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{{short description|Hindu ritual of light-waving}}
{{short description|Hindu ritual of light-waving}}
{{Other uses|Arti (disambiguation){{!}}Arti}}
{{italic title}}
{{italic title}}{{More citations needed|date=January 2023}}[[File:(1) Aarti Thali, Prayer Plate India.jpg|thumb|''Arti'' plate]]
{{redirect|Aarti|the 1962 Indian Hindi-language film|Aarti (film)|other uses|Arti (disambiguation){{!}}Arti}}
{{More citations needed|date=January 2023}}


'''''Arti''''' ({{Lang-hi|आरती|translit=Ārtī}}) or '''''Arati''''' ({{Lang-sa|आरति|translit=Ārati}})<ref>{{Cite book |last1=Woodhead |first1=Linda |url=https://books.google.com/books?id=6qJeCwAAQBAJ&pg=PA68 |title=Religions in the Modern World: Traditions and Transformations |last2=Partridge |first2=Christopher |last3=Kawanami |first3=Hiroko |date=2016-01-13 |publisher=Routledge |isbn=978-1-317-43960-8 |pages=68 |language=en}}</ref><ref>{{Cite book |last=Monier-Williams |first=Sir Monier |url=https://books.google.com/books?id=lscX55ssDNsC&pg=PA94 |title=Brahmanism and Hinduism: Or Religious Thought and Life in Asia |date=2004 |publisher=Cosmo |isbn=978-81-7755-873-9 |pages=94 |language=en}}</ref> is a [[Hindu]] ritual employed in worship, often part of a ''[[Puja (Hinduism)|puja]]'', in which light (usually from a flame) is ritually waved for the veneration of [[Hindu deities|deities]].<ref>{{Cite book |last=Michaels |first=Axel |url=https://books.google.com/books?id=PD-flQMc1ocC&pg=PA232 |title=Hinduism: Past and Present |date=2004 |publisher=Princeton University Press |isbn=978-0-691-08952-2 |pages=232 |language=en}}</ref><ref>{{Cite book |last=Flood |first=Gavin D. |url=https://books.google.com/books?id=KpIWhKnYmF0C&pg=PA209 |title=An Introduction to Hinduism |date=1996-07-13 |publisher=Cambridge University Press |isbn=978-0-521-43878-0 |pages=209 |language=en}}</ref> ''Arti(s)'' also refers to the songs sung in praise of the deity, when the light is being offered.
[[File:(1) Aarti Thali, Prayer Plate India.jpg|thumb|''Arti'' plate]]


==Origin==
'''''Arti''''' ({{Langx|hi|आरती|translit=Āratī}}) or '''''Aratrika''''' ({{Langx|sa|आरात्रिक|translit=Ārātrika}})<ref>{{Cite book |last1=Woodhead |first1=Linda |url=https://books.google.com/books?id=6qJeCwAAQBAJ&pg=PA68 |title=Religions in the Modern World: Traditions and Transformations |last2=Partridge |first2=Christopher |last3=Kawanami |first3=Hiroko |date=2016-01-13 |publisher=Routledge |isbn=978-1-317-43960-8 |pages=68 |language=en}}</ref><ref>{{Cite book |last=Monier-Williams |first=Sir Monier |url=https://books.google.com/books?id=lscX55ssDNsC&pg=PA94 |title=Brahmanism and Hinduism: Or Religious Thought and Life in Asia |date=2004 |publisher=Cosmo |isbn=978-81-7755-873-9 |pages=94 |language=en}}</ref> is a [[Hindu]] ritual employed in worship, part of a ''[[Puja (Hinduism)|puja]]'', in which light from a flame (fuelled by [[camphor]], [[ghee]], or oil) is ritually waved to venerate [[Hindu deities|deities]].<ref>{{Cite web |last=admin |date=2021-05-19 |title=Aarti । Why do we do Aarti? |url=https://simplehinduism.com/why-do-we-do-aarti/ |access-date=2023-11-09 |website=Simple Hinduism |language=en}}</ref><ref>{{Cite book |last=Michaels |first=Axel |url=https://books.google.com/books?id=PD-flQMc1ocC&pg=PA232 |title=Hinduism: Past and Present |date=2004 |publisher=Princeton University Press |isbn=978-0-691-08952-2 |pages=232 |language=en}}</ref><ref>{{Cite book |last=Flood |first=Gavin D. |url=https://books.google.com/books?id=KpIWhKnYmF0C&pg=PA209 |title=An Introduction to Hinduism |date=1996-07-13 |publisher=Cambridge University Press |isbn=978-0-521-43878-0 |pages=209 |language=en}}</ref> ''Arti'' also refers to the hymns sung in praise of the deity, when the light is being offered. [[Sikhs]] have ''Arti'' ''kirtan'' which involves only devotional singing; the [[Nihang]] order of Sikhs also use light for ''arti''.<ref name=":0">{{Cite web |date=2023-08-25 |title=Aarti |url=https://sikh13.com/aarti/ |access-date=2023-11-09 |language=en-US}}</ref>
Arti is derived from the [[Sanskrit]] word {{lang|sa|आरात्रिक}} ({{transliteration|sa|ISO|ārātrika}}) which means something that removes {{transliteration|sa|ISO|rātrī}}, darkness (or light waved in darkness before an icon).<ref>James Lochtefeld, An illustrated Encyclopedia of Hinduism, {{ISBN|0-8239-2287-1}}, page 51</ref><ref>Monier Williams Sanskrit Dictionary; Quote: ArAtrika n. the light (or the vessel containing it) which is waved at night before an icon; N. of this ceremony.</ref> A Marathi language reference says it is also known as {{transliteration|sa|ISO|Mahānīrāñjanā}} ({{lang-sa|महानीराञ्जना}}).<ref>{{Cite web|url=https://wikisource.org/wiki/Page:Konkani_Viswakosh_Vol1.pdf/191|title=Page:Konkani Viswakosh Vol1.PDF/191 - Wikisource}}</ref>


