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{{Short description|Literature | {{Short description|Literature originating in the Kashmir region of South Asia}} | ||
'''Literature of Kashmir''' has a long history, the oldest texts having been composed in the [[Sanskrit]] language. Early names include [[Patanjali]], the author of the ''[[ | '''Literature of Kashmir''' has a long history, the oldest texts having been composed in the [[Sanskrit]] language. Early names include [[Patanjali]], the author of the ''[[Mahābhāṣya]]'' commentary on [[Pāṇini]]'s grammar, suggested by some to have been the same to write the [[Hindu]] treatise known as the ''[[Yogasutra]]'', and Dridhbala, who revised the ''[[Charaka Samhita]]'' of ''[[Ayurveda]]''. | ||
In medieval times, philosophers of [[Kashmir Shaivism]] include [[Vasugupta]] (c. 800), Utpala (c. 925), [[Abhinavagupta]], [[Kshemaraja]], and [[Anandavardhana]]. If we talk about contemporary poetry of Kashmir there are many poets, which include Asif Tariq Bhat,<ref>{{Cite web|date=2021-02-15|title=The new face of contemporary poetry. Meet Asif Tariq Bhat|url=https://kashmiranalyser.com/2021/02/15/the-new-face-of-contemporary-poetry-meet-asif-tariq-bhat/|access-date=2021-02-17|website=Kashmir Analyser|language=en-US}}</ref><ref>{{Cite web|last=Kashmir|first=Rising|title=Promoting mother tongue with poetry {{!}}{{!}} Rising Kashmir|url=http://risingkashmir.com/index.php/home/news_description/370845/Promoting-mother-tongue-with-poetry|access-date=2021-02-17|website=Promoting mother tongue with poetry {{!}}{{!}} Rising Kashmir|language=en}}</ref> Tashi Shah,<ref>{{Cite web|title=How Poetry Helped Bring a Piece of Kashmir to Delhi|url=https://thewire.in/culture/how-poetry-helped-bring-a-piece-of-kashmir-to-delhi|access-date=2021-02-17|website=The Wire}}</ref> Akeel Mohiuddin Bhat,<ref>{{Cite web|last=Admin|first=India Education Diary Bureau|date=2020-11-17|title=Literary function, Mushaira held at Bandipora|url=https://indiaeducationdiary.in/literary-function-mushaira-held-at-bandipora/|access-date=2021-02-17|website=India Education,Education News India,Education News {{!}} India Education Diary|language=en-US}}</ref> Zeeshan Jaipuri | In medieval times, philosophers of [[Kashmir Shaivism]] include [[Vasugupta]] (c. 800), [[Utpaladeva|Utpala]] (c. 925), [[Abhinavagupta]], [[Kshemaraja]], and [[Anandavardhana]]. If we talk about contemporary poetry of Kashmir there are many poets, which include Asif Tariq Bhat,<ref>{{Cite web|date=2021-02-15|title=The new face of contemporary poetry. Meet Asif Tariq Bhat|url=https://kashmiranalyser.com/2021/02/15/the-new-face-of-contemporary-poetry-meet-asif-tariq-bhat/|access-date=2021-02-17|website=Kashmir Analyser|language=en-US}}</ref><ref>{{Cite web|last=Kashmir|first=Rising|title=Promoting mother tongue with poetry {{!}}{{!}} Rising Kashmir|url=http://risingkashmir.com/index.php/home/news_description/370845/Promoting-mother-tongue-with-poetry|access-date=2021-02-17|website=Promoting mother tongue with poetry {{!}}{{!}} Rising Kashmir|language=en}}</ref> Tashi Shah,<ref>{{Cite web|title=How Poetry Helped Bring a Piece of Kashmir to Delhi|url=https://thewire.in/culture/how-poetry-helped-bring-a-piece-of-kashmir-to-delhi|access-date=2021-02-17|website=The Wire}}</ref> Akeel Mohiuddin Bhat,<ref>{{Cite web|last=Admin|first=India Education Diary Bureau|date=2020-11-17|title=Literary function, Mushaira held at Bandipora|url=https://indiaeducationdiary.in/literary-function-mushaira-held-at-bandipora/|access-date=2021-02-17|website=India Education,Education News India,Education News {{!}} India Education Diary|language=en-US}}</ref> and Zeeshan Jaipuri.<ref>{{Cite web|last=Saffudin|first=Ali|date=2018-06-05|title=For the love of language: Kashmir's new age Urdu poets—Part I {{!}} Free Press Kashmir|url=https://freepresskashmir.news/2018/06/05/for-the-love-of-language-kashmirs-new-age-urdu-poets-part-i/|access-date=2021-02-17|website=freepresskashmir.news|language=en-GB}}</ref> | ||
== Kashmiri language literature == | == Kashmiri language literature == | ||
{| class="wikitable | <!-- Please respect the chronological order --> | ||
The below listed table marks [[Kashmiri language]] poets as per the book, ''A History of Kashmiri literature'' by Trilokinath Raina.<ref>{{Cite book|last=Raina|first=Trilokinath|url=https://archive.org/details/a-history-of-kashmiri-literature-triloki-nath-raina/page/n3/mode/2up|title=A History of Kashmiri literature|publisher=Sahitya Akademi|year=2002 |isbn=9788126013661 |location=New Delhi}}</ref> | |||
{| class="wikitable plainrowheaders" style="font-size:75%;"| | |||
! Name | ! Name | ||
! scope="col" | Years | ! scope="col" style="min-width: 7em;" | Years | ||
!scope="col" | Birthplace | ! scope="col" | Birthplace | ||
!scope="col" | Period | ! scope="col" style="min-width: 11em;" | Period | ||
!scope="col" | Remarks | ! scope="col" | Remarks | ||
|- | |- | ||
|[[Lalleshwari|Lal Ded]] | |||
|| | ||1320–1392 | ||
|Pandrethan/Padmanpore (modern [[Pampore]]) | |Pandrethan/Padmanpore (modern [[Pampore]]) | ||
||[[Kashmir Shaivism]] | ||[[Kashmir Shaivism]] | ||
|| She was the Kashmiri [[Mysticism|mystic]] poet credited with pioneering [[Vatsun|Vaakh]]/Vatsun or Shrukh genre of Kashmiri literature. | || She was the Kashmiri [[Mysticism|mystic]] poet credited with pioneering [[Vatsun|Vaakh]]/Vatsun or Shrukh genre of Kashmiri literature. | ||
|- | |- | ||
|[[Nund Rishi|Nund Reshi]] | |||
|| | ||1377–1438 | ||
|[[Qaimoh]], [[Kulgam district|Kulgam]] | |[[Qaimoh]], [[Kulgam district|Kulgam]] | ||
||[[Sufism | ||[[Sufism]] | ||
|[[Nund Rishi|Nund Reshi]] was among the founders of the [[Rishi order]], a [[Sufism|Sufi]] tradition of the region. | |[[Nund Rishi|Nund Reshi]] was among the founders of the [[Rishi order]], a [[Sufism|Sufi]] tradition of the region. | ||
|- | |- | ||
|[[Habba Khatoon]] | |||
|| | ||1554–1609 | ||
|[[Chandhara|Chandhur]], [[Pampore]] | |[[Chandhara|Chandhur]], [[Pampore]] | ||
|| | ||Lyricism | ||
|The Queen Poetess was popularly known as the "Nightingale of [[Kashmir]]". | |The Queen Poetess was popularly known as the "Nightingale of [[Kashmir]]". | ||
|- | |- | ||
|Khwaja Habibullah Nowsheri | |||
|1555–1617 | |||
| | |[[Nowshera, Srinagar|Nowshera]], Srinagar | ||
|[[Nowshera, Srinagar|Nowshera]], Srinagar | |Sufism | ||
| | |||
|He was a [[Hafiz (Quran)|Hafiz Quran]], and was very much fond of singing. He had written some notable [[Vatsun|Vaakhs]] too. | |He was a [[Hafiz (Quran)|Hafiz Quran]], and was very much fond of singing. He had written some notable [[Vatsun|Vaakhs]] too. | ||
|- | |- | ||
|[[Rupa Bhawani]] | |||
|| | ||1621–1721 | ||
|Khanqah-i-Shokta, Nawakadal ( | |Khanqah-i-Shokta, Nawakadal (Srinagar at present) | ||
||Mysticism | ||Mysticism | ||
||Her [[Vatsun|Vaakhs]] reveal the influence of both [[Kashmir Shaivism]] and [[Sufism|Islamic Sufism]]. | ||Her [[Vatsun|Vaakhs]] reveal the influence of both [[Kashmir Shaivism]] and [[Sufism|Islamic Sufism]]. | ||
|- | |- | ||
|Sahab Kaul | |||
|b. 1629 | |||
|b.1629 | |||
|[[Habba Kadal]], Srinagar | |[[Habba Kadal]], Srinagar | ||
|[[Kashmir Shaivism]] | |[[Kashmir Shaivism]] | ||
|His ''Krishna Avtaar Charit'' is the first Kashmiri poem of [[Lila (Hinduism)|Leela]] (Divine play) genre. | |His ''Krishna Avtaar Charit'' is the first [[Kashmiri language|Kashmiri]] poem of [[Lila (Hinduism)|Leela]] (Divine play) genre. | ||
|- | |- | ||
|Nunda Dar | |||
|d. 1774 | |||
|d.1774 | |||
|Village Kaathyul | |Village Kaathyul | ||
| | |Sufism | ||
|He and Syed Ullah Shahabadi are the only two poets who attempted the [[Ghazal]] writing successfully before [[Mahmud Gami]]. | |He and Syed Ullah Shahabadi are the only two poets who attempted the [[Ghazal]] writing successfully before [[Mahmud Gami]]. | ||
|- | |- | ||
|[[Arnimal]] | |||
|| | ||1738–1778 | ||
|Palhalan, [[Pattan]] Kashmir | |Palhalan, [[Pattan]] Kashmir | ||
|| | ||Lyricism | ||
|She is the second poet after [[Habba Khatoon]] in the field of love lyrics. | |She is the second poet after [[Habba Khatoon]] in the field of love lyrics. | ||
|- | |- | ||
|Mir Abdulla Behaqi | |||
|d. 1798 | |||
|d.1798 | |||
|N/A | |N/A | ||
| | |Sufism | ||
|He is the first Kashmiri poet to adopt ''[[Mathnawi|Mathnavi]]'' (rhyming couplets) as his medium in poetry. | |He is the first Kashmiri poet to adopt ''[[Mathnawi|Mathnavi]]'' (rhyming couplets) as his medium in poetry. | ||
|- | |- | ||
|[[Soch Kral|Swocha Kral]] | |||
|1774–1854 | |||
| | |||
|Yendragam, [[Pulwama district|Pulwama]] | |Yendragam, [[Pulwama district|Pulwama]] | ||
|[[Sufism | |[[Sufism]] | ||
|His poetry is an exposition of the philosophy of ''[[Sufi metaphysics|Wahdat-al-Wajood]].'' | |His poetry is an exposition of the philosophy of ''[[Sufi metaphysics|Wahdat-al-Wajood]].'' | ||
|- | |- | ||
|Momin Saeb | |||
|d. 1800 | |||
|d.1800 | |||
|Bebagom, [[Pulwama district|Pulwama]] | |Bebagom, [[Pulwama district|Pulwama]] | ||
| | |Sufism | ||
|To him belongs the honour of writing the first well-received ''[[Mathnawi|Mathnavi]]'' in | |To him belongs the honour of writing the first well-received ''[[Mathnawi|Mathnavi]]'' in [[Kashmiri language|Kashmiri]], entitled '<nowiki/>''[[The Conference of the Birds|Mantaq-al-tayyar]]''' based on [[Persian language|Persian]] mathnavi of the same title by [[Attar of Nishapur|Attar]]. | ||
|- | |- | ||
|Parmananda | |||
|| | ||1791–1864 | ||
|Village Seer, Martand ([[Mattan, Jammu and Kashmir|Mattan]] at present) | |Village Seer, Martand ([[Mattan, Jammu and Kashmir|Mattan]] at present) | ||
||Mysticism | ||Mysticism | ||
||His most notable works include ''Radha Swayamvara.'' | ||His most notable works include ''Radha Swayamvara.'' | ||
|- | |- | ||
|Shah Qalandar | |||
|d. 1850 | |||
|d.1850 | |||
|Haigam or Wahthora, [[Chadoora]] dist. [[Budgam district|Budgam]] | |Haigam or Wahthora, [[Chadoora]] dist. [[Budgam district|Budgam]] | ||
|Lyricism | |Lyricism | ||
|Known for his popular [[Mathnawi|mathnavi]] '<nowiki/>''Adam ta Guljaan''' (love-story of faqir Adam and Princess Guljaan). | |Known for his popular [[Mathnawi|mathnavi]] '<nowiki/>''Adam ta Guljaan''' (love-story of faqir Adam and Princess Guljaan). | ||
|- | |- | ||
|[[Mahmud Gami]] | |||
|| | ||1765–1855 | ||
|[[Doru Shahabad|Dooru Shahabad]], [[Anantnag district|Anantnag]], Kashmir | |[[Doru Shahabad|Dooru Shahabad]], [[Anantnag district|Anantnag]], Kashmir | ||
|| | ||Lyricism | ||
||Popularly known as [[Jami]] of Kashmir, he had also translated [[Nizami Ganjavi|Nizami]]'s ''[[Layla and Majnun|Layla Majnun]]'' into Kashmiri titled ''Lael Majnun''. | ||Popularly known as [[Jami]] of Kashmir, he had also translated [[Nizami Ganjavi|Nizami]]'s ''[[Layla and Majnun|Layla Majnun]]'' into Kashmiri titled ''Lael Majnun''. | ||
|- | |- | ||
|Rahim Saeb | |||
|1775–1850 | |||
| | |||
|Teliwani Mohalla [[Sopore]], [[Baramulla district|Baramulla]] | |Teliwani Mohalla [[Sopore]], [[Baramulla district|Baramulla]] | ||
| | |[[Sufism]] | ||
|He belonged to the [[Qadiriyya|Qadri]] order of Sufism and was significantly influenced by [[Lalleshwari|Lal Ded]] and [[Nund Rishi|Nund Reshi]]. | |He belonged to the [[Qadiriyya|Qadri]] order of Sufism and was significantly influenced by [[Lalleshwari|Lal Ded]] and [[Nund Rishi|Nund Reshi]]. | ||
|- | |- | ||
|Wali Ullah Motoo | |||
|d. 1858 | |||
|d.1858 | |||
|Wuhan, [[Beerwah, Jammu and Kashmir|Beerwah]] dist. [[Budgam district|Budgam]] | |Wuhan, [[Beerwah, Jammu and Kashmir|Beerwah]] dist. [[Budgam district|Budgam]] | ||
| | |Sufism | ||
|He has written a ''[[Mathnawi|Mathnavi]]'' based on the legend of Hemal and Nagrai. | |He has written a ''[[Mathnawi|Mathnavi]]'' based on the legend of Hemal and Nagrai. | ||
|- | |- | ||
|Naem Saeb | |||
|b. 1805 | |||
|b.1805 | |||
|[[Habba Kadal]], Srinagar | |[[Habba Kadal]], Srinagar | ||
| | |Lyricism | ||
|Best known for his lyrical [[ | |Best known for his lyrical [[ghazal]]s that have been sung by generation of Kashmiris. | ||
|- | |- | ||
|Lakshman Joo Raina Bulbul | |||
|1812–1898 | |||
| | |Malapora, [[Ganderbal district|Ganderbal]] Srinagar | ||
|Malapora, [[Ganderbal district|Ganderbal]] | |||
|Lyricism | |Lyricism | ||
|Wrote the well-known razmia [[Mathnawi|mathnavi]] ''Saamnaama,'' translation of [[Ferdowsi|Firdausi's]] Classic ''[[Shahnameh|Shahnaama]].'' | |Wrote the well-known razmia [[Mathnawi|mathnavi]] ''Saamnaama,'' translation of [[Ferdowsi|Firdausi's]] Classic ''[[Shahnameh|Shahnaama]].'' | ||
|- | |- | ||
|Karam Buland | |||
|d. 1899 | |||
|d.1899 | |||
|Haanz Gund, Wahthora [[Budgam]] | |Haanz Gund, Wahthora [[Budgam]] | ||
|Lyricism | |Lyricism | ||
|He had great love of music, theatre and organizing musical sessions. The NGO- Karam Buland Folk Theatre Group in Budgam is also named after him. | |He had great love of music, theatre and organizing musical sessions. The NGO- Karam Buland Folk Theatre Group in Budgam is also named after him. | ||
|- | |- | ||
|[[Maqbool Shah Kralawari|Maqbool Shah Kralwari]] | |||
|1820–1877 | |||
| | |||
|Kralwara, Nagam [[Budgam]] | |Kralwara, Nagam [[Budgam]] | ||
|[[Sufism | |[[Sufism]] | ||
|He is best known for his ''[[Mathnawi|mathnavi]]'' 'Gulrez'. | |He is best known for his ''[[Mathnawi|mathnavi]]'' 'Gulrez'. | ||
