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{{short description|Musical performance in Indian cinema}}
{{short description|Musical performance in Indian cinema}}
{{Use Indian English|date=August 2021}}
{{Use Indian English|date=August 2021}}
{{Use dmy dates|date=July 2020}}
{{Use dmy dates|date=December 2023}}
{{Infobox music genre|
In [[Cinema of India|Indian cinema]], an '''item number''' or '''special song''' is a musical number inserted into a film that may or may not have any relevance to the plot. The term is commonly used within Indian films ([[Cinema of West Bengal|Bengali]], [[Hindi cinema|Hindi]], [[Kannada cinema|Kannada]], [[Punjabi cinema|Punjabi]], [[Tamil cinema|Tamil]], and [[Telugu cinema|Telugu]] cinema) to describe a catchy, upbeat, often provocative dance sequence performed in a movie.<ref name="Definition">[http://www.cylive.com/viewContent.do?id=351&vt=pub Journals : Item number defined] {{webarchive |url=https://web.archive.org/web/20080407174943/http://www.cylive.com/viewContent.do?id=351&vt=pub |date=7 April 2008 }}</ref><ref>{{Cite web |last=Bhatt |first=Bhavyata |date=2024-10-24 |title=How Bollywood item songs have devolved, lost the plot over the years |url=https://thefederal.com/films/how-bollywood-item-songs-have-devolved-and-lost-the-plot-over-the-years-152012 |access-date=2025-06-13 |website=thefederal.com |language=en}}</ref> These sequences predominantly feature glamorous female performers, commonly referred to as '''item girls''', whose appearance, movements, and attire are designed to attract visual attention and heighten the sensual appeal of the film.<ref>{{Cite web |last=FB |date=2018-01-14 |title=A brief history of Bollywood item numbers |url=https://flashbackbollywood.in/2018/01/14/bollywood-item-numbers-helen-bindu-malaika/ |access-date=2025-06-13 |website=Flashback Bollywood |language=en}}</ref>
| name              = Item number
[[File:Jacqueline Fernandez in Bollywood Showstoppers 2014.jpg|thumb|upright|[[Jacqueline Fernandez]], one of the popular performers of item numbers in Indian cinema]]
| image            =
Such item numbers are strongly associated with the [[Sexual objectification|objectification of women]] on screen, where the female body becomes the central spectacle rather than the narrative itself. The main aim of an item number is to entertain movie-goers and to lend support to the [[Film promotion|marketability]] of the film by being featured in [[movie trailer|trailers]].<ref>{{Cite web |title=India celebrates RRR’s Naatu song making history at Golden Globes |url=https://www.aljazeera.com/news/2023/1/11/india-celebrates-rrrs-naatu-song-making-history-at-golden-globes |access-date=2025-06-13 |website=Al Jazeera |language=en}}</ref><ref>{{Cite web |title=This star wife was once an item girl in films, changed her Muslim name to..., now the CEO of a company, her husband is... |url=https://www.india.com/entertainment/this-star-wife-was-once-an-item-girl-in-films-changed-her-muslim-name-dilnawaz-sheikh-to-now-the-ceo-of-a-company-her-husband-is-sanjay-dutt-maanayata-dutt-7542793/ |access-date=2025-06-13 |website=www.india.com |language=en}}</ref> They are favoured by filmmakers as they afford the opportunity to pick potential hit songs from the stocks, since they do not add to the continuity of the plot.<ref>{{Cite web |date=2024-11-25 |title=Rakhi Sawant, through the years |url=https://www.indiatoday.in/visualstories/entertainment/rakhi-sawant-through-the-years-189578-25-11-2024 |access-date=2025-06-13 |website=www.indiatoday.in |language=en}}</ref> It is thus a vehicle for commercial success that ensures repeat viewing.<ref name="Globalization">{{cite book |last=Bhattacharya Mehta |first=Rini |title=Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora |year=2010 |publisher=Anthem Press |isbn=978-1-84331-833-0 |page=42 |author2=Rajeshwari Pandharipande}}</ref><ref>{{Cite web |date=2024-08-28 |title=Kangana Ranaut says she fought against item numbers, started parallel feminist cinema |url=https://www.indiatoday.in/movies/celebrities/story/kangana-ranaut-says-she-fought-against-item-numbers-started-parallel-feminist-cinema-2589340-2024-08-28 |access-date=2025-06-13 |website=India Today |language=en}}</ref><ref>{{Cite web |date=2019-09-01 |title=While Bollywood Is Apparently All For Women Empowerment, It's Still Obsessed With 'Item Number' |url=https://www.indiatimes.com/news/india/while-bollywood-is-apparently-all-for-women-empowerment-it-is-still-obsessed-with-item-numbers-374806.html |access-date=2025-06-13 |website=Indiatimes |language=en-IN}}</ref><ref>{{Cite web |date=2018-07-11 |title=Ali Zafar on item numbers in Bollywood: No harm in it if it doesn’t objectify women |url=https://indianexpress.com/article/entertainment/bollywood/ali-zafar-teefa-in-trouble-bollywood-item-songs-5255081/ |access-date=2025-06-13 |website=The Indian Express |language=en}}</ref>
| caption          = actress Priya Soni perfoming an item number at the ''Dubai Dazzle Show''
| bgcolor          = lavender
| stylistic_origins =
| cultural_origins  = [[Bollywood songs|Bollywood music videos]]
| derivatives      =
| subgenrelist      =
| subgenres        =
| fusiongenres      =
| regional_scenes  = [[Cinema of India|Indian cinema]]
| local_scenes      = [[Tamil cinema|Tamil]], [[Hindi]], [[Cinema of Karnataka|Kannada]], [[Cinema of Andhra Pradesh|Telugu]], [[Cinema of West Bengal|Bengali]] and [[Cinema of Punjab|Punjabi]] cinema
}}
In [[Cinema of India|Indian cinema]], an '''item number''' or '''item song''' is a musical number inserted into a film that may or may not have any relevance to the plot. The term is commonly used within Indian films ([[Bollywood|Hindi]], [[Kannada cinema|Kannada]], [[Tamil cinema|Tamil]], [[Telugu cinema|Telugu]], [[Malayalam cinema|Malayalam]] and [[Cinema of West Bengal|Bengali]]) to describe a catchy, upbeat, often sexually provocative dance sequence for a song in a movie.<ref name="Definition">[http://www.cylive.com/viewContent.do?id=351&vt=pub Journals : Item number defined] {{webarchive |url=https://web.archive.org/web/20080407174943/http://www.cylive.com/viewContent.do?id=351&vt=pub |date=7 April 2008 }}</ref> The main aim of an item number is to entertain movie-goers and to lend support to the [[Film promotion|marketability]] of the film by being featured in [[movie trailer|trailers]].<ref name="Dictionary">{{cite book|last=Barrett|first=Grant|title=The official dictionary of unofficial English: a crunk omnibus for thrillionaires and bampots for the Ecozoic Age|url=https://archive.org/details/officialdictiona00barr_548|url-access=limited|publisher=McGraw-Hill Professional|isbn=0-07-145804-2|year=2006 |pages=[https://archive.org/details/officialdictiona00barr_548/page/n225 189], 190}}</ref> They are favoured by filmmakers as they afford the opportunity to pick potential hit songs from the stocks, since they do not add to the continuity of the plot.<ref name="Communalism">{{cite book|last=Morey|first=Peter|title=Alternative Indias: writing, nation and communalism|url=https://archive.org/details/alternativeindia00more|url-access=limited|year=2005|publisher=Rodopi|isbn=90-420-1927-1|page=[https://archive.org/details/alternativeindia00more/page/n259 221], 178|author2=Alex Tickell|editor=Peter Morey and Alex Tickell}}</ref> It is thus a vehicle for commercial success that ensures repeat viewing.<ref name="Globalization">{{cite book|last=Bhattacharya Mehta|first=Rini|title=Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora|year=2010|publisher=Anthem Press|isbn=1-84331-833-4|page=42|author2=Rajeshwari Pandharipande}}</ref>


A female actor, singer, or dancer, especially someone who is poised to become a [[Movie star|star]], who appears in an item number is known as an '''item girl''' (there are '''item boys''' as well).<ref name="Dictionary"/> However, second-generation South Asian women{{clarify|date=July 2020 |reason=unclear what "second-generation" means here; see talk page}} are more commonly featured in item numbers than men.<ref>{{cite journal|last=Gera Roy|first=Anjali|title=The Body of New Asian Dance Music |ssrn=1471101|publisher=SSRN}}</ref><ref name=GhoshTOI>{{cite news|last=Ghosh|first=Biswadeep|title=Biggest item numbers ever!|url=http://articles.timesofindia.indiatimes.com/2010-12-15/news-and-interviews/28231300_1_songs-numbers-film-lovers|archive-url=https://web.archive.org/web/20120523183903/http://articles.timesofindia.indiatimes.com/2010-12-15/news-and-interviews/28231300_1_songs-numbers-film-lovers|url-status=dead|archive-date=23 May 2012|access-date=25 April 2011|newspaper=[[The Times of India]]|date=15 December 2010}}</ref> Item numbers usually feature one or more persons other than the lead actors. Sometimes, established female and male actors will appear in item numbers (a phenomenon billed as a "special appearance" by that actor).
A distinctive feature of the item number is its construction around the visual and sensual appeal of its lead performer. An actress, singer, or dancer—especially someone poised to become a [[Movie star|star]]—who appears in an item number is popularly referred to as an '''item girl'''.<ref>{{Cite web |date=2024-09-07 |title=Mehbooba Mehbooba to Tauba Tauba: Makers on evolution of item songs |url=https://www.indiatoday.in/movies/bollywood/story/mehbooba-mehbooba-to-tauba-tauba-makers-on-evolution-of-item-songs-2594277-2024-09-07 |access-date=2025-06-13 |website=India Today |language=en}}</ref> While male performers known as '''item boys'''<ref>{{Cite web |date=2024-11-25 |title=Rakhi Sawant, through the years |url=https://www.indiatoday.in/visualstories/entertainment/rakhi-sawant-through-the-years-189578-25-11-2024 |access-date=2025-06-13 |website=www.indiatoday.in |language=en}}</ref> occasionally feature in such sequences, the phenomenon remains overwhelmingly associated with women, who are far more frequently cast in these roles.<ref>{{Cite web |title=India celebrates RRR’s Naatu song making history at Golden Globes |url=https://www.aljazeera.com/news/2023/1/11/india-celebrates-rrrs-naatu-song-making-history-at-golden-globes |access-date=2025-06-13 |website=Al Jazeera |language=en}}</ref>