''Arti'' is said to have descended from the [[Historical Vedic religion|Vedic]] concept of fire rituals, or ''[[Yajna|homa/yajna]]''. In the traditional ''arti'' ceremony, the flower represents the earth (solidity), the water and accompanying handkerchief correspond with the water element (liquidity), the ghee or oil lamp represents the fire component (heat), the peacock fan conveys the precious quality of air (movement), and the yak-tail fan represents the subtle form of ether (space). The incense represents a purified state of mind, and one's "intelligence" is offered through the adherence to rules of timing and order of offerings. Thus, one's entire existence and all facets of material creation are symbolically offered to God via the ''arti'' ceremony.<ref>Rosen, Steven (2006). ''Essential Hinduism''. Praeger Publishers. {{page needed|date=September 2021}} {{ISBN|0-275-99006-0}}</ref> The word may also refer to the traditional Hindu devotional song that is sung during the ritual.
==Etymology and origin==
[[File:Holy Smokes! 01.jpg|thumb|Arti performed in Rishikesh]]
''Aarti'' is thought to have descended from [[Historical Vedic religion|''Vedic'']] fire rituals or ''[[yajna]]''.<ref>{{Cite web |title=– BAPS Shri Swaminarayan Mandir, London |url=https://londonmandir.baps.org/worship/arti-the-hindu-ceremony-of-light/ |access-date=2023-11-09}}</ref> ''Aarati'' is derived from the [[Sanskrit]] word {{lang|sa|आरात्रिक}} ({{transliteration|sa|ISO|ārātrika}}) which means something that removes {{transliteration|sa|ISO|rātrī}}, "darkness".<ref name=":3">James Lochtefeld, ''An illustrated Encyclopedia of Hinduism'', {{ISBN|0-8239-2287-1}}, page 51</ref><ref>Monier Williams Sanskrit Dictionary; Quote: ArAtrika n. the light (or the vessel containing it) which is waved at night before an icon; N. of this ceremony.</ref> A [[Marathi language]] reference says it is also known as {{transliteration|sa|ISO|Mahānīrāñjanā}} ({{langx|sa|महानीराञ्जना}}).<ref>{{Cite web|url=https://wikisource.org/wiki/Page:Konkani_Viswakosh_Vol1.pdf/191|title=Page:Konkani Viswakosh Vol1.PDF/191 – Wikisource}}</ref> According to Steven Rosen, ''arti'' means "before night" or symbolic end of the night to the worshipper's "material sojourn – he or she is now situated in the light of God's devotion."<ref name=":1">Rosen, Steven (2006). ''Essential Hinduism''. Praeger Publishers. p. 196. {{ISBN|0-275-99006-0}}</ref>[[File:Varanasi, ganga aarti (6299989162).jpg|thumb|''Arti'' performed in [[Rishikesh]]]]


