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{{short description|Indian film director}} | {{short description|Indian film director and screenwriter (1926–2002)}} | ||
{{ | {{similar names|Nasir Hossain (disambiguation)}} | ||
{{EngvarB|date=August 2014}} | {{EngvarB|date=August 2014}} | ||
{{Use dmy dates|date=August 2014}} | {{Use dmy dates|date=August 2014}} | ||
{{Infobox person | {{Infobox person | ||
| name | | name = Nasir Hussain | ||
| image | | image = Nasir Hussain Director.jpg | ||
| imagesize | | imagesize = | ||
| alt | | alt = | ||
| caption | | caption = | ||
| birth_name | | birth_name = Mohammad Nasir Hussain Khan | ||
| birth_date | | birth_date = {{birth-date|16 November 1926}}<ref>Manwani, Akshay. ''Music, Masti, Modernity: The Cinema of Nasir Hussain''. HarperCollins Publishers India. (2016)</ref> | ||
| birth_place | | birth_place = [[Bhopal]], India<ref name="Narwekar1994">{{cite book | author=Sanjit Narwekar | title=Directory of Indian film-makers and films | url=https://books.google.com/books?id=UYUjAQAAIAAJ | access-date=14 December 2012 | year=1994 | publisher=Flicks Books | page=21| isbn=9780948911408 }}</ref><ref name="RajadhyakshaWillemen1999">{{cite book | author1=Ashish Rajadhyaksha | author2=Paul Willemen | title=Encyclopaedia of Indian cinema | url=https://archive.org/details/encyclopaediaofi0000raja | url-access=registration | access-date=14 December 2012 | date=26 June 1999 | publisher=British Film Institute | page=[https://archive.org/details/encyclopaediaofi0000raja/page/107 107]| isbn=9780851706696 }}</ref> | ||
| death_date | | death_date = {{death date and age|df=yes|2002|03|13|1926|11|16}} | ||
| death_place | | death_place = [[Mumbai]], [[Maharashtra]], India | ||
| othername | | othername = | ||
| occupation | | occupation = Filmmaker, screenwriter | ||
| yearsactive | | yearsactive = 1948–1996 | ||
| spouse | | spouse = Ayesha Khan | ||
| | | children = [[Mansoor Khan]] | ||
| relatives = See [[List of Hindi film families#Khan–Hussain family (of Nasir Hussain)|Khan–Hussain family]] | |||
}} | }} | ||
'''Mohammad Nasir Hussain Khan''' (16 November 1926 | '''Mohammad Nasir Hussain Khan''' (16 November 1926 – 13 March 2002), better known as '''Nasir Hussain''', was an Indian film producer, film director, and screenwriter.<ref>{{cite web |title=Adieu:Nasir Hussain – HUM KISISE KUM NAHEEN (1977) |url=http://www.screenindia.com/old/20020322/ftribute.html |publisher=[[Screen (magazine)|Screen]] |access-date=10 January 2010 |archive-url=https://web.archive.org/web/20090815061559/http://www.screenindia.com/old/20020322/ftribute.html |archive-date=15 August 2009 |url-status=dead }}</ref> With a career spanning decades, Hussain has been credited as a major trendsetter in the history of [[Hindi cinema]]. For example, he directed ''[[Yaadon Ki Baraat]]'' (1973), which created the [[Hindi film|Hindi language]] [[masala film]] genre that defined Hindi cinema in the 1970s and 1980s,<ref>{{cite news|title=How film-maker Nasir Husain started the trend for Hindi language masala films|url=http://www.hindustantimes.com/bollywood/how-film-maker-nasir-husain-created-the-prototype-for-bollywood-masala-films/story-ckL6zPLHJFDYoupjFBtbfN.html|work=[[Hindustan Times]]|date=30 March 2017|language=en}}</ref> and he wrote and produced ''[[Qayamat Se Qayamat Tak]]'' (1988), which set the Hindi language [[Musical film|musical]] [[Romance film|romance]] template that defined Hindi cinema in the 1990s.<ref name="Ray"/><ref name="Chintamani"/> Akshay Manwani wrote a book on Hussain's cinema titled ''Music, Masti, Modernity: The Cinema of Nasir Husain''.<ref name="Manwani"/> | ||
== Early life == | |||