Although the origin of the term "item number" is obscure, it is likely that it derives its meaning from [[Sexual objectification#Sexual objectification of women|objectification of women]]. This is because ''item'' in Mumbai film slang is used by Indian men to objectify women.<ref name="Communalism"/> The classic meaning of item number refers to highly sexualized songs with racy imagery and suggestive lyrics.<ref>{{cite news|last1=Towheed Feroze|title=Hypocrisy of the reel and the real|url=http://www.dhakatribune.com/op-ed/2014/sep/29/hypocrisy-reel-and-real|access-date=15 May 2015|newspaper=Dhaka Tribune|date=29 September 2014}}</ref> The item number would feature an item girl who appeared in the film as a dancer, usually in a bar or nightclub, and was only in the film for the duration of that song.
In colloquial [[filmi]] slang used in [[Mumbai]], the term ''item'' itself often implies a "sexy woman", reinforcing the view that the female body is the intended spectacle in these numbers, complemented by racy visuals and suggestive lyrics.<ref>{{Cite web |date=2024-08-28 |title=Kangana Ranaut says she fought against item numbers, started parallel feminist cinema |url=https://www.indiatoday.in/movies/celebrities/story/kangana-ranaut-says-she-fought-against-item-numbers-started-parallel-feminist-cinema-2589340-2024-08-28 |access-date=2025-06-13 |website=India Today |language=en}}</ref><ref>{{Cite web |date=2019-09-01 |title=While Bollywood Is Apparently All For Women Empowerment, It's Still Obsessed With 'Item Number' |url=https://www.indiatimes.com/news/india/while-bollywood-is-apparently-all-for-women-empowerment-it-is-still-obsessed-with-item-numbers-374806.html |access-date=2025-06-13 |website=Indiatimes |language=en-IN}}</ref><ref>{{Cite web |date=2018-07-11 |title=Ali Zafar on item numbers in Bollywood: No harm in it if it doesn’t objectify women |url=https://indianexpress.com/article/entertainment/bollywood/ali-zafar-teefa-in-trouble-bollywood-item-songs-5255081/ |access-date=2025-06-13 |website=The Indian Express |language=en}}</ref>
[[File:12 Nathalia Department - Flickr - rgvzoomin.jpg|thumb|upright|Actress [[Nathalia Kaur]] performing an item number in the film ''[[Department (film)|Department]]'' (2012)]]


==History==
==History==
===1930s{{ndash}}1970s===
===1930s{{ndash}}1970s===
Up to the 1970s, Bollywood often relied on a female "vamp" character – usually playing the role of a [[cabaret]] dancer, ''[[tawaif]]''/prostitute/[[courtesan]], or male gangster's moll – to provide musical entertainment deemed more risqué. While film heroines also sang and danced, it was the vamp who wore more revealing clothes, smoked, drank, and sang sexually suggestive lyrics.<ref name="Communalism"/> The vamp was portrayed as immodest rather than evil, and her dance performances were sexualized by male producers. The trend was started by [[Cuckoo Moray|Cuckoo]] in films like ''[[Awaara]]'' (1951), ''[[Aan]]'' (1952) and ''Shabistan'' (1951).<ref name="filmonomics">{{cite web|url=http://www.pixelonomics.com/bollywood-item-numbers-monica-to-munni/|title=Bollywood item numbers: from Monica to Munni|year=2010|access-date=16 November 2010}}</ref>
Up to the 1970s, Hindi cinema often relied on a female "vamp" character – usually playing the role of a [[cabaret]] dancer, ''[[tawaif]]''/prostitute/[[courtesan]], or male gangster's moll – to provide musical entertainment deemed more risqué. While film heroines also sang and danced, it was the vamp who wore more revealing clothes, smoked, drank, and sang sexually suggestive lyrics.<ref name="Communalism">{{cite book |last=Morey |first=Peter |url=https://archive.org/details/alternativeindia00more |title=Alternative Indias: writing, nation and communalism |author2=Alex Tickell |publisher=Rodopi |year=2005 |isbn=90-420-1927-1 |editor=Peter Morey and Alex Tickell |page=[https://archive.org/details/alternativeindia00more/page/n259 221], 178 |url-access=limited}}</ref> The vamp was portrayed as immodest rather than evil, and her dance performances were sexualized by male producers. The trend was started by [[Cuckoo Moray|Cuckoo]] in films like ''[[Awaara]]'' (1951), ''[[Aan]]'' (1952) and ''Shabistan'' (1951).<ref name="filmonomics">{{cite web |url=http://www.pixelonomics.com/bollywood-item-numbers-monica-to-munni/ |title=Bollywood item numbers: from Monica to Munni |year=2010 |access-date=16 November 2010 |archive-date=22 July 2019 |archive-url=https://web.archive.org/web/20190722184028/http://www.pixelonomics.com/bollywood-item-numbers-monica-to-munni/ |url-status=dead}}</ref>
[[File:Vyjayanthimala in Devdas.jpg|thumb|Vyjayanthimala as Chandramukhi in Devdas]]
Item numbers had been featured in Bollywood from as early as the 1930s. Azoorie in the 1930s often performed item numbers; Cuckoo was the next popular item dancer in the late 40s. Her banner year was 1949 when she was featured in over 17 films performing dances. Actress and classical dancer [[Vyjayanthimala]] was the one that introduced the classical dance number in Hindi films with her debut film ''[[Bahar (film)|Bahar]]'' (1951). The mixture of classical plus contemporary was popularized by Vyjayanthimala in films such as [[Devdas (1955 film)|''Devdas'']] (1955), [[Amrapali (film)|''Amrapali'']] (1966), ''[[Madhumati]]'' (1958), [[Sadhna (1958 film)|''Sadhna'']] (1958), [[Sunghursh]] (1968) etc.


In the early 50s, Cuckoo introduced the Anglo-Burmese [[Helen (actress)|Helen]] as a chorus girl. In time Helen would come to be the most popular vamp of the late-50s, 60s and 70s,<ref name="Global Bollywood">{{cite book|last=Anandam P|first=Kavoori|title=Global Bollywood|year=2008|publisher=NYU Press|isbn=0-8147-4799-X|page=187}}</ref> having had performed in scores of item numbers including such popular songs as "[[Mera Naam Chin Chin Choo]]" from the film ''[[Howrah Bridge (film)|Howrah Bridge]]'' (1958), "[[Piya Tu Ab To Aaja]]" from ''[[Caravan (1971 film)|Caravan]]'' (1971), "Mehbooba Mehbooba" from ''[[Sholay]]'' (1975) and "Yeh Mera Dil" from ''[[Don (1978 film)|Don]] '' (1978) (the song's tune was used in [[Don't Phunk with My Heart]]), "O Haseena Zulfon Wali" from [[Teesri Manzil]] and "[[Aa Jaane Jaan]]" from [[Intaqam]]. In films like ''[[Gunga Jumna]]'' and ''[[Zindagi (1964 film)|Zindagi]]'' the actor performed semi-classical Indian dances in songs like "Tora man bada paapi" and "Ghungarwa mora chham chham baaje". A ''[[desi]]'' bar number, "Mungda" from ''[[Inkaar (1977 film)|Inkaar]]'' was also immensely popular. In addition to her skillful dancing, her anglicised looks too helped further the vamp image.<ref name="revamp">{{cite news|last=Mukherjee|first=Madhurita|title=Revamping Bollywood's sexy vamps |url=http://articles.timesofindia.indiatimes.com/2003-02-03/news-interviews/27281535_1_cinema-special-appearance-shamita-shetty|archive-url=https://web.archive.org/web/20121103220911/http://articles.timesofindia.indiatimes.com/2003-02-03/news-interviews/27281535_1_cinema-special-appearance-shamita-shetty|url-status=dead|archive-date=3 November 2012|access-date=12 November 2010|newspaper=[[The Times of India]]|date=3 February 2003}}</ref> Helen's dominance pushed other vying item number dancers like Madhumati, [[Bela Bose]], [[Laxmi Chhaya]], Jeevankala, [[Aruna Irani]], Sheela R. and Sujata Bakshi into the background and less prestigious and low budget b-movies.
Item numbers had been featured in Bollywood from as early as the 1930s. [[Madame Azurie|Azoorie]] in the 1930s often performed item numbers; [[Cuckoo Moray|Cuckoo]] was the next popular item dancer in the late 40s. Her banner year was 1949 when she was featured in over 17 films performing dances. Actress and classical dancer [[Vyjayanthimala]] was the one that introduced the classical dance number in Hindi films with her debut film ''[[Bahar (film)|Bahar]]'' (1951). The mixture of classical plus contemporary was popularized by Vyjayanthimala in films such as [[Devdas (1955 film)|''Devdas'']] (1955), [[Amrapali (film)|''Amrapali'']] (1966), ''[[Madhumati]]'' (1958), [[Sadhna (1958 film)|''Sadhna'']] (1958), [[Sunghursh]] (1968) etc.