|- | |- | ||
|[[Rasul Mir]] | |||
|| | ||1840–1870 | ||
|[[Doru Shahabad|Dooru Shahabad]], [[Anantnag district|Anantnag]], Kashmir | |[[Doru Shahabad|Dooru Shahabad]], [[Anantnag district|Anantnag]], Kashmir | ||
|| | ||Romanticism | ||
||Rasul Mir formally inaugurated [[Ghazal]] into Kashmiri poetry. Gazals with rivers, valleys, birds, fruits and imagery of Kashmir are his forte. | ||Rasul Mir formally inaugurated [[Ghazal]] into Kashmiri poetry. Gazals with rivers, valleys, birds, fruits and imagery of Kashmir are his forte. | ||
|- | |- | ||
|Abdul Ahad Nadim | |||
|1842–1911 | |||
| | |||
|[[Bandipore|Bandipora]] | |[[Bandipore|Bandipora]] | ||
|Lyricism | |Lyricism | ||
|Had written the social satire ''Shaharashob.'' | |Had written the social satire ''Shaharashob.'' | ||
|- | |- | ||
|[[Wahab Khar]] | |||
|1842–1912 | |||
| | |||
|[[Pampore]], [[Pulwama district|Pulwama]] | |[[Pampore]], [[Pulwama district|Pulwama]] | ||
| | |Sufism | ||
|He came from a lineage of poets: his father and grandfather, both blacksmiths by profession, were also venerated [[Sufism|Sufi]] poets. | |He came from a lineage of poets: his father and grandfather, both blacksmiths by profession, were also venerated [[Sufism|Sufi]] poets. | ||
|- | |- | ||
|Rahman Dar | |||
|d. 1897 | |||
|d.1897 | |||
|[[Safa Kadal]], Srinagar | |[[Safa Kadal]], Srinagar | ||
| | |Sufism | ||
|He is best known for his [[Mathnawi|Mathnavi]] ''Sheeshrang.'' | |He is best known for his [[Mathnawi|Mathnavi]] ''Sheeshrang.'' | ||
|- | |- | ||
|[[Shamas Faqir]] | |||
|1849–1904 | |||
| | |Zaindar, Srinagar | ||
|Zaindar, [[ | |[[Sufism]] | ||
|He belonged to the [[Qadiriyya|Qadriya]] silsila of [[Sufism]] and had also written the mathnavi ''Mehrajnaama'', recounting prophet [[Muhammad]]'s [[Isra and Mi'raj|Mehraj]] (spiritual journey) to God. | |||
|He belonged to the [[Qadiriyya|Qadriya]] silsila of [[Sufism]] and had also written the mathnavi ''Mehrajnaama'', recounting prophet [[Muhammad]]'s [[Isra and Mi'raj|Mehraj]] ( | |||
|- | |- | ||
|Pir Ghulam Mohammad Hanfi | |||
|1849–1937 | |||
| | |||
|N/A | |N/A | ||
| | |Sufism | ||
|The [[Kashmiri language|Kashmiri]] translation of [[Quran]] which was published under the name of Maulvi Yusuf Shah was actually done by Hanfi. | |The [[Kashmiri language|Kashmiri]] translation of [[Quran]] which was published under the name of Maulvi Yusuf Shah was actually done by Hanfi. | ||
|- | |- | ||
|Krishna Razdan | |||
|1850–1925 | |||
| | |||
|Wanpoh, [[Anantnag district|Anantnag]] | |Wanpoh, [[Anantnag district|Anantnag]] | ||
|Mysticism | |Mysticism | ||
|He is known for his ''Shiv Puraan'' and ''Shiv Lagan.'' | |He is known for his ''Shiv Puraan'' and ''Shiv Lagan.'' | ||
|- | |- | ||
|Aziz Ullah Haqqani | |||
|1854–1919 | |||
| | |Narparistan, Srinagar | ||
|Narparistan, | |Romanticism | ||
| | |||
|His best known [[Mathnawi|mathnavi]] is '''Mumtaaz Benazir','' which had attained the same popularity as [[Maqbool Shah Kralawari|Maqbool Shah Kralwari]]'s ''Gulrez.'' | |His best known [[Mathnawi|mathnavi]] is '''Mumtaaz Benazir','' which had attained the same popularity as [[Maqbool Shah Kralawari|Maqbool Shah Kralwari]]'s ''Gulrez.'' | ||
|- | |- | ||
|Saif-ud-din Ariz | |||
|N/A | |N/A | ||
|[[Pulwama]] | |[[Pulwama]] | ||
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|His [[Mathnawi|mathnavi]] entitled ''Nav Bahaar,'' had been translated into Persian. Though, the manuscript remains undiscovered so far. | |His [[Mathnawi|mathnavi]] entitled ''Nav Bahaar,'' had been translated into Persian. Though, the manuscript remains undiscovered so far. | ||
|- | |- | ||
|Haji Mohammad Alyaas | |||
|1881–1941 | |||
| | |||
|[[Charari Sharief|Tsrar Sharief]], Budgam | |[[Charari Sharief|Tsrar Sharief]], Budgam | ||
|Romanticism | |Romanticism | ||
|He had been inspired by Aziz Ullah Haqqani, and wrote his rendering of the [[Mathnawi|mathnavi]] ''Mumtaaz Benazir.'' | |He had been inspired by Aziz Ullah Haqqani, and wrote his rendering of the [[Mathnawi|mathnavi]] ''Mumtaaz Benazir.'' | ||
|- | |- | ||
|Mohammad Ismail Nami | |||
|1884–1940 | |||
| | |Kavador, Srinagar | ||
|Kavador, | |||
|Lyricism | |Lyricism | ||
|He was an extensive traveller of [[Tibet]] and had written ''Tibet Safarnama'' and [[Nizami Ganjavi|Nizami]]'s [[Khosrow and Shirin|Sheeren ''Farhad'']] in [[Kashmiri language|Kashmiri]]. | |He was an extensive traveller of [[Tibet]] and had written ''Tibet Safarnama'' and [[Nizami Ganjavi|Nizami]]'s [[Khosrow and Shirin|Sheeren ''Farhad'']] in [[Kashmiri language|Kashmiri]]. | ||
|- | |- | ||
|Prakash Ram Bhat | |||
|d. 1885 | |||
|d.1885 | |||
|[[Devsar, Jammu and Kashmir|Devsar]] dist. [[Kulgam district|Kulgam]] | |[[Devsar, Jammu and Kashmir|Devsar]] dist. [[Kulgam district|Kulgam]] | ||
| | |Mysticism | ||
|He is the author of the first ''Razmia'' (war) [[Mathnawi|mathnavi]] in Kashmiri literature, 'Ramavtaar Charit', based on [[Ramayana]]. | |He is the author of the first ''Razmia'' (war) [[Mathnawi|mathnavi]] in [[Kashmiri language|Kashmiri]] literature, 'Ramavtaar Charit', based on [[Ramayana]]. | ||
|- | |- | ||
|Akbar Bhat | |||
|d. 1910 | |||
|d.1910 | |Anantnag | ||
|[[ | |[[Sufism]] | ||
|He roamed as a ''[[fakir]]'' all over the valley for two years and after this peregrination wrote the poem ''Saalgah.'' | |He roamed as a ''[[fakir]]'' all over the valley for two years and after this peregrination wrote the poem ''Saalgah.'' | ||
|- | |- | ||
|Kaefi Shah | |||
|d. 1910 | |||
|d.1910 | |||
|Kothar dist. [[Udhampur district|Udhampur]] | |Kothar dist. [[Udhampur district|Udhampur]] | ||
|Romanticism | |Romanticism | ||
|Wrote a romantic [[Mathnawi|mathnavi]], '''Qissa Behraam Shah''<nowiki/>' | |Wrote a romantic [[Mathnawi|mathnavi]], '''Qissa Behraam Shah''<nowiki/>' | ||
|- | |- | ||
|Abdul Rahim Aima | |||
|d. 1911 | |||
|d.1911 | |||
|Nagam, [[Banihal]] | |Nagam, [[Banihal]] | ||
| | |Sufism | ||
|His mathnavi 'Gulbadan' is a translation of Muhammad Ali Murad's Urdu [[Mathnawi|mathnavi]] of the same title. | |His mathnavi 'Gulbadan' is a translation of Muhammad Ali Murad's [[Urdu]] [[Mathnawi|mathnavi]] of the same title. | ||
|- | |- | ||
|Pir Mohi-u-din Miskeen | |||
|d. 1915 | |||
|d.1915 | |||
|[[Kulgam]] | |[[Kulgam]] | ||
| | |Sufism | ||
|Had written 6 mathnavis'','' including Yusuf Zuleikha, Zeba Nigaar and Laal Majnoon. | |Had written 6 mathnavis'','' including Yusuf Zuleikha, Zeba Nigaar and Laal Majnoon. | ||
|- | |- | ||
|Vishna Kaul | |||
|d. 1917 | |||
|d.1917 | |||
|[[Kulgam]] | |[[Kulgam]] | ||
|Mysticism | |Mysticism | ||
|He had translated [[Valmiki]]'s [[Ramayana]] into [[Kashmiri language|Kashmiri]] | |He had translated [[Valmiki]]'s [[Ramayana]] into [[Kashmiri language|Kashmiri]] | ||
|- | |- | ||
|[[Haji Mohi-ud-din Miskin]] | |||
|d. 1921 | |||
|d.1921 | |Srinagar | ||
| | |Sufism | ||
| | |His [[Mathnawi|mathnavi]] 'Zeba Nigaar' has been credited to [[Rasul Mir]] by [[Abdul Ahad Azad]] in ''Kashmiri zuban aur shairi'' vol.II | ||
|His [[Mathnawi|mathnavi]] 'Zeba Nigaar' has been credited to [[Rasul Mir]] by [[Abdul Ahad Azad]] in ''Kashmiri zuban aur shairi'' vol.II | |- | ||
|Asad Mir | |||
|d. 1930 | |||
|N/A | |||
|[[Sufism]] | |||
|He had written the popular ghazal ''Yeli Janaan Ralem'' | |||
|- | |- | ||
|Abdul Qaadir Faarig | |||
|N/A | |N/A | ||
|N/A | |N/A | ||
| | |Sufism | ||
|He was the father of ex-chief minister, [[Ghulam Mohammed Sadiq|Ghulam Mohammad Sadiq]] | |He was the father of ex-chief minister, [[Ghulam Mohammed Sadiq|Ghulam Mohammad Sadiq]] | ||
|- | |- | ||
|Ahad Zargar | |||
|1882–1984 | |||
| | |||
|Narvara, Srinagar | |Narvara, Srinagar | ||
| | |Sufism | ||
|His well known mathnavis include- '''Kaefir Sapdith Korum Iqraar','' expressing the philosophy [[Sufi metaphysics|Wahadat-al-Wajood]]. | |His well known mathnavis include- '''Kaefir Sapdith Korum Iqraar','' expressing the philosophy [[Sufi metaphysics|Wahadat-al-Wajood]]. | ||
|- | |- | ||
|[[Zinda Kaul]] | |||
|1884–1965 | |||
| | |Srinagar | ||
| | |||
|Lyricism | |Lyricism | ||
|He had won the [[Sahitya Akademi Award|Sahitya Akademi]] award, 1956 for his volume ''Sumaran'' (The Rosary). | |He had won the [[Sahitya Akademi Award|Sahitya Akademi]] award, 1956 for his volume ''Sumaran'' (The Rosary). | ||
|- | |- | ||
|[[Mahjoor]] | |||
|1887–1952 | |||
| | |||
|Mitrigam, [[Pulwama district|Pulwama]] | |Mitrigam, [[Pulwama district|Pulwama]] | ||
|Lyricism | |Lyricism | ||
| | |Being a revolutionary poet, he is famously known as ''Shair-e-Kashmir.'' | ||
|- | |- | ||
|[[Samad Mir]] | |||
|1892–1959 | |||
| | |Haar Nambal, Narwara Srinagar | ||
|Haar Nambal, | |[[Sufism]] | ||
|[[Sufism | |||
|His '<nowiki/>''Aka Nandun''' is the Kashmiri rendering of the legend of prophet [[Abraham in Islam|Ibrahim]] and [[Ishmael in Islam|Ishmael]]. | |His '<nowiki/>''Aka Nandun''' is the Kashmiri rendering of the legend of prophet [[Abraham in Islam|Ibrahim]] and [[Ishmael in Islam|Ishmael]]. | ||
|- | |- | ||
|Abdul Ahad Zargar | |||
|b. 1908 | |||
|b.1908 | |||
|Srinagar | |Srinagar | ||
| | |Sufism | ||
| | |Being a disciple of Samad Mir, his expression was also multi-lingual that assimilated [[Arabic]], [[Sanskrit]] and [[Persian language|Persian]] languages and brewed them with [[Kashmiri language|Kashmiri]] language. | ||
|- | |- | ||
|[[Dina Nath Walli|Dina Nath Wali Almast]] | |||
|1908–2006 | |||
| | |Badyar Bala, Srinagar | ||
|Badyar Bala, | |||
|Progressive movement | |Progressive movement | ||
|His collection of poetry include ''Bala Yapair'' (This side of Mountains, 1955) and ''Sahaavukh Posh'' (Desert Flowers, 1981). | |His collection of poetry include ''Bala Yapair'' (This side of Mountains, 1955) and ''Sahaavukh Posh'' (Desert Flowers, 1981). | ||
|- | |- | ||
|[[Abdul Ahad Azad]] | |||
|1909–1948 | |||
| | |||
|[[Chadoora]], [[Budgam district|Budgam]] | |[[Chadoora]], [[Budgam district|Budgam]] | ||
|Lyricism | |Lyricism | ||
|He had written the essay ''Kashmiri zuban aur shairi.'' | |He had written the essay ''Kashmiri zuban aur shairi.'' | ||
|- | |- | ||
|[[Ghulam Rasool Nazki|Mir Ghulam Rasool Nazki]] | |||
|1910–1998 | |||
| | |||
|[[Bandipore|Bandipora]] | |[[Bandipore|Bandipora]] | ||
|[[Sufism | |[[Sufism]] | ||
|His well known works include ''Namrodnama.'' | |His well known works include ''Namrodnama.'' | ||
|- | |- | ||
|Ali Mohammad Gilkar | |||
|d. 1976 | |||
|d.1976 | |||
|[[Nowhatta]], Srinagar | |[[Nowhatta]], Srinagar | ||
| | |Sufism | ||
|He was a great spiritual leader and a great [[Sufism|Sufi]] saint, and popular among masses as ''Woast bab'' or ''Dassil bab''. He is best known for his book ''Kaleed Ludni.'' | |He was a great spiritual leader and a great [[Sufism|Sufi]] saint, and popular among masses as ''Woast bab'' or ''Dassil bab''. He is best known for his book ''Kaleed Ludni.'' | ||
|- | |- | ||
|Mirza Ghulam Hassan Beg Arif | |||
|1910–2005 | |||
| | |||
|[[Anantnag]] | |[[Anantnag]] | ||
|Progressive movement | |Progressive movement | ||
|Known for his satirical piece ''Aawaaz-i-dost.'' | |Known for his satirical piece ''Aawaaz-i-dost.'' | ||
|- | |- | ||
|[[Dinanath Nadim|Dina Nath Nadim]] | |||
|1916–1988 | |||
| | |Srinagar | ||
| | |||
|Progressive movement | |Progressive movement | ||
|Had written an anti-war poem ''Mae Chhum aash paghich.'' | |Had written an anti-war poem ''Mae Chhum aash paghich.'' | ||
|- | |- | ||
|[[Fazil Kashmiri]] | |||
|1916–2004 | |||
| | |||
|Srinagar | |Srinagar | ||
|Progressive movement | |Progressive movement | ||
|As a versatile poet he had proven his command or mastery in all genres of poetry – [[Ghazal]], [[Nazm]], [[Rubai (poetry)|Rubai]], Qata, [[Marsiya]], Munajat, [[Naʽat|Na'at]], [[Manqabat]], [[Lila (Hinduism)|Leela]] etc. | |As a versatile poet he had proven his command or mastery in all genres of poetry – [[Ghazal]], [[Nazm]], [[Rubai (poetry)|Rubai]], Qata, [[Marsiya]], Munajat, [[Naʽat|Na'at]], [[Manqabat]], [[Lila (Hinduism)|Leela]] etc. | ||
|- | |- | ||
|[[Mohiuddin Hajni]] | |||
|1917–1993 | |||
| | |||
|[[Bandipore district|Bandipora]] | |[[Bandipore district|Bandipora]] | ||
|Progressive movement | |Progressive movement | ||
|His play ''Grees Sund Ghar'' is the first play in [[Kashmiri language|Kashmiri]] language. | |His play ''Grees Sund Ghar'' is the first play in [[Kashmiri language|Kashmiri]] language. | ||
|- | |- | ||
|[[Lala Aragami|Lal Aragami]] | |||
|1923–1988 | |||
| | |||
|Chattibanday [[Aragam]], [[Bandipore district|Bandipora]] | |Chattibanday [[Aragam]], [[Bandipore district|Bandipora]] | ||
| | |Sufism | ||
|His well known works include ''Sareth Rahbar Lobum Moula.'' | |His well known works include ''Sareth Rahbar Lobum Moula.'' | ||
|- | |- | ||
|Abdul Khaliq Tak Zainageri | |||
|1924–1989 | |||
| | |||
|Hardishiva, [[Zaingair|Zaingeer]] [[Sopore]] | |Hardishiva, [[Zaingair|Zaingeer]] [[Sopore]] | ||
| | |[[Sufism]] | ||
|It was in 1972 that he laid the foundation of the J& K Yateem Trust. He has also written poems for children, depicting his love for the orphans and the weak. | |It was in 1972 that he laid the foundation of the J& K Yateem Trust. He has also written poems for children, depicting his love for the orphans and the weak. | ||
