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Amar (1954 film)
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| Amar | |
|---|---|
| File:Amar 1954.jpg Theatrical release poster | |
| Directed by | Mehboob Khan |
| Produced by | Mehboob Khan |
| Written by | Agha Jani Kashmiri S. Ali Raza |
| Story by | S. Ali Raza Mehrish S. K. Kalla B. S. Ramaiah |
| Starring | Dilip Kumar Madhubala Nimmi Jayant |
| Music by | Naushad |
| Cinematography | Faredoon A. Irani |
| Edited by | Shamsudin Kadri |
Production company | |
| Distributed by | Mehboob Productions |
Release date |
|
| Country | India |
| Language | Hindustani |
| Box office | ₹7.5 million[1] |
Amar (transl. "Immortal") is a 1954 Indian Hindi-language romantic drama film produced and directed by Mehboob Khan.[2] Dealing with the controversial subject matter of rape, the film tells the story of the titular upper-class lawyer (Dilip Kumar), his educated fiancé, the social worker Anju Roy (Madhubala), and Sonia (Nimmi), a poor milkmaid.[3]
Plot[edit]
Amarnath (Dilip Kumar), a well-known lawyer, is known for his sense of justice. One day, he meets Soniya (Nimmi), a milkwoman. She is awed by him and he finds her interesting. Amar's father wants him to get married and sends him Anju's (Madhubala) photograph. Anju has graduated from a foreign University and believes in justice and aiding the poor. Both she and Amar take a liking to each other and they are soon engaged. One night, after attending a local fair, Soniya is attacked by the local ruffian Sankat (Jayant) who wants to possess her at any cost. In a bid to escape him Soniya runs heedlessly into Amar's house as a thunderstorm begins. In the lonely house, Amar ends up raping Soniya. Amar's conscience torments him as he tries to hide his misdeed and proceed with his engagement to Anju. Anju senses something is amiss, but cannot fathom what it is. Meanwhile, it is revealed that Soniya is pregnant. She refuses to name the father of her child and is cast out by the villagers as a fallen woman. Sankat manages to figure out who the father of Soniya's child is and wants to avenge her. He ends up dying by his own hands. Amar is accused of murdering him and the truth regarding him and Soniya comes out. The villagers eventually want to lynch Soniya. Anju supports and protects her. In the end, she ensures that Amar officially marries Soniya and leaves the village once her duty is done.
Cast[edit]
- Dilip Kumar as Advocate Amarnath[4]
- Madhubala as Anju[4]
- Nimmi as Sonia[4]
- Jayant as Sankat [4]
- Ulhas as Rai Saheb Mohanlal
- Mukri as Advocate
- Husn Banu
- Amar
- Siddiqui
- Murad as The Judge
- Pande
Production[edit]
For the role of Anju Roy, Mehboob Khan had initially cast the actress Meena Kumari. However, due to some reasons, Kumari could not continue shooting and left the film. Following Kumari's departure, the shooting came to a halt and several actresses made unsuccessful tries to achieve the high-profile role. In late 1952, Raj Kapoor phoned Khan requesting him to cast Nargis (whom Kapoor was dating then) in the role. However, at this time, there was a considerable amount of lobbying from Kumar's side also, to take Madhubala in the film. Finally, Khan had to refuse to Kapoor and choose Madhubala on Kumar's insistence.[5] Some critics have stated that Madhubala's performance as Anju Roy is among her finest performances.[6]
Soundtrack[edit]
| Amar | ||||
|---|---|---|---|---|
| Soundtrack album by | ||||
| Released | 1954 | |||
| Genre | Feature film soundtrack | |||
| Naushad chronology | ||||
| ||||
The music was composed by Naushad with lyrics by Shakeel Badayuni.