In the early part of the 1970s actresses [[Jayshree T.]], [[Bindu (actress)|Bindu]], [[Aruna Irani]] and [[Padma Khanna]] entered into what was Helen's monopoly. Another noted feature of this era was the "tribal and ''banjara''" item numbers such as the one in the [[Dharmendra]], Zeenat Aman and [[Rex Harrison]] starrer ''[[Shalimar (1978 film)|Shalimar]]''. Such songs provided the necessary settings for the lead couple's love to bloom.<ref name="bourgeois">{{cite book|last=Deshpande|first=Anirudh|title=Class, Power And Consciousness In Indian Cinema And Television|year=2009|publisher=Primus Books|isbn=978-81-908918-2-0|page=49}}</ref>
In the early 50s, [[Cuckoo Moray|Cuckoo]] introduced the Anglo-Burmese [[Helen (actress)|Helen]] as a chorus girl. In time Helen would come to be the most popular vamp of the late-50s, 60s and 70s,<ref name="Global Bollywood">{{cite book |last=Anandam P |first=Kavoori |title=Global Bollywood |year=2008 |publisher=NYU Press |isbn=978-0-8147-4799-5 |page=187}}</ref> having had performed in scores of item numbers including such popular songs as "[[Mera Naam Chin Chin Choo]]" from the film ''[[Howrah Bridge (film)|Howrah Bridge]]'' (1958), "[[Piya Tu Ab To Aaja]]" from ''[[Caravan (1971 film)|Caravan]]'' (1971), "Mehbooba Mehbooba" from ''[[Sholay]]'' (1975) and "Yeh Mera Dil" from ''[[Don (1978 film)|Don]] '' (1978) (the song's tune was used in [[Don't Phunk with My Heart]]), "O Haseena Zulfon Wali" from [[Teesri Manzil]] and "[[Aa Jaane Jaan]]" from [[Intaqam]]. In films like ''[[Gunga Jumna]]'' and ''[[Zindagi (1964 film)|Zindagi]]'' the actress performed semi-classical Indian dances in songs like "Tora man bada paapi" and "Ghungarwa mora chham chham baaje". A ''[[desi]]'' bar number, "Mungda" from ''[[Inkaar (1977 film)|Inkaar]]'' was also immensely popular. In addition to her skillful dancing, her anglicised looks too helped further the vamp image.<ref name="revamp">{{cite news |last=Mukherjee |first=Madhurita |title=Revamping Bollywood's sexy vamps |url=https://timesofindia.indiatimes.com/entertainment/bollywood/news-interviews/Revamping-Bollywoods-sexy-vamps-/articleshow/36310778.cms |archive-url=https://web.archive.org/web/20121103220911/http://articles.timesofindia.indiatimes.com/2003-02-03/news-interviews/27281535_1_cinema-special-appearance-shamita-shetty |url-status=live |archive-date=3 November 2012 |access-date=12 November 2010 |newspaper=[[The Times of India]] |date=3 February 2003}}</ref> Helen's dominance pushed other vying item number dancers like Madhumati, [[Bela Bose]], [[Laxmi Chhaya]], Jeevankala, [[Aruna Irani]], Sheela R. and Sujata Bakshi into the background and less prestigious and low budget [[B movie|B-movies]].
 
In the early part of the 1970s, actresses [[Jayshree T.]], [[Bindu (actress)|Bindu]], [[Aruna Irani]] and [[Padma Khanna]] entered into what was Helen's monopoly. Another noted feature of this era was the "tribal and ''banjara''" item numbers such as the one in ''[[Shalimar (1978 film)|Shalimar]]''. Such songs provided the necessary settings for the lead couple's love to bloom.<ref name="bourgeois">{{cite book |last=Deshpande |first=Anirudh |title=Class, Power And Consciousness In Indian Cinema And Television |year=2009 |publisher=Primus Books |isbn=978-81-908918-2-0 |page=49}}</ref>


===1980s{{ndash}}1990s===
===1980s{{ndash}}1990s===
Around the 1980s the vamp and the heroine merged into one figure and the lead actress had begun to perform the bolder numbers. The craze for "tribal and ''banjara''" item numbers were soon gave way to slick choreography.<ref name="bourgeois"/> In the late 1990s, with the proliferation of film songs based television shows, film producers had come to realise that an exceptional way to entice audiences into theaters was by spending excessively on the visualization of songs. Hence regardless of the theme and plot, an elaborate song and dance routine involving spectacularly lavish sets, costumes, special effects, extras and dancers would invariably be featured in a film. It was asserted that this contributed highly to the film's "repeat value".<ref name="Ganti">{{cite book|last=Ganti|first=Tejaswini|title=Bollywood: a guidebook to popular Hindi cinema|year=2004|publisher=Routledge|isbn=0-415-28853-3|pages=[https://archive.org/details/bollywoodguidebo0000gant/page/86 86, 167]|url-access=registration|url=https://archive.org/details/bollywoodguidebo0000gant/page/86}}</ref>
[[File:Madhuri Dixit promoting Total Dhamaal in 2019 (cropped).jpg|thumb|Madhuri Dixit]]
[[Madhuri Dixit]] is often considered to be the pioneer of the modern trend. In the late 1980s, the song "Ek Do Teen" was added to the movie ''[[Tezaab]]'' as an afterthought, but it transformed Dixit and made her a superstar.<ref name="Ganti"/> Her partnership with choreographer [[Saroj Khan]] has resulted in numerous hits including the controversial "Choli ke peeche kya hai" and "Dhak Dhak" (''[[Beta (film)|Beta]]'').<ref name="saroj khan">{{cite news|last=Bhattacharya|first=Roshmila|title=Our heart goes ''dhak dhak'' again|url=http://www.hindustantimes.com/Our-hearts-go-dhak-dhak-again/Article1-629156.aspx|access-date=29 November 2010|newspaper=Hindustan Times|date=21 November 2010}}</ref> Soon after the release of the film ''[[Khal Nayak]]'', there were press reports stating that people were seeing the film again and again but only for the song "[[Choli Ke Peeche Kya Hai]]" that featured Dixit.<ref name="Ganti"/>


Although there have been many songs that fit the descriptions of item numbers in the early and mid-1990s, the term itself was coined when [[Shilpa Shetty]] danced for "Main Aai Hoon UP Bihar Lootne" in the movie ''[[Shool]]''. This is perhaps the first time the media actually referred to Shetty as an "item girl" and the scene as an "item number".<ref>{{cite web|url=https://www.youtube.com/watch?v=UdySdhZAvh4&feature=feedu |title=Latest Bollywood News&nbsp;— Top 5 Trends That Gripped Bollywood |publisher=YouTube |access-date=8 November 2011}}</ref>
[[Silk Smitha]] was part of several successful Item [[Dance|dance numbers]] in the 1980s Indian films.<ref>{{Cite web |last=K |first=Janani |date=2 December 2020 |title=Who was Silk Smitha? |url=https://www.indiatoday.in/movies/regional-cinema/story/who-was-silk-smitha-1745997-2020-12-02 |access-date=26 July 2021 |website=India Today |language=en |archive-date=26 July 2021 |archive-url=https://web.archive.org/web/20210726064246/https://www.indiatoday.in/movies/regional-cinema/story/who-was-silk-smitha-1745997-2020-12-02 |url-status=live }}</ref> Around the 1980s the vamp and the heroine merged into one figure and the lead actress had begun to perform the bolder numbers. The craze for "tribal and ''banjara''" item numbers were soon gave way to slick choreography.<ref name="bourgeois"/> In the late 1990s, with the proliferation of film songs based television shows, film producers had come to realise that an exceptional way to entice audiences into theaters was by spending excessively on the visualization of songs. Hence regardless of the theme and plot, an elaborate song and dance routine involving spectacularly lavish sets, costumes, special effects, extras and dancers would invariably be featured in a film. It was asserted that this contributed highly to the film's "repeat value".<ref name="Ganti">{{cite book |last=Ganti |first=Tejaswini |title=Bollywood: a guidebook to popular Hindi cinema |year=2004 |publisher=Routledge |isbn=0-415-28853-3 |pages=[https://archive.org/details/bollywoodguidebo0000gant/page/86 86, 167] |url-access=registration |url=https://archive.org/details/bollywoodguidebo0000gant/page/86}}</ref>
 
[[Madhuri Dixit]] is often considered to be the pioneer of the modern trend. In the late 1980s, the song "Ek Do Teen" was added to the movie ''[[Tezaab]]'' as an afterthought, but it transformed Dixit and made her a superstar.<ref name="Ganti"/> Her partnership with choreographer [[Saroj Khan]] has resulted in numerous hits including the controversial "Choli Ke Peeche Kya hai" and "Dhak Dhak Karne Laga" (''[[Beta (film)|Beta]]'').<ref name="saroj khan">{{cite news |last=Bhattacharya |first=Roshmila |title=Our heart goes ''dhak dhak'' again |url=http://www.hindustantimes.com/Our-hearts-go-dhak-dhak-again/Article1-629156.aspx |archive-url=https://web.archive.org/web/20101127023112/http://www.hindustantimes.com/Our-hearts-go-dhak-dhak-again/Article1-629156.aspx |url-status=dead |archive-date=27 November 2010 |access-date=29 November 2010 |newspaper=Hindustan Times |date=21 November 2010}}</ref> Soon after the release of the film ''[[Khal Nayak]]'', there were press reports stating that people were seeing the film again and again but only for the song "Choli Ke Peeche Kya Hai" that featured Dixit.<ref name="Ganti"/>. Actress [[Sridevi]] had performed her most famous number in the song "Kate Nahin Kat Te" from the film ''[[Mr. India (1987 film)|Mr. India]]''.
 
Although there have been many songs that fit the descriptions of item numbers in the early and mid-1990s, the term itself was coined when [[Shilpa Shetty]] danced for "Main Aai Hoon UP Bihar Lootne" in the movie ''[[Shool]]''. This is perhaps the first time the media actually referred to Shetty as an "item girl" and the scene as an "item number".<ref>{{cite web |url=https://www.youtube.com/watch?v=UdySdhZAvh4&feature=feedu |url-status=dead |title=Latest Bollywood News&nbsp;— Top 5 Trends That Gripped Bollywood |via=YouTube |access-date=8 November 2011 |archive-date=11 January 2016 |archive-url=https://web.archive.org/web/20160111073548/https://www.youtube.com/watch?v=UdySdhZAvh4&feature=feedu}}</ref> In 1998 [[Urmila Matondkar]] featured in the song "Chamma Chamma" in the 1998 film [[China Gate (1998 film)|China Gate]].