==Practice==
==Practice==
''Arti'' can range from simple acts of worship to extravagant rituals, but always includes [[Navratra Akhand Jyoti|jyoti]] (flame or light). It is sometimes performed one to five times daily, and usually at the end of a ''[[Puja (Hinduism)|puja]]'' and [[bhajan]] session (in northern India). It is performed during almost all Hindu ceremonies and occasions. It involves the circulating of an "''arti'' plate" or "''arti'' lamp" around a person or deity and is generally accompanied by the congregation singing songs in praise of that deva or person - many versions exist. In most versions the plate, lamp, or flame represents the power of the deity. The priest circulates the plate or lamp to all those present. They cup their down-turned hands over the flame and then raise their palms to their forehead – the blessing has now been passed to the devotee.
''Aarti'' ranges from simple acts of worship to extravagant rituals, but almost always includes a ''jyoti'' (flame or light). It is performed up to eight times daily, depending on the specific Hindu tradition and temple.<ref name=":1" /> It is performed as part of most Hindu liturgies and occasions and typically involves circling a ''[[Diya (lamp)|diya]]'' (lamp) clockwise before a [[murti]] or [[icon]] of a deity, accompanied by hymns.<ref name=":2">{{Cite book |last=Hawley |first=John Stratton |title=The Life of Hinduism |publisher=University of California Press |year=2006 |pages=39–40 |language=english}}</ref><ref name=":3" /> After waving the lamp before the deity, it is brought to the devotee, who then briefly places both their palms above the sanctified flame to receive its warmth. The devotee then raises their hands in [[supination]], bringing both palms toward to their forehead in a gesture of self-purification and connection with the Divine.<ref name=":2" />


The ''arti'' plate is generally made of metal, usually silver, bronze or copper. On it must repose a lamp made of kneaded flour, mud or metal, filled with oil or ghee. One or more cotton wicks (always an odd number) are put into the oil and then lighted, or camphor is burnt instead. The plate may also contain flowers, incense and akshata (rice).<ref>Akshata: (Sanskrit) "Unbroken." Unmilled, uncooked rice, often mixed with turmeric, offered as a sacred substance during ''puja'', or in blessings for individuals at weddings and other ceremonies. This, the very best food, is the finest offering a devotee can give to God or a wife can give to her husband.</ref> In some temples, a plate is not used and the priest holds the ghee lamp in his hand when offering it to the deities.
The ''diya'' (lamp) used for ''aarti'' is most often made of brass or other materials and holds a cotton wick soaked in camphor, ghee, or oil.<ref name=":2" /><ref name=":3" /> The ''aarti'' plate may contain other offerings like flowers, incense, and ''akshata'' (rice).<ref>Akshata: (Sanskrit) "Unbroken." Unmilled, uncooked rice, often mixed with turmeric, offered as a sacred substance during ''puja'', or in blessings for individuals at weddings and other ceremonies.</ref>


The purpose of performing ''arti'' is the waving of lighted wicks before the deities in a spirit of humility and gratitude, wherein faithful followers become immersed in god's divine form. It symbolises the [[Mahābhūta|five elements]]:  
The purpose of ''aarti'' is to wave light before the deity in a spirit of humility and gratitude, wherein the faithful become immersed in a God's divine form. All accoutrements used for ''aarti'' symbolize the [[Mahābhūta|five elements]]:<ref name=":1" />
# Space ({{transliteration|sa|hunterian|akasha}})
# Space ({{transliteration|sa|hunterian|akasha}}) - [[yak]]-tail fan
# Wind ({{transliteration|sa|hunterian|vayu}})
# Wind ({{transliteration|sa|hunterian|vayu}}) - peacock fan
# Fire ({{transliteration|sa|hunterian|agni}})
# Fire ({{transliteration|sa|hunterian|agni}}) - lamp or candle
# Water ({{transliteration|sa|hunterian|jalam}})
# Water ({{transliteration|sa|hunterian|jalam}})  
# Earth ({{transliteration|sa|hunterian|prithvi}})
# Earth ({{transliteration|sa|hunterian|prithvi}}) - flowers


Community ''arti'' is performed in the mandir; however, devotees also perform it in their homes.
''Aarti'' may also be performed at shrines within a business or home.<ref name=":1" />
{{clear}}


