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{{Use dmy dates|date=August 2019}} | {{Use dmy dates|date=August 2019}} | ||
{{Infobox raga | {{Infobox raga | ||
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Ni re Ma Ma Ga | Ni re Ma Ma Ga | ||
Ma Dha Ni, Ma Dha, Ga Ma | Ma Dha Ni, Ma Dha, Ga Ma G | ||
==Details== | ==Details== | ||
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|archivedate = 2009-07-15 | |archivedate = 2009-07-15 | ||
}} | }} | ||
{{Rāgas as per Performance Time}} | {{Rāgas as per Performance Time}} | ||
Latest revision as of 02:57, 19 January 2022
 |
| Thaat | Marva |
|---|---|
| Time of day | Just after sunset |
| Arohana | N r G M D N r S |
| Avarohana |
|
| Vadi | G |
| Samavadi | N |
Puriya is a major hexatonic raga of Hindustani classical music.
Note emphasis: Ni, Ga, (Ma is an important pivot note.)
Pakad or Chalan[edit | edit source]
Ni Ni Ni Ma, Ni Dha Ni
re Sa
Ma, (Ni) D (Sa) Ni (re) Sa () = grace note
Ni re Ga
Ni re Ga, Ga re Sa
Ni re Ma Ma Ga
Ma Dha Ni, Ma Dha, Ga Ma G
Details[edit | edit source]
| Property | Value |
|---|---|
| Thaat | Marwa |
| Ascending | N r G M D N r S |
| Descending | S N D M G r S N or
r N D M Gg, M G r S |
| Samar (time of day) | Sunset or just after |
| Rasa | Shanti (equanimity/peace)
Gambhir (seriousness) |
| Related ragas | Kanada, Hindol, Kalyan (Iman) |
Sources[edit | edit source]
Bor, Joep (c. 1997), The Raga Guide, Charlottesville,Virginia: Nimbus Records, archived from the original on 15 July 2009
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