| Song | Singer(s) | Music Director | Lyricist | Actor(s) |
|---|---|---|---|---|
| Tere Sadake Balam Na Kar Koi Gam[2] | Lata Mangeshkar | Naushad | Shakeel Badayuni | Dilip Kumar, Madhubala |
| Insaaf Ka Mandir Hai Ye Bhagavaan Ka Ghar Hai[2] | Mohammed Rafi | Naushad | Shakeel Badayuni | Dilip Kumar,Madhubala |
| Na Milta Gham Tau Barbadi Ke Afsaane Kahan Jaate[2] | Lata Mangeshkar | Naushad | Shakeel Badayuni | Dilip Kumar, Nimmi |
| Naa Shikwa Hai Koyi Naa Koyi Gila Hai[2] | Lata Mangeshkar | Naushad | Shakeel Badayuni | Dilip Kumar,Madhubala |
| Jaane Vaale Se Mulaqat Na Hone Payi[2] | Lata Mangeshkar | Naushad | Shakeel Badayuni | Dilip Kumar,Madhubala |
| Khamosh Hai Khewanhar Mera | Lata Mangeshkar | Naushad | Shakeel Badayuni | Dilip Kumar, Nimmi |
| Umangon Ko Sakhi Pi Ki Nagariyaa Kaise Le Jaaun | Lata Mangeshkar | Naushad | Shakeel Badayuni | Nimmi |
| Uudi Uudi Chhaai Ghataa Jiyaa Laharaaye[2] | Lata Mangeshkar | Naushad | Shakeel Badayuni | Nimmi |
| Ik Bat Kahun Mere Piya Sun Le | Asha Bhosle | Naushad | Shakeel Badayuni | Dilip Kumar, Nimmi |
| Radha Ke Pyare Krishina Kanhai | Asha Bhosle | Naushad | Shakeel Badayuni | Nimmi |
| Dance Music (Amar) | Naushad |
Release[edit]
Critical reception[edit]
Amar opened to predominantly favourable reviews on September 10, 1954.[7] Baburao Patel, the editor of Filmindia, called it "a brilliant picture with a gripping human story superbly directed and acted with flawless perfection. A masterpiece of film craft."[7] Swatantrata magazine was highly impressed by Khan's direction and commented that "Mehboob can really be proud of this achievement."[8] The magazine also defended Kumar's grey-shaded character, quoting Jawaharlal Nehru as "films must amuse and at the same time educate."[8] Deepak Mahaan of The Hindu lauded the film for its characterization of strong female protagonists and photography of rape scenes without any nudity.[4] Mahaan added: "The black and white canvas lent the story a quiet dignity, appropriate to the ethical tussle between truth and desire, moral turpitude and justice."[4] In a retrospective review, Khalid Mohammed noted that the protagonists were not portrayed as "snow-white paragons of virtue" but are instead shown with "human weaknesses", which is a rarity in Indian cinema.[3] Also, Amar is stated to be the most favourite film of Khan.[9]
Box office[edit]
Box Office India reported that Amar grossed ₹7 million (US$98,000) at the box office and was commercially unsuccessful.[10] Both Mahaan and Karan Bali have written that the film's controversial subject matter led to poor box office earnings.[4][9]
Awards[edit]
- Filmfare Best Sound Award for R. Kaushik.[4]
Sources[edit]
- Akbar, Khatija (1997). Madhubala: Her Life, Her Films. UBS Publishers Distributors. ISBN 9788174761538.
- Lanba, Urmila (2012). Bollywood's Top 20: Superstars of Indian Cinema. Penguin Books. ISBN 9780670085729.
- Lanba, Urmila (2002). Life and Films of Dilip Kumar, the Thespian. Vision Books. ISBN 8170944961.
References[edit]
- ↑ https://web.archive.org/web/20121012165102/http://boxofficeindia.com/showProd.php?itemCat=160&catName=MTk1NA==
- ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 "Amar 1954". MySwar. Retrieved 4 November 2020.
- ↑ 3.0 3.1 Akbar 1997, p. 112.
- ↑ 4.0 4.1 4.2 4.3 4.4 4.5 4.6 4.7 Mahaan, Deepak (2 September 2010). "Amar (1954) (a film review)". The Hindu. ISSN 0971-751X. Retrieved 26 October 2020.
- ↑ Akbar 1997, p. 29.
- ↑ "Remembering Madhubala's best roles". filmfare.com. Retrieved 30 January 2021.
- ↑ 7.0 7.1 Akbar 1997, p. 111—112.
- ↑ 8.0 8.1 Swatantra. 1954.
- ↑ 9.0 9.1 Bali, Karan (28 May 2004). "Mehboob Khan". Upperstall.com. Retrieved 3 February 2021.
- ↑ "Box Office 1954". Box Office India. 2 January 2010. Archived from the original on 30 October 2013. Retrieved 4 November 2020.