.svg)
Alhaiya Bilaval
| Thaat | Bilaval |
|---|---|
| Type | Shadava-sampurna |
| Time of day | Early Morning (Din ka Pratham Prahar-4 a.m-8a.m |
| Arohana | S GR G P ND N S' |
| Avarohana | S' ND n D P M G MR S |
| Pakad | G R G P m G m R G P D n D P |
| Vadi | Dha |
| Samavadi | Ga |
| Synonym | Alhaiya Bilawal |
| Similar |
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
Alhaiya Bilaval is a Hindustani classical raga. It is the most commonly performed raga of a large group of ragas that are mainly based on a scale more or less identical to the Western major scale. For this reason, that scale itself is known as the Bilaval Thaat. It is often simply referred to as Bilaval, although in the 17th century Alhaiya and Bilaval may have been separate ragas. Alhaiya Bilaval is a raga which M is the main key.
Character[edit | edit source]
Arohana, Avarohana and Pakad[edit | edit source]
Arohana: S GR G P ND N S'
Avarohana: S' ND n D P M G MR S
Pakad: G R G P m G m R G P m G m R S
Vadi and Samavadi[edit | edit source]
Vadi: dha
Samavadi: ga
Komal Swar: N (Vakra) in Avarohana
Varjit Swar: M in Arohana
Related ragas[edit | edit source]
Alhaiya Bilaval is referred to as Bilaval, however, the Wikipedia page refers to Shuddha Bilaval as Bilaval. Bilaval, Shuddha Bilawal, Devgiri Bilawal, Shukla Bilawal, Kakubh Bilawal[1]
Time[edit | edit source]
Late Morning, 9 AM to 12 noon
Rasa[edit | edit source]
Shaant Rasa (peaceful).
References[edit | edit source]
- ↑ Bor 1999
Literature[edit | edit source]
Bor, Joep (ed). Rao, Suvarnalata; der Meer, Wim van; Harvey, Jane (co-authors) The Raga Guide: A Survey of 74 Hindustani Ragas. Zenith Media, London: 1999.