Sohni: Difference between revisions
No edit summary |
|||
Line 1: | Line 1: | ||
{{Use dmy dates|date=August 2019}} | {{Use dmy dates|date=August 2019}} | ||
{{Infobox raga | {{Infobox raga | ||
| name = | | name = Sohini | ||
| image_name = | | image_name = | ||
| image_alt = | | image_alt = | ||
Line 20: | Line 20: | ||
{{Hindustani Classical Music}} | {{Hindustani Classical Music}} | ||
'''Sohini''' is a [[raga]] in [[Hindustani classical music]] in the [[Marva (thaat)|Marwa]] [[thaat]]. Alternate transliterations include '''Sohani''' and ''' | '''Sohini''' is a [[raga]] in [[Hindustani classical music]] in the [[Marva (thaat)|Marwa]] [[thaat]]. Alternate transliterations include '''Sohani''' and '''Sohni'''. Like Bahar, it is a small raga, with not much space for elaboration. It emotes the feel of longing, of passive sensuousness. | ||
==Technical Description== | ==Technical Description== | ||
Line 32: | Line 32: | ||
|year=1968 | |year=1968 | ||
|isbn=0-214-15689-3 | |isbn=0-214-15689-3 | ||
|pages= | |pages=334}}</ref> | ||
| width =50% | | width =50% | ||
| align =right | | align =right |
Latest revision as of 08:33, 11 December 2021
Thaat | Marva |
---|---|
Time of day | Before sunrise |
Arohana | Sa Ga Ma# Dha Ni Sa |
Avarohana | Sa Ni Dha, Ga Ma# Dha Ga Ma# Ga Re(b) Sa |
Pakad |
|
Vadi | Dha |
Samavadi | Ga |
Synonym |
|
Hindustani classical music |
---|
Concepts |
Genres |
Thaats |
Sohini is a raga in Hindustani classical music in the Marwa thaat. Alternate transliterations include Sohani and Sohni. Like Bahar, it is a small raga, with not much space for elaboration. It emotes the feel of longing, of passive sensuousness.
Technical Description[edit]
Rāga kalpa druma, p. 19[1]
The raga is of audav-shadav nature, i.e., it has five swaras (notes) in the arohana (ascent) and six in the avarohana. Rishabh (Re) is komal (half step DOWN from natural) and Madhyam (Ma) is tivra (half a step UP from natural), (denoted below by Re(b) and Ma#), while all other swaras are shuddha. Pancham (Pa) is not used.
Arohana: Sa Ga Ma# Dha Ni Sa.
Avarohana: Sa Ni Dha, Ga Ma# Dha Ga Ma# Ga Re(b) Sa.
Pakad: 1. Sa Ni Dha, Ga Ma# Dha Ga Ma# Ga. 2. Sa Ni Dha, Ni Dha Ga Ma#, Ga Ma#, Ga Re(b) Sa.
The vadi swara is Dha, and samvadi is Ga. The rishabh is weak, but Gandhar (Ga) is strong, unlike Marwa. It is an Uttaranga pradhan raga, with the higher notes on the saptak (octave) being used more frequently.
Samay (Time)[edit]
Raga Sohini is associated with very late night / pre-dawn, the last or eighth period of day, roughly from 3-6AM. (3 AM - 6 AM) : 4th Prahar of the Night : Sandhi-Prakash Raag[2]
Film Songs[edit]
Language:Tamil[edit]
Note that these are composed in the Carnatic ragam Hamsanandi, which Sohni sounds similar to.
Further information[edit]
It is somewhat similar to Marwa and Puriya ragas in the same thaat,[3] and also to Basant in the Poorvi thaat.
References[edit]
- ↑ Daniélou, Alain (1968). The Rāgas of northern Indian music. Barrie and Rockliff, London. p. 334. ISBN 0-214-15689-3.
- ↑ http://www.tanarang.com/english/sohani_eng.htm
- ↑ Parrikar, Rajan (18 February 2002). "The Marwa Matrix". The South Asian Women's Forum. Archived from the original on 16 December 2009. Retrieved 16 December 2009.