===2000s===
===2000s===
Since 2000, many top Bollywood stars now do item numbers, and many new women entering Bollywood find item numbers a more amenable shortcut to success, as opposed to more traditional roles with no guarantee of eventual stardom.{{Citation needed|date=April 2011}} Former item girls in pop songs outside films, [[Rakhi Sawant]] and [[Meghna Naidu]], for example, are now in demand and very popular. Today, they are even being given lead roles in movies.{{as of?|date=May 2012}} As of 2007, [[Mallika Sherawat]] had become the most expensive item girl, charging Rs. 15 million (roughly US$375,000) for the song "Mehbooba Mehbooba" in ''[[Aap Ka Suroor - The Real Love Story]]''.{{Citation needed|date=April 2011}} Another example is actress [[Urmila Matondkar]], one of the most successful item girls during that time.{{Original research inline|date=May 2011}} She was featured in "[[Chamma Chamma]]" in the 1998 film ''[[China Gate (1998 film)|China Gate]]''. [[Baz Luhrmann]]'s 2001 film musical, ''[[Moulin Rouge!]]'' used a westernized version of this song.
[[Abhishek Bachchan]] became the first "item boy" with his performance in ''[[Rakht]]''. [[Shah Rukh Khan]] performed an item number of sorts during the opening credits of ''[[Kaal (2005 film)|Kaal]]'' but later had an item number in a truer sense of the word with "Dard-e-disco" in ''[[Om Shanti Om]]'', where he was shot in a more typical "item girl" manner, with Khan wearing minimal clothing (though this number did have a connection, albeit tenuous, with the plot of the film). In ''[[Krazzy 4]]'', [[Hrithik Roshan]] has an item number during the end credits. [[Ranbir Kapoor]] made his debut in an item number in ''[[Chillar Party]]'' (2011), drawing inspiration from his father Rishi Kapoor's [[Qawwali]] song "[[Parda Hai Parda (song)|Parda Hai Parda]]" from ''[[Amar Akbar Anthony]]''. In 2005 and 2006 actress [[Bipasha Basu]] gave blockbuster hit numbers like "No Entry" and "Beedi Jalaile".


[[Malaika Arora]] and [[Yana Gupta]] are "official" item number dancers and have said in interviews that they don't want to act in movies since they already earn more than enough money just by doing one item number as opposed to full-on roles.{{Citation needed|date=May 2011}}
After Bachchan, the "item boy" trend was reused by [[Dev (Bengali actor)|Dev]] in [[Cinema of West Bengal|Bengali cinema]], who did a cameo with the song "Pante Taali" in the film ''[[Chirodini Tumi Je Amar|Chirodini...Tumi Je Amar]]'' (2008). He also established his image of a "dancing star" with popular dance numbers - "Bhojo Gourango" in ''[[Challenge (2009 film)|Challenge]]'' (2009), "Le Paglu Dance" in ''[[Bolo Na Tumi Aamar]]'' (2009), "Pyarelal" in ''[[Dui Prithibi (2010 film)|Dui Prithibi]]'' (2010), "Khokababu Jay" in ''[[Shedin Dekha Hoyechilo]]'' (2010), "Lady Killer Romeo" in ''[[Romeo (2011 film)|Romeo]]'' (2011), "Dance Maare Khokababu" in ''[[Khokababu]]'' (2012), "Party Shoes" in ''[[Bindaas (2014 film)|Bindaas]]'' (2014), "Desi Chhori" in ''[[Yoddha: The Warrior|Yoddha]]'' (2014) and "Dhitang Dhitang" in ''[[Love Express (2016 film)|Love Express]]'' (2016).


[[Abhishek Bachchan]] became the first "item boy" with his performance in ''[[Rakht]]''; [[Shah Rukh Khan|Shahrukh Khan]] performed an item number of sorts during the opening credits of ''[[Kaal (2005 film)|Kaal]]'' but later had an item number in a truer sense of the word with "[[Dard-e-disco]]" in ''[[Om Shanti Om]]'', where he was shot in a more typical "item girl" manner, with Khan wearing minimal clothing (though this number did have a connection, albeit tenuous, with the plot of the film). In ''[[Krazzy 4]]'', [[Hrithik Roshan]] has an item number during the end credits. [[Ranbir Kapoor]] made his debut in an item number in ''[[Chillar Party]]'' (2011); drawing inspiration from his father Rishi Kapoor's [[Qawwali]] song "[[Parda Hai Parda (song)|Parda Hai Parda]]" from ''[[Amar Akbar Anthony]]''. In 2005 and 2006 actress [[Bipasha Basu]] gave blockbuster hit numbers like No Entry and Beedi Jalaile.
In 2005, [[Aishwarya Rai Bachchan]] was featured in "[[Kajra Re]]" from the movie, ''[[Bunty Aur Babli]]''. In 2006, [[Mumaith Khan]] was featured in "Ippatikinka" from a Telugu film, ''[[Pokiri]]'', sung by [[Suchitra]]. Plus, the remake did the same to 2007 Tamil film, ''[[Pokkiri]]'' in "En Chella Peru Apple". In the 2007 [[Telugu film]] ''[[Desamuduru]]'', the song "Attaantode Ittaantode" featuring [[Allu Arjun]] and [[Rambha (actress)|Rambha]] became a chartbuster. In the 2007 film ''[[Om Shanti Om]]'', the song "Deewangi Deewangi" had guest appearances by over [[Om Shanti Om#Cast|30 Bollywood stars]]. In 2008, the makers of ''[[Rab Ne Bana Di Jodi]]'' featured [[Kajol]], [[Bipasha Basu]], [[Lara Dutta]], [[Priety Zinta]], and [[Rani Mukerji]] playing five leading ladies opposite [[Shah Rukh Khan|Shahrukh Khan]] in the song "Phir Milenge Chalte Chalte". In 2007, [[Mallika Sherawat]] performed an item number "Mehbooba O Mehbooba" in ''[[Aap Ka Suroor - The Real Love Story]]''.
 
In the 2007 [[Telugu film]] ''[[Desamuduru]]'', the song "Attaantode Ittaantode" featuring [[Allu Arjun]] and [[Rambha (actress)|Rambha]] became a chartbuster. In the 2007 film ''[[Om Shanti Om]]'', the song "Deewangi Deewangi" had guest appearances by over [[Om Shanti Om#Cast|30 Bollywood stars]]. In 2008, the makers of ''[[Rab Ne Bana Di Jodi]]'' featured [[Kajol]], [[Bipasha Basu]], [[Lara Dutta]], [[Priety Zinta]], and [[Rani Mukerji]] playing five leading ladies opposite [[Shah Rukh Khan|Shahrukh Khan]] in the song "[[Phir Milenge Chalte Chalte]]".


===2010s===
===2010s===
In 2010, [[Katrina Kaif]] featured in "[[Sheila Ki Jawani]]" from ''[[Tees Maar Khan (2010 film)|Tees Maar Khan]]'', and [[Malaika Arora]] featured in "[[Munni Badnaam Hui]]" from ''[[Dabangg]]''.<ref>{{cite web|url=http://www.rediff.com/movies/report/slide-show-1-top-item-numbers-of-2010/20101209.htm |title=The Hottest Item Numbers of 2010 – Rediff.com Movies |publisher=Rediff.com |date=9 December 2010 |access-date=6 July 2012}}</ref> Parallels were drawn between Katrina and Malaika, as well as between the item numbers, in what was popularly known as the "Munni vs Sheila" debate.<ref>{{cite news|last=Nagpaul-D'Souza|first=Dipti|title=Munni vs Sheila: The way of the 'Item Bomb'|url=http://www.indianexpress.com/news/munni-vs-sheila-the-way-of-the-item-bomb/729468/1|access-date=22 December 2011|newspaper=Indian Express|date=26 December 2010}}</ref><ref>{{cite news|last=Wangoo|first=Anupama|title=Sheila steals Munni's thunder|url=http://articles.timesofindia.indiatimes.com/2010-12-26/chandigarh/28217169_1_munni-badnaam-hui-malaika-arora-jawani|archive-url=https://archive.today/20120701180033/http://articles.timesofindia.indiatimes.com/2010-12-26/chandigarh/28217169_1_munni-badnaam-hui-malaika-arora-jawani|url-status=dead|archive-date=1 July 2012|access-date=22 December 2011|newspaper=[[The Times of India]]|date=26 December 2011}}</ref> The songs became so popular, that, soon, more films began incorporating item numbers, and with more top stars now wanting to do them.<ref>{{cite web|url=http://www.rediff.com/movies/slide-show/slide-show-1-forthcoming-item-numbers/20120626.htm |title=PIX: SIZZLING item numbers coming up! – Rediff.com Movies |publisher=Rediff.com |date=26 June 2012 |access-date=6 July 2012}}</ref>
In 2010, [[Katrina Kaif]] featured in "[[Sheila Ki Jawani]]" from ''[[Tees Maar Khan (2010 film)|Tees Maar Khan]]'', and [[Malaika Arora]] featured in "[[Munni Badnaam Hui]]" from ''[[Dabangg]]''.<ref>{{cite web |url=http://www.rediff.com/movies/report/slide-show-1-top-item-numbers-of-2010/20101209.htm |title=The Hottest Item Numbers of 2010 |publisher=Rediff.com |date=9 December 2010 |access-date=6 July 2012 |archive-date=27 June 2015 |archive-url=https://web.archive.org/web/20150627033353/http://www.rediff.com/movies/report/slide-show-1-top-item-numbers-of-2010/20101209.htm |url-status=live }}</ref> Parallels were drawn between Katrina and Malaika, as well as between the item numbers, in what was popularly known as the "Munni vs Sheila" debate.<ref>{{cite news |last=Nagpaul-D'Souza |first=Dipti |title=Munni vs Sheila: The way of the 'Item Bomb' |url=http://www.indianexpress.com/news/munni-vs-sheila-the-way-of-the-item-bomb/729468/1 |access-date=22 December 2011 |newspaper=The Indian Express |date=26 December 2010 |archive-date=31 December 2010 |archive-url=https://web.archive.org/web/20101231063743/http://www.indianexpress.com/news/munni-vs-sheila-the-way-of-the-item-bomb/729468/1 |url-status=live }}</ref><ref>{{cite news |last=Wangoo |first=Anupama |title=Sheila steals Munni's thunder |url=https://timesofindia.indiatimes.com/city/chandigarh/Sheila-steals-Munnis-thunder/articleshow/7164852.cms |archive-url=https://archive.today/20120701180033/http://articles.timesofindia.indiatimes.com/2010-12-26/chandigarh/28217169_1_munni-badnaam-hui-malaika-arora-jawani |url-status=live |archive-date=1 July 2012 |access-date=22 December 2011 |newspaper=[[The Times of India]] |date=26 December 2011}}</ref> The songs became so popular, that, soon, more films began incorporating item numbers, and with more top stars now wanting to do them.<ref>{{cite web |url=http://www.rediff.com/movies/slide-show/slide-show-1-forthcoming-item-numbers/20120626.htm |title=PIX: SIZZLING item numbers coming up! |publisher=Rediff.com |date=26 June 2012 |access-date=6 July 2012 |archive-date=6 July 2012 |archive-url=https://web.archive.org/web/20120706062616/http://www.rediff.com/movies/slide-show/slide-show-1-forthcoming-item-numbers/20120626.htm |url-status=live }}</ref>
 
