Created by DEFCON5
Last edited March 28, 2026
>DEFCON5
Removed MOS:PUFFERY
 
m enhance structure and updated info to improve readability
 
Line 1: Line 1:
{{other uses}}
{{about||the given name|Jana (given name)}}
{{distinguish|text=[[Jannah]], meaning an eternal place, the Islamic conception of paradise}}
{{Short description|13th century Kannada poet}}
{{Short description|13th century Kannada poet}}
{{use dmy dates|date=June 2016}}
{{use dmy dates|date=June 2016}}
{{use Indian English|date=June 2016}}
{{use Indian English|date=June 2016}}
{{Infobox person
{{Infobox person
| image = Old Kannada inscription (1196 AD) in the Amrutesvara temple at Amruthapura.JPG
| name              = Janna
| alt = Janna
| image             =
| caption = Old Kannada poetic inscription (1196 AD) composed by Janna in the Amrutesvara temple at Amruthapura
| birth_name        = Janna (13th Century), [[Hoysala Empire]], [[Halebidu]], [[Karnataka]], [[India]]
| occupation        = Kannada Poet
| notable_works      = Yashodhara charite, Anantanatha Purana, Anubhava Mukura
| title              = Kavichakravarti
| mother            = Gangadevi
| father            = Shankara
}}
}}
'''Janna''' ([[Kannada]] : ಮಹಾಕವಿ    ಜನ್ನ) was one of the well-known [[Kannada]] poets of the early 13th century who also served in the capacity of a minister and a builder of temples. He graced the court of [[Hoysala empire]] King [[Veera Ballala II]] and earned the title ''Kavichakravarthi'' ("Emperor among poets"). His noteworthy writings include ''Yashodhara Charitre'' (c.1209) which deals with [[Jain]] [[wikt:tenet|tenet]]s, ''Ananthnatha Purana'' (c.1230) which deals with the teachings of the 14th Jain [[tirthankara]], [[Anantanatha]] and a short piece called ''Anubhava Mukura''. Although all his works are known for the grace and style, ''Yashodhara Charite'' is his ''magnum opus'' and one of the classics of [[Kannada literature]].<ref name="class">Sastri (1955), pp. 358–359</ref><ref name="class1">Kamath (2001), p. 133</ref>


Janna finds an important place in [[Kannada literature]], though he is not as famous as [[Adikavi Pampa]]. He came from a family of Kannada writers; Mallikarjuna, the well known anthologist was his brother-in-law and [[Kesiraja]] the grammarian, was his nephew.<ref name="nephew">Nagaraj in Pollock (2003), p. 364</ref> Janna's style essentially belonged to the classical ''marga'' (mainstream) brand of Kannada writers and his works were primarily meant to propagate the [[Jain]] philosophy.<ref name="jain">Shiva Prakash (1997), p. 204</ref>
'''Janna''' (c. 13th century CE) was a prominent [[Kannada]] poet in medieval Karnataka, India. He is widely regarded as one of the important [[Jain]] poets of the Hoysala period, known for his moral seriousness, philosophical depth, and refined literary style. He flourished under the patronage of the Hoysala king [[Narasimha I]] and possibly [[Veera Ballala II]]. Janna is best known for his classic [[Jain]] purana "Yashodhara Charite", as well as "[[Anantanatha]] Purana" and "Anubhava Mukhura".<ref>Narasimhacharya, R. (1988). ''History of Kannada Literature''. New Delhi: Asian Educational Services. pp. 28–30.</ref>
 
== Early life and background ==
 
Little is known with certainty about Janna’s early life. He was a [[Jain]] by faith and is believed to have belonged to a scholarly Jain family in Karnataka. He served as a court poet and minister (Dandanayaka) under the Hoysalas, which enabled him to compose his major works in a refined courtly style.<ref>Narasimhacharya, R. (1988). p. 29.</ref>
 
