedar Bahar
* Shyam Kedar
* Tilak Kedar
* Tilak Kedar
* Shyam Kedar
* Anandi Kedar
* Kedari Malhar
* Shuddha Kedar
* Chandni Kedar


== Film Songs ==
== Film songs ==
=== Language:[[Tamil language|Tamil]] ===
=== Tamil ===
{| class="wikitable"
{| class="wikitable"
!Song
! Song
!Movie
! Movie
!Composer
! Composer
!Singer
! Singer
|-
|-
|En Uyir Thozhi
| En Uyir Thozhi
|[[Karnan (1964 film)|Karnan]]
| [[Karnan (1964 film)|Karnan]]
| rowspan="2" |[[Viswanathan–Ramamoorthy]]
| rowspan="2" | [[Viswanathan–Ramamoorthy]]
|[[P. Susheela]]
| [[P. Susheela]]
|-
|-
|Udaluku Uyir Kaaval
| Udaluku Uyir Kaaval
|[[Manapanthal]]
| [[Manapanthal]]
|[[P. B. Sreenivas]]
| [[P. B. Sreenivas]]
|-
|-
|Kannizhantha
| Kannizhantha
|[[Enippadigal]]
| [[Enippadigal]]
|[[K. V. Mahadevan]]
| [[K. V. Mahadevan]]
|[[P. Susheela]]
| [[P. Susheela]]
|-
|-
|Chandrodayam Oru Pennanatho
| Chandrodayam Oru Pennanatho
|[[Chandhrodhayam]]
| [[Chandhrodhayam]]
| rowspan="5" |[[M. S. Viswanathan]]
| rowspan="5" | [[M. S. Viswanathan]]
|[[T. M. Soundararajan]], [[P. Susheela]]
| [[T. M. Soundararajan]], [[P. Susheela]]
|-
|-
|Kannile Enna Undu
| Kannile Enna Undu
|[[Aval Oru Thodar Kathai]]
| [[Aval Oru Thodar Kathai]]
|[[P. Susheela]]
| [[P. Susheela]]
|-
|-
|Vellaikkamalathiley
| Vellaikkamalathiley
|[[Gowri Kalyanam]]
| [[Gowri Kalyanam]]
|[[Soolamangalam Rajalakshmi]]
| [[Soolamangalam Rajalakshmi]]
|-
|-
|Aval Oru Navarasa
| Aval Oru Navarasa
|[[Ulagam Sutrum Valiban]]
| [[Ulagam Sutrum Valiban]]
|[[S. P. Balasubrahmanyam]]
| [[S. P. Balasubrahmanyam]]
|-
|-
|Kaaluku Keezhe Naluvuthu
| Kaaluku Keezhe Naluvuthu
|Silambu
| Silambu
|[[K. S. Chitra]]
| [[K. S. Chitra]]
|-
|-
|Yeriyile Oru Kashmir Roja
| Yeriyile Oru Kashmir Roja
(Ragamalika:Kedar/Hamirkalyani,Valaji)
(Ragamalika:Kedar/Hamirkalyani,Valaji)
|Madhanamaaligai
| Madhanamaaligai
|M. B. Sreenivasan
| M. B. Sreenivasan
|[[P. Suseela]], [[K. J. Yesudas]]
| [[P. Suseela]], [[K. J. Yesudas]]
|-
|-
|Kadhal Oviyam
| Kadhal Oviyam
|[[Kavikkuyil]]
| [[Kavikkuyil]]
|rowspan="3"|[[Ilaiyaraaja]]
| rowspan="3" | [[Ilaiyaraaja]]
|[[Sujatha Mohan]]
| [[Sujatha Mohan]]
|-
|-
|Kaiyil Veenai
| Kaiyil Veenai
|[[Vietnam Colony (1994 film)|Vietnam Colony]]
| [[Vietnam Colony (1994 film)|Vietnam Colony]]
|[[Bombay Jayashree]]
| [[Bombay Jayashree]]
|-
|-
|Inimel Naalum
| Inimel Naalum
|Iravu Pookal
| Iravu Pookal
|[[S. Janaki]]
| [[S. Janaki]]
|-
|-
|Nila Kaikiradhu
| Nila Kaikiradhu
|[[Indira (film)|Indira]]
| [[Indira (film)|Indira]]
|rowspan="3"|[[A. R. Rahman]]
| rowspan="3" | [[A. R. Rahman]]
|[[Hariharan (singer)|Hariharan]], [[Harini (singer)|Harini]]
| [[Hariharan (singer)|Hariharan]], [[Harini (singer)|Harini]]
|-
|-
|Swasame Swasame
| Swasame Swasame
(Ragamalika:Kedar/Hamirkalyani,Maand)
(Ragamalika:Kedar/Hamirkalyani,Maand)
|[[Thenali]]
| [[Thenali]]
|[[S. P. Balasubrahmanyam]], [[Sadhana Sargam]]
| [[S. P. Balasubrahmanyam]], [[Sadhana Sargam]]
|-
|-
|Kanava Illai Kaatra
| Kanava Illai Kaatra
|[[Ratchagan]]
| [[Ratchagan]]
|[[Srinivas (singer)|Srinivas]]
| [[Srinivas (singer)|Srinivas]]
|-
|-
|Manasukkul
| Manasukkul
|[[Kalyana Agathigal]]
| [[Kalyana Agathigal]]
|V. S. Narasimhan
| V. S. Narasimhan
|Raj Sitaraman, [[P. Susheela]]
| Raj Sitaraman, [[P. Susheela]]
|-
|-
|Iruvathu Vayathu Varai
| Iruvathu Vayathu Varai
|[[Kannodu Kanbathellam]]
| [[Kannodu Kanbathellam]]
|[[Deva (composer)|Deva]]
| [[Deva (composer)|Deva]]
|[[Hariharan (singer)|Hariharan]], [[S. Janaki]]
| [[Hariharan (singer)|Hariharan]], [[S. Janaki]]
|}
|}