In 2012, [[Katrina Kaif]] again featured in an item number "[[Chikni Chameli]]" sung by [[Shreya Ghoshal]] which became a huge hit.<ref>{{cite news|url=http://articles.timesofindia.indiatimes.com/2011-12-21/news-interviews/30538652_1_chikni-chameli-song-marathi-music|archive-url=https://web.archive.org/web/20130924053654/http://articles.timesofindia.indiatimes.com/2011-12-21/news-interviews/30538652_1_chikni-chameli-song-marathi-music|url-status=dead|archive-date=2013-09-24|newspaper=[[The Times of India]]|title=Chikni Chameli sets Kombdi’s popularity soaring}}</ref> In 2013, [[Deepika Padukone]] had some success item dancing, performing songs like "Party On My Mind" and "Lovely". [[Priyanka Chopra]] did many songs such as "[[Babli Badmaash]]", "Pinky", and an appearance in Sanjay Leela Bhansali's [[Goliyon Ki Raasleela Ram-Leela]] song "[[Ram Chahe Leela]]", of which became a blockbuster upon release. [[Mahi Gill]], [[Sonakshi Sinha]], and [[Jacqueline Fernandez]] made their debut with "Don't Touch My Body", "Govinda Govinda" and "Jadu Ki Jappi" respectively.


[[Indian-Canadian]] actress [[Sunny Leone]] performed her first item dance with "''Laila''" from the 2013 film "[[Shootout at Wadala]]", followed up with ''[[Baby Doll (Kanika Kapoor song)|Baby Doll]]'' from [[Ragini MMS 2]]. In 2017, Sunny Leone featured in the hit item number "[[Laila Main Laila]]" starring [[Shah Rukh Khan]] in the film ''[[Raees (2017 film)|Raees]]''. It is a recreation of the song "Laila O Laila" from the 1980 film ''[[Qurbani (film)|Qurbani]]'', which featured actress [[Zeenat Aman]] with [[Feroz Khan (actor)|Feroz Khan]] in the original musical number.<ref>{{cite news |title=Zeenat Aman reveals the story behind original Laila Oh Laila song |url=https://www.dnaindia.com/entertainment/report-zeenat-aman-reveals-the-story-behind-original-laila-oh-laila-song-2282919 |access-date=29 April 2019 |work=[[DNA India]] |date=15 December 2016}}</ref>
In 2012, [[Katrina Kaif]] again featured in an item number "[[Chikni Chameli]]" in ''[[Agneepath (2012 film)|Agneepath]]'', sung by [[Shreya Ghoshal]] which became a huge hit,<ref>{{cite news |url=http://articles.timesofindia.indiatimes.com/2011-12-21/news-interviews/30538652_1_chikni-chameli-song-marathi-music |archive-url=https://web.archive.org/web/20130924053654/http://articles.timesofindia.indiatimes.com/2011-12-21/news-interviews/30538652_1_chikni-chameli-song-marathi-music |url-status=dead |archive-date=24 September 2013 |newspaper=[[The Times of India]] |title=Chikni Chameli sets Kombdi's popularity soaring}}</ref> while [[Kareena Kapoor Khan|Kareena Kapoor]] was featured in "Fevicol Se" in ''[[Dabangg 2]]'', sung by the same artist from "Munni Badnam Hui".<ref>{{Cite web |date=2012-11-30 |title=Watch Kareena Kapoor sizzle in item number 'Fevicol Se' for Dabangg 2 |url=https://www.firstpost.com/entertainment/watch-kareena-kapoor-sizzle-in-item-number-fevicol-se-for-dabangg-2-533497.html |access-date=2024-06-29 |website=Firstpost |language=en-us}}</ref> In 2013, [[Deepika Padukone]] had some success item dancing, performing songs like "Party On My Mind" and "Lovely". [[Priyanka Chopra]] did many songs such as " [[Priyanka Chopra|Babli Badmaash]]", "Pinky", and an appearance in Sanjay Leela Bhansali's ''[[Goliyon Ki Raasleela Ram-Leela]]'' song "[[Ram Chahe Leela]]", of which became a blockbuster upon release. [[Mahi Gill]], [[Sonakshi Sinha]], and [[Jacqueline Fernandez]] made their debut with "Don't Touch My Body", "Govinda Govinda" and "Jadu Ki Jappi" respectively.


In 2017, [[Anglo-Indian]] actress [[Amanda Rosario]] featured in the hit item number "Sarkar"<ref>{{Citation|last=R-Vision India|title=Sarkar {{!}} Udanchhoo {{!}} Amanda Rosario {{!}} Rani Hazarika {{!}} Latest Bollywood Item Hindi Song|date=1 December 2017|url=https://www.youtube.com/watch?v=I2aS1OFT790|access-date=14 December 2017}}</ref> sung by Rani Hazarika from the movie ''[[Udanchhoo]]''.
[[Indian-Canadian]] actress [[Sunny Leone]] performed her first item dance with "''Laila''" from the 2013 film "[[Shootout at Wadala]]", followed up with ''[[Baby Doll (Kanika Kapoor song)|Baby Doll]]'' from [[Ragini MMS 2]]. In 2017, Sunny Leone featured in the hit item number "Laila Main Laila" starring [[Shah Rukh Khan]] in the film ''[[Raees (2017 film)|Raees]]''. It is a recreation of the song "Laila O Laila" from the 1980 film ''[[Qurbani (film)|Qurbani]]'', which featured actress [[Zeenat Aman]] with [[Feroz Khan (actor)|Feroz Khan]] in the original musical number.<ref>{{cite news |title=Zeenat Aman reveals the story behind original Laila Oh Laila song |url=https://www.dnaindia.com/entertainment/report-zeenat-aman-reveals-the-story-behind-original-laila-oh-laila-song-2282919 |access-date=29 April 2019 |work=[[DNA India]] |date=15 December 2016 |archive-date=18 December 2016 |archive-url=https://web.archive.org/web/20161218144600/http://www.dnaindia.com/entertainment/report-zeenat-aman-reveals-the-story-behind-original-laila-oh-laila-song-2282919 |url-status=live }}</ref> In 2017, [[Anglo-Indian]] actress [[Amanda Rosario]] featured in the item number "Sarkar"<ref>{{Citation |last=R-Vision India |title=Sarkar {{!}} Udanchhoo {{!}} Amanda Rosario {{!}} Rani Hazarika {{!}} Latest Bollywood Item Hindi Song |date=1 December 2017 |url=https://www.youtube.com/watch?v=I2aS1OFT790 |access-date=14 December 2017 |archive-date=11 July 2020 |archive-url=https://web.archive.org/web/20200711165515/https://www.youtube.com/watch?v=I2aS1OFT790 |url-status=live }}</ref> sung by Rani Hazarika from the movie ''[[Udanchhoo]]''.