== Works ==
 
Janna’s most famous work is "Yashodhara Charite", a Jain purana in Kannada that narrates the story of King Yashodhara, exploring themes of desire, sin, karmic consequence, and spiritual redemption with vivid and sometimes shocking imagery. He is also credited with "Ananthanatha Purana", which narrates the life of [[Anantanatha]], the 14th Tirthankara of Jainism, and Anubhava Mukhura, which further showcases his poetic skill and moral depth.<ref>Narasimhacharya, R. (1988). pp. 29–30.</ref>
 
== Legacy ==
 
Janna is remembered as one of the great Jain poets in Kannada literature, alongside [[adikavi Pampa]], [[Ranna (Kannada poet)]], and [[Ponna (poet)]]. His works reflect the strong Jain influence on medieval Karnataka’s literary culture, combining ornate poetic expression with serious moral and philosophical concerns.<ref>Sastri, K.A. Nilakanta (1955). ''A History of South India''. Oxford University Press. p. 367.</ref>


==Magnum opus==
==Magnum opus==
[[File:Amrutesvara Temple,Amruthapura- Large Stone Inscription.JPG|thumb|left|Close up of Poetic Kannada inscription composed by Janna on a [[Hero stone]] at the [[Amrutesvara Temple, Amruthapura]], [[Chikkamagaluru district]], [[Karnataka]] state, India]]
[[File:Amrutesvara Temple,Amruthapura- Large Stone Inscription.JPG|thumb|left|Close up of Poetic Kannada inscription composed by Janna on a [[Hero stone]] at the [[Amrutesvara Temple, Amruthapura]], [[Chikkamagaluru district]], [[Karnataka]] state, India]]
{{Kannada poets in Hoysala Empire}}
{{Kannada poets in Hoysala Empire}}
''Yashodhara Charite'', an epic written in the ''kandapadya'' metre is a unique set of stories in 310 verses dealing with perverted sex and violence and contains cautionary morals on the issue of extreme desires.<ref name="sex">Nagaraj in Pollock (2003), p. 377</ref> Inspired by the Sanskrit writing of the same name by Vadiraja, the Janna transcreates stories of king Yashodhara and his mother and their passing from one life to the next without attaining ''[[moksha]]'' (liberation from cycle of death and rebirth).<ref name="jain"/> In one of the stories, the king intends to perform a ritual sacrifice of two young boys to a local deity, Mariamma. Taking pity on the boys, the king releases them and gives up the practice of human sacrifice.<ref name="scarifice">Sastri (1955), p. 359</ref><ref name="jan">E.P. Rice (1921), pp. 43–44</ref> In another story, the poet narrates the infatuation of the king for his friends wife. Having killed his friend, the king abducts the wife who however dies of grief. Overcome by repentance, he burns himself on the funeral pyre of the woman.<ref name="pyre">Sahitya Akademi (1988), p. 1181</ref> The stories of infatuation reaches a peak when Janna narrates the attraction of Amrutamati, the queen, to the ugly [[mahout]] Ashtavakra, who pleases the queen with kicks and whip lashes—a story that has piqued the interest of modern research.<ref name="jain"/> To expiate the queen from her sinful act, King Yashodhara takes his mothers advice and decides to perform a symbolic sacrifice of a cock made of flour, to please the gods. But the cock comes to life and crows at its time of death. For committing the sin of violence, Yashodhara and his mother are reborn as animals. After much suffering, they are eventually born as the children of Yashodhara's son in their seventh rebirth. The writing powerfully narrates the consequences of passion gone awry and the terrible suffering it brings in human life.<ref name="suffering">Sahitya Akademi (1992), p. 4629</ref>
''Yashodhara Charite'' is a classic Kannada Jain poem by Janna, written during the 13th century when [[Jainism]] was facing challenges in [[Karnataka]]. It is an epic in the ''kandapadya'' metre, consisting of around 310 verses with a unique set of stories that use extreme, often gruesome imagery of lust, violence, and sin as cautionary moral lessons on the consequences of unchecked desire.<ref name="Pollock">Sheldon Pollock (2003), ''The Language of the Gods in the World of Men''. University of California Press, p. 377.</ref><ref name="Narasimhacharya">Narasimhacharya, R. (1988). ''History of Kannada Literature''. New Delhi: Asian Educational Services. pp. 29–30.</ref>
 