|- | |- | ||
|[[Sarwanand Koul Premi|Sarwananda Koul Premi]] | |||
|1924–1990 | |||
| | |||
|Sarf Shali, [[Kokernag]] [[Anantnag district|Anantnag]] | |Sarf Shali, [[Kokernag]] [[Anantnag district|Anantnag]] | ||
|Progressive movement | |Progressive movement | ||
|[[Mahjoor]] gave him the name "Premi" (meaning Lover) because his poetry was full of love for Kashmir. | |[[Mahjoor]] gave him the name "Premi" (meaning Lover) because his poetry was full of love for Kashmir. | ||
|- | |- | ||
|[[Amin Kamil]] | |||
|1924–2014 | |||
| | |||
|Kaprin, [[Shopian district|Shopian]] | |Kaprin, [[Shopian district|Shopian]] | ||
|Progressive movement | |Progressive movement | ||
|His notable works include the collections ''Beyi Sui Paan'' and ''Padis Pod Tshaayi.'' | |His notable works include the collections ''Beyi Sui Paan'' and ''Padis Pod Tshaayi.'' | ||
|- | |- | ||
|Arjan Dev Majboor | |||
|1924–2015 | |||
| | |||
|[[Zainapora|Zainpora]], [[Pulwama district|Pulwama]] | |[[Zainapora|Zainpora]], [[Pulwama district|Pulwama]] | ||
|Progressive movement | |Progressive movement | ||
|He had translated [[Kalidasa|Kalidas]]'s ''Meghadootam'' into [[Kashmiri language|Kashmiri]]. | |He had translated [[Kalidasa|Kalidas]]'s ''Meghadootam'' into [[Kashmiri language|Kashmiri]]. | ||
|- | |- | ||
|[[Rehman Rahi|Rahman Rahi]] | |||
|1925–present | |||
| | |Srinagar | ||
| | |||
|Progressive movement | |Progressive movement | ||
|His ''Navroz-e-Saba'' had won the [[Sahitya Akademi Award|Sahitya Akademi]] award, 1961. | |His ''Navroz-e-Saba'' had won the [[Sahitya Akademi Award|Sahitya Akademi]] award, 1961. | ||
|- | |- | ||
|[[Pushkar Bhan]] | |||
|1926–2008 | |||
| | |||
|N/A | |N/A | ||
|Progressive movement | |Progressive movement | ||
|As a playwright he had collaborated 3 times with [[Som Nath Sadhu]]. | |As a playwright he had collaborated 3 times with [[Som Nath Sadhu]]. | ||
|- | |- | ||
|Ali Mohammed Lone | |||
|1927–1987 | |||
| | |||
|Drogjan, [[Dal Lake|Dal Gate]] Srinagar | |Drogjan, [[Dal Lake|Dal Gate]] Srinagar | ||
|Progressive movement | |Progressive movement | ||
|He was a prominent dramatist of [[Kashmiri language]] and had written the plays ''Te Vyeth Rooz Pakaan'' and ''Suyya.'' | |He was a prominent dramatist of [[Kashmiri language]] and had written the plays ''Te Vyeth Rooz Pakaan'' and ''Suyya.'' | ||
|- | |- | ||
|[[Ghulam Nabi Firaq]] | |||
|1927–2016 | |||
| | |||
|[[Nowshera, Srinagar|Naushera]], Srinagar | |[[Nowshera, Srinagar|Naushera]], Srinagar | ||
|Progressive movement | |Progressive movement | ||
|Adapted play [[Doctor Faustus (play)|Doctor Faustus]] by [[Christopher Marlowe]] into [[Kashmiri language|Kashmiri]] language. | |Adapted play [[Doctor Faustus (play)|Doctor Faustus]] by [[Christopher Marlowe]] into [[Kashmiri language|Kashmiri]] language. | ||
|- | |- | ||
|[[Akhtar Mohiuddin (writer)|Akhtar Mohiuddin]] | |||
|1928–2001 | |||
| | |||
|N/A | |N/A | ||
|Progressive movement | |Progressive movement | ||
|He had written the first novel in [[Kashmiri language]], entitled Dod ''Dag'' (1957), and was a prominent short story writer in Kashmiri. | |He had written the first novel in [[Kashmiri language]], entitled Dod ''Dag'' (1957), and was a prominent short story writer in Kashmiri. | ||
|- | |- | ||
|[[Ghulam Rasool Santosh]] | |||
|1929–1997 | |||
| | |||
|Chinkral, [[Habba Kadal]] Srinagar | |Chinkral, [[Habba Kadal]] Srinagar | ||
|[[Kashmir Shaivism]] | |[[Kashmir Shaivism]] | ||
|As a poet he had been the recipient of [[Sahitya Akademi Award|Sahitya Akademi award]] for his poem ''Be Soakh Rooh'' (1978). | |As a poet he had been the recipient of [[Sahitya Akademi Award|Sahitya Akademi award]] for his poem ''Be Soakh Rooh'' (1978). | ||
|- | |- | ||
|[[Moti Lal Kemmu]] | |||
|1933–2018 | |||
| | |Srinagar | ||
| | |||
|Progressive movement | |Progressive movement | ||
|Being a multi-faceted artist, he had worked as a choreographer for [[Dinanath Nadim|Dina Nath Nadim]]'s ''Bombur Yembarzal,'' and ''Himal Nagrai.'' | |Being a multi-faceted artist, he had worked as a choreographer for [[Dinanath Nadim|Dina Nath Nadim]]'s ''Bombur Yembarzal,'' and ''Himal Nagrai.'' | ||
|- | |- | ||
|Naji Munawar | |||
|1933–2021 | |||
| | |||
|Kaprin, [[Shopian district|Shopian]] | |Kaprin, [[Shopian district|Shopian]] | ||
|Modern-age | |Modern-age | ||
|Best known for his collection ''Mwokhta lar,'' a book of stories for children. | |Best known for his collection ''Mwokhta lar,'' a book of stories for children. | ||
|- | |- | ||
|[[Autar Krishen Rahbar]] | |||
|1934–2020 | |||
| | |||
|Fatehkadal, [[Downtown Srinagar|Downtown]] Srinagar | |Fatehkadal, [[Downtown Srinagar|Downtown]] Srinagar | ||
|Modern-age | |Modern-age | ||
|He was a dramatist, and had written the famous play ''Badshah''. | |He was a dramatist, and had written the famous play ''Badshah''. | ||
|- | |- | ||
|Zeba Zeenat | |||
|1934–present | |||
| | |Nadihal, [[Bandipora]] | ||
|[[Sufism]] | |||
|She is a mystic poet whose work is based on self-exploration. | |||
|- | |||
|Hari Kishan Kaul | |||
|1934–present | |||
|[[Srinagar]] | |||
|Modern-age | |||
|He is a well-known playwright and short story writer in Kashmiri. He is best known for his play ''Yeli Watan Khur Chu Yevan''. | |||
|- | |||
|[[Ghulam Nabi Gowhar|Ghulam Nabi Gauhar]] | |||
|1934–present | |||
|[[Charari Sharief|Charar-e-Sharief]], [[Budgam district|Budgam]] | |[[Charari Sharief|Charar-e-Sharief]], [[Budgam district|Budgam]] | ||
|Modern-age | |Modern-age | ||
|He had written the second novel in [[Kashmiri language|Kashmiri]] language, entitled ''Mujrim'' (1971). | |He had written the second novel in [[Kashmiri language|Kashmiri]] language, entitled ''Mujrim'' (1971). | ||
|- | |- | ||
|Muzaffar Aazim | |||
|1934–present | |||
| | |||
|N/A | |N/A | ||
|Modern-age | |Modern-age | ||
|His notable works include a play titled ''Havas ta Haasil.'' | |His notable works include a play titled ''Havas ta Haasil.'' | ||
|- | |- | ||
|[[Pran Kishore Kaul]] | |||
|N/A | |N/A | ||
|N/A | |N/A | ||
| Line 496: | Line 449: | ||
|He had written the screenplay for the popular Doordarshan Television series ''Gul Gulshan Gulfaam''. | |He had written the screenplay for the popular Doordarshan Television series ''Gul Gulshan Gulfaam''. | ||
|- | |- | ||
|[[Som Nath Sadhu]] | |||
|1935–1982 | |||
| | |||
|N/A | |N/A | ||
|Modern-age | |Modern-age | ||
|Apart from being a significant playwright, he had also won the [[Padma Shri]] (fourth highest Indian civilian award) in 1974. | |Apart from being a significant playwright, he had also won the [[Padma Shri]] (fourth highest Indian civilian award) in 1974. | ||
|- | |- | ||
|Taj Begum Renzu | |||
|1935–2015 | |||
| | |Srinagar | ||
| | |||
|Modern-age | |Modern-age | ||
|She is the first Kashmiri female fiction writer and journalist. | |She is the first Kashmiri female fiction writer and journalist. | ||
|- | |- | ||
|[[Mohammad Yousuf Taing]] | |||
|1935–present | |||
| | |||
|[[Shopian district|Shopian]], Kashmir | |[[Shopian district|Shopian]], Kashmir | ||
|Modern-age | |Modern-age | ||
|His work, ''Mahjoor Shinasi'' (A criticism on [[Mahjoor]]) won him the Sahitya Akademi Award in 1998. | |His work, ''Mahjoor Shinasi'' (A criticism on [[Mahjoor]]) won him the Sahitya Akademi Award in 1998. | ||
|- | |- | ||
|Moti Lal Saqi | |||
|1936–1999 | |||
| | |||
|[[Bijbehara]], [[Anantnag district|Anantnag]] | |[[Bijbehara]], [[Anantnag district|Anantnag]] | ||
|Modern-age | |Modern-age | ||
|He received the [[Sahitya Akademi Award|Sahitya Akademi award]] in 1981 for ''Mansar.'' | |He received the [[Sahitya Akademi Award|Sahitya Akademi award]] in 1981 for ''Mansar.'' | ||
|- | |- | ||
|[[Sajood Sailani]] | |||
|1936–2020 | |||
| | |Nowgam, Srinagar | ||
|Nowgam, | |||
|Modern-age | |Modern-age | ||
|He served as a member of [[Sahitya Akademi]]'s advisory board from 1973 to 1977 and in 1990. | |He served as a member of [[Sahitya Akademi]]'s advisory board from 1973 to 1977 and in 1990. | ||
|- | |- | ||
|Chaman Lal Chaman | |||
|1937–1999 | |||
| | |||
|N/A | |N/A | ||
|Romanticism | |Romanticism | ||
|He had represented Kashmir at the National Conference of poets in 1960. | |He had represented Kashmir at the National Conference of poets in 1960. | ||
|- | |- | ||
|Ayub Sabir | |||
|N/A | |||
| | |N/A | ||
|Modern-age | |||
|For his famed book Gulalan Shaadmani, Sabir was awarded children's best literature award by Sahitya Academy New Delhi in 2013. | |||
|- | |||
|[[Mashal Sultanpuri|Mishal Sultanpuri]] | |||
|1937–2020 | |||
|Sultanpur, [[Baramulla district|Baramulla]] | |Sultanpur, [[Baramulla district|Baramulla]] | ||
|Modern-age | |Modern-age | ||
|In 2009 he got the Sahitya Academy award for his book ''Vont'' on literary criticism. | |In 2009 he got the Sahitya Academy award for his book ''Vont'' on literary criticism. | ||
|- | |- | ||
|[[Marghoob Banihali]] | |||
|1937–2021 | |||
| | |||
|Bankoot, [[Banihal]] | |Bankoot, [[Banihal]] | ||
|Modern-age | |Modern-age | ||
|He had returned his Sahitya Akademi award in 2015, for his ''Partavistan'' (1979), a collection of poetry. | |He had returned his Sahitya Akademi award in 2015, for his ''Partavistan'' (1979), a collection of poetry. | ||
|- | |- | ||
|Hriday Kaul Bharti | |||
|1937–2020 | |||
| | |||
|[[Sopore]] | |[[Sopore]] | ||
|Modern-age | |Modern-age | ||
|He is best known for his contemporary short stories including- ''Doan athan hinz dastaan.'' | |He is best known for his contemporary short stories including- ''Doan athan hinz dastaan.'' | ||
|- | |- | ||
|[[Ghulam Nabi Khayal]] | |||
|1938–present | |||
| | |||
|N/A | |N/A | ||
|Modern-age | |Modern-age | ||
|He became the first Kashmiri writer to return the [[Sahitya Akademi Award|Sahitya Akademi award]] in 2015, for his ''Gashik Minaar'' (Luminaries), 1975. | |He became the first Kashmiri writer to return the [[Sahitya Akademi Award|Sahitya Akademi award]] in 2015, for his ''Gashik Minaar'' (Luminaries), 1975. | ||
|- | |- | ||
|[[Ali Mohammad Shahbaz]] | |||
|1939–1996 | |||
| | |||
|Shathgund, [[Handwara]] | |Shathgund, [[Handwara]] | ||
| | |Resistance literature | ||
|His literary work pictured and voiced the agony of [[Kashmir conflict]]. | |His literary work pictured and voiced the agony of [[Kashmir conflict]]. | ||
|- | |- | ||
|Rasool Pampur | |||
|1940–2015 | |||
| | |||
|Hassenpora, [[Bijbehara]] | |Hassenpora, [[Bijbehara]] | ||
|[[Sufism | |[[Sufism]] | ||
|He was very much inspired by the Sufi compositions of [[Lalleshwari|Lal Ded]] and [[Nund Rishi|Sheikh-Ul-Alam]]. | |He was very much inspired by the Sufi compositions of [[Lalleshwari|Lal Ded]] and [[Nund Rishi|Sheikh-Ul-Alam]]. | ||
|- | |- | ||
|[[Farooq Nazki]] | |||
|1940–present | |||
| | |||
|[[Bandipore|Bandipora]] | |[[Bandipore|Bandipora]] | ||
|Modern-age | |Modern-age | ||
|He is the son of [[Ghulam Rasool Nazki]]. | |He is the son of [[Ghulam Rasool Nazki]]. | ||
|- | |- | ||
|Shafi Shaida | |||
|1941–2015 | |||
| | |||
|Akilmir Khanyar, Srinagar | |Akilmir Khanyar, Srinagar | ||
|Modern-age | |Modern-age | ||
|As a prominent dramatist, he scripted 26 episodes of Habba Khatoon- the first Urdu drama from Kashmir which was broadcast on [[DD Kashir|DD Kaeshur]]. | |As a prominent dramatist, he scripted 26 episodes of Habba Khatoon- the first [[Urdu]] drama from Kashmir which was broadcast on [[DD Kashir|DD Kaeshur]]. | ||
|- | |- | ||
|[[Omkar Nath Koul]] | |||
|1941–2018 | |||
| | |||
|[[Kulgam]] | |[[Kulgam]] | ||
|Modern-age | |Modern-age | ||
|He was a prominent linguist of [[Kashmiri language|Kashmiri]] language. | |He was a prominent linguist of [[Kashmiri language|Kashmiri]] language. | ||
|- | |- | ||
|[[Zareef Ahmad Zareef]] | |||
|1943–present | |||
| | |Aali kadal, [[Downtown Srinagar|Downtown]] Srinagar | ||
|Aali kadal, [[Downtown Srinagar|Downtown]] | |||
|Modern-age | |Modern-age | ||
|Had won the Sahitya Akademi award for ''Tchoonch poot.'' | |Had won the Sahitya Akademi award for ''Tchoonch poot.'' | ||
|- | |- | ||
|Shahnaz Rasheed | |||
|1947–present | |||
| | |||
|[[Sopore]] | |[[Sopore]] | ||
|Modern-age | |Modern-age | ||
|He released his first book ''Doad Khatith Guldanan Manz'' (Pain concealed in flower vases) in 2006, and was highly acclaimed by critics. | |He released his first book ''Doad Khatith Guldanan Manz'' (Pain concealed in flower vases) in 2006, and was highly acclaimed by critics. | ||
|- | |- | ||
|[[Rafiq Raaz]] | |||
|1950–present | |||
| | |Srinagar | ||
| | |||
|Modern-age | |Modern-age | ||
|He is the author of ''Arooz Kashir Zaban'' (Prosody of [[Kashmiri language]]). | |He is the author of ''Arooz Kashir Zaban'' (Prosody of [[Kashmiri language]]). | ||
|- | |- | ||
|Shafi Shauq | |||
|1950–present | |||
| | |||
|N/A | |N/A | ||
|Modern-age | |Modern-age | ||
|He is the author of ''Kaeshur Lugaat'' (Dictionary of [[Kashmiri language|Kashmiri]] language). | |He is the author of ''Kaeshur Lugaat'' (Dictionary of [[Kashmiri language|Kashmiri]] language). | ||
|- | |- | ||
|[[Naseem Shafaie]] | |||
|1952–present | |||
|Srinagar | |||
| | |||
| | |||
|Modern-age | |Modern-age | ||
|She is the first Kashmiri women to win the [[Sahitya Akademi Award|Sahitya Akademi award]]. | |She is the first Kashmiri women to win the [[Sahitya Akademi Award|Sahitya Akademi award]]. | ||