In 2018, [[Moroccan Canadians|Moroccan-Canadian]] dancer-actress [[Nora Fatehi]] featured in the item song "[[Dilbar (song)|Dilbar]]" which has become one of the most popular [[Bollywood music]] videos of all time.<ref>{{cite news |title=Nora Fatehi rejects reports of signing up Mahira Khan's 'Superstar' |url=https://www.thenews.com.pk/latest/462437-nora-fatehi-of-dilbar-fame-to-dance-in-mahira-khans-superstar |access-date=28 April 2019 |work=[[The News International]] |date=24 April 2019}}</ref> It is a recreation of an item number of the same name from ''[[Sirf Tum]]'' (1999), which was composed by [[Nadeem–Shravan]] and featured [[Sushmita Sen]] as an item girl. The re-created version by [[Tanishk Bagchi]] features [[Middle-Eastern music]]al sounds.<ref>{{cite news |title=Shaken, Not Stirred |url=https://indianexpress.com/article/entertainment/music/shaken-not-stirred-bollywood-playback-singers-old-classic-music-remakes-5294719/ |access-date=29 April 2019 |work=[[The Indian Express]] |date=7 August 2018 |language=en-IN}}</ref> In the music video, Nora Fatehi performs [[belly dancing]], an [[Arabic dance]] style that was previously featured in a number of popular Bollywood item numbers, performed by actresses such as [[Helen (actress)|Helen]] in "Mehbooba O Mehbooba" from ''[[Sholay]]'' (1975), [[Zeenat Aman]] in "Raqqasa Mera Naam" from ''[[The Great Gambler]]'' (1979), [[Mallika Sherawat]] in "Mayya Mayya" from ''[[Guru (2007 film)|Guru]]'' (2007), and [[Rani Mukerji]] in "Aga Bai" from ''[[Aiyyaa]]'' (2012).<ref>{{cite news |last1=Rajguru |first1=Sumit |title=International Dance Day 2019: Top 5 belly dance numbers in Bollywood you can't miss |url=https://www.deccanchronicle.com/entertainment/bollywood/280419/international-dance-day-2019-top-5-belly-dance-numbers-in-bollywood-y.html |access-date=29 April 2019 |work=[[Deccan Chronicle]] |date=29 April 2019}}</ref> TV and Bollywood Actress [[Mouni Roy]] made her debut by "Nachna Aunda Nahi". The "Gali Gali" track sung by [[Neha Kakkar]], which featured Mouni Roy also, was a huge hit. The international success of "Dilbar" inspired an [[Arabic]]-language version, also featuring Nora Fatehi. "Dilbar" is popular across Southern Asia and the [[Arab world]], with all versions of the song having received more than 1{{nbsp}}billion views on YouTube,<ref>{{cite web |title=Dilbar |url=https://www.youtube.com/user/tseries/search?query=Dilbar |website=YouTube |publisher=[[T-Series (company)|T-Series]] |access-date=18 April 2019}}</ref> making it the most-viewed song on the [[T-Series (company)|T-Series]] YouTube channel.<ref>{{cite web |title=Videos |url=https://www.youtube.com/user/tseries/videos?view=0&sort=p&flow=list |website=YouTube |publisher=[[T-Series (company)|T-Series]] |access-date=19 April 2019}}</ref>
In 2018, [[Pooja Hegde]] featured in the hit item number "[[Jigelu Rani]]" from the film ''[[Rangasthalam]]''.<ref>{{Cite web |url=https://www.business-standard.com/article/news-ians/pooja-hegde-lands-a-special-song-in-rangasthalam-117100500310_1.html |title=Pooja Hegde lands a special song in 'Rangasthalam' |website=Business Standard |date=5 October 2017 |access-date=7 December 2021 |archive-date=29 January 2020 |archive-url=https://web.archive.org/web/20200129062318/https://www.business-standard.com/article/news-ians/pooja-hegde-lands-a-special-song-in-rangasthalam-117100500310_1.html |url-status=live }}</ref> The song was trending on [[YouTube]].<ref>{{Cite web |date=29 March 2018 |title=Pooja Hegde sizzles as Jigelu Rani |url=https://timesofindia.indiatimes.com/entertainment/telugu/music/pooja-hegde-sizzles-as-jigelu-rani/articleshow/63518299.cms |access-date=20 April 2022 |website=[[The Times of India]] |archive-date=22 May 2022 |archive-url=https://web.archive.org/web/20220522055131/https://timesofindia.indiatimes.com/entertainment/telugu/music/pooja-hegde-sizzles-as-jigelu-rani/articleshow/63518299.cms |url-status=live }}</ref> [[Jacqueline Fernandez]] featured in the remake of the "Ek Do Teen" song that originally featured Madhuri Dixit. [[Moroccan Canadians|Moroccan-Canadian]] dancer-actress [[Nora Fatehi]] also featured in the item song "[[Dilbar (song)|Dilbar]]" which has become one of the most popular [[Bollywood music]] videos of all time.<ref>{{cite news |title=Nora Fatehi rejects reports of signing up Mahira Khan's 'Superstar' |url=https://www.thenews.com.pk/latest/462437-nora-fatehi-of-dilbar-fame-to-dance-in-mahira-khans-superstar |access-date=28 April 2019 |work=[[The News International]] |date=24 April 2019 |archive-date=26 April 2019 |archive-url=https://web.archive.org/web/20190426104557/https://www.thenews.com.pk/latest/462437-nora-fatehi-of-dilbar-fame-to-dance-in-mahira-khans-superstar |url-status=live }}</ref> It is a recreation of an item number of the same name from ''[[Sirf Tum]]'' (1999), which was composed by [[Nadeem–Shravan]] and featured [[Sushmita Sen]] as an item girl. The re-created version by [[Tanishk Bagchi]] features [[Middle-Eastern music]]al sounds.<ref>{{cite news |title=Shaken, Not Stirred |url=https://indianexpress.com/article/entertainment/music/shaken-not-stirred-bollywood-playback-singers-old-classic-music-remakes-5294719/ |access-date=29 April 2019 |work=[[The Indian Express]] |date=7 August 2018 |language=en-IN |archive-date=6 May 2019 |archive-url=https://web.archive.org/web/20190506032109/https://indianexpress.com/article/entertainment/music/shaken-not-stirred-bollywood-playback-singers-old-classic-music-remakes-5294719/ |url-status=live }}</ref> In the music video, Nora Fatehi performs [[belly dancing]], an [[Arabic dance]] style that was previously featured in a number of popular Bollywood item numbers, performed by actresses such as [[Helen (actress)|Helen]] in "Mehbooba O Mehbooba" from ''[[Sholay]]'' (1975), [[Zeenat Aman]] in "Raqqasa Mera Naam" from ''[[The Great Gambler]]'' (1979), [[Mallika Sherawat]] in "Mayya Mayya" from ''[[Guru (2007 film)|Guru]]'' (2007), and [[Rani Mukerji]] in "Aga Bai" from ''[[Aiyyaa]]'' (2012).<ref>{{cite news |last1=Rajguru |first1=Sumit |title=International Dance Day 2019: Top 5 belly dance numbers in Bollywood you can't miss |url=https://www.deccanchronicle.com/entertainment/bollywood/280419/international-dance-day-2019-top-5-belly-dance-numbers-in-bollywood-y.html |access-date=29 April 2019 |work=[[Deccan Chronicle]] |date=29 April 2019 |archive-date=29 April 2019 |archive-url=https://web.archive.org/web/20190429043111/https://www.deccanchronicle.com/entertainment/bollywood/280419/international-dance-day-2019-top-5-belly-dance-numbers-in-bollywood-y.html |url-status=live }}</ref> The international success of "Dilbar" inspired an [[Arabic]]-language version, also featuring Nora Fatehi. "Dilbar" is popular across Southern Asia and the [[Arab world]], with all versions of the song having received more than 1{{nbsp}}billion views on YouTube.<ref>{{cite web |title=Dilbar |url=https://www.youtube.com/user/tseries/search?query=Dilbar |access-date=18 April 2019 |via=YouTube |publisher=[[T-Series (company)|T-Series]] |archive-date=20 April 2019 |archive-url=https://web.archive.org/web/20190420201841/https://www.youtube.com/user/tseries/search?query=Dilbar |url-status=live }}</ref> From then on, Nora Fatehi became associated with performing item numbers that featured belly dancing. TV and Bollywood Actress [[Mouni Roy]] made her debut by "Nachna Aunda Nahi". The "Gali Gali" track from the Kannada film ''[[K.G.F: Chapter 1]]'', sung by [[Neha Kakkar]], which featured Mouni Roy also, was a huge hit. [[Alia Bhatt]] also made an appearance in "The Hookup Song" from ''[[Student of The Year 2]]'' (2019).<ref>{{cite web|url=https://www.aninews.in/news/entertainment/bollywood/alia-bhatt-to-be-a-part-of-the-hook-up-song-from-soty220190427141743/#:~:text=Alia%20Bhatt%20to%20be%20a,Up'%20song%20from%20'SOTY2'|title=Alia Bhatt to be a part of the 'Hook Up' song from 'SOTY2'}}</ref>


==Criticism and controversies==
=== 2020s ===
Item numbers have been criticized for their gratuitous objectification of women.{{citation needed|date=November 2010}} Item numbers have also been imitated by [[Mumbai]]'s [[Dance bar|bar dancers]]. In respect of the ban on bar dancers in Mumbai, it has even been argued{{weasel inline|date=January 2013}} that the morality of bar dancer's imitation of item numbers cannot be questioned without questioning the morality of screening of item numbers in a film in public theatres. It has also been argued{{weasel inline|date=January 2013}} that the two are equally amoral as both objectify women for commercial gain, with likely negative effects on the male population.<ref name="Mumbai bar">{{cite web|last=Agnes|first=Flavia|title=Hypocritical Morality: Mumbai’s Ban on Bar Dancers|url=http://www.manushi-india.org/pdfs_issues/PDF%20Files%20149/Flavia%20Agnes.pdf|publisher=Manushi|access-date=10 November 2010}}</ref>
In the 2020s, the item songs moved away from the suggestiveness and risque visuals to a more musical and dance-filled approach, while still wearing similar belly-dance clothes. In 2021, the popular "[[Oo Antava Oo Oo Antava]]" track sung by Indravathi Chauhan from the [[Telugu language|Telugu]] language film ''[[Pushpa: The Rise]]'' featuring [[Samantha Ruth Prabhu|Samantha]] was released.<ref>{{cite web|url=https://www.indiatoday.in/movies/regional-cinema/story/not-rs-1-5-crore-samantha-charged-rs-5-crore-for-oo-antava-song-from-allu-arjun-s-pushpa-1900813-2022-01-17|title=Not Rs 1.5 crore, Samantha charged Rs 5 crore for Oo Antava song from Allu Arjun's Pushpa?}}</ref> [[Nushrratt Bharuccha]] too featured in an item number song from the film ''[[Chhalaang]]''. In 2021, [[Janhvi Kapoor]] performed her first item number in the song "Nadiyon Paar" from the film [[Roohi (2021 film)|''Roohi'']]. [[Pooja Hegde]] delivered an Arabic belly dance in blockbuster song "[[Arabic Kuthu]]" from [[Beast (2022 Indian film)|''Beast'']]. In 2023, [[Sayyeshaa]] featured in an item number "Raawadi" from the Tamil film ''[[Pathu Thala]]''.<ref>{{Cite news |date=25 March 2023 |title='Raawadi' video song: Sayyesha amazes fans with her dance moves in this 'Pathu Thala' item number |work=The Times of India |url=https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/raawadi-video-song-sayyesha-amazes-fans-with-her-dance-moves-in-this-pathu-thala-item-number/articleshow/98996891.cms?from=mdr |access-date=9 June 2023 |issn=0971-8257 |archive-date=9 June 2023 |archive-url=https://web.archive.org/web/20230609194312/https://timesofindia.indiatimes.com/entertainment/tamil/movies/news/raawadi-video-song-sayyesha-amazes-fans-with-her-dance-moves-in-this-pathu-thala-item-number/articleshow/98996891.cms?from=mdr |url-status=live }}</ref> [[Tamannaah]] featured in item songs like "[[Kaavaalaa]]" from [[Jailer (2023 Tamil film)|''Jailer'']] alongside [[Rajinikanth]] and "Aaj Ki Raat" from ''[[Stree 2]]''. In 2024, Actress [[Sharvari]] performed her first item number in the song "Taras" from [[Munjya (film)|''Munjya'']].<ref>{{cite web|url=https://www.filmfare.com/news/bollywood/sharvari-wagh-talks-about-her-dance-track-in-munjya-66317.html|title=Sharvari Wagh talks about her dance track in Munjya}}</ref> Actress [[Sreeleela]] performed many item number songs in Telugu cinema, with her most famous being [[Kissik]] from ''[[Pushpa 2: The Rule]]''.<ref>{{cite web|url=https://timesofindia.indiatimes.com/entertainment/telugu/movies/news/sreeleela-reveals-the-reason-behind-doing-the-dance-number-kissik-with-allu-arjun-in-pushpa-2/articleshow/115744611.cms|title=Sreeleela reveals the reason behind doing the dance number}}</ref><ref>{{cite web|url=https://www.filmfare.com/news/south/exclusive-how-did-sreeleela-bag-pushpa-2-the-rules-song-kissik-69661.html|title=EXCLUSIVE: How did Sreeleela bag Pushpa 2: The Rule's song Kissik?}}</ref>