The poem narrates the downfall and repentance of King Yashodhara, who under the sway of lust commits horrific sins including incest and cannibalism, but ultimately repents, illustrating the Jain doctrines of karma and spiritual liberation (moksha). Inspired in part by Sanskrit versions of the tale, Janna’s work emphasizes the moral seriousness and psychological complexity of the theme.<ref name="Sastri">Sastri, K.A. Nilakanta (1955). ''A History of South India''. Oxford University Press. p. 367.</ref>
 
In one of the stories, the king intends to perform a ritual sacrifice of two young boys to a local deity but, taking pity, releases them and abandons human sacrifice.<ref name="Rice">E.P. Rice (1921). ''A History of Kannada Literature''. Oxford University Press. pp. 43–44.</ref> In another, he burns himself on the funeral pyre of a friend’s wife whom he abducted in desire and who dies of grief.<ref name="Sahitya1988">Sahitya Akademi (1988). ''A History of Indian Literature: 1100–1800''. p. 181.</ref> In yet another, the poem describes the queen Armutamati’s attraction to the ugly [[Mahout]] Ashtavakra. To expiate her sin, Yashodhara performs a symbolic cock sacrifice that becomes gruesome when the cock comes alive and crows at the time of death. He and his mother are reborn as animals, suffering for many rebirths before attaining redemption.<ref name="Suffering">Sahitya Akademi (1992). p. 4629.</ref>


==Other writings==
==Other writings==
Line 30: Line 48:
* {{cite book |last=Shiva Prakash|first=H.S.|editor=Ayyappapanicker|title=Medieval Indian Literature:An Anthology |year= 1997|publisher=Sahitya Akademi|isbn=81-260-0365-0|chapter= Kannada}}
* {{cite book |last=Shiva Prakash|first=H.S.|editor=Ayyappapanicker|title=Medieval Indian Literature:An Anthology |year= 1997|publisher=Sahitya Akademi|isbn=81-260-0365-0|chapter= Kannada}}
* {{cite book |last= Various|title= Encyclopaedia of Indian literature&nbsp;– vol 2|orig-year=1988|year=1988|publisher= Sahitya Akademi|location=New Delhi |isbn=81-260-1194-7}}
* {{cite book |last= Various|title= Encyclopaedia of Indian literature&nbsp;– vol 2|orig-year=1988|year=1988|publisher= Sahitya Akademi|location=New Delhi |isbn=81-260-1194-7}}
* {{cite book |last=Nagaraj |first=D.R.|editor=Sheldon I. Pollock|title=Literary Cultures in History: Reconstructions from South Asia |orig-year=2003|year=2003|publisher=Berkeley and London: University of California Press. Pp. 1066|chapter=Critical Tensions in the History of Kannada Literary Culture|chapter-url=https://books.google.com/books?id=xowUxYhv0QgC&pg=PA323&dq=critical+tensions+in+history+kannada+literary+culture|isbn=0-520-22821-9 |pages=323–383}}
* {{cite book |last=Nagaraj |first=D.R.|editor=Sheldon I. Pollock|title=Literary Cultures in History: Reconstructions from South Asia |orig-year=2003|year=2003|publisher=Berkeley and London: University of California Press. Pp. 1066|chapter=Critical Tensions in the History of Kannada Literary Culture|chapter-url=https://books.google.com/books?id=xowUxYhv0QgC&dq=critical+tensions+in+history+kannada+literary+culture&pg=PA323|isbn=0-520-22821-9 |pages=323–383}}
* {{cite book |last= Kamath|first= Suryanath U.|title=  A concise history of Karnataka : from pre-historic times to the present|orig-year=1980|year= 2001|publisher= Jupiter books|location= Bangalore|oclc= 7796041 |lccn= 80905179}}
* {{cite book |last= Kamath|first= Suryanath U.|title=  A concise history of Karnataka : from pre-historic times to the present|orig-year=1980|year= 2001|publisher= Jupiter books|location= Bangalore|oclc= 7796041 |lccn= 80905179}}
* {{cite book |last= Various|title= Encyclopaedia of Indian literature&nbsp;– vol 5|orig-year=1992|year=1992|publisher= Sahitya Akademi|isbn=81-260-1221-8}}
* {{cite book |last= Various|title= Encyclopaedia of Indian literature&nbsp;– vol 5|orig-year=1992|year=1992|publisher= Sahitya Akademi|isbn=81-260-1221-8}}
Line 39: Line 57:


[[Category:13th-century Indian poets]]
[[Category:13th-century Indian poets]]
[[Category:History of Karnataka]]
[[Category:13th-century Indian Jain writers]]
[[Category:13th-century Indian Jain poets]]
[[Category:13th-century Jain poets]]
[[Category:Medieval Indian Jain poets]]
[[Category:Kannada poets]]
[[Category:Kannada poets]]
[[Category:Poets from Karnataka]]
[[Category:Poets from Karnataka]]
[[Category:Indian male poets]]
[[Category:Indian male poets]]

Latest revision as of 01:19, 28 March 2026


Janna
Born
Janna (13th Century), Hoysala Empire, Halebidu, Karnataka, India
OccupationKannada Poet
Notable work
Yashodhara charite, Anantanatha Purana, Anubhava Mukura
TitleKavichakravarti
Parents
  • Shankara (father)
  • Gangadevi (mother)

Janna (c. 13th century CE) was a prominent Kannada poet in medieval Karnataka, India. He is widely regarded as one of the important Jain poets of the Hoysala period, known for his moral seriousness, philosophical depth, and refined literary style. He flourished under the patronage of the Hoysala king Narasimha I and possibly Veera Ballala II. Janna is best known for his classic Jain purana "Yashodhara Charite", as well as "Anantanatha Purana" and "Anubhava Mukhura".[1]

Early life and background[edit | edit source]

Little is known with certainty about Janna’s early life. He was a Jain by faith and is believed to have belonged to a scholarly Jain family in Karnataka. He served as a court poet and minister (Dandanayaka) under the Hoysalas, which enabled him to compose his major works in a refined courtly style.[2]

Works[edit | edit source]

Janna’s most famous work is "Yashodhara Charite", a Jain purana in Kannada that narrates the story of King Yashodhara, exploring themes of desire, sin, karmic consequence, and spiritual redemption with vivid and sometimes shocking imagery. He is also credited with "Ananthanatha Purana", which narrates the life of Anantanatha, the 14th Tirthankara of Jainism, and Anubhava Mukhura, which further showcases his poetic skill and moral depth.[3]

Legacy[edit | edit source]

Janna is remembered as one of the great Jain poets in Kannada literature, alongside adikavi Pampa, Ranna (Kannada poet), and Ponna (poet). His works reflect the strong Jain influence on medieval Karnataka’s literary culture, combining ornate poetic expression with serious moral and philosophical concerns.[4]

Magnum opus[edit | edit source]

Close up of Poetic Kannada inscription composed by Janna on a Hero stone at the Amrutesvara Temple, Amruthapura, Chikkamagaluru district, Karnataka state, India
Noted Kannada poets and writers in Hoysala Empire
(1100-1343 CE)
Nagachandra 1105
Kanti 1108
Rajaditya 12th. c
Harihara 1160–1200
Udayaditya 1150
Vritta Vilasa 1160
Kereya Padmarasa 1165
Nemichandra 1170
Sumanobana 1175
Rudrabhatta 1180
Aggala 1189
Palkuriki Somanatha 1195
Sujanottamsa(Boppana) 1180
Kavi Kama 12th c.
Devakavi 1200
Raghavanka 1200–1225
Bhanduvarma 1200
Balachandra Kavi 1204
Parsva Pandita 1205
Maghanandycharya 1209
Janna 1209–1230
Puligere Somanatha 13th c.
Hastimalla 13th c.
Chandrama 13th c.
Somaraja 1222
Gunavarma II 1235
Polalvadandanatha 1224
Andayya 1217–1235
Sisumayana 1232
Mallikarjuna 1245
Naraharitirtha 1281
Kumara Padmarasa 13th c.
Mahabala Kavi 1254
Kesiraja 1260
Kumudendu 1275
Nachiraja 1300
Ratta Kavi 1300
Nagaraja 1331
Noted Kannada poets and writers in the Seuna Yadava Kingdom
Kamalabhava 1180
Achanna 1198
Amugideva 1220
Chaundarasa 1300