==Significance==
==Significance==
[[File:Durga puja blessing.jpg|thumb|left|Taking ''arti'' [[blessing]] during a [[Durga puja|Durga ''puja'']] celebration.]]
[[File:Durga puja blessing.jpg|thumb|left|Taking ''arti'' [[blessing]] during a [[Durga puja|Durga ''puja'']] celebration.]]
{{Hinduism}}
{{Hinduism}}
''Arti'' can be an expression of many things including love, benevolence, gratitude, prayers, or desires depending on the object it is done to/ for. For example, it can be a form of respect when performed to elders, prayers when performed to deities, or hope when performed for homes or vehicles. Emotions and prayers are often silent while doing ''arti'', but this is determined by the person carrying out the ritual or the holiday involved. It's also believed that goodwill and luck can be taken through symbolic hand movements over the flame.<ref>{{cite news|url=https://aajtak.intoday.in/story/what-is-the-rules-and-significance-of-doing-aarti-tpra-1-1019315.html|title='Rules and significance of Aarti|work=Indiatoday|access-date=2020-03-24}}</ref>
''Arti'' is an expression of many aspects including love, benevolence, gratitude, prayers, or desires depending on the object for which it is performed. For example, it can be a form of respect when performed for elders, prayers when performed to deities, or hope when performed for homes or vehicles. Emotions and prayers are often silent while doing ''arti'', but this is determined by the person carrying out the ritual or the holiday involved. It's also believed that goodwill and luck can be taken through symbolic hand movements over the flame.<ref>{{cite news|url=https://aajtak.intoday.in/story/what-is-the-rules-and-significance-of-doing-aarti-tpra-1-1019315.html|title='Rules and significance of Aarti|work=Indiatoday|access-date=2020-03-24}}</ref>


When ''arti'' is performed, the performer faces the deity of god (or divine element, e.g. Ganges river) and concentrates on the form of god by looking into the eyes of the deity (it is said that eyes are the windows to the soul) to get immersed. The flame of the ''arti'' illuminates the various parts of the deity so that the performer and onlookers may better see and concentrate on the form.  ''Arti'' is waved in circular fashion, in clockwise manner around the deity. After every circle (or second or third circle), when ''arti'' has reached the bottom (6–8 o'clock position), the performer waves it backwards while remaining in the bottom (4–6 o'clock position) and then continues waving it in clockwise fashion. The idea here is that ''arti'' represents our daily activities, which revolves around god, a center of our life. Looking at god while performing ''arti'' reminds the performer (and the attendees of the ''arti'') to keep god at the center of all activities and reinforces the understanding that routine worldly activities are secondary in importance. This understanding would give the believers strength to withstand the unexpected grief and keeps them humble and remindful of god during happy moments. Apart from worldly activities ''arti'' also represents one's self - thus, ''arti'' signifies that one is peripheral to godhead or divinity. This would keep one's ego down and help one remain humble in spite of high social and economic rank. A third commonly held understanding of the ritual is that ''arti'' serves as a reminder to stay vigilant so that the forces of material pleasures and desires cannot overcome the individual. Just as the lighted wick provides light and chases away darkness, the vigilance of an individual can keep away the influence of the material world.<ref name="rosen">Rosen, Steven. Essential Hinduism. 1st. Westport: Praeger Publishers, 2006. {{page needed|date=September 2021}}</ref>
Apart from worldly activities, ''arti'' also represents one's self - thus, ''arti'' signifies that one is peripheral to godhead or divinity. This would keep one's ego down and help one remain humble in spite of high social and economic rank. A third commonly held understanding of the ritual is that ''arti'' serves as a reminder to stay vigilant so that the forces of material pleasures and desires cannot overcome the individual. Just as the lighted wick provides light and chases away darkness, the vigilance of an individual can keep away the influence of the material world.<ref name=":1" />
 
''Arti'' is not only limited to god. ''Arti'' can performed not only to all forms of life, but also inanimate objects which help in progress of the culture. This is exemplified by performer of the ''arti'' waving ''arti'' to all the devotees as the ''arti'' comes to the end – signifying that everyone has a part of god within that the performer respects and bows down to. It is also a common practice to perform ''arti'' to inanimate objects like vehicles, electronics etc. at least when a Hindu starts using it, just as a gesture of showing respect and praying that this object would help one excel in the work one would use it for. It is similar to the ritual of doing auspicious red mark(s) using ''kanku'' (''kumkum'') and rice.


==Songs==
==Songs==
[[File:Aarti-dance-bangalore-2009.jpg|thumb|''Arti'' dance in Bangalore, 2009.]]
[[File:Aarti-dance-bangalore-2009.jpg|thumb|''Arti'' dance in Bangalore, 2009.]]
Hinduism has a long tradition of ''arti'' songs, simply referred to as ''arti'', sung as an accompaniment to the ritual of ''arti''. It primarily eulogizes  the deity that the ritual is being offered to, and several sects have their own versions of the common ''arti'' songs that are often sung on chorus at various temples, during evening and morning artis. Sometimes they also contain snippets of information on the life of the deity.
Hinduism has a long tradition of songs sung as an accompaniment to the ritual of ''arti''. It primarily extols the virtues of the deity that the ritual is being offered to, and several sects have their own versions of the common ''arti'' songs that are often sung on chorus at various temples, during evening and morning artis. Sometimes they also contain snippets of information on the life of the deity.