Hussain was born in [[Bhopal State]] on 16 November 1926 to Jaffar Hussain Khan, a schoolteacher who belonged to a [[zamindar]] family of [[Pashtuns|Pashtun]] descent, and Aamna, who traced her [[Arabs|Arab]] roots to [[Jeddah]] (modern-day [[Saudi Arabia]]) and was the niece of [[Maulana Azad]], and he was the fourth of five children, the youngest being [[Tahir Hussain]], the father of [[Aamir Khan]].<ref>{{Cite book |last=Manwani |first=Akshay |title=Music, masti, modernity: the cinema of Nasir Husain |date=2016 |publisher=HarperCollins Publishers India |isbn=978-93-5264-097-3 |edition=First published in India |location=Noida, Uttar Pradesh, India |quote=Jaffar Husain was a Pathan and belonged to a family of zamindars, albeit of modest landholdings, settled in Shahabad (...) Aamna, Husain's mother, was of Arab ancestry. Her forefathers originally hailed from Jeddah before successive generations found their way to Calcutta, finally settling in Bhopal (...) his maternal grandmother, Fatima Begum, was a well-educated woman and was appointed the inspector of schools by nawaab of Bhopal. This lady's brother was the well-known freedom fighter and scholar Maulana Abul Kalam Azad.}}</ref> | |||
== Personal life == | |||
He married Ayesha Khan, who pre-deceased him.<ref>{{cite web|url=https://www.rediff.com/entertai/2002/mar/13nasir.htm|title=rediff.com, Movies: Filmmaker Nasir Hussain dead|website=www.rediff.com}}</ref> Their son [[Mansoor Khan]] is a former film director and producer whose daughter is actress [[Zayn Marie Khan]].<ref>{{cite news|url=https://www.imdb.com/name/nm11545272/ |title=Zayn Marie Khan}}</ref> The couple are the maternal grandparents of [[Imran Khan (film actor)|Imran Khan]], a former film actor. | |||
==Career== | ==Career== | ||
| Line 30: | Line 35: | ||
Hussain first worked with Qamar Jalalabadi when he joined [[Filmistan]] as a writer in 1948. The famous films he wrote for Filmistan include ''[[Anarkali (1953 film)|Anarkali]]'' (1953), ''[[Munimji]]'' (1955), and ''[[Paying Guest]]'' (1957). Filmistan was the breakaway studio from [[Bombay Talkies]]; it used mid-budget formula productions and sold on star value and music. [[Sashadhar Mukherjee]] was a part of the breakaway team, and he gave Hussain ''[[Tumsa Nahin Dekha (1957 film)|Tumsa Nahin Dekha]]'' to direct. The film made a star of [[Shammi Kapoor]]. | Hussain first worked with Qamar Jalalabadi when he joined [[Filmistan]] as a writer in 1948. The famous films he wrote for Filmistan include ''[[Anarkali (1953 film)|Anarkali]]'' (1953), ''[[Munimji]]'' (1955), and ''[[Paying Guest]]'' (1957). Filmistan was the breakaway studio from [[Bombay Talkies]]; it used mid-budget formula productions and sold on star value and music. [[Sashadhar Mukherjee]] was a part of the breakaway team, and he gave Hussain ''[[Tumsa Nahin Dekha (1957 film)|Tumsa Nahin Dekha]]'' to direct. The film made a star of [[Shammi Kapoor]]. | ||
Kapoor and Hussain made another hit, ''[[Dil Deke Dekho]]'' (1959), for Filmalaya, the breakaway group of Filmistan. The film introduced [[Asha Parekh]], who would be the lead in all of Hussain's films until ''[[Caravan (1971 film)|Caravan]]'' (1971). He was also in a long romantic relationship with her, but it ended because he was already a married man with two children, and Parekh didn't want to be labeled a homewrecker.<ref>{{cite web|url=https://www.filmfare.com/interviews/i-was-enamoured-by-nasir-saab-asha-parekh-21139.html|title=I was enamoured by Nasir saab - Asha Parekh|website=filmfare.com}}</ref> Hussain's wife was Margaret Francina Lewis, an assistant choreographer he met at Filmistan. They married and then she changed her name to Ayesha Khan. She worked as an assistant choreographer on some of his productions.