===Language: [[Hindi]]===
=== Hindi ===
Following are the filmy songs in Raaga Kedar and the film in which the song was there and also the singer :
Following are the films that used material from raga Kedar:
* {{transl|hi|Bekas pe karam kijie ye}} - [[Mughal-e-Azam]] (1960)- [[Lata Mangeshkar]]  
* {{transl|hi|Bekas pe karam kijie ye}} - [[Mughal-e-Azam]] (1960)- [[Lata Mangeshkar]]
* {{transl|hi|Bole to bansuri kahi}} - [[Sawan Ko Aane Do]] (1979)- [[Yesudas]]
* {{transl|hi|Bole to bansuri kahi}} - [[Sawan Ko Aane Do]] (1979)- [[Yesudas]]
* {{transl|hi|Darshan do Ghanashyam naath - Narsi Bhagat}} (1957) - [[Hemant Kumar]], [[Manna Dey]], [[Sudha Malhotra]], Chorus  
* {{transl|hi|Darshan do Ghanashyam naath – Narsi Bhagat}} (1957) – [[Hemant Kumar]], [[Manna Dey]], [[Sudha Malhotra]], Chorus
* {{transl|hi|Hum ko mann ko shakti dena}} - [[Guddi (1971 film)|Guddi]] (1971) - [[Vani Jairam]]
* {{transl|hi|Hum ko mann ko shakti dena}} - [[Guddi (1971 film)|Guddi]] (1971) – [[Vani Jairam]]


==References==
== References ==
{{reflist}}


* https://chrandrakanta.com
==Sources==
* http://www.tanarang.com/english/kedar_eng.htm
*<ref>[https://chrandrakanta.com/ Chandra Kanta]</ref>
* https://www.parrikar.org/hindustani/kedar/
* {{Cite web|title=Raag Kedar - Indian Classical Music - Tanarang.com|url=http://www.tanarang.com/english/kedar_eng.htm|access-date=2021-05-31|website=www.tanarang.com}}
* https://www.parrikar.org/hindustani/variants-kedar/
* {{Cite web|title=Raga Kedar – A Perspective|url=https://www.parrikar.org/hindustani/kedar/|access-date=2021-05-31|website=Rajan Parrikar Music Archive|language=en-US}}
* {{Cite web|title=On the Variants of Kedar|url=https://www.parrikar.org/hindustani/variants-kedar/|access-date=2021-05-31|website=Rajan Parrikar Music Archive|language=en-US}}