The most commonly sung ''arti'' is that which is dedicated to all deities called [[Jai Jagdish Hare|Om Jai Jagdish Hare]], known as "the universal ''arti''". Other arti's are used for other deities as well such as Om Jai Shiv omkara, Om Jai Lakshmi mata, Om Jai Ambe gauri, Om Jai Adya Shakti, Om Jai Saraswati Mata, Om Jai Gange Mata, Om Jai Tulsi Mata and Om Jai Surya Bhagvaan. In [[Ganesha]] worship, the ''arti'' "[[Sukhakarta Dukhaharta]]" is popular in Maharashtra.
The most commonly sung ''arti'' is that which is dedicated to all deities called [[Jai Jagdish Hare|Om Jai Jagdish Hare]], known as "the universal ''arti''". Other arti's are used for other deities as well such as Om Jai Shiv omkara, Om Jai Lakshmi mata, Om Jai Ambe gauri, Om Jai Adya Shakti, Om Jai Saraswati Mata, Om Jai Gange Mata, Om Jai Tulsi Mata and Om Jai Surya Bhagvaan. In [[Ganesha]] worship, the ''arti'' "[[Sukhakarta Dukhaharta]]" is popular in Maharashtra.
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In [[Pushtimarg]] Havelis, ''arti'' is performed by a sole ''mukhiyaji'' (priest) while "Haveli Sangit" (''kirtan'') is being sung. Devotees only watch the ''arti'' being done and do not get to take a major part in it. During bhajan or utsavs (festivals) celebrated at home, "Jai Jai Shree Yamuna" is sung while devotees perform ''arti''. It is said that Sandhya ''arti'' is done to see if Lord [[Shrinathji]] had gotten hurt while playing outside because it is performed after sundown.
In [[Pushtimarg]] Havelis, ''arti'' is performed by a sole ''mukhiyaji'' (priest) while "Haveli Sangit" (''kirtan'') is being sung. Devotees only watch the ''arti'' being done and do not get to take a major part in it. During bhajan or utsavs (festivals) celebrated at home, "Jai Jai Shree Yamuna" is sung while devotees perform ''arti''. It is said that Sandhya ''arti'' is done to see if Lord [[Shrinathji]] had gotten hurt while playing outside because it is performed after sundown.
In Sikhism the ''arti'' sung is [[Gagan mein thaal]].
==Gaudiya Vaishnavism==
{{multiple image
| footer    = ''Arti'' steps
| width1    = 120
| width2    = 107
| image1    = Ganga Aarti at Varanasi ghats.jpg
| caption1      = Group ''arti'' at the [[Dashashwamedh Ghat]]
| image2    = La cérémonie Ganga Aarti (Varanasi) (8471357705).jpg
| caption2      = Lighted incense ceremony
}}
In [[Gaudiya Vaishnavism]], ''arti'' refers to the whole ''[[Puja (Hinduism)|puja]]'' ritual, of which offering the lamp is only one part. A [[shankha]] (conch) is blown to start the ''arti'', then an odd number of incense sticks are offered to the deity. The lamp is offered next, and then circulated among the devotees. A conch is then filled with water, and offered; the water is then poured into a sprinkler and sprinkled over the devotees. A cloth and flowers are then offered, and the flowers are circulated to the devotees, who sniff them. The deity is then fanned with a camara whisk, and a peacock fan in hot countries.