<ref name="Manwani">Manwani, Akshay. ''Music, Masti, Modernity: The Cinema of Nasir Hussain''. HarperCollins Publishers India. (2016) | Kapoor and Hussain made another hit, ''[[Dil Deke Dekho]]'' (1959), for Filmalaya, the breakaway group of Filmistan. The film introduced [[Asha Parekh]], who would be the lead in all of Hussain's films until ''[[Caravan (1971 film)|Caravan]]'' (1971). He was also in a long romantic relationship with her, but it ended because he was already a married man with two children, and Parekh didn't want to be labeled a homewrecker.<ref>{{cite web|url=https://www.filmfare.com/interviews/i-was-enamoured-by-nasir-saab-asha-parekh-21139.html|title=I was enamoured by Nasir saab - Asha Parekh|website=filmfare.com}}</ref> Hussain's wife was Margaret Francina Lewis, an assistant choreographer he met at Filmistan. They married and then she changed her name to Ayesha Khan. She worked as an assistant choreographer on some of his productions.<ref name="Manwani">Manwani, Akshay. ''Music, Masti, Modernity: The Cinema of Nasir Hussain''. HarperCollins Publishers India. (2016)</ref> | ||
===Own production=== | ===Own production=== | ||
| Line 42: | Line 47: | ||
===Late career=== | ===Late career=== | ||
As ''[[Zamane Ko Dikhana Hai]]'' (1981), ''[[Manzil Manzil]]'' (1984) and ''[[Zabardast]]'' (1985) all flopped, Hussain's son | As ''[[Zamane Ko Dikhana Hai]]'' (1981), ''[[Manzil Manzil]]'' (1984) and ''[[Zabardast]]'' (1985) all flopped, Hussain's son Mansoor took over the reins of Nasir Hussain Films, although Hussain continued to write scripts and dialogues for films like ''[[Qayamat Se Qayamat Tak]]'' (1988) and ''[[Jo Jeeta Wohi Sikander]]'' (1992). In ''Qayamat Se Qayamat Tak'', he introduced his nephew [[Aamir Khan]] as a hero. ''Qayamat Se Qayamat Tak'' was a milestone in the history of Hindi cinema, setting the template for Hindi language musical romance films that defined Hindi cinema in the 1990s.<ref name="Ray">{{cite news|last=Ray|first=Kunal|title=Romancing the 1980s|url=http://www.thehindu.com/entertainment/movies/Romancing-the-1980s/article16898867.ece|work=[[The Hindu]]|date=18 December 2016|language=en-IN}}</ref><ref name="Chintamani">{{cite book|last=Chintamani|first=Gautam|title=Qayamat Se Qayamat Tak: The Film That Revived Hindi Cinema|date=2016|publisher=[[HarperCollins]]|isbn=9789352640980|url=https://books.google.com/books?id=BZYOvgAACAAJ|language=en}}</ref> | ||
Hussain received a special Filmfare Award in 1996 for his contribution to Hindi cinema. | Hussain received a special Filmfare Award in 1996 for his contribution to Hindi cinema.{{cn|date=March 2026}} [[Javed Akhtar]] rates Hussain as the most underrated producer/director of his generation and credits him with changing the career trajectory of [[Shammi Kapoor]] and [[Dev Anand]].<ref>{{cite web |title= Cinema Ka Jaadugar: Aamir Khan In Conversation With Javed Akhtar |publisher=Aamir Khan Talkies |url=https://www.youtube.com/watch?v=ejuFJPoILxA&t=1130 |date=26 March 2025 |website=youtube.com |time=19m30s}}</ref> | ||
Hussain died in Mumbai on 13 March 2002 following a heart attack.<ref>{{cite book|url=https://books.google.com/books?id=-HnGCwAAQBAJ&q=nasir+hussain+died&pg=PA144|title=Obituaries in the Performing Arts, 2002: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture|first=Harris M. Lentz|last=III|date=9 April 2003|publisher=McFarland|isbn=9780786414642|via=Google Books}}</ref> After his death, Asha Parekh stated in an interview that she had not seen him the last year of his life, as he became reclusive because of his wife's death.<ref> | ==Death== | ||
Hussain died in Mumbai on 13 March 2002 following a heart attack.<ref>{{cite book|url=https://books.google.com/books?id=-HnGCwAAQBAJ&q=nasir+hussain+died&pg=PA144|title=Obituaries in the Performing Arts, 2002: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture|first=Harris M. Lentz|last=III|date=9 April 2003|publisher=McFarland|isbn=9780786414642|via=Google Books}}</ref> After his death, Asha Parekh stated in an interview that she had not seen him the last year of his life, as he became reclusive because of his wife's death.<ref>{{Cite web |url=http://www.indiavarta.com/Startrek/Archives.asp?Page=&ID=IEE20020314053551&dt=3%2F14%2F2002 |title=indiavarta.com – Startrek<!-- Bot generated title --> |access-date=14 July 2022 |archive-date=18 October 2007 |archive-url=https://web.archive.org/web/20071018100230/http://indiavarta.com/Startrek/Archives.asp?Page= |url-status=dead }}</ref> | |||