Yashodhara Charite is a classic Kannada Jain poem by Janna, written during the 13th century when Jainism was facing challenges in Karnataka. It is an epic in the kandapadya metre, consisting of around 310 verses with a unique set of stories that use extreme, often gruesome imagery of lust, violence, and sin as cautionary moral lessons on the consequences of unchecked desire.[5][6]

The poem narrates the downfall and repentance of King Yashodhara, who under the sway of lust commits horrific sins including incest and cannibalism, but ultimately repents, illustrating the Jain doctrines of karma and spiritual liberation (moksha). Inspired in part by Sanskrit versions of the tale, Janna’s work emphasizes the moral seriousness and psychological complexity of the theme.[7]

In one of the stories, the king intends to perform a ritual sacrifice of two young boys to a local deity but, taking pity, releases them and abandons human sacrifice.[8] In another, he burns himself on the funeral pyre of a friend’s wife whom he abducted in desire and who dies of grief.[9] In yet another, the poem describes the queen Armutamati’s attraction to the ugly Mahout Ashtavakra. To expiate her sin, Yashodhara performs a symbolic cock sacrifice that becomes gruesome when the cock comes alive and crows at the time of death. He and his mother are reborn as animals, suffering for many rebirths before attaining redemption.[10]

Other writings[edit | edit source]

Janna's Anubhava Mukhura is a treatise on erotics and the science of lovemaking, a topic that was well established as a genre of Kannada literature by his time.[11]

Notes[edit | edit source]

  1. Narasimhacharya, R. (1988). History of Kannada Literature. New Delhi: Asian Educational Services. pp. 28–30.
  2. Narasimhacharya, R. (1988). p. 29.
  3. Narasimhacharya, R. (1988). pp. 29–30.
  4. Sastri, K.A. Nilakanta (1955). A History of South India. Oxford University Press. p. 367.
  5. Sheldon Pollock (2003), The Language of the Gods in the World of Men. University of California Press, p. 377.
  6. Narasimhacharya, R. (1988). History of Kannada Literature. New Delhi: Asian Educational Services. pp. 29–30.
  7. Sastri, K.A. Nilakanta (1955). A History of South India. Oxford University Press. p. 367.
  8. E.P. Rice (1921). A History of Kannada Literature. Oxford University Press. pp. 43–44.
  9. Sahitya Akademi (1988). A History of Indian Literature: 1100–1800. p. 181.
  10. Sahitya Akademi (1992). p. 4629.
  11. Nagaraj in Pollock (2003), p. 375

References[edit | edit source]

  • Sastri, K.A. Nilakanta (2002) [1955]. A history of South India from prehistoric times to the fall of Vijayanagar. New Delhi: Indian Branch, Oxford University Press. ISBN 0-19-560686-8.
  • Shiva Prakash, H.S. (1997). "Kannada". In Ayyappapanicker (ed.). Medieval Indian Literature:An Anthology. Sahitya Akademi. ISBN 81-260-0365-0.
  • Various (1988) [1988]. Encyclopaedia of Indian literature – vol 2. New Delhi: Sahitya Akademi. ISBN 81-260-1194-7.
  • Nagaraj, D.R. (2003) [2003]. "Critical Tensions in the History of Kannada Literary Culture". In Sheldon I. Pollock (ed.). Literary Cultures in History: Reconstructions from South Asia. Berkeley and London: University of California Press. Pp. 1066. pp. 323–383. ISBN 0-520-22821-9.
  • Kamath, Suryanath U. (2001) [1980]. A concise history of Karnataka : from pre-historic times to the present. Bangalore: Jupiter books. LCCN 80905179. OCLC 7796041.
  • Various (1992) [1992]. Encyclopaedia of Indian literature – vol 5. Sahitya Akademi. ISBN 81-260-1221-8.