|- | |- | ||
|Basheer Asrar | |||
|1953–2021 | |||
| | |Malaknag, [[Anantnag district|Anantnag]] | ||
|Modern-age | |||
|He is the founder of 'The District Cultural Association Anantnag’ which is considered to be one of the best forums for new comers as well as senior literary figures. | |||
|- | |||
|[[Shad Ramzan]] | |||
|1956–present | |||
|[[Kulgam]] | |[[Kulgam]] | ||
|Modern-age | |Modern-age | ||
|He had won the Sahitya Akademi award for '''Kore Kaakud Gome Pushrith''<nowiki/>' (2014). | |He had won the Sahitya Akademi award for '''Kore Kaakud Gome Pushrith''<nowiki/>' (2014). | ||
|- | |- | ||
|Aadil Mohi-ud-din | |||
|N/A | |N/A | ||
|[[Sumbal, Jammu and Kashmir|Sumbal]], Bandipora | |[[Sumbal, Jammu and Kashmir|Sumbal]], Bandipora | ||
| Line 652: | Line 593: | ||
|He had received the Sahitya Akademi award for his literary criticism entitled- ''Zol Dith Sadras'' (2016). | |He had received the Sahitya Akademi award for his literary criticism entitled- ''Zol Dith Sadras'' (2016). | ||
|- | |- | ||
|[[Aziz Hajini]] | |||
|1957– 2021 | |||
| | |||
|Hajin, [[Bandipore district|Bandipora]] | |Hajin, [[Bandipore district|Bandipora]] | ||
|Modern-age | |Modern-age | ||
|He was the former Secretary of [[Jammu and Kashmir Academy of Art, Culture and Languages|Jammu Kashmir Academy of Art Culture and languages]] (JAACL). | |He was the former Secretary of [[Jammu and Kashmir Academy of Art, Culture and Languages|Jammu Kashmir Academy of Art Culture and languages]] (JAACL). | ||
|- | |- | ||
|[[Madhosh Balhami]] | |||
|1965–present | |||
| | |Balhama, [[Pampore]] [[Pulwama district|Pulwama]] | ||
|Balhama, [[Pampore]] Pulwama | |Resistance literature | ||
| | |||
|He is particularly known for his recitation of elegies composed for the funerals of [[Insurgency in Jammu and Kashmir|militants in Kashmir]]. | |He is particularly known for his recitation of elegies composed for the funerals of [[Insurgency in Jammu and Kashmir|militants in Kashmir]]. | ||
|- | |- | ||
|Zareefa Jan | |||
|1966–present | |||
| | |Poshwari, Sonawari [[Bandipore district|Bandipora]] | ||
|Poshwari, Sonawari Bandipora | |[[Sufism]] | ||
|[[Sufism | |||
|Her poetic world is as fascinating as her mystifying appearance. Her poetry treasure includes a few of her notebooks filled with circles. Those circles or codes can be read by her only. | |Her poetic world is as fascinating as her mystifying appearance. Her poetry treasure includes a few of her notebooks filled with circles. Those circles or codes can be read by her only. | ||
|- | |- | ||
|Sunita Raina Pandit | |||
|1967-present | |||
| | |Anantnag | ||
|Modern-age | |||
|Her book 'The Call of Silence' was released in collaboration with Jammu Kashmir Academy of Art Culture and languages (JAACL). | |||
|- | |||
|Haleema Qadri | |||
|1972–present | |||
|Churmujur, [[Budgam]] | |Churmujur, [[Budgam]] | ||
| | |Sufism | ||
|In 2015, she had self-published her collection of poetry, entitled ''Ishq-e-Nabi''. | |In 2015, she had self-published her collection of poetry, entitled ''Ishq-e-Nabi''. | ||
|- | |- | ||
|Nighat Sahiba | |||
|1983–present | |||
| | |||
|[[Anantnag district|Anantnag]] | |[[Anantnag district|Anantnag]] | ||
|Modern-age | |Modern-age | ||
|She had won the Sahitya Akademi Yuva Puraskar for her ''Zard Paniek Daer'' (2017). | |She had won the Sahitya Akademi Yuva Puraskar for her ''Zard Paniek Daer'' (2017). | ||
|- | |- | ||
|Sofi Ghulam Mohd | |||
|1986-present | |||
| | |[[Charari Sharief]] | ||
| | |||
|Modern-age | |Modern-age | ||
| | |A critic, short-story writer, translator. He is also the author of Sadre Tchakis tal, Wande Bavath, Sari Harf, pragash etc. | ||
|- | |- | ||
|Rumuz | |||
|N/A | |N/A | ||
| | |Srinagar | ||
|Modern-age | |Modern-age | ||
|As soon as she devoted herself to poetry writing, her verses reflected self-reliance, empowerment, and struggle amidst the | |As soon as she devoted herself to poetry writing, her verses reflected self-reliance, empowerment, and struggle amidst the valley's strife backdrop. | ||
|- | |||
|Asif Tariq Bhat | |||
|2000–present | |||
|Duderhama, [[Ganderbal district|Ganderbal]] | |||
|Modern-age | |||
|Asif's work began to get published on a larger scale ranging from the college magazine to Sangarmaal, the sole [[Kashmiri language|Kashmiri]] literary journal of Kashmir. | |||
|} | |} | ||
The use of the [[Kashmiri language]] began with the work ''Mahānaya-Prakāsha''<ref>{{cite book | The use of the [[Kashmiri language]] began with the work ''Mahānaya-Prakāsha''<ref>{{cite book | ||
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| author = Sisir Kumar Das | | author = Sisir Kumar Das | ||
| author-link = Sisir Kumar Das | | author-link = Sisir Kumar Das | ||
| title = A history of Indian literature, AD. | | title = A history of Indian literature, AD.500–1399: from courtly to the popular. | ||
| url = https://books.google.com/books?id=BC3l1AbPM8sC&pg=PA193 | | url = https://books.google.com/books?id=BC3l1AbPM8sC&pg=PA193 | ||
| page = 193 | | page = 193 | ||
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}}</ref> Another mystic of her time equally revered in Kashmir and popularly known as [[Nund Rishi|Nund Reshi]] wrote powerful poetry. Later came [[Habba Khatun]] (16th century) with her own style. Other major names are [[Rupa Bhavani]] (1621–1721), Paramananda (1791–1864), [[Arnimal]] (d. 1800), [[Mahmud Gami]] (1765–1855), [[Rasul Mir]] (d. 1870), [[Maqbool Shah Kralawari]] (1820–1877). Also, the [[Sufi]] poets like [[Shamas Faqir]], [[Wahab Khar]], [[Soch Kral]], [[Samad Mir]], and Ahad Zargar. Among modern poets are [[Ghulam Ahmad Mahjur|Ghulam Ahmad Mahjoor]] (1885–1952), [[Abdul Ahad Azad]] (1903–1948), and [[Zinda Kaul]] (1884–1965). | }}</ref> Another mystic of her time equally revered in Kashmir and popularly known as [[Nund Rishi|Nund Reshi]] wrote powerful poetry. Later came [[Habba Khatun]] (16th century) with her own style. Other major names are [[Rupa Bhavani]] (1621–1721), Paramananda (1791–1864), [[Arnimal]] (d. 1800), [[Mahmud Gami]] (1765–1855), [[Rasul Mir]] (d. 1870), [[Maqbool Shah Kralawari]] (1820–1877). Also, the [[Sufi]] poets like [[Shamas Faqir]], [[Wahab Khar]], [[Soch Kral]], [[Samad Mir]], and Ahad Zargar. Among modern poets are [[Ghulam Ahmad Mahjur|Ghulam Ahmad Mahjoor]] (1885–1952), [[Abdul Ahad Azad]] (1903–1948), and [[Zinda Kaul]] (1884–1965). | ||
During the 1950s, a number of well educated youth turned to Kashmiri writing, both | During the 1950s, a number of well educated youth turned to Kashmiri writing, both poetry and prose, and enriched modern Kashmiri writing by leaps and bounds. Among these writers are [[Dinanath Nadim]] (1916–1988), [[Amin Kamil]] (1923–2014),<ref>{{cite web |url=http://kamil.neabinternational.org |title=Amin Kamil - Kashmiri literature, Kashmiri poetry |publisher=Kamil.neabinternational.org |access-date =2013-03-03 }}</ref> [[Sarwanand Koul Premi|Sarwanand Kaol Premi]] (1924–1990), [[Rehman Rahi]] (born 1925), [[Ghulam Nabi Firaq]] (1927–2016), Ali Mohammed Lone<ref>{{Cite web|last=Ali Mohammed Lone|first=A fearless dramatist|date=|title=Ali Mohammed Lone, Greater Kashmir|url=https://www.greaterkashmir.com/news/opinion/ali-mohammed-lone-a-fearless-dramatist/|url-status=live|archive-url=|archive-date=30 December 2017|access-date=18 January 2021|website=Greater Kashmir}}</ref> (1928–1987), [[Akhtar Mohiuddin (writer)|Akhtar Mohiuddin]] (1928–2001), [[Ali Mohammad Shahbaz]], Avtar Krishen Rahbar (born 1933), [[Sajood Sailani]], Som Nath Zutshi, Muzaffar Aazim.<ref>{{cite web |url=http://kashmirilanguage.com|title=Kashmiri Language}}</ref> Some later day writers are Hari Kishan Kaul, Majrooh Rashid, Rattanlal Shant, Hirdhey Kaul Bharti, [[Omkar Nath Koul|Omkar N Koul]], Roop Krishen Bhat, [[Rafiq Raaz]], Tariq Shehraz, Shafi Shauq, Showkat Shehri, M.H Zaffar, G.M Azad, Anis Hamdani, Barkat Nida, Majrooh Rashid, Shafi Sumbli, Bashar Bashir, Shenaz Rashid, Shabir Ahmad Shabir, Shabir Magami, Tariq Ahmad Tariq,<ref>{{cite web |url=http://lalded.8k.com |title=Welcome To the Homepage of LALDED |publisher=Lalded.8k.com |access-date=2013-03-03 }}</ref> and [[Moti Lal Kemmu]]. | ||
Contemporary Kashmiri literature appears in such magazines as "''Sheeraza"'' published by the Jammu & Kashmir Academy of Art, Culture and Languages, "''Anhar"'' published by the Kashmirri Department of the Kashmir University, and an independent magazines/portals like "The Kashmir Tales".<ref>{{Cite web|title=How young poets from Kashmir are creating a parallel poets' society with online mushairas|url=https://theprint.in/india/how-young-poets-from-kashmir-are-creating-a-parallel-poets-society-with-online-mushairas/448372/|website=The Print}}</ref> "Mountain Ink", Inverse Journal ''Neab International Kashmiri Magazine''<ref>{{Cite web|title=Kashmiri Language and Literature - Kashmiri Magazine of Kashmiri Poetry, Kashmiri Fiction|url=http://www.neabinternational.org/|access-date=2021-01-18|website=www.neabinternational.org}}</ref> published from Boston, ''Vaakh'' (published by All India Kashmiri Samaj, Delhi) and ''Koshur Samachar'' (published by Kashmiri Sahayak Sammiti, Delhi). | Contemporary Kashmiri literature appears in such magazines as "''Sheeraza"'' published by the Jammu & Kashmir Academy of Art, Culture and Languages, "''Anhar"'' published by the Kashmirri Department of the Kashmir University, and an independent magazines/portals like "The Kashmir Tales".<ref>{{Cite web|title=How young poets from Kashmir are creating a parallel poets' society with online mushairas|url=https://theprint.in/india/how-young-poets-from-kashmir-are-creating-a-parallel-poets-society-with-online-mushairas/448372/|website=The Print}}</ref> "[[Mountain Ink]]", Inverse Journal ''Neab International Kashmiri Magazine''<ref>{{Cite web|title=Kashmiri Language and Literature - Kashmiri Magazine of Kashmiri Poetry, Kashmiri Fiction|url=http://www.neabinternational.org/|access-date=2021-01-18|website=www.neabinternational.org}}</ref> published from Boston, ''Vaakh'' (published by All India Kashmiri Samaj, Delhi) and ''Koshur Samachar'' (published by Kashmiri Sahayak Sammiti, Delhi). | ||
==Ancient writers in Sanskrit== | ==Ancient writers in Sanskrit== | ||
*[[Lagadha]],<ref>[[Debiprasad Chattopadhyaya]], ''History of Science and Technology in Ancient India'', Firma K.L Mukhopadhyaya (1986), pp. 486-494</ref><ref>Satya Prakash, ''Founders of Sciences in Ancient India'' (part II), Vijay Kumar (1989), p.471</ref><ref>B.S. Yadav & Man Mohan, ''Ancient Indian Leaps into Mathematics'', [[Birkhäuser]] (2011), p. 78</ref><ref>M. I. Mikhailov & N. S. Mikhailov, ''Key to the Vedas'', Minsk-Vilnius (2005), p. 105</ref><ref>Sures Chandra Banerji, ''A Companion to Sanskrit Literature'', Motilal Banarsidass (1989), p. 59</ref><ref>[[Helaine Selin]], ''[[Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures]]'', [[Kluwer Academic Publishers]] (1997), p. 977</ref> between 1400 and 1200 BC. Wrote [[Vedanga Jyotisha]], the earliest Indian text on astronomy. | *[[Lagadha]],<ref>[[Debiprasad Chattopadhyaya]], ''History of Science and Technology in Ancient India'', Firma K.L Mukhopadhyaya (1986), pp. 486-494</ref><ref>Satya Prakash, ''Founders of Sciences in Ancient India'' (part II), Vijay Kumar (1989), p.471</ref><ref>B.S. Yadav & Man Mohan, ''Ancient Indian Leaps into Mathematics'', [[Birkhäuser]] (2011), p. 78</ref><ref>M. I. Mikhailov & N. S. Mikhailov, ''Key to the Vedas'', Minsk-Vilnius (2005), p. 105</ref><ref>Sures Chandra Banerji, ''A Companion to Sanskrit Literature'', Motilal Banarsidass (1989), p. 59</ref><ref>[[Helaine Selin]], ''[[Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures]]'', [[Kluwer Academic Publishers]] (1997), p. 977</ref> between 1400 and 1200 BC. Wrote [[Vedanga Jyotisha]], the earliest Indian text on astronomy. | ||
*[[Charaka]],<ref>Martin Levey, ''Early Arabic Pharmacology: An Introduction Based on Ancient and Medieval Sources'', Brill Archive (1973), p. 10</ref><ref>[[Prithivi Nath Kaul Bamzai|P. N. K. Bamzai]], ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.268</ref><ref>S.K. Sopory, ''Glimpses Of Kashmir'', APH Publishing Corporation (2004), p. 62</ref><ref>Krishan Lal Kalla, ''The Literary Heritage of Kashmir'', Mittal Publications (1985), p.65</ref> c. 300 BC. One of the most important authors in [[Ayurveda]]. | *[[Charaka]],<ref>Martin Levey, ''Early Arabic Pharmacology: An Introduction Based on Ancient and Medieval Sources'', Brill Archive (1973), p. 10</ref><ref>[[Prithivi Nath Kaul Bamzai|P. N. K. Bamzai]], ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.268</ref><ref>S.K. Sopory, ''Glimpses Of Kashmir'', APH Publishing Corporation (2004), p. 62</ref><ref>Krishan Lal Kalla, ''The Literary Heritage of Kashmir'', Mittal Publications (1985), p.65</ref> c. 300 BC. One of the most important authors in [[Ayurveda]]. | ||