==Durga Puja==
==Durga Puja==
{{See also|Natyashastra}}
{{See also|Natyashastra}}
During the Bengali festival [[Durga puja|Durga ''puja'']] ritual drummers – ''[[dhaki]]s,'' carrying large leather-strung ''[[Dhak (instrument)|dhak]]'s'', show off their skills during ritual dance worships called ''arti'' or ''Dhunuchi dance''.<ref>{{cite book|last=Gupta|first=Shobhna|title=Dances of India|year=2002|publisher=Har-Anand Publications Pvt Ltd|location=New Delhi|isbn=9788124108666|page=71}}</ref>
During the Bengali festival [[Durga puja|Durga ''puja'']] ritual drummers – ''dhakis,'' carrying large leather-strung ''[[Dhak (instrument)|dhak]]'s'', show off their skills during ritual dance worships called ''arti'' or ''[[Dhunuchi Nritya|Dhunuchi dance]]''.<ref>{{cite book|last=Gupta|first=Shobhna|title=Dances of India|year=2002|publisher=Har-Anand Publications Pvt Ltd|location=New Delhi|isbn=9788124108666|page=71}}</ref>


==Sikhism==
==Sikhism==
[[Amritsar]]i Sikhs have not been performing ''arti'' as Hindus perform, but instead sing ''arti kirtan'', which are a few shabads from [[Guru Nanak]], [[Ravidas]] and other Bhagats/Gurus. Nihangs recite Aarta before arti which includes some more shabads from the [[Dasam Granth]] and [[Sarabloh Granth]]. According to them, ''arti'' is the ''arti'' of divine wisdom, which is in form of Guru Granth Sahib. The concept is similar to bowing before Guru Granth Sahib on knees. Nihangs perform Aarti similar to how Hindus do (using lamps, incense, flowers, bells, conch shells at specific parts of the ceremony)
In [[Sikhism]], [[Gagan mein thaal|''Gagan mai thaal'']] is a type of ''arti'' recited by [[Sikh gurus|first guru]], [[Guru Nanak]]<ref>http://www.livehindustan.com/news/tayaarinews/tayaarinews/article1-story-67-67-199585.html गुरु नानक देव और उनके द्वारा प्रवर्तित मार्ग</ref> in either 1506<ref name="orgov">{{Cite web |title=Orissa Review FEBRUARY MARCH 2012................ |url=https://magazines.odisha.gov.in/Orissareview/2012/Feb-March/Feb-Marchreview.htm |website=E-Magazine - Government of Orissa |publisher=Orissa Review}}</ref> or 1508<ref name="barusahib">{{Cite web |date=13 November 2013 |title=Home |url=http://www.barusahib.org/Assets/Publications/Natures_Own_Arti.pdf&nbsp;}}</ref><ref name="sikh-heritage">{{cite web |title=Untitled Document |url=http://www.sikh-heritage.co.uk/Scriptures/Guru%20Granth/Guru%20Granth.htm&nbsp |accessdate=2024-04-01 |website=sikh-heritage.co.uk}}</ref> at [[Jagannath Temple, Puri]], during his ''Udaasi'' (journey) to the east of the [[Indian subcontinent]].<ref name="orgov" /><ref name="barusahib" /> [[Amritsar]] Sikhs  sing ''Arti kirtan'', which comprise a few ''shabads'' from [[Guru Nanak]], [[Ravidas]] and other [[Bhagat]]s and Gurus. According to them, it is the ''arti'' of divine wisdom in the form of the ''[[Guru Granth Sahib]]'' – Sikhism's eternal [[Guru]] and chief scripture. It is considered the equivalent of bowing on one's knees before the ''Guru Granth Sahib''. This ''arti'' does not employ ritual items, but is instead sung after the daily recitation of the ''[[Rehraas Sahib]]'' and [[Ardās]] at [[Harmandir Sahib]] in [[Amritsar]], and most [[Gurdwara]]s worldwide.
 
An exception is the [[Nihang]] order, whose members first recite ''Aarta'' (prayers derived  from ''banis'' in the ''[[Dasam Granth]]'' and ''[[Sarbloh Granth]]'' – scriptures of secondary and tertiary importance in the faith), and as in Hindu practise, employ ''diya'', flowers, conch shells, bells, incense during the ritual.<ref name=":0" /> This form of Sikh ''arti'' is also recited at [[Takht Sri Patna Sahib|Patna Sahib]] and [[Hazur Sahib]].


==See also==
==See also==
{{col div|colwidth=30em}}
* [[Arti (given name)]]
* [[Arti (given name)]]
* [[Blessing]]
* [[Blessing]]
* [[Jai Jagdish Hare]]
* [[Jay Sadguru Swami]]
* [[Jay Sadguru Swami]]
* [[Mantrapushpanjali]]
* [[Mantrapushpanjali]]
* [[Om Jai Jagdish Hare]]
* [[Shankha]]
* [[Shankha]]
{{colend}}


==Notes==
==Notes==
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==External links==
==External links==
*  
* {{Commons category-inline}}


