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{{India-music-stub}}
{{India-music-stub}}
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Latest revision as of 10:07, 2 June 2021

Bhatiyar
ThaatMarwa
Time of dayEarly morning, 3–6[1]
ArohanaS M  P G   D 
Avarohana̱̱Ṙ N D P M  P G  S
Pakad
  • M D S'
  • r' N D P
  • D m P G r S
Chalan
  • S m P D N r' N D m P G r S
  • S-D-P-D-m-P-G-M-D-S
  • r-N-D-P-D-m-P-G-r-s
VadiM
SamavadiS
Synonym
  • Bhatihar
  • Bhatiyari
SimilarMand

Bhatiyar (IAST: Script error: The function "transl" does not exist.) is a Hindustani classical raga assigned to the Marva thaat.[2]

Theory[edit | edit source]

Arohana: S M  P G   D < [lower-alpha 1][1]

Avarohana: ̱̱Ṙ N D P M  P G  S< [lower-alpha 2][1]

Vadi: M[2]

Samavadi: S[2]

Thaat: Marva.

Pakad or Chalan: S m P D N r' N D m P G r S[citation needed]

M D S', r' N D P, D m P G r S

Or we have other way for Chalan as

S-D-P-D-m-P-G-M-D-S, r-N-D-P-D-m-P-G-r-s

Time: Early morning, 3–6[1]

Behaviour[edit | edit source]

Behaviour refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed.

Notes[edit | edit source]

  1. Alternate notations:
    • Carnatic: S M₁  P G₃  M₂ D₂ 
    • Western: C F 𝄒 G E 𝄒 F A C
  2. Alternate notations:
    • Carnatic: Ṙ₁ N₃ D₂ P M₁  P G₃ R₁ S
    • Western: D B A G F 𝄒 G E D C

References[edit | edit source]

Sources[edit | edit source]

  • Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 38. ISBN 9780954397609.
  • Bhaṭiyār Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983. Retrieved 12 October 2018.

External links[edit | edit source]