==Associations== | ==Associations== | ||
| Line 63: | Line 69: | ||
==Awards and nominations== | ==Awards and nominations== | ||
*[[Filmfare Best Movie Award]] | *[[Filmfare Best Movie Award]] – "[[Qayamat Se Qayamat Tak]]" (1988) | ||
*[[Filmfare Best Screenplay Award]] | *[[Filmfare Best Screenplay Award]] – ''[[Qayamat Se Qayamat Tak]]'' (1988) | ||
*[[Filmfare Best Movie Award]] – ''[[Jo Jeeta Wohi Sikandar]]'' (1992) | *[[Filmfare Best Movie Award]] – ''[[Jo Jeeta Wohi Sikandar]]'' (1992) | ||
*[[Filmfare Special Award]] (1996) | *[[Filmfare Special Award]] (1996) | ||
| Line 195: | Line 201: | ||
{{DEFAULTSORT:Hussain, Nasir}} | {{DEFAULTSORT:Hussain, Nasir}} | ||
[[Category:Film producers from Madhya Pradesh]] | [[Category:Film producers from Madhya Pradesh]] | ||
[[Category:Hindi-language film directors]] | [[Category:Hindi-language film directors]] | ||
[[Category:Indian male screenwriters]] | [[Category:Indian male screenwriters]] | ||
[[Category:Indian Muslims]] | [[Category:20th-century Indian Muslims]] | ||
[[Category:1926 births]] | [[Category:1926 births]] | ||
[[Category:2002 deaths]] | [[Category:2002 deaths]] | ||
[[Category:Artists from Bhopal]] | [[Category:Artists from Bhopal]] | ||
[[Category:Filmfare Awards winners]] | [[Category:Filmfare Awards winners]] | ||
[[Category:Khan–Hussain family|Nasir Hussain]] | |||
[[Category:20th-century Indian screenwriters]] | [[Category:20th-century Indian screenwriters]] | ||
[[Category:20th-century Indian male writers]] | [[Category:20th-century Indian male writers]] | ||
[[Category:People from Bhopal State]] | |||
[[Category:Aamir Khan]] | |||
[[Category:Indian people of Pashtun descent]] | |||
[[Category:Indian people of Arab descent]] | |||
Latest revision as of 03:19, 16 March 2026
Nasir Hussain | |
|---|---|
 | |
| Born | Mohammad Nasir Hussain Khan 16 November 1926[1] |
| Died | 13 March 2002 (aged 75) Mumbai, Maharashtra, India |
| Occupation | Filmmaker, screenwriter |
| Years active | 1948–1996 |
| Spouse(s) | Ayesha Khan |
| Children | Mansoor Khan |
| Relatives | See Khan–Hussain family |
Mohammad Nasir Hussain Khan (16 November 1926 – 13 March 2002), better known as Nasir Hussain, was an Indian film producer, film director, and screenwriter.[4] With a career spanning decades, Hussain has been credited as a major trendsetter in the history of Hindi cinema. For example, he directed Yaadon Ki Baraat (1973), which created the Hindi language masala film genre that defined Hindi cinema in the 1970s and 1980s,[5] and he wrote and produced Qayamat Se Qayamat Tak (1988), which set the Hindi language musical romance template that defined Hindi cinema in the 1990s.[6][7] Akshay Manwani wrote a book on Hussain's cinema titled Music, Masti, Modernity: The Cinema of Nasir Husain.[8]
Early life[edit | edit source]
Hussain was born in Bhopal State on 16 November 1926 to Jaffar Hussain Khan, a schoolteacher who belonged to a zamindar family of Pashtun descent, and Aamna, who traced her Arab roots to Jeddah (modern-day Saudi Arabia) and was the niece of Maulana Azad, and he was the fourth of five children, the youngest being Tahir Hussain, the father of Aamir Khan.[9]
Personal life[edit | edit source]
He married Ayesha Khan, who pre-deceased him.[10] Their son Mansoor Khan is a former film director and producer whose daughter is actress Zayn Marie Khan.[11] The couple are the maternal grandparents of Imran Khan, a former film actor.
