Pheroza Jamshyd Godrej (née Shroff; born 1948, in Mumbai) is an Indian art historian, artist, and curator, best known for founding the Cymroza Art Gallery in Mumbai, in 1971. A graduate of the University of Mumbai, she sits on the advisory boards of the National Gallery of Modern Art, Mumbai and the Indira Gandhi National Centre for the Arts. A scholar of Zoroastrian studies, she is a member of the Godrej family, as the wife of industrialist Jamshyd Godrej.[1][2][3][4][5][6][7]
Selected works[edit | edit source]
- Godrej, Pheroza; Rohatgi, Pauline (1989). Scenic splendours: India through the printed image (1 ed.). London: British Library. ISBN 9780712301596.
- Godrej, Pheroza (1995). Under the Indian sun: British landscape artists. Bombay: Marg Publ. ISBN 978-8185026299.
- Rohatagi, Pauline; Godrej, Pheroza (1989). India, a Pageant of Prints. Marg Publications. ISBN 978-81-85026-08-4.
- Rohatgi, Pauline; Godrej, Pheroza; Mehrotra, Rahul (1997). Bombay to Mumbai: Changing Perspectives. Marg Publications. ISBN 978-81-85026-37-4.
- Godrej, Pheroza; Mistree, Firoza Punthakey (2002). A Zoroastrian Tapestry: Art, Religion & Culture. Mapin Pub. ISBN 978-1-890206-22-2.
References[edit | edit source]
- ↑ "Pheroza Godrej". SOAS. University of London. Retrieved 16 April 2025.
- ↑ "Pheroza Godrej". Zasha. 9 June 2022. Retrieved 16 April 2025.
- ↑ Ayaz, Shaikh (8 October 2021). "Pheroza J Godrej: Mumbai's Gallerist". Open The Magazine. Retrieved 16 April 2025.
- ↑ D’Souza, Ornella (26 April 2016). "Pheroza Godrej: Mumbai's art queen". Parsi Khabar. Retrieved 16 April 2025.
- ↑ Italia, Shernaz (12 May 2016). "Threads of Continuity: Exhibitions on Parsi Life and Culture". The Wire. Retrieved 16 April 2025.
- ↑ Pundir, Pallavi (31 March 2016). "Such a Long Journey: Contribution of Zoroastrians and Parsis to world culture". The Indian Express. Retrieved 16 April 2025.
- ↑ Kumar, Surya Praphulla (9 September 2021). "50 years of Pheroza Godrej's Cymroza is celebrated by all, even other galleries". The Hindu. Retrieved 16 April 2025.
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