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*Jaijjata, 5th century, a medical writer and probably the earliest commentator (known) on the [[Sushruta Samhita]], later quoted by [[Dalhana]].<ref>Ramachandra S.K. Rao, Encyclopaedia of Indian medicine : volume 1, Popular Prakashan (2005), p. 63</ref> | *Jaijjata, 5th century, a medical writer and probably the earliest commentator (known) on the [[Sushruta Samhita]], later quoted by [[Dalhana]].<ref>Ramachandra S.K. Rao, Encyclopaedia of Indian medicine : volume 1, Popular Prakashan (2005), p. 63</ref> | ||
*[[Kalidasa]],<ref>Ram Gopal, ''Kālidāsa: His Art and Culture'', Concept Publishing Company (1984), p.3</ref><ref>P. N. K. Bamzai, ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.261-262</ref><ref>M. K. Kaw, ''Kashmir and Its People: Studies in the Evolution of Kashmiri Society'', APH Publishing Corporation (2004), p.388</ref> c. 5th century. Widely regarded as the greatest poet and dramatist in the [[Sanskrit]] language. | *[[Kalidasa]],<ref>Ram Gopal, ''Kālidāsa: His Art and Culture'', Concept Publishing Company (1984), p.3</ref><ref>P. N. K. Bamzai, ''Culture and Political History of Kashmir'' - Volume 1, M D Publications (1994), p.261-262</ref><ref>M. K. Kaw, ''Kashmir and Its People: Studies in the Evolution of Kashmiri Society'', APH Publishing Corporation (2004), p.388</ref> c. 5th century. Widely regarded as the greatest poet and dramatist in the [[Sanskrit]] language. | ||
*[[Vagbhata]],<ref>[[:de:Claus Vogel|Claus Vogel]], ''Vāgbhaṭa Aṣṭāṅgahṛdayasaṃhitā. The First Five Chapters of Its Tibetan Version'', Franz Steiner (1965), p.13</ref><ref>Anna Akasoy & co., ''Islam and Tibet: Interactions Along the Musk Routes'', Ashgate Publishing Limited (2011), p.76</ref> c. 7th century. Considered | *[[Vagbhata]],<ref>[[:de:Claus Vogel|Claus Vogel]], ''Vāgbhaṭa Aṣṭāṅgahṛdayasaṃhitā. The First Five Chapters of Its Tibetan Version'', Franz Steiner (1965), p.13</ref><ref>Anna Akasoy & co., ''Islam and Tibet: Interactions Along the Musk Routes'', Ashgate Publishing Limited (2011), p.76</ref> c. 7th century. Considered one of the 'trinity' (with [[Charaka]] and [[Sushruta]]) of [[Ayurveda]]. | ||
*[[Bhamaha]],<ref>[[Richard Pischel]], ''A Grammar of the Prakrit Languages'', Motilal Banarsidass (1999), p. 43</ref><ref>Satya Ranjan Banerjee, ''The Eastern School of Prakrit Grammarians: A Linguistic Study'', Vidyasagar Pustak Mandir (1977), p. 31</ref><ref>Kamaleswar Bhattacharya, ''India & Beyond'', [[Routledge]] (2009), p. 2</ref><ref>John E. Cort, ''Open Boundaries: Jain Communities and Cultures in Indian History'', [[State University of New York Press]] (1998), p.57</ref> c. 7th century | *[[Bhamaha]],<ref>[[Richard Pischel]], ''A Grammar of the Prakrit Languages'', Motilal Banarsidass (1999), p. 43</ref><ref>Satya Ranjan Banerjee, ''The Eastern School of Prakrit Grammarians: A Linguistic Study'', Vidyasagar Pustak Mandir (1977), p. 31</ref><ref>Kamaleswar Bhattacharya, ''India & Beyond'', [[Routledge]] (2009), p. 2</ref><ref>John E. Cort, ''Open Boundaries: Jain Communities and Cultures in Indian History'', [[State University of New York Press]] (1998), p.57</ref> c. 7th century | ||
* Ravigupta, 700–725. "Ravigupta is, perhaps, the earliest among the Buddhist philosophers of Kashmir..."<ref>Kolar Sesha Iyer Nagarajan, ''Contribution of Kashmir to Sanskrit literature'', V.B. Soobbiah (1970), p. 426</ref> | * Ravigupta, 700–725. "Ravigupta is, perhaps, the earliest among the Buddhist philosophers of Kashmir..."<ref>Kolar Sesha Iyer Nagarajan, ''Contribution of Kashmir to Sanskrit literature'', V.B. Soobbiah (1970), p. 426</ref> | ||
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*[[Rudrata]], c. 9th century | *[[Rudrata]], c. 9th century | ||
*[[Jayanta Bhatta]], c. 9th century | *[[Jayanta Bhatta]], c. 9th century | ||
*Bhatta Nayaka, c. 9th-10th century, considered by [[Sheldon Pollock]] | *Bhatta Nayaka, c. 9th-10th century, considered by [[Sheldon Pollock]] to be the greatest author on [[aesthetics]] in the pre-modern period | ||
* [[Medhātithi]], c. 9th-10th century, one of the most influential commentators of the [[Manusmriti]] | * [[Medhātithi]], c. 9th-10th century, one of the most influential commentators of the [[Manusmriti]] | ||
*[[Utpaladeva]], 900-950 | *[[Utpaladeva]], 900-950 | ||
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==Writers in Persian== | ==Writers in Persian== | ||
{{See also|Persian language in the Indian subcontinent}} | |||
After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of foreign culture by the [[Mughal Empire|Mughals]], Persian became the literary language also of the region. | After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of foreign culture by the [[Mughal Empire|Mughals]], Persian became the literary language also of the region. | ||
Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperor Muhammad Shah (1131-61/1719-48), alone lists 303 poets".<ref>Collective, ''The Cambridge History of Iran'', Volume 6, p. 980</ref> Late scholar from [[Pakistan]], [[Hassam-ud-Din Rashidi|Pir Hassam-ud-Din Rashidi]], edited, translated, and enlarged this work later, and had it published by the [[Iqbal Academy Pakistan|Iqbal Academy]]. | Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperor Muhammad Shah (1131-61/1719-48), alone lists 303 poets".<ref>Collective, ''The Cambridge History of Iran'', Volume 6, p. 980</ref> Late scholar from [[Pakistan]], [[Hassam-ud-Din Rashidi|Pir Hassam-ud-Din Rashidi]], edited, translated, and enlarged this work later, and had it published by the [[Iqbal Academy Pakistan|Iqbal Academy]]. | ||
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<!-- PLEASE RESPECT CHRONOLOGICAL ORDER --> | <!-- PLEASE RESPECT CHRONOLOGICAL ORDER --> | ||
*Mir Tafazzul Hussain Khan Kashmiri (1727-1800), originally from [[Kashmir Valley|Kashmir]],<ref>Hamid Afaq Qureshi, ''The Mughals, the English & the rulers of Awadh, from 1722 A.D. to 1856 A.D.'', New Royal Book Co (2003), p.79</ref><ref>Amaresh Misra, ''Lucknow, fire of grace: the story of its revolution, renaissance and the aftermath'', HarperCollins Publishers India (1998), p. 57</ref><ref>Purnendu Basu, ''Oudh and the East India Company, 1785-1801'', Maxwell Company (1943), p. 22</ref> born in [[Sialkot]]<ref>[[Simon Schaffer]], ''The Brokered World: Go-Betweens and Global Intelligence, 1770-1820'', Science History Publications (2009), p. 53</ref> where his parents moved and himself based in [[Lucknow]] where he served as [[Prime Minister]] (or ''diwan'') to the [[Nawab of Oudh]] [[Asaf-ud-Daula]] thanks his erudition. He was called "khan-e-allama" (the Scholarly Khan)<ref>Surendra Mohan, ''Awadh Under the Nawabs: Politics, Culture, and Communal Relations, 1722-1856'', Manohar Publishers & Distributors (1997), p.80</ref> due to his deep scholarship on many subjects but is best known today for having translated [[Sir Isaac Newton]]'s [[Philosophiæ Naturalis Principia Mathematica]] from [[Latin]] into [[Arabic]].<ref>Edited by Bernard Lightman, ''The Circulation of Knowledge Between Britain, India and China'', [[Brill Publishers|BRILL]] (2013), p.67</ref> | *Mir Tafazzul Hussain Khan Kashmiri (1727-1800), originally from [[Kashmir Valley|Kashmir]],<ref>Hamid Afaq Qureshi, ''The Mughals, the English & the rulers of Awadh, from 1722 A.D. to 1856 A.D.'', New Royal Book Co (2003), p.79</ref><ref>Amaresh Misra, ''Lucknow, fire of grace: the story of its revolution, renaissance and the aftermath'', HarperCollins Publishers India (1998), p. 57</ref><ref>Purnendu Basu, ''Oudh and the East India Company, 1785-1801'', Maxwell Company (1943), p. 22</ref> born in [[Sialkot]]<ref>[[Simon Schaffer]], ''The Brokered World: Go-Betweens and Global Intelligence, 1770-1820'', Science History Publications (2009), p. 53</ref> where his parents moved and himself based in [[Lucknow]] where he served as [[Prime Minister]] (or ''diwan'') to the [[Nawab of Oudh]] [[Asaf-ud-Daula]] thanks his erudition. He was called "khan-e-allama" (the Scholarly Khan)<ref>Surendra Mohan, ''Awadh Under the Nawabs: Politics, Culture, and Communal Relations, 1722-1856'', Manohar Publishers & Distributors (1997), p.80</ref> due to his deep scholarship on many subjects but is best known today for having translated [[Sir Isaac Newton]]'s [[Philosophiæ Naturalis Principia Mathematica]] from [[Latin]] into [[Arabic]].<ref>Edited by Bernard Lightman, ''The Circulation of Knowledge Between Britain, India and China'', [[Brill Publishers|BRILL]] (2013), p.67</ref> | ||
*Mufti Sadruddin Khan 'Azurda',<ref>Abida Samiuddin, ''Encyclopaedic Dictionary of Urdu Literature'', Global Vision Publishing House (2008), p. 94</ref> 1789–1868, apart from being the [[Grand Mufti]] of [[ | *Mufti Sadruddin Khan 'Azurda',<ref>Abida Samiuddin, ''Encyclopaedic Dictionary of Urdu Literature'', Global Vision Publishing House (2008), p. 94</ref> 1789–1868, apart from being the [[Grand Mufti]] of [[Delhi]], he was also a personal friend to [[Ghalib]] (whose own mother was from Kashmir)<ref>Mirza Asadullah Khan Ghalib, ''Persian poetry of Mirza Ghalib'', Pen Productions (2000), p. 7</ref> and himself a poet of note in Urdu as well as in Arabic and Persian. He also wrote a ''tazkira'' (biographical [[anthology]] of poets). | ||
*[[Momin Khan Momin]], 1801–1852, considered one of the three pillars of the [[Delhi]] school of Urdu poetry, with [[Ghalib]] and [[Zauq]].<ref>K.C. Kanda, ''Masterpieces of Urdu Ghazal from the 17th to the 20th Century'', Sterling (1992), p. 182</ref> Other fields where he was competent included [[mathematics]], [[geomancy]], [[astrology]], [[chess]] or [[music]].<ref>K.C. Kanda, ''Masterpieces of Urdu Ghazal from the 17th to the 20th Century'', Sterling (1992), p. 182</ref><ref>Ali Jawad Zaidi, ''A History of Urdu literature'', Sahitya Akademi (1993), p. 181</ref><ref>D.J. Matthews, ''Urdu Literature'', South Asia Books (1985), p. 86</ref> | *[[Momin Khan Momin]], 1801–1852, considered one of the three pillars of the [[Delhi]] school of Urdu poetry, with [[Ghalib]] and [[Zauq]].<ref>K.C. Kanda, ''Masterpieces of Urdu Ghazal from the 17th to the 20th Century'', Sterling (1992), p. 182</ref> Other fields where he was competent included [[mathematics]], [[geomancy]], [[astrology]], [[chess]] or [[music]].<ref>K.C. Kanda, ''Masterpieces of Urdu Ghazal from the 17th to the 20th Century'', Sterling (1992), p. 182</ref><ref>Ali Jawad Zaidi, ''A History of Urdu literature'', Sahitya Akademi (1993), p. 181</ref><ref>D.J. Matthews, ''Urdu Literature'', South Asia Books (1985), p. 86</ref> | ||
*[[Daya Shankar Kaul Nasim]], 1811–1845 | *[[Daya Shankar Kaul Nasim]], 1811–1845 | ||
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*[[Ghulam Mustafa Tabassum]], 1899–1978 | *[[Ghulam Mustafa Tabassum]], 1899–1978 | ||
*Justice [[Anand Narain Mulla]], 1901-1997 | *Justice [[Anand Narain Mulla]], 1901-1997 | ||
*Muhammad Din Taseer, 1902-1950 (short-story writer, literary critic and Iqbal scholar. Father of slain Pakistan's [[Governor of Punjab, Pakistan|Punjab governor]] [[Salman Taseer]] and first individual from the Sub-continent to get a PhD in English Literature from [[Cambridge University]])<ref>[http://www.kashmirlife.net/punjabs-kashmir-connection/ | *Muhammad Din Taseer, 1902-1950 (short-story writer, literary critic and Iqbal scholar. Father of slain Pakistan's [[Governor of Punjab, Pakistan|Punjab governor]] [[Salman Taseer]] and first individual from the Sub-continent to get a PhD in English Literature from [[Cambridge University]])<ref>[http://www.kashmirlife.net/punjabs-kashmir-connection/ Punjab's Kashmir connection]</ref> | ||
*[[Shaikh Abdullah]], 1905–1982 | *[[Shaikh Abdullah]], 1905–1982 | ||
*Bashir Ahmed Dar, 1908-1979 (a philosopher and Iqbal scholar) | *Bashir Ahmed Dar, 1908-1979 (a philosopher and Iqbal scholar) | ||
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*[[Rasheed Amjad]] | *[[Rasheed Amjad]] | ||
*[[Shahid Nadeem]] | *[[Shahid Nadeem]] | ||
==Writers in Hindi== | ==Writers in Hindi== | ||
{{Prose|section|date=April 2013}} | {{Prose|section|date=April 2013}} | ||
*[[Amar Nath Kak]] | *[[Amar Nath Kak]] | ||
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==Writers in English== | ==Writers in English== | ||
{{Prose|section|date=April 2013}} | {{Prose|section|date=April 2013}} | ||
*[[I. K. Taimni]] | *[[I. K. Taimni]] | ||
| Line 877: | Line 819: | ||
*[[Agha Shahid Ali]] | *[[Agha Shahid Ali]] | ||
*[[Basharat Peer]] | *[[Basharat Peer]] | ||
*[[Adeeba Riyaz]] | |||
*Sahil Mudasir | |||
==See also== | ==See also== | ||
* [[List of Indian poets#Kashmiri|List of Kashmiri poets]] | * [[List of Indian poets#Kashmiri|List of Kashmiri poets]] | ||
* [[List of topics on the land and the people of Jammu and Kashmir]] | * [[List of topics on the land and the people of Jammu and Kashmir]] | ||
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==References== | ==References== | ||
{{Reflist|2}} | {{Reflist|2}} | ||
{{DEFAULTSORT:Kashmiri Literature}} | {{DEFAULTSORT:Kashmiri Literature}} | ||
Revision as of 05:36, 3 April 2022
Literature of Kashmir has a long history, the oldest texts having been composed in the Sanskrit language. Early names include Patanjali, the author of the Mahābhāṣya commentary on Pāṇini's grammar, suggested by some to have been the same to write the Hindu treatise known as the Yogasutra, and Dridhbala, who revised the Charaka Samhita of Ayurveda.