Career[edit | edit source]
Early career[edit | edit source]
Hussain first worked with Qamar Jalalabadi when he joined Filmistan as a writer in 1948. The famous films he wrote for Filmistan include Anarkali (1953), Munimji (1955), and Paying Guest (1957). Filmistan was the breakaway studio from Bombay Talkies; it used mid-budget formula productions and sold on star value and music. Sashadhar Mukherjee was a part of the breakaway team, and he gave Hussain Tumsa Nahin Dekha to direct. The film made a star of Shammi Kapoor.
Kapoor and Hussain made another hit, Dil Deke Dekho (1959), for Filmalaya, the breakaway group of Filmistan. The film introduced Asha Parekh, who would be the lead in all of Hussain's films until Caravan (1971). He was also in a long romantic relationship with her, but it ended because he was already a married man with two children, and Parekh didn't want to be labeled a homewrecker.[12] Hussain's wife was Margaret Francina Lewis, an assistant choreographer he met at Filmistan. They married and then she changed her name to Ayesha Khan. She worked as an assistant choreographer on some of his productions.[8]
Own production[edit | edit source]
Hussain then set up Nasir Hussain Films and turned producer-director. He made musical hits like Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), Caravan (1971), Yaadon Ki Baraat (1973), and Hum Kisise Kum Naheen (1977).
Hussain, Majrooh Sultanpuri, and R.D. Burman collaborated on Teesri Manzil, Baharon Ke Sapne, Pyar Ka Mausam, Caravan, Yaadon Ki Baraat and Hum Kisise Kum Naheen.
Hussain wrote and produced the musical cult hit Teesri Manzil. Vijay Anand directed the film, which starred Hussain's regular actors Shammi Kapoor and Asha Parekh. Originally Dev Anand was signed for the film but due to differences with Hussain he opted out and Kapoor was cast.[13] He also hired R.D. Burman for the first time to compose the songs ("O Haseena Zulfonwali", "O Mere Sona Re", "Deewaana Mujhsa Nahin", "Tumne Mujhe Dekha", "Aaja Aaja Main Hoon Pyaar Tera"). After the songs became evergreen hits, Burman would compose for all of Hussain's films for the next 19 years, ending with Zabardast (1985).