==External links==
== External links ==
* [http://www.parrikar.org/hindustani/kedar/ Raga Kedar - A Perspective]
* [http://www.parrikar.org/hindustani/kedar/ Raga Kedar – A Perspective]
* [https://web.archive.org/web/20070514235610/http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas]
* [https://web.archive.org/web/20070514235610/http://www.itcsra.org/sra_others_samay_index.html SRA on Samay and Ragas]
* [https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html SRA on Ragas and Thaats]
* {{Cite web|url=http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html|title=Know your Raga : Thaat|date=14 May 2007|archive-url=https://web.archive.org/web/20070514234610/http://www.itcsra.org/sra_raga/sra_raga_that/sra_raga_that_index.html|archive-date=14 May 2007}}
* [https://web.archive.org/web/20070510143551/http://www.sawf.org/music/articles.asp?pn=Music Rajan Parrikar on Ragas]
* {{Cite web|url=http://www.sawf.org/music/articles.asp?pn=Music|title=Sawf Archive of Articles on Classical Indian Music|date=10 May 2007|archive-url=https://web.archive.org/web/20070510143551/http://www.sawf.org/music/articles.asp?pn=Music|archive-date=10 May 2007}}
* [http://oceanofragas.com/ocean_htmlpages/kedar.html More details about raga Kedar]
* {{Cite web|url=https://oceanofragas.com/ocean_htmlpages/kedar.html|title=Ocean Of Ragas|website=oceanofragas.com}}


{{Rāgas as per Performance Time}}
{{Rāgas as per Performance Time}}
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{{India-music-stub}}
{{India-music-stub}}
{{en-Wikipedia}}

Revision as of 08:04, 18 September 2021



Kedar
ThaatKalyan
TypeChanchal raga
Time of day1st prahar of the night
SeasonNo specific season but sung mostly in rainy season
ArohanaS M G P D N S'(Tar Saptak)
AvarohanaS' N D P M (Tivra) P M R S
PakadThe pakad of this raga is सा म ग प मे (tivra) म रे सा
Chalanसा म ग प मे (tivra) म रे सा
VadiMa
SamavadiSa
SynonymHameer raga
EquivalentHameer, Gaud Sarang, Kamod, Chhayanat.
Similarraga Hameer Kalyani (Carnatic raaga)
Hindustani classical music
Concepts
Genres
Thaats
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Kedara Ragini

Raga Kedar, also known as Kedara, is a Hindustani classical raga. Named after Lord Shiva, the raga occupies a high pedestal in Indian classical music. It is characterised by many melodious turns. This raga is the repetition of the swaras सा and म. It is generally accepted that it displays much thermal energy and is regarded as the Raagini of Raag Deepak. While preceding from Shuddha Madhyam (m) to Pancham (P), a touch of Gandhar (G) or a smooth passage from Gandhar (G) to Pancham (P) expressed as m G P is the more common way of instant raga manifestation.

Origin

The raga emerges from the Kalyan thaat. This raga is named after Lord Shiva and is loved by Lord Krishna. Lord Krishna played this raga on his flute and everyone in Gokul was mesmerized.

Technical description

The raga is of shaadava-sampurna nature, i.e., in its arohana (ascent), only six notes are used, and in avarohana (descent), all seven notes are used. In general, the progression of the raga is highly non-linear, which makes it difficult to capture its essence using arohana and avarohana.