In medieval times, philosophers of Kashmir Shaivism include Vasugupta (c. 800), Utpala (c. 925), Abhinavagupta, Kshemaraja, and Anandavardhana. If we talk about contemporary poetry of Kashmir there are many poets, which include Asif Tariq Bhat,[1][2] Tashi Shah,[3] Akeel Mohiuddin Bhat,[4] and Zeeshan Jaipuri.[5]
Kashmiri language literature
The below listed table marks Kashmiri language poets as per the book, A History of Kashmiri literature by Trilokinath Raina.[6]
| Name | Years | Birthplace | Period | Remarks |
|---|---|---|---|---|
| Lal Ded | 1320–1392 | Pandrethan/Padmanpore (modern Pampore) | Kashmir Shaivism | She was the Kashmiri mystic poet credited with pioneering Vaakh/Vatsun or Shrukh genre of Kashmiri literature. |
| Nund Reshi | 1377–1438 | Qaimoh, Kulgam | Sufism | Nund Reshi was among the founders of the Rishi order, a Sufi tradition of the region. |
| Habba Khatoon | 1554–1609 | Chandhur, Pampore | Lyricism | The Queen Poetess was popularly known as the "Nightingale of Kashmir". |
| Khwaja Habibullah Nowsheri | 1555–1617 | Nowshera, Srinagar | Sufism | He was a Hafiz Quran, and was very much fond of singing. He had written some notable Vaakhs too. |
| Rupa Bhawani | 1621–1721 | Khanqah-i-Shokta, Nawakadal (Srinagar at present) | Mysticism | Her Vaakhs reveal the influence of both Kashmir Shaivism and Islamic Sufism. |
| Sahab Kaul | b. 1629 | Habba Kadal, Srinagar | Kashmir Shaivism | His Krishna Avtaar Charit is the first Kashmiri poem of Leela (Divine play) genre. |
| Nunda Dar | d. 1774 | Village Kaathyul | Sufism | He and Syed Ullah Shahabadi are the only two poets who attempted the Ghazal writing successfully before Mahmud Gami. |
| Arnimal | 1738–1778 | Palhalan, Pattan Kashmir | Lyricism | She is the second poet after Habba Khatoon in the field of love lyrics. |
| Mir Abdulla Behaqi | d. 1798 | N/A | Sufism | He is the first Kashmiri poet to adopt Mathnavi (rhyming couplets) as his medium in poetry. |
| Swocha Kral | 1774–1854 | Yendragam, Pulwama | Sufism | His poetry is an exposition of the philosophy of Wahdat-al-Wajood. |
| Momin Saeb | d. 1800 | Bebagom, Pulwama | Sufism | To him belongs the honour of writing the first well-received Mathnavi in Kashmiri, entitled 'Mantaq-al-tayyar' based on Persian mathnavi of the same title by Attar. |
| Parmananda | 1791–1864 | Village Seer, Martand (Mattan at present) | Mysticism | His most notable works include Radha Swayamvara. |
| Shah Qalandar | d. 1850 | Haigam or Wahthora, Chadoora dist. Budgam | Lyricism | Known for his popular mathnavi 'Adam ta Guljaan' (love-story of faqir Adam and Princess Guljaan). |
| Mahmud Gami | 1765–1855 | Dooru Shahabad, Anantnag, Kashmir | Lyricism | Popularly known as Jami of Kashmir, he had also translated Nizami's Layla Majnun into Kashmiri titled Lael Majnun. |
| Rahim Saeb | 1775–1850 | Teliwani Mohalla Sopore, Baramulla | Sufism | He belonged to the Qadri order of Sufism and was significantly influenced by Lal Ded and Nund Reshi. |
| Wali Ullah Motoo | d. 1858 | Wuhan, Beerwah dist. Budgam | Sufism | He has written a Mathnavi based on the legend of Hemal and Nagrai. |
| Naem Saeb | b. 1805 | Habba Kadal, Srinagar | Lyricism | Best known for his lyrical ghazals that have been sung by generation of Kashmiris. |
| Lakshman Joo Raina Bulbul | 1812–1898 | Malapora, Ganderbal Srinagar | Lyricism | Wrote the well-known razmia mathnavi Saamnaama, translation of Firdausi's Classic Shahnaama. |
| Karam Buland | d. 1899 | Haanz Gund, Wahthora Budgam | Lyricism | He had great love of music, theatre and organizing musical sessions. The NGO- Karam Buland Folk Theatre Group in Budgam is also named after him. |
| Maqbool Shah Kralwari | 1820–1877 | Kralwara, Nagam Budgam | Sufism | He is best known for his mathnavi 'Gulrez'. |
| Rasul Mir | 1840–1870 | Dooru Shahabad, Anantnag, Kashmir | Romanticism | Rasul Mir formally inaugurated Ghazal into Kashmiri poetry. Gazals with rivers, valleys, birds, fruits and imagery of Kashmir are his forte. |
| Abdul Ahad Nadim | 1842–1911 | Bandipora | Lyricism | Had written the social satire Shaharashob. |
| Wahab Khar | 1842–1912 | Pampore, Pulwama | Sufism | He came from a lineage of poets: his father and grandfather, both blacksmiths by profession, were also venerated Sufi poets. |
| Rahman Dar | d. 1897 | Safa Kadal, Srinagar | Sufism | He is best known for his Mathnavi Sheeshrang. |
| Shamas Faqir | 1849–1904 | Zaindar, Srinagar | Sufism | He belonged to the Qadriya silsila of Sufism and had also written the mathnavi Mehrajnaama, recounting prophet Muhammad's Mehraj (spiritual journey) to God. |
| Pir Ghulam Mohammad Hanfi | 1849–1937 | N/A | Sufism | The Kashmiri translation of Quran which was published under the name of Maulvi Yusuf Shah was actually done by Hanfi. |
| Krishna Razdan | 1850–1925 | Wanpoh, Anantnag | Mysticism | He is known for his Shiv Puraan and Shiv Lagan. |
| Aziz Ullah Haqqani | 1854–1919 | Narparistan, Srinagar | Romanticism | His best known mathnavi is 'Mumtaaz Benazir', which had attained the same popularity as Maqbool Shah Kralwari's Gulrez. |
| Saif-ud-din Ariz | N/A | Pulwama | Lyricism | His mathnavi entitled Nav Bahaar, had been translated into Persian. Though, the manuscript remains undiscovered so far. |
| Haji Mohammad Alyaas | 1881–1941 | Tsrar Sharief, Budgam | Romanticism | He had been inspired by Aziz Ullah Haqqani, and wrote his rendering of the mathnavi Mumtaaz Benazir. |
| Mohammad Ismail Nami | 1884–1940 | Kavador, Srinagar | Lyricism | He was an extensive traveller of Tibet and had written Tibet Safarnama and Nizami's Sheeren Farhad in Kashmiri. |
| Prakash Ram Bhat | d. 1885 | Devsar dist. Kulgam | Mysticism | He is the author of the first Razmia (war) mathnavi in Kashmiri literature, 'Ramavtaar Charit', based on Ramayana. |
| Akbar Bhat | d. 1910 | Anantnag | Sufism | He roamed as a fakir all over the valley for two years and after this peregrination wrote the poem Saalgah. |
| Kaefi Shah | d. 1910 | Kothar dist. Udhampur | Romanticism | Wrote a romantic mathnavi, 'Qissa Behraam Shah' |
| Abdul Rahim Aima | d. 1911 | Nagam, Banihal | Sufism | His mathnavi 'Gulbadan' is a translation of Muhammad Ali Murad's Urdu mathnavi of the same title. |
| Pir Mohi-u-din Miskeen | d. 1915 | Kulgam | Sufism | Had written 6 mathnavis, including Yusuf Zuleikha, Zeba Nigaar and Laal Majnoon. |
| Vishna Kaul | d. 1917 | Kulgam | Mysticism | He had translated Valmiki's Ramayana into Kashmiri |
| Haji Mohi-ud-din Miskin | d. 1921 | Srinagar | Sufism | His mathnavi 'Zeba Nigaar' has been credited to Rasul Mir by Abdul Ahad Azad in Kashmiri zuban aur shairi vol.II |
| Asad Mir | d. 1930 | N/A | Sufism | He had written the popular ghazal Yeli Janaan Ralem |
| Abdul Qaadir Faarig | N/A | N/A | Sufism | He was the father of ex-chief minister, Ghulam Mohammad Sadiq |
| Ahad Zargar | 1882–1984 | Narvara, Srinagar | Sufism | His well known mathnavis include- 'Kaefir Sapdith Korum Iqraar', expressing the philosophy Wahadat-al-Wajood. |
| Zinda Kaul | 1884–1965 | Srinagar | Lyricism | He had won the Sahitya Akademi award, 1956 for his volume Sumaran (The Rosary). |
| Mahjoor | 1887–1952 | Mitrigam, Pulwama | Lyricism | Being a revolutionary poet, he is famously known as Shair-e-Kashmir. |
| Samad Mir | 1892–1959 | Haar Nambal, Narwara Srinagar | Sufism | His 'Aka Nandun' is the Kashmiri rendering of the legend of prophet Ibrahim and Ishmael. |
| Abdul Ahad Zargar | b. 1908 | Srinagar | Sufism | Being a disciple of Samad Mir, his expression was also multi-lingual that assimilated Arabic, Sanskrit and Persian languages and brewed them with Kashmiri language. |
| Dina Nath Wali Almast | 1908–2006 | Badyar Bala, Srinagar | Progressive movement | His collection of poetry include Bala Yapair (This side of Mountains, 1955) and Sahaavukh Posh (Desert Flowers, 1981). |
| Abdul Ahad Azad | 1909–1948 | Chadoora, Budgam | Lyricism | He had written the essay Kashmiri zuban aur shairi. |
| Mir Ghulam Rasool Nazki | 1910–1998 | Bandipora | Sufism | His well known works include Namrodnama. |
| Ali Mohammad Gilkar | d. 1976 | Nowhatta, Srinagar | Sufism | He was a great spiritual leader and a great Sufi saint, and popular among masses as Woast bab or Dassil bab. He is best known for his book Kaleed Ludni. |
| Mirza Ghulam Hassan Beg Arif | 1910–2005 | Anantnag | Progressive movement | Known for his satirical piece Aawaaz-i-dost. |
| Dina Nath Nadim | 1916–1988 | Srinagar | Progressive movement | Had written an anti-war poem Mae Chhum aash paghich. |
| Fazil Kashmiri | 1916–2004 | Srinagar | Progressive movement | As a versatile poet he had proven his command or mastery in all genres of poetry – Ghazal, Nazm, Rubai, Qata, Marsiya, Munajat, Na'at, Manqabat, Leela etc. |
| Mohiuddin Hajni | 1917–1993 | Bandipora | Progressive movement | His play Grees Sund Ghar is the first play in Kashmiri language. |
| Lal Aragami | 1923–1988 | Chattibanday Aragam, Bandipora | Sufism | His well known works include Sareth Rahbar Lobum Moula. |
| Abdul Khaliq Tak Zainageri | 1924–1989 | Hardishiva, Zaingeer Sopore | Sufism | It was in 1972 that he laid the foundation of the J& K Yateem Trust. He has also written poems for children, depicting his love for the orphans and the weak. |
| Sarwananda Koul Premi | 1924–1990 | Sarf Shali, Kokernag Anantnag | Progressive movement | Mahjoor gave him the name "Premi" (meaning Lover) because his poetry was full of love for Kashmir. |
| Amin Kamil | 1924–2014 | Kaprin, Shopian | Progressive movement | His notable works include the collections Beyi Sui Paan and Padis Pod Tshaayi. |
| Arjan Dev Majboor | 1924–2015 | Zainpora, Pulwama | Progressive movement | He had translated Kalidas's Meghadootam into Kashmiri. |
| Rahman Rahi | 1925–present | Srinagar | Progressive movement | His Navroz-e-Saba had won the Sahitya Akademi award, 1961. |
| Pushkar Bhan | 1926–2008 | N/A | Progressive movement | As a playwright he had collaborated 3 times with Som Nath Sadhu. |
| Ali Mohammed Lone | 1927–1987 | Drogjan, Dal Gate Srinagar | Progressive movement | He was a prominent dramatist of Kashmiri language and had written the plays Te Vyeth Rooz Pakaan and Suyya. |
| Ghulam Nabi Firaq | 1927–2016 | Naushera, Srinagar | Progressive movement | Adapted play Doctor Faustus by Christopher Marlowe into Kashmiri language. |
| Akhtar Mohiuddin | 1928–2001 | N/A | Progressive movement | He had written the first novel in Kashmiri language, entitled Dod Dag (1957), and was a prominent short story writer in Kashmiri. |
| Ghulam Rasool Santosh | 1929–1997 | Chinkral, Habba Kadal Srinagar | Kashmir Shaivism | As a poet he had been the recipient of Sahitya Akademi award for his poem Be Soakh Rooh (1978). |
| Moti Lal Kemmu | 1933–2018 | Srinagar | Progressive movement | Being a multi-faceted artist, he had worked as a choreographer for Dina Nath Nadim's Bombur Yembarzal, and Himal Nagrai. |
| Naji Munawar | 1933–2021 | Kaprin, Shopian | Modern-age | Best known for his collection Mwokhta lar, a book of stories for children. |
| Autar Krishen Rahbar | 1934–2020 | Fatehkadal, Downtown Srinagar | Modern-age | He was a dramatist, and had written the famous play Badshah. |
| Zeba Zeenat | 1934–present | Nadihal, Bandipora | Sufism | She is a mystic poet whose work is based on self-exploration. |
| Hari Kishan Kaul | 1934–present | Srinagar | Modern-age | He is a well-known playwright and short story writer in Kashmiri. He is best known for his play Yeli Watan Khur Chu Yevan. |