As one writer put it, "On paper, item numbers form the perfect formula for female sexual empowerment. In reality, they mostly result in the most blatant objectification. Camera angles zoom in over gyrating hips and linger over bare waists as blatantly as the eyes of the ogling men with no subtlety. The gaze in these dance numbers presents itself as vaguely voyeuristic, at best. There is a very deliberate implication present; that the item girl is not only inviting the leers and jeers,but she is also enjoying them."<ref>{{cite web |last1=Waseem |first1=Anum |title=Bollywood item numbers are more dangerous than we think |url=https://thetempest.co/2018/09/13/entertainment/are-bollywood-item-numbers-selling-danger/ |website=The Tempest |access-date=6 July 2020 |date=13 September 2018}}</ref>
==Impact==
On 21 July 2005, Indian parliament passed a bill to ban [[dance bar]]s in [[Maharashtra]]. Criticizing the bill and supporting the dancers, [[Flavia Agnes]] said that bar dancing cannot be termed as vulgar, what they are doing is an imitation of what item girls are doing in films, they work there out of their own choice.<ref name="Mumbai bar">{{cite web |last=Agnes |first=Flavia |title=Hypocritical Morality: Mumbai's Ban on Bar Dancers |url=http://www.manushi-india.org/pdfs_issues/PDF%20Files%20149/Flavia%20Agnes.pdf |publisher=Manushi |access-date=10 November 2010 |archive-date=21 July 2011 |archive-url=https://web.archive.org/web/20110721105921/http://www.manushi-india.org/pdfs_issues/PDF%20Files%20149/Flavia%20Agnes.pdf |url-status=live }}</ref>


In 1993, the Bollywood action thriller ''[[Khalnayak]]'' was instantly controversial for its item numbers and risqué song lyrics. While the lyrics of "[[Choli Ke Peeche Kya Hai]]?" ("What's behind the blouse?") were considered vulgar by some, others defended the song on the ground that it was based on folk traditions. The song eventually set off protests all over the country and a potential ban on the song was debated in the [[Indian Parliament]]. The anger and commotion, however, only helped the song and the film become more popular, as many went to the movie theater out of curiosity, to watch [[Madhuri Dixit]] perform the song.{{Citation needed|date=August 2021}}
As one writer put it, "On paper, item numbers form the perfect formula for female sexual empowerment. In reality, they mostly result in the most blatant objectification. Camera angles zoom in over gyrating hips and linger over bare waists as blatantly as the eyes of the ogling men with no subtlety. The gaze in these dance numbers presents itself as vaguely voyeuristic, at best. There is a very deliberate implication present; that the item girl is not only inviting the leers and jeers, but she is also enjoying them."<ref>{{cite web |last1=Waseem |first1=Anum |title=Bollywood item numbers are more dangerous than we think |url=https://thetempest.co/2018/09/13/entertainment/are-bollywood-item-numbers-selling-danger/ |website=The Tempest |access-date=6 July 2020 |date=13 September 2018 |archive-date=4 August 2020 |archive-url=https://web.archive.org/web/20200804032013/https://thetempest.co/2018/09/13/entertainment/are-bollywood-item-numbers-selling-danger/ |url-status=live }}</ref>


In 2013, the [[Central Board of Film Certification]] issued a resolution declaring that item numbers will now be rated as adult content and will be banned from being shown on television channels.<ref>{{cite web|last=Sinha|first=Amitabh|title='Item songs' to be barred from TV|url=http://archive.indianexpress.com/news/item-songs-to-be-barred-from-tv/1071182/|access-date=10 February 2013}}</ref>
In 2013, the [[Central Board of Film Certification]] issued a resolution declaring that item songs will now be rated as adult content and will not be allowed to be shown on television channels.<ref>{{cite web |last=Sinha |first=Amitabh |title='Item songs' to be barred from TV |url=http://archive.indianexpress.com/news/item-songs-to-be-barred-from-tv/1071182/ |access-date=10 February 2013 |archive-date=13 May 2016 |archive-url=https://web.archive.org/web/20160513020158/http://archive.indianexpress.com/news/item-songs-to-be-barred-from-tv/1071182/ |url-status=live }}</ref>


==References==
==References==
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[[Category:Bollywood]]
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[[Category:Hindi cinema]]
[[Category:Indian songs]]
[[Category:Indian songs]]
[[Category:Indian culture]]
[[Category:Culture of India]]
[[Category:Telugu cinema]]
[[Category:Telugu cinema]]
[[Category:Sexuality in India]]
[[Category:Indian erotic films|*]]

Latest revision as of 20:46, 14 February 2026


In Indian cinema, an item number or special song is a musical number inserted into a film that may or may not have any relevance to the plot. The term is commonly used within Indian films (Bengali, Hindi, Kannada, Punjabi, Tamil, and Telugu cinema) to describe a catchy, upbeat, often provocative dance sequence performed in a movie.[1][2] These sequences predominantly feature glamorous female performers, commonly referred to as item girls, whose appearance, movements, and attire are designed to attract visual attention and heighten the sensual appeal of the film.[3]

Jacqueline Fernandez, one of the popular performers of item numbers in Indian cinema

Such item numbers are strongly associated with the objectification of women on screen, where the female body becomes the central spectacle rather than the narrative itself. The main aim of an item number is to entertain movie-goers and to lend support to the marketability of the film by being featured in trailers.[4][5] They are favoured by filmmakers as they afford the opportunity to pick potential hit songs from the stocks, since they do not add to the continuity of the plot.[6] It is thus a vehicle for commercial success that ensures repeat viewing.[7][8][9][10]

A distinctive feature of the item number is its construction around the visual and sensual appeal of its lead performer. An actress, singer, or dancer—especially someone poised to become a star—who appears in an item number is popularly referred to as an item girl.[11] While male performers known as item boys[12] occasionally feature in such sequences, the phenomenon remains overwhelmingly associated with women, who are far more frequently cast in these roles.[13]

In colloquial filmi slang used in Mumbai, the term item itself often implies a "sexy woman", reinforcing the view that the female body is the intended spectacle in these numbers, complemented by racy visuals and suggestive lyrics.[14][15][16]

Actress Nathalia Kaur performing an item number in the film Department (2012)

History[edit | edit source]

1930s–1970s[edit | edit source]

Up to the 1970s, Hindi cinema often relied on a female "vamp" character – usually playing the role of a cabaret dancer, tawaif/prostitute/courtesan, or male gangster's moll – to provide musical entertainment deemed more risqué. While film heroines also sang and danced, it was the vamp who wore more revealing clothes, smoked, drank, and sang sexually suggestive lyrics.[17] The vamp was portrayed as immodest rather than evil, and her dance performances were sexualized by male producers. The trend was started by Cuckoo in films like Awaara (1951), Aan (1952) and Shabistan (1951).[18]

Item numbers had been featured in Bollywood from as early as the 1930s. Azoorie in the 1930s often performed item numbers; Cuckoo was the next popular item dancer in the late 40s. Her banner year was 1949 when she was featured in over 17 films performing dances. Actress and classical dancer Vyjayanthimala was the one that introduced the classical dance number in Hindi films with her debut film Bahar (1951). The mixture of classical plus contemporary was popularized by Vyjayanthimala in films such as Devdas (1955), Amrapali (1966), Madhumati (1958), Sadhna (1958), Sunghursh (1968) etc.

In the early 50s, Cuckoo introduced the Anglo-Burmese Helen as a chorus girl. In time Helen would come to be the most popular vamp of the late-50s, 60s and 70s,[19] having had performed in scores of item numbers including such popular songs as "Mera Naam Chin Chin Choo" from the film Howrah Bridge (1958), "Piya Tu Ab To Aaja" from Caravan (1971), "Mehbooba Mehbooba" from Sholay (1975) and "Yeh Mera Dil" from Don (1978) (the song's tune was used in Don't Phunk with My Heart), "O Haseena Zulfon Wali" from Teesri Manzil and "Aa Jaane Jaan" from Intaqam. In films like Gunga Jumna and Zindagi the actress performed semi-classical Indian dances in songs like "Tora man bada paapi" and "Ghungarwa mora chham chham baaje". A desi bar number, "Mungda" from Inkaar was also immensely popular. In addition to her skillful dancing, her anglicised looks too helped further the vamp image.[20] Helen's dominance pushed other vying item number dancers like Madhumati, Bela Bose, Laxmi Chhaya, Jeevankala, Aruna Irani, Sheela R. and Sujata Bakshi into the background and less prestigious and low budget B-movies.