The raga uses only natural (shuddha) versions of the Second (R), Third (G) and Sixth (D), both natural and sharp (tivra) versions of the Fourth (m and M, respectively "( m- tivra, M- shuddh)" and predominantly natural versions of the Seventh (N) but occasionally also its flat (komal) version (n). ( m- tivra, M- shuddh) "both natural and sharp" (tivra) versions of the Fourth (m and M, respectively)

Arohana: S M, M'P D M , D N S`

Avarohana: S' N D P, m P D P M~ , S R S

Pakad: S M, M P, m P m P, D P M, R S

The notes of the raga are s r g m (m is tivra) p d n s.

The most prominent (vadi) note is m, and the second most prominent (samvadi) is S.

Samay

The raga is to be sung at night. It is sung in the first prahar of night. Most ragas with teevra ma (M) are sung at night (as per the time theory of ragas).

Further information

The meend from D to M via P is the heart of the raga. This phrase is repeated again and again. The G is used as a grace note in the transition from m to P. The movements in the raga from one swara to another are complicated, and the extent of use of the different swaras often depends on the singer. Kedar is one of five ragas that form the Kalyan Panchak or Panchya with Hameer, Gaud Sarang, Kamod, Chhayanat and Kedar. Kedar is an ancient raga, with different genres of classical songs, like khayals, thumris, dhrupads, as well as light classical songs based on it.

According to the Guru Granth Sahib, raga Kedara (ਕੇਦਾਰਾ) expresses and makes the mind aware of the soul's true character. It conveys the emotions of honesty, integrity and truthfulness in a practical and caring way. This approach is memorable, so that the mind is made aware, without arousing cynicism.

Variants

  • Adambari Kedar
  • Anandi Kedar
  • Basanti Kedar
  • Chandni Kedar
  • Deepak Kedar
  • Jaladhar Kedar
  • Kedar Bahar
  • Kedari Malhar
  • Maluha Kedar
  • Nat Kedar
  • Shuddha Kedar
  • Shyam Kedar
  • Tilak Kedar

Film songs

Tamil

Song Movie Composer Singer
En Uyir Thozhi Karnan Viswanathan–Ramamoorthy P. Susheela
Udaluku Uyir Kaaval Manapanthal P. B. Sreenivas
Kannizhantha Enippadigal K. V. Mahadevan P. Susheela
Chandrodayam Oru Pennanatho Chandhrodhayam M. S. Viswanathan T. M. Soundararajan, P. Susheela
Kannile Enna Undu Aval Oru Thodar Kathai P. Susheela
Vellaikkamalathiley Gowri Kalyanam Soolamangalam Rajalakshmi
Aval Oru Navarasa Ulagam Sutrum Valiban S. P. Balasubrahmanyam
Kaaluku Keezhe Naluvuthu Silambu K. S. Chitra
Yeriyile Oru Kashmir Roja

(Ragamalika:Kedar/Hamirkalyani,Valaji)

Madhanamaaligai M. B. Sreenivasan P. Suseela, K. J. Yesudas
Kadhal Oviyam Kavikkuyil Ilaiyaraaja Sujatha Mohan
Kaiyil Veenai Vietnam Colony Bombay Jayashree
Inimel Naalum Iravu Pookal S. Janaki
Nila Kaikiradhu Indira A. R. Rahman Hariharan, Harini
Swasame Swasame

(Ragamalika:Kedar/Hamirkalyani,Maand)

Thenali S. P. Balasubrahmanyam, Sadhana Sargam
Kanava Illai Kaatra Ratchagan Srinivas
Manasukkul Kalyana Agathigal V. S. Narasimhan Raj Sitaraman, P. Susheela
Iruvathu Vayathu Varai Kannodu Kanbathellam Deva Hariharan, S. Janaki

Hindi

Following are the films that used material from raga Kedar:

References

Sources

  • [1]
  • "Raag Kedar - Indian Classical Music - Tanarang.com". www.tanarang.com. Retrieved 31 May 2021.
  • "Raga Kedar – A Perspective". Rajan Parrikar Music Archive. Retrieved 31 May 2021.
  • "On the Variants of Kedar". Rajan Parrikar Music Archive. Retrieved 31 May 2021.

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  1. ↑ Chandra Kanta
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