| Ghulam Nabi Gauhar | 1934–present | Charar-e-Sharief, Budgam | Modern-age | He had written the second novel in Kashmiri language, entitled Mujrim (1971). |
| Muzaffar Aazim | 1934–present | N/A | Modern-age | His notable works include a play titled Havas ta Haasil. |
| Pran Kishore Kaul | N/A | N/A | Modern-age | He had written the screenplay for the popular Doordarshan Television series Gul Gulshan Gulfaam. |
| Som Nath Sadhu | 1935–1982 | N/A | Modern-age | Apart from being a significant playwright, he had also won the Padma Shri (fourth highest Indian civilian award) in 1974. |
| Taj Begum Renzu | 1935–2015 | Srinagar | Modern-age | She is the first Kashmiri female fiction writer and journalist. |
| Mohammad Yousuf Taing | 1935–present | Shopian, Kashmir | Modern-age | His work, Mahjoor Shinasi (A criticism on Mahjoor) won him the Sahitya Akademi Award in 1998. |
| Moti Lal Saqi | 1936–1999 | Bijbehara, Anantnag | Modern-age | He received the Sahitya Akademi award in 1981 for Mansar. |
| Sajood Sailani | 1936–2020 | Nowgam, Srinagar | Modern-age | He served as a member of Sahitya Akademi's advisory board from 1973 to 1977 and in 1990. |
| Chaman Lal Chaman | 1937–1999 | N/A | Romanticism | He had represented Kashmir at the National Conference of poets in 1960. |
| Ayub Sabir | N/A | N/A | Modern-age | For his famed book Gulalan Shaadmani, Sabir was awarded children's best literature award by Sahitya Academy New Delhi in 2013. |
| Mishal Sultanpuri | 1937–2020 | Sultanpur, Baramulla | Modern-age | In 2009 he got the Sahitya Academy award for his book Vont on literary criticism. |
| Marghoob Banihali | 1937–2021 | Bankoot, Banihal | Modern-age | He had returned his Sahitya Akademi award in 2015, for his Partavistan (1979), a collection of poetry. |
| Hriday Kaul Bharti | 1937–2020 | Sopore | Modern-age | He is best known for his contemporary short stories including- Doan athan hinz dastaan. |
| Ghulam Nabi Khayal | 1938–present | N/A | Modern-age | He became the first Kashmiri writer to return the Sahitya Akademi award in 2015, for his Gashik Minaar (Luminaries), 1975. |
| Ali Mohammad Shahbaz | 1939–1996 | Shathgund, Handwara | Resistance literature | His literary work pictured and voiced the agony of Kashmir conflict. |
| Rasool Pampur | 1940–2015 | Hassenpora, Bijbehara | Sufism | He was very much inspired by the Sufi compositions of Lal Ded and Sheikh-Ul-Alam. |
| Farooq Nazki | 1940–present | Bandipora | Modern-age | He is the son of Ghulam Rasool Nazki. |
| Shafi Shaida | 1941–2015 | Akilmir Khanyar, Srinagar | Modern-age | As a prominent dramatist, he scripted 26 episodes of Habba Khatoon- the first Urdu drama from Kashmir which was broadcast on DD Kaeshur. |
| Omkar Nath Koul | 1941–2018 | Kulgam | Modern-age | He was a prominent linguist of Kashmiri language. |
| Zareef Ahmad Zareef | 1943–present | Aali kadal, Downtown Srinagar | Modern-age | Had won the Sahitya Akademi award for Tchoonch poot. |
| Shahnaz Rasheed | 1947–present | Sopore | Modern-age | He released his first book Doad Khatith Guldanan Manz (Pain concealed in flower vases) in 2006, and was highly acclaimed by critics. |
| Rafiq Raaz | 1950–present | Srinagar | Modern-age | He is the author of Arooz Kashir Zaban (Prosody of Kashmiri language). |
| Shafi Shauq | 1950–present | N/A | Modern-age | He is the author of Kaeshur Lugaat (Dictionary of Kashmiri language). |
| Naseem Shafaie | 1952–present | Srinagar | Modern-age | She is the first Kashmiri women to win the Sahitya Akademi award. |
| Basheer Asrar | 1953–2021 | Malaknag, Anantnag | Modern-age | He is the founder of 'The District Cultural Association Anantnag’ which is considered to be one of the best forums for new comers as well as senior literary figures. |
| Shad Ramzan | 1956–present | Kulgam | Modern-age | He had won the Sahitya Akademi award for 'Kore Kaakud Gome Pushrith' (2014). |
| Aadil Mohi-ud-din | N/A | Sumbal, Bandipora | Modern-age | He had received the Sahitya Akademi award for his literary criticism entitled- Zol Dith Sadras (2016). |
| Aziz Hajini | 1957– 2021 | Hajin, Bandipora | Modern-age | He was the former Secretary of Jammu Kashmir Academy of Art Culture and languages (JAACL). |
| Madhosh Balhami | 1965–present | Balhama, Pampore Pulwama | Resistance literature | He is particularly known for his recitation of elegies composed for the funerals of militants in Kashmir. |
| Zareefa Jan | 1966–present | Poshwari, Sonawari Bandipora | Sufism | Her poetic world is as fascinating as her mystifying appearance. Her poetry treasure includes a few of her notebooks filled with circles. Those circles or codes can be read by her only. |
| Sunita Raina Pandit | 1967-present | Anantnag | Modern-age | Her book 'The Call of Silence' was released in collaboration with Jammu Kashmir Academy of Art Culture and languages (JAACL). |
| Haleema Qadri | 1972–present | Churmujur, Budgam | Sufism | In 2015, she had self-published her collection of poetry, entitled Ishq-e-Nabi. |
| Nighat Sahiba | 1983–present | Anantnag | Modern-age | She had won the Sahitya Akademi Yuva Puraskar for her Zard Paniek Daer (2017). |
| Sofi Ghulam Mohd | 1986-present | Charari Sharief | Modern-age | A critic, short-story writer, translator. He is also the author of Sadre Tchakis tal, Wande Bavath, Sari Harf, pragash etc. |
| Rumuz | N/A | Srinagar | Modern-age | As soon as she devoted herself to poetry writing, her verses reflected self-reliance, empowerment, and struggle amidst the valley's strife backdrop. |
| Asif Tariq Bhat | 2000–present | Duderhama, Ganderbal | Modern-age | Asif's work began to get published on a larger scale ranging from the college magazine to Sangarmaal, the sole Kashmiri literary journal of Kashmir. |
The use of the Kashmiri language began with the work Mahānaya-Prakāsha[7] by Rājānaka Shiti Kantha (c.1250),[8] and was followed by the poet Lalleshvari or Lal Ded (14th century), who wrote mystical verses in the vaakh or four-line couplet style.[9] Another mystic of her time equally revered in Kashmir and popularly known as Nund Reshi wrote powerful poetry. Later came Habba Khatun (16th century) with her own style. Other major names are Rupa Bhavani (1621–1721), Paramananda (1791–1864), Arnimal (d. 1800), Mahmud Gami (1765–1855), Rasul Mir (d. 1870), Maqbool Shah Kralawari (1820–1877). Also, the Sufi poets like Shamas Faqir, Wahab Khar, Soch Kral, Samad Mir, and Ahad Zargar. Among modern poets are Ghulam Ahmad Mahjoor (1885–1952), Abdul Ahad Azad (1903–1948), and Zinda Kaul (1884–1965).
During the 1950s, a number of well educated youth turned to Kashmiri writing, both poetry and prose, and enriched modern Kashmiri writing by leaps and bounds. Among these writers are Dinanath Nadim (1916–1988), Amin Kamil (1923–2014),[10] Sarwanand Kaol Premi (1924–1990), Rehman Rahi (born 1925), Ghulam Nabi Firaq (1927–2016), Ali Mohammed Lone[11] (1928–1987), Akhtar Mohiuddin (1928–2001), Ali Mohammad Shahbaz, Avtar Krishen Rahbar (born 1933), Sajood Sailani, Som Nath Zutshi, Muzaffar Aazim.[12] Some later day writers are Hari Kishan Kaul, Majrooh Rashid, Rattanlal Shant, Hirdhey Kaul Bharti, Omkar N Koul, Roop Krishen Bhat, Rafiq Raaz, Tariq Shehraz, Shafi Shauq, Showkat Shehri, M.H Zaffar, G.M Azad, Anis Hamdani, Barkat Nida, Majrooh Rashid, Shafi Sumbli, Bashar Bashir, Shenaz Rashid, Shabir Ahmad Shabir, Shabir Magami, Tariq Ahmad Tariq,[13] and Moti Lal Kemmu.
Contemporary Kashmiri literature appears in such magazines as "Sheeraza" published by the Jammu & Kashmir Academy of Art, Culture and Languages, "Anhar" published by the Kashmirri Department of the Kashmir University, and an independent magazines/portals like "The Kashmir Tales".[14] "Mountain Ink", Inverse Journal Neab International Kashmiri Magazine[15] published from Boston, Vaakh (published by All India Kashmiri Samaj, Delhi) and Koshur Samachar (published by Kashmiri Sahayak Sammiti, Delhi).
Ancient writers in Sanskrit
- Lagadha,[16][17][18][19][20][21] between 1400 and 1200 BC. Wrote Vedanga Jyotisha, the earliest Indian text on astronomy.
- Charaka,[22][23][24][25] c. 300 BC. One of the most important authors in Ayurveda.
- Vishnu Sharma, c. 300 BC. Author of Panchatantra.
- Nagasena,[26][27] c. 2nd century BC. One of the major figures of Buddhism, his answers to questions about the religion posed by Menander I (Pali: Milinda), the Indo-Greek king of northwestern India (now Pakistan), are recorded in the Milinda Pañha.
- Tisata, c. 500 AD. A medical writer.[28]
- Jaijjata, 5th century, a medical writer and probably the earliest commentator (known) on the Sushruta Samhita, later quoted by Dalhana.[29]
- Kalidasa,[30][31][32] c. 5th century. Widely regarded as the greatest poet and dramatist in the Sanskrit language.
- Vagbhata,[33][34] c. 7th century. Considered one of the 'trinity' (with Charaka and Sushruta) of Ayurveda.
- Bhamaha,[35][36][37][38] c. 7th century
- Ravigupta, 700–725. "Ravigupta is, perhaps, the earliest among the Buddhist philosophers of Kashmir..."[39]
- Anandavardhana, 820-890
- Vasugupta, 860-925
- Somananda, 875-925
- Vatesvara,[40][41] b. 880, author of Vaṭeśvara-siddhānta.
- Rudrata, c. 9th century
- Jayanta Bhatta, c. 9th century
- Bhatta Nayaka, c. 9th-10th century, considered by Sheldon Pollock to be the greatest author on aesthetics in the pre-modern period
- Medhātithi, c. 9th-10th century, one of the most influential commentators of the Manusmriti
- Utpaladeva, 900-950
- Abhinavagupta, c. 950-1020
- Vallabhadeva,[42][43] c. 10th century. Wrote, amongst other works, Raghupanchika, the earliest commentary on the Raghuvamsa of Kalidasa.
- Utpala,[44][45][46][47] c. 10th century. An important mathematician.
- Kshemendra, c. 990-1070
- Kshemaraja, c. late 10th century/early 11th century
- Kathasaritsagara, c. 11th century
- Bilhana, c. 11th century
- Kalhana, c. 12th century
- Jalhana,[48] c. 12th century, the author of Mugdhopadesa (not to be confused with Jalhana who commissioned the Suktimuktavali)
- Sarangadeva, c. 13th century. A musicologist, he wrote Sangita Ratnakara, one of the most important text when it comes to Indian music.
- Kesava Kashmiri Bhattacharya, c. 14th century, a major Vedantic philosopher.
- Mamatta
- Kaihata
- Jaihata
- Ralhana
- Shilhana
- Malhana
- Ruiyaka
- Kuntaka
- Ruchaka
- Udbhatta
- Sankuka
- Gunadhya
- Somvadeva
- Pingala
- Jayadata
- Vamana
- Kshiraswamin
- Mankha
- Pushpadanta
- Jagadhar Bhatta
- Ratnakara
- Manikyacandra
Writers in Persian
After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of foreign culture by the Mughals, Persian became the literary language also of the region. Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperor Muhammad Shah (1131-61/1719-48), alone lists 303 poets".[49] Late scholar from Pakistan, Pir Hassam-ud-Din Rashidi, edited, translated, and enlarged this work later, and had it published by the Iqbal Academy.
The most famous of them was Muhammad Tahir Ghani (d. 1669), better known as Ghani Kashmiri, whose poetry was recently translated into English, for the first time, by Mufti Mudasir Farooqi and Nusrat Bazaz as 'The Captured Gazelle' in the world-renowned Penguin Classics list. Ghani influenced many generations of Persian-and Urdu writing poets in South Asia including Mir Taqi Mir, Ghalib and most importantly, Iqbal. Ghani's "forte" lies in creating delightful poetic images, usually by stating an abstract idea in the first hemistich and following it up with a concrete exemplification in the other. He also stands out for his multi-layered poems, which exploit the double meaning of words.