Hussain's Yaadon Ki Baraat was written by Salim–Javed, who had written Zanjeer the same year. Both films dealt with the hero wanting to avenge his father's death, and both featured Ajit as the villain. Yaadon Ki Baraat has been identified as the first masala film.[14][15]
Late career[edit | edit source]
As Zamane Ko Dikhana Hai (1981), Manzil Manzil (1984) and Zabardast (1985) all flopped, Hussain's son Mansoor took over the reins of Nasir Hussain Films, although Hussain continued to write scripts and dialogues for films like Qayamat Se Qayamat Tak (1988) and Jo Jeeta Wohi Sikander (1992). In Qayamat Se Qayamat Tak, he introduced his nephew Aamir Khan as a hero. Qayamat Se Qayamat Tak was a milestone in the history of Hindi cinema, setting the template for Hindi language musical romance films that defined Hindi cinema in the 1990s.[6][7]
Hussain received a special Filmfare Award in 1996 for his contribution to Hindi cinema.[citation needed] Javed Akhtar rates Hussain as the most underrated producer/director of his generation and credits him with changing the career trajectory of Shammi Kapoor and Dev Anand.[16]
Death[edit | edit source]
Hussain died in Mumbai on 13 March 2002 following a heart attack.[17] After his death, Asha Parekh stated in an interview that she had not seen him the last year of his life, as he became reclusive because of his wife's death.[18]
Associations[edit | edit source]
Hussain had several "favourites" with whom he worked repeatedly.
- The first was mentor Sashadhar Mukherjee, for whose Filmistan Studio Hussain wrote and directed his earlier films.
- Sashadhar's brother Subodh Mukherjee directed two films that Hussain wrote for Filmistan, Munimji and Paying Guest. Both films had Dev Anand as the hero and S.D. Burman as the music composer. Hussain cast Dev Anand in his own first production, Jab Pyar Kisi Se Hota Hai.
- Pran was also a constant villain in Ziddi, Love in Tokyo, Paying Guest and Phir Wohi Dil Laya Hoon.
- Hussain also produced a film and cast his mentor Sashadhar's son Joy Mukherjee in Phir Wohi Dil Laya Hoon.
- Hussain used Majrooh Sultanpuri in 10 of his productions, apart from working with him in Paying Guest.
- Hussain directed Shammi Kapoor in his early hits and created Shammi's image with films like Tumsa Nahin Dekha and Dil Deke Dekho as well as his later production Teesri Manzil.
- Actor Rajindernath was a fixture in almost all of his early productions. He was in Dil Deke Dekho (1959), Jab Pyar Kisise Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), Zabardast (1985) and Zamaane Ko Dikhana Hai (1981).
- One of his longest associations was with leading lady Asha Parekh, from Dil Deke Dekho, through Jab Pyar Kisise Hota Hai, Phir Wohi Dil Laya Hoon, Teesri Manzil, Baharon Ke Sapne, Pyar Ka Mausam until Caravan. After a gap of 13 years, she did a cameo in his film Manzil Manzil (1984).
- He worked with R.D. Burman in 9 films from Teesri Manzil, through Baharon Ke Sapne, Pyar Ka Mausam, Caravan, Yaadon Ki Baraat, Hum Kisise Kum Naheen, Zamane Ko Dikhana Hai, Manzil Manzil and Zabardast.
- Hussain also collaborated with writer Sachin Bhowmick, comic Wasti, and editors Babu Lavande and Gurudutt Shirali in many of his films.
- Hussain's wife was assistant choreographer Ayesha Khan and she worked on several of his films: Baharon Ke Sapne, Hum Kisise Kum Naheen
Awards and nominations[edit | edit source]
- Filmfare Best Movie Award – "Qayamat Se Qayamat Tak" (1988)
- Filmfare Best Screenplay Award – Qayamat Se Qayamat Tak (1988)
- Filmfare Best Movie Award – Jo Jeeta Wohi Sikandar (1992)
- Filmfare Special Award (1996)
Filmography[edit | edit source]
- As director
| Year | Film | Notes |
|---|---|---|
| 1957 | Tumsa Nahin Dekha | Debut film as director |
| 1959 | Dil Deke Dekho | |
| 1961 | Jab Pyar Kisi Se Hota Hai | |
| 1963 | Phir Wohi Dil Laya Hoon | |
| 1967 | Baharon Ke Sapne | |
| 1969 | Pyar Ka Mausam | |
| 1971 | Caravan | |
| 1973 | Yaadon Ki Baaraat | |
| 1973 | Aangan | Story also |
| 1977 | Hum Kisise Kum Naheen | |
| 1981 | Zamane Ko Dikhana Hai | |
| 1984 | Manzil Manzil | |
| 1985 | Zabardast |
- As producer
| Year | Film | Notes |
|---|---|---|
| 1961 | Jab Pyar Kisi