{{Worship in Hinduism}}
{{Worship in Hinduism}}

Latest revision as of 13:03, 24 March 2026


Arti plate

Arti (Script error: The function "langx" does not exist.) or Aratrika (Script error: The function "langx" does not exist.)[1][2] is a Hindu ritual employed in worship, part of a puja, in which light from a flame (fuelled by camphor, ghee, or oil) is ritually waved to venerate deities.[3][4][5] Arti also refers to the hymns sung in praise of the deity, when the light is being offered. Sikhs have Arti kirtan which involves only devotional singing; the Nihang order of Sikhs also use light for arti.[6]

Etymology and origin[edit | edit source]

Aarti is thought to have descended from Vedic fire rituals or yajna.[7] Aarati is derived from the Sanskrit word आरात्रिक (ārātrika) which means something that removes rātrī, "darkness".[8][9] A Marathi language reference says it is also known as Mahānīrāñjanā (Script error: The function "langx" does not exist.).[10] According to Steven Rosen, arti means "before night" or symbolic end of the night to the worshipper's "material sojourn – he or she is now situated in the light of God's devotion."[11]

Arti performed in Rishikesh

Practice[edit | edit source]

Aarti ranges from simple acts of worship to extravagant rituals, but almost always includes a jyoti (flame or light). It is performed up to eight times daily, depending on the specific Hindu tradition and temple.[11] It is performed as part of most Hindu liturgies and occasions and typically involves circling a diya (lamp) clockwise before a murti or icon of a deity, accompanied by hymns.[12][8] After waving the lamp before the deity, it is brought to the devotee, who then briefly places both their palms above the sanctified flame to receive its warmth. The devotee then raises their hands in supination, bringing both palms toward to their forehead in a gesture of self-purification and connection with the Divine.[12]

The diya (lamp) used for aarti is most often made of brass or other materials and holds a cotton wick soaked in camphor, ghee, or oil.[12][8] The aarti plate may contain other offerings like flowers, incense, and akshata (rice).[13]

The purpose of aarti is to wave light before the deity in a spirit of humility and gratitude, wherein the faithful become immersed in a God's divine form. All accoutrements used for aarti symbolize the five elements:[11]

  1. Space (akasha) - yak-tail fan
  2. Wind (vayu) - peacock fan
  3. Fire (agni) - lamp or candle
  4. Water (jalam)
  5. Earth (prithvi) - flowers

Aarti may also be performed at shrines within a business or home.[11]

Significance[edit | edit source]

Taking arti blessing during a Durga puja celebration.

Arti is an expression of many aspects including love, benevolence, gratitude, prayers, or desires depending on the object for which it is performed. For example, it can be a form of respect when performed for elders, prayers when performed to deities, or hope when performed for homes or vehicles. Emotions and prayers are often silent while doing arti, but this is determined by the person carrying out the ritual or the holiday involved. It's also believed that goodwill and luck can be taken through symbolic hand movements over the flame.[14]

Apart from worldly activities, arti also represents one's self - thus, arti signifies that one is peripheral to godhead or divinity. This would keep one's ego down and help one remain humble in spite of high social and economic rank. A third commonly held understanding of the ritual is that arti serves as a reminder to stay vigilant so that the forces of material pleasures and desires cannot overcome the individual. Just as the lighted wick provides light and chases away darkness, the vigilance of an individual can keep away the influence of the material world.[11]

Songs[edit | edit source]

Arti dance in Bangalore, 2009.

Hinduism has a long tradition of songs sung as an accompaniment to the ritual of arti. It primarily extols the virtues of the deity that the ritual is being offered to, and several sects have their own versions of the common arti songs that are often sung on chorus at various temples, during evening and morning artis. Sometimes they also contain snippets of information on the life of the deity.

The most commonly sung arti is that which is dedicated to all deities called Om Jai Jagdish Hare, known as "the universal arti". Other arti's are used for other deities as well such as Om Jai Shiv omkara, Om Jai Lakshmi mata, Om Jai Ambe gauri, Om Jai Adya Shakti, Om Jai Saraswati Mata, Om Jai Gange Mata, Om Jai Tulsi Mata and Om Jai Surya Bhagvaan. In Ganesha worship, the arti "Sukhakarta Dukhaharta" is popular in Maharashtra.

In Swaminarayan Mandirs, Jay Sadguru Swami is the arti that is sung. In most temples in India, arti is performed at least twice a day, after the ceremonial puja, which is the time when the largest number of devotees congregates.