Another name in the field of Persian-language writers from Kashmir is Sheikh Yaqub Sarfi Ganai (1521-1595), a 16th-century Sufi poet-philosopher who was internationally acknowledged and who had for students, amongst others, well-known religious scholar Ahmad Sirhindi (more particularly, he taught him hadith)[50][51] and Persian-language poet Mohsin Fani Kashmiri (d. 1671 or 1672) (himself the teacher of Ghani Kashmiri and author of the pivotal work of comparative religion, the Dabestan-e Mazaheb).
Other of the well-known and influential Persian-language poets of Kashmir would include Habibullah Ghanai (1556-1617), Mirza Dirab Big Juya (d. 1707), Gani Kashmiri (1630–1669), Mirza Beg Akmal Kamil (1645-1719), Muhammad Aslam Salim (d. 1718), Mulla Muhammad Taufiq (1765), Muhammed Azam Didamari (d. 1765), Mulla Muhammad Hamid (1848) or Birbal Kachru Varasta (d. 1865), amongst a myriad. Of course, Kashmiri Pandits too played a role in that school, and one exceptional case was Pandit Taba Ram Turki (1776–1847), who was a celebrity as far as Central Asia.
Writers in Urdu
Despite being a numerically small community, the Kashmiri Pandits are over-represented in their contribution to Urdu literature. One important early example is Daya Shankar Kaul Nasim (1811–1845), a renowned Urdu poet of the 19th century, and hundreds of others followed his path.[52]
Some eminent Urdu literary personalities of Kashmiri origins (from both the Valley and the diaspora) include (in chronological order):
- Mir Tafazzul Hussain Khan Kashmiri (1727-1800), originally from Kashmir,[53][54][55] born in Sialkot[56] where his parents moved and himself based in Lucknow where he served as Prime Minister (or diwan) to the Nawab of Oudh Asaf-ud-Daula thanks his erudition. He was called "khan-e-allama" (the Scholarly Khan)[57] due to his deep scholarship on many subjects but is best known today for having translated Sir Isaac Newton's Philosophiæ Naturalis Principia Mathematica from Latin into Arabic.[58]
- Mufti Sadruddin Khan 'Azurda',[59] 1789–1868, apart from being the Grand Mufti of Delhi, he was also a personal friend to Ghalib (whose own mother was from Kashmir)[60] and himself a poet of note in Urdu as well as in Arabic and Persian. He also wrote a tazkira (biographical anthology of poets).
- Momin Khan Momin, 1801–1852, considered one of the three pillars of the Delhi school of Urdu poetry, with Ghalib and Zauq.[61] Other fields where he was competent included mathematics, geomancy, astrology, chess or music.[62][63][64]
- Daya Shankar Kaul Nasim, 1811–1845
- Ratan Nath Dhar Sarshar, 1846-1903
- Brij Mohan Datatriya Kaifi, 1866-1955
- Muhammad Iqbal, 1877–1938
- Agha Hashar Kashmiri, 1879–1935 (called "the Shakespeare of Urdu" for his works as playwright)
- Brij Narayan Chakbast, 1882–1926
- Aziz Lucknawi, 1882-1935
- Khalifa Abdul Hakim, 1896-1959 (a philosopher who has the honour of writing the only book on the metaphysics of Persian mystical poet Jalaluddin Rumi)[65]
- Patras Bokhari, 1898–1958
- Ghulam Mustafa Tabassum, 1899–1978
- Justice Anand Narain Mulla, 1901-1997
- Muhammad Din Taseer, 1902-1950 (short-story writer, literary critic and Iqbal scholar. Father of slain Pakistan's Punjab governor Salman Taseer and first individual from the Sub-continent to get a PhD in English Literature from Cambridge University)[66]
- Shaikh Abdullah, 1905–1982
- Bashir Ahmed Dar, 1908-1979 (a philosopher and Iqbal scholar)
- Meeraji, 1912-1949
- Saadat Hasan Manto, 1912–1955
- Aariz Kashmiri, 1916-1965
- Agha Shorish Kashmiri, 1917-1975
- Zaheer Kashmiri, 1919-1996
- Syed Akbar Jaipuri (Mujahid-E-Urdu), 1923-1998
- Razia Butt, 1924-2012
- Anwar Shemza, 1928-1985
- Hakeem Manzoor, 1937–2006
- Obaidullah Aleem, 1939-2008
- Muhammed Amin Andrabi, 1940–2001, a scholar who belonged to the Traditionalist School of metaphysics, inspired by authors like Ibn Arabi, Muhammad Iqbal, Frithjof Schuon, Seyyed Hossein Nasr and Henry Corbin.[67]
- Allama Mustafa Hussain Ansari, 1945–2006
- Mirza Muhammad Zaman Azurdah, b. 1945, influential contemporary writer from the Valley
- Abid Hassan Minto
- Muhammad Asim Butt, novelist, translator and critic.
- Muhammad Younis Butt, writer of the most popular political satire show in Pakistan, Hum Sub Umeed Se Hain
- Rasheed Amjad
- Shahid Nadeem
Writers in Hindi
- Amar Nath Kak
- Chandrakanta (author)
- Omkar N. Koul
- Rattan Lal Shant
- Hari Krishen Kaul
- Shashi Shekhar Toshkhani
- Bhushan Lal Koul
- Shiban Krishen Raina
- Agnishekher
- Maharaj Krishan Santoshi
Writers in English
- I. K. Taimni
- M. P. Pandit, prolific writer who authored some 150 books and as many articles exposing in English the thought of Sri Aurobindo.
- Chiragh Ali, reformist Islamic scholar
- Taufiq Rafat, called the 'Ezra Pound of Pakistan'[68] for both his innovative writings and his position as one of - if not the - greatest English-language poets of Pakistan.
- Jawaharlal Nehru
- Vijaya Lakshmi Pandit
- Krishna Hutheesing
- Gopi Krishna
- Subhash Kak
- Nayantara Sahgal
- M.J. Akbar
- Salman Rushdie
- Hari Kunzru
- Kailas Nath Kaul
- Agha Shahid Ali
- Basharat Peer
- Adeeba Riyaz
- Sahil Mudasir
See also
- List of Kashmiri poets
- List of topics on the land and the people of Jammu and Kashmir
- Kashmir Shaivism - philosophy gives Kashmir its soul, God is universal, in all equally.
- Kashmiriyat - a socio-cultural ethos of religious harmony and Kashmiri consciousness.
References
- ↑ "The new face of contemporary poetry. Meet Asif Tariq Bhat". Kashmir Analyser. 2021-02-15. Retrieved 2021-02-17.
- ↑ Kashmir, Rising. "Promoting mother tongue with poetry || Rising Kashmir". Promoting mother tongue with poetry || Rising Kashmir. Retrieved 2021-02-17.
- ↑ "How Poetry Helped Bring a Piece of Kashmir to Delhi". The Wire. Retrieved 2021-02-17.
- ↑ Admin, India Education Diary Bureau (2020-11-17). "Literary function, Mushaira held at Bandipora". India Education,Education News India,Education News | India Education Diary. Retrieved 2021-02-17.
- ↑ Saffudin, Ali (2018-06-05). "For the love of language: Kashmir's new age Urdu poets—Part I | Free Press Kashmir". freepresskashmir.news. Retrieved 2021-02-17.
- ↑ Raina, Trilokinath (2002). A History of Kashmiri literature. New Delhi: Sahitya Akademi. ISBN 9788126013661.
- ↑ Shiti Kanta (1918). Pandit Mukunda Rama Shastri (ed.). The Mahanaya-Prakasha of Rajanaka Shiti Kanta. The Research Department, Jammu & Kashmir State.
- ↑ Sisir Kumar Das (2006). A history of Indian literature, AD.500–1399: from courtly to the popular. Sahitya Akademi. p. 193. ISBN 9788126021710.
Scholars consider _Mahanayakaprakash_ (Light of the supreme lord) by Shitikantha (c.1250) as the earliest work in Kashmiri language.
- ↑ Lal Ded. I, Lalla : Poems of Lal Ded. Translated by Ranjit Hoskote. Penguin 2011.
- ↑ "Amin Kamil - Kashmiri literature, Kashmiri poetry". Kamil.neabinternational.org. Retrieved 2013-03-03.
- ↑ Ali Mohammed Lone, A fearless dramatist. "Ali Mohammed Lone, Greater Kashmir". Greater Kashmir. Retrieved 18 January 2021.
{{cite web}}:|archive-date=requires|archive-url=(help)CS1 maint: url-status (link) - ↑ "Kashmiri Language".
- ↑ "Welcome To the Homepage of LALDED". Lalded.8k.com. Retrieved 2013-03-03.
- ↑ "How young poets from Kashmir are creating a parallel poets' society with online mushairas". The Print.
- ↑ "Kashmiri Language and Literature - Kashmiri Magazine of Kashmiri Poetry, Kashmiri Fiction". www.neabinternational.org. Retrieved 2021-01-18.
- ↑ Debiprasad Chattopadhyaya, History of Science and Technology in Ancient India, Firma K.L Mukhopadhyaya (1986), pp. 486-494
- ↑ Satya Prakash, Founders of Sciences in Ancient India (part II), Vijay Kumar (1989), p.471
- ↑ B.S. Yadav & Man Mohan, Ancient Indian Leaps into Mathematics, Birkhäuser (2011), p. 78
- ↑ M. I. Mikhailov & N. S. Mikhailov, Key to the Vedas, Minsk-Vilnius (2005), p. 105
- ↑ Sures Chandra Banerji, A Companion to Sanskrit Literature, Motilal Banarsidass (1989), p. 59
- ↑ Helaine Selin, Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, Kluwer Academic Publishers (1997), p. 977
- ↑ Martin Levey, Early Arabic Pharmacology: An Introduction Based on Ancient and Medieval Sources, Brill Archive (1973), p. 10
- ↑ P. N. K. Bamzai, Culture and Political History of Kashmir - Volume 1, M D Publications (1994), p.268
- ↑ S.K. Sopory, Glimpses Of Kashmir, APH Publishing Corporation (2004), p. 62
- ↑ Krishan Lal Kalla, The Literary Heritage of Kashmir, Mittal Publications (1985), p.65
- ↑ Guang Xing, The Concept of the Buddha, RoutledgeCurzon (2005), p. 26
- ↑ Phyllis G. Jestice, Holy People of the World: A Cross-cultural Encyclopedia, ABC-CLIO Ltd (2004), p. 621
- ↑ Encyclopaedia of Indian Medicine: Historical perspective, Popular Prakashan (1985), p. 100
- ↑ Ramachandra S.K. Rao, Encyclopaedia of Indian medicine : volume 1, Popular Prakashan (2005), p. 63
- ↑ Ram Gopal, Kālidāsa: His Art and Culture, Concept Publishing Company (1984), p.3
- ↑ P. N. K. Bamzai, Culture and Political History of Kashmir - Volume 1, M D Publications (1994), p.261-262
- ↑ M. K. Kaw, Kashmir and Its People: Studies in the Evolution of Kashmiri Society, APH Publishing Corporation (2004), p.388
- ↑ Claus Vogel, Vāgbhaṭa Aṣṭāṅgahṛdayasaṃhitā. The First Five Chapters of Its Tibetan Version, Franz Steiner (1965), p.13
- ↑ Anna Akasoy & co., Islam and Tibet: Interactions Along the Musk Routes, Ashgate Publishing Limited (2011), p.76
- ↑ Richard Pischel, A Grammar of the Prakrit Languages, Motilal Banarsidass (1999), p. 43
- ↑ Satya Ranjan Banerjee, The Eastern School of Prakrit Grammarians: A Linguistic Study, Vidyasagar Pustak Mandir (1977), p. 31
- ↑ Kamaleswar Bhattacharya, India & Beyond, Routledge (2009), p. 2
- ↑ John E. Cort, Open Boundaries: Jain Communities and Cultures in Indian History, State University of New York Press (1998), p.57
- ↑ Kolar Sesha Iyer Nagarajan, Contribution of Kashmir to Sanskrit literature, V.B. Soobbiah (1970), p. 426
- ↑ R.N. Rai, Karanasara Of Vatesvara, Indian National Science Academy (1970), vol. 6, n. I, p. 34 Archived 2015-06-09 at the Wayback Machine
- ↑ Vaṭeśvara, Vaṭeśvara-siddhānta and Gola of Vaṭeśvara: English translation and commentary, National Commission for the Compilation of History of Sciences in India (1985), p. xxvii
- ↑ P. N. K. Bamzai, Culture and Political History of Kashmir - Volume 1, M D Publications (1994), p.269
- ↑ Sheldon Pollock, Literary Cultures in History: Reconstructions from South Asia, University of California Press (2003), p. 112
- ↑ Bina Chatterjee (introduction by), The Khandakhadyaka of Brahmagupta, Motilal Banarsidass (1970), p. 13
- ↑ Lallanji Gopal, History of Agriculture in India, Up to C. 1200 A.D., Concept Publishing Company (2008), p. 603
- ↑ Kosla Vepa, Astronomical Dating of Events & Select Vignettes from Indian History, Indic Studies Foundation (2008), p. 372
- ↑ Dwijendra Narayan Jha (edited by), The feudal order: state, society, and ideology in early medieval India, Manohar Publishers & Distributors (2000), p. 276
- ↑ P. N. K. Bamzai, Culture and Political History of Kashmir - Volume 1, M D Publications (1994), p.269
- ↑ Collective, The Cambridge History of Iran, Volume 6, p. 980
- ↑ Anna Zelkina, In Quest for God and Freedom: The Sufi Response to the Russian Advance in the North Caucasus, C. Hurst & Co. Publishers (200), p. 88
- ↑ Irshad Alam, Faith Practice and Piety: An Excerpt from the Maktūbāt, Sufi Peace Mission (2006), p. 20
- ↑ Shri Ram Bakshi, Kashmir: Valley and Its Culture, Sarun & Son (1997), p. 165
- ↑ Hamid Afaq Qureshi, The Mughals, the English & the rulers of Awadh, from 1722 A.D. to 1856 A.D., New Royal Book Co (2003), p.79
- ↑ Amaresh Misra, Lucknow, fire of grace: the story of its revolution, renaissance and the aftermath, HarperCollins Publishers India (1998), p. 57
- ↑ Purnendu Basu, Oudh and the East India Company, 1785-1801, Maxwell Company (1943), p. 22
- ↑ Simon Schaffer, The Brokered World: Go-Betweens and Global Intelligence, 1770-1820, Science History Publications (2009), p. 53
- ↑ Surendra Mohan, Awadh Under the Nawabs: Politics, Culture, and Communal Relations, 1722-1856, Manohar Publishers & Distributors (1997), p.80
- ↑ Edited by Bernard Lightman, The Circulation of Knowledge Between Britain, India and China, BRILL (2013), p.67
- ↑ Abida Samiuddin, Encyclopaedic Dictionary of Urdu Literature, Global Vision Publishing House (2008), p. 94
- ↑ Mirza Asadullah Khan Ghalib, Persian poetry of Mirza Ghalib, Pen Productions (2000), p. 7
- ↑ K.C. Kanda, Masterpieces of Urdu Ghazal from the 17th to the 20th Century, Sterling (1992), p. 182
- ↑ K.C. Kanda, Masterpieces of Urdu Ghazal from the 17th to the 20th Century, Sterling (1992), p. 182
- ↑ Ali Jawad Zaidi, A History of Urdu literature, Sahitya Akademi (1993), p. 181
- ↑ D.J. Matthews, Urdu Literature, South Asia Books (1985), p. 86
- ↑ A website on Dr Khalifa Abdul Hakim maintained by a relative and with a lot of bibliographical resources
- ↑ Punjab's Kashmir connection
- ↑ A Scholar-Intellectual
- ↑ "Taufiq Rafat - the Ezra Pound of Pakistan". The Nation. 2009-11-09. Retrieved 2014-04-18.