In the early part of the 1970s, actresses Jayshree T., Bindu, Aruna Irani and Padma Khanna entered into what was Helen's monopoly. Another noted feature of this era was the "tribal and banjara" item numbers such as the one in Shalimar. Such songs provided the necessary settings for the lead couple's love to bloom.[21]

1980s–1990s[edit | edit source]

Silk Smitha was part of several successful Item dance numbers in the 1980s Indian films.[22] Around the 1980s the vamp and the heroine merged into one figure and the lead actress had begun to perform the bolder numbers. The craze for "tribal and banjara" item numbers were soon gave way to slick choreography.[21] In the late 1990s, with the proliferation of film songs based television shows, film producers had come to realise that an exceptional way to entice audiences into theaters was by spending excessively on the visualization of songs. Hence regardless of the theme and plot, an elaborate song and dance routine involving spectacularly lavish sets, costumes, special effects, extras and dancers would invariably be featured in a film. It was asserted that this contributed highly to the film's "repeat value".[23]

Madhuri Dixit is often considered to be the pioneer of the modern trend. In the late 1980s, the song "Ek Do Teen" was added to the movie Tezaab as an afterthought, but it transformed Dixit and made her a superstar.[23] Her partnership with choreographer Saroj Khan has resulted in numerous hits including the controversial "Choli Ke Peeche Kya hai" and "Dhak Dhak Karne Laga" (Beta).[24] Soon after the release of the film Khal Nayak, there were press reports stating that people were seeing the film again and again but only for the song "Choli Ke Peeche Kya Hai" that featured Dixit.[23]. Actress Sridevi had performed her most famous number in the song "Kate Nahin Kat Te" from the film Mr. India.

Although there have been many songs that fit the descriptions of item numbers in the early and mid-1990s, the term itself was coined when Shilpa Shetty danced for "Main Aai Hoon UP Bihar Lootne" in the movie Shool. This is perhaps the first time the media actually referred to Shetty as an "item girl" and the scene as an "item number".[25] In 1998 Urmila Matondkar featured in the song "Chamma Chamma" in the 1998 film China Gate.

2000s[edit | edit source]

Abhishek Bachchan became the first "item boy" with his performance in Rakht. Shah Rukh Khan performed an item number of sorts during the opening credits of Kaal but later had an item number in a truer sense of the word with "Dard-e-disco" in Om Shanti Om, where he was shot in a more typical "item girl" manner, with Khan wearing minimal clothing (though this number did have a connection, albeit tenuous, with the plot of the film). In Krazzy 4, Hrithik Roshan has an item number during the end credits. Ranbir Kapoor made his debut in an item number in Chillar Party (2011), drawing inspiration from his father Rishi Kapoor's Qawwali song "Parda Hai Parda" from Amar Akbar Anthony. In 2005 and 2006 actress Bipasha Basu gave blockbuster hit numbers like "No Entry" and "Beedi Jalaile".

After Bachchan, the "item boy" trend was reused by Dev in Bengali cinema, who did a cameo with the song "Pante Taali" in the film Chirodini...Tumi Je Amar (2008). He also established his image of a "dancing star" with popular dance numbers - "Bhojo Gourango" in Challenge (2009), "Le Paglu Dance" in Bolo Na Tumi Aamar (2009), "Pyarelal" in Dui Prithibi (2010), "Khokababu Jay" in Shedin Dekha Hoyechilo (2010), "Lady Killer Romeo" in Romeo (2011), "Dance Maare Khokababu" in Khokababu (2012), "Party Shoes" in Bindaas (2014), "Desi Chhori" in Yoddha (2014) and "Dhitang Dhitang" in Love Express (2016).

In 2005, Aishwarya Rai Bachchan was featured in "Kajra Re" from the movie, Bunty Aur Babli. In 2006, Mumaith Khan was featured in "Ippatikinka" from a Telugu film, Pokiri, sung by Suchitra. Plus, the remake did the same to 2007 Tamil film, Pokkiri in "En Chella Peru Apple". In the 2007 Telugu film Desamuduru, the song "Attaantode Ittaantode" featuring Allu Arjun and Rambha became a chartbuster. In the 2007 film Om Shanti Om, the song "Deewangi Deewangi" had guest appearances by over 30 Bollywood stars. In 2008, the makers of Rab Ne Bana Di Jodi featured Kajol, Bipasha Basu, Lara Dutta, Priety Zinta, and Rani Mukerji playing five leading ladies opposite Shahrukh Khan in the song "Phir Milenge Chalte Chalte". In 2007, Mallika Sherawat performed an item number "Mehbooba O Mehbooba" in Aap Ka Suroor - The Real Love Story.

2010s[edit | edit source]

In 2010, Katrina Kaif featured in "Sheila Ki Jawani" from Tees Maar Khan, and Malaika Arora featured in "Munni Badnaam Hui" from Dabangg.[26] Parallels were drawn between Katrina and Malaika, as well as between the item numbers, in what was popularly known as the "Munni vs Sheila" debate.[27][28] The songs became so popular, that, soon, more films began incorporating item numbers, and with more top stars now wanting to do them.[29]

In 2012, Katrina Kaif again featured in an item number "Chikni Chameli" in Agneepath, sung by Shreya Ghoshal which became a huge hit,[30] while Kareena Kapoor was featured in "Fevicol Se" in Dabangg 2, sung by the same artist from "Munni Badnam Hui".[31] In 2013, Deepika Padukone had some success item dancing, performing songs like "Party On My Mind" and "Lovely". Priyanka Chopra did many songs such as " Babli Badmaash", "Pinky", and an appearance in Sanjay Leela Bhansali's Goliyon Ki Raasleela Ram-Leela song "Ram Chahe Leela", of which became a blockbuster upon release. Mahi Gill, Sonakshi Sinha, and Jacqueline Fernandez made their debut with "Don't Touch My Body", "Govinda Govinda" and "Jadu Ki Jappi" respectively.

Indian-Canadian actress Sunny Leone performed her first item dance with "Laila" from the 2013 film "Shootout at Wadala", followed up with Baby Doll from Ragini MMS 2. In 2017, Sunny Leone featured in the hit item number "Laila Main Laila" starring Shah Rukh Khan in the film Raees. It is a recreation of the song "Laila O Laila" from the 1980 film Qurbani, which featured actress Zeenat Aman with Feroz Khan in the original musical number.[32] In 2017, Anglo-Indian actress Amanda Rosario featured in the item number "Sarkar"[33] sung by Rani Hazarika from the movie Udanchhoo.

In 2018, Pooja Hegde featured in the hit item number "Jigelu Rani" from the film Rangasthalam.[34] The song was trending on YouTube.[35] Jacqueline Fernandez featured in the remake of the "Ek Do Teen" song that originally featured Madhuri Dixit. Moroccan-Canadian dancer-actress Nora Fatehi also featured in the item song "Dilbar" which has become one of the most popular Bollywood music videos of all time.[36] It is a recreation of an item number of the same name from Sirf Tum (1999), which was composed by Nadeem–Shravan and featured Sushmita Sen as an item girl. The re-created version by Tanishk Bagchi features Middle-Eastern musical sounds.[37] In the music video, Nora Fatehi performs belly dancing, an Arabic dance style that was previously featured in a number of popular Bollywood item numbers, performed by actresses such as Helen in "Mehbooba O Mehbooba" from Sholay (1975), Zeenat Aman in "Raqqasa Mera Naam" from The Great Gambler (1979), Mallika Sherawat in "Mayya Mayya" from Guru (2007), and Rani Mukerji in "Aga Bai" from Aiyyaa (2012).[38] The international success of "Dilbar" inspired an Arabic-language version, also featuring Nora Fatehi. "Dilbar" is popular across Southern Asia and the Arab world, with all versions of the song having received more than 1 billion views on YouTube.[39] From then on, Nora Fatehi became associated with performing item numbers that featured belly dancing. TV and Bollywood Actress Mouni Roy made her debut by "Nachna Aunda Nahi". The "Gali Gali" track from the Kannada film K.G.F: Chapter 1, sung by Neha Kakkar, which featured Mouni Roy also, was a huge hit. Alia Bhatt also made an appearance in "The Hookup Song" from Student of The Year 2 (2019).[40]

2020s[edit | edit source]

In the 2020s, the item songs moved away from the suggestiveness and risque visuals to a more musical and dance-filled approach, while still wearing similar belly-dance clothes. In 2021, the popular "Oo Antava Oo Oo Antava" track sung by Indravathi Chauhan from the Telugu language film Pushpa: The Rise featuring Samantha was released.[41] Nushrratt Bharuccha too featured in an item number song from the film Chhalaang. In 2021, Janhvi Kapoor performed her first item number in the song "Nadiyon Paar" from the film Roohi. Pooja Hegde delivered an Arabic belly dance in blockbuster song "Arabic Kuthu" from Beast. In 2023, Sayyeshaa featured in an item number "Raawadi" from the Tamil film Pathu Thala.[42] Tamannaah featured in item songs like "Kaavaalaa" from Jailer alongside Rajinikanth and "Aaj Ki Raat" from Stree 2. In 2024, Actress Sharvari performed her first item number in the song "Taras" from Munjya.[43] Actress Sreeleela performed many item number songs in Telugu cinema, with her most famous being Kissik from Pushpa 2: The Rule.[44][45]

Impact[edit | edit source]

On 21 July 2005, Indian parliament passed a bill to ban dance bars in Maharashtra. Criticizing the bill and supporting the dancers, Flavia Agnes said that bar dancing cannot be termed as vulgar, what they are doing is an imitation of what item girls are doing in films, they work there out of their own choice.[46]

As one writer put it, "On paper, item numbers form the perfect formula for female sexual empowerment. In reality, they mostly result in the most blatant objectification. Camera angles zoom in over gyrating hips and linger over bare waists as blatantly as the eyes of the ogling men with no subtlety. The gaze in these dance numbers presents itself as vaguely voyeuristic, at best. There is a very deliberate implication present; that the item girl is not only inviting the leers and jeers, but she is also enjoying them."[47]

In 2013, the Central Board of Film Certification issued a resolution declaring that item songs will now be rated as adult content and will not be allowed to be shown on television channels.[48]

References[edit | edit source]

  1. Journals : Item number defined Archived 7 April 2008 at the Wayback Machine
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External links[edit | edit source]