In Pushtimarg Havelis, arti is performed by a sole mukhiyaji (priest) while "Haveli Sangit" (kirtan) is being sung. Devotees only watch the arti being done and do not get to take a major part in it. During bhajan or utsavs (festivals) celebrated at home, "Jai Jai Shree Yamuna" is sung while devotees perform arti. It is said that Sandhya arti is done to see if Lord Shrinathji had gotten hurt while playing outside because it is performed after sundown.

Durga Puja[edit | edit source]

During the Bengali festival Durga puja ritual drummers – dhakis, carrying large leather-strung dhak's, show off their skills during ritual dance worships called arti or Dhunuchi dance.[15]

Sikhism[edit | edit source]

In Sikhism, Gagan mai thaal is a type of arti recited by first guru, Guru Nanak[16] in either 1506[17] or 1508[18][19] at Jagannath Temple, Puri, during his Udaasi (journey) to the east of the Indian subcontinent.[17][18] Amritsar Sikhs sing Arti kirtan, which comprise a few shabads from Guru Nanak, Ravidas and other Bhagats and Gurus. According to them, it is the arti of divine wisdom in the form of the Guru Granth Sahib – Sikhism's eternal Guru and chief scripture. It is considered the equivalent of bowing on one's knees before the Guru Granth Sahib. This arti does not employ ritual items, but is instead sung after the daily recitation of the Rehraas Sahib and Ardās at Harmandir Sahib in Amritsar, and most Gurdwaras worldwide.

An exception is the Nihang order, whose members first recite Aarta (prayers derived from banis in the Dasam Granth and Sarbloh Granth – scriptures of secondary and tertiary importance in the faith), and as in Hindu practise, employ diya, flowers, conch shells, bells, incense during the ritual.[6] This form of Sikh arti is also recited at Patna Sahib and Hazur Sahib.

See also[edit | edit source]

Notes[edit | edit source]

  1. Woodhead, Linda; Partridge, Christopher; Kawanami, Hiroko (2016-01-13). Religions in the Modern World: Traditions and Transformations. Routledge. p. 68. ISBN 978-1-317-43960-8.
  2. Monier-Williams, Sir Monier (2004). Brahmanism and Hinduism: Or Religious Thought and Life in Asia. Cosmo. p. 94. ISBN 978-81-7755-873-9.
  3. admin (2021-05-19). "Aarti । Why do we do Aarti?". Simple Hinduism. Retrieved 2023-11-09.
  4. Michaels, Axel (2004). Hinduism: Past and Present. Princeton University Press. p. 232. ISBN 978-0-691-08952-2.
  5. Flood, Gavin D. (1996-07-13). An Introduction to Hinduism. Cambridge University Press. p. 209. ISBN 978-0-521-43878-0.
  6. 6.0 6.1 "Aarti". 2023-08-25. Retrieved 2023-11-09.
  7. "– BAPS Shri Swaminarayan Mandir, London". Retrieved 2023-11-09.
  8. 8.0 8.1 8.2 James Lochtefeld, An illustrated Encyclopedia of Hinduism, ISBN 0-8239-2287-1, page 51
  9. Monier Williams Sanskrit Dictionary; Quote: ArAtrika n. the light (or the vessel containing it) which is waved at night before an icon; N. of this ceremony.
  10. "Page:Konkani Viswakosh Vol1.PDF/191 – Wikisource".
  11. 11.0 11.1 11.2 11.3 11.4 Rosen, Steven (2006). Essential Hinduism. Praeger Publishers. p. 196. ISBN 0-275-99006-0
  12. 12.0 12.1 12.2 Hawley, John Stratton (2006). The Life of Hinduism. University of California Press. pp. 39–40.
  13. Akshata: (Sanskrit) "Unbroken." Unmilled, uncooked rice, often mixed with turmeric, offered as a sacred substance during puja, or in blessings for individuals at weddings and other ceremonies.
  14. "'Rules and significance of Aarti". Indiatoday. Retrieved 2020-03-24.
  15. Gupta, Shobhna (2002). Dances of India. New Delhi: Har-Anand Publications Pvt Ltd. p. 71. ISBN 9788124108666.
  16. http://www.livehindustan.com/news/tayaarinews/tayaarinews/article1-story-67-67-199585.html गुरु नानक देव और उनके द्वारा प्रवर्तित मार्ग
  17. 17.0 17.1 "Orissa Review FEBRUARY MARCH 2012..." E-Magazine - Government of Orissa. Orissa Review.
  18. 18.0 18.1 "Home". 13 November 2013.
  19. "Untitled Document". sikh-heritage.co.uk. Retrieved 2024-04-01.

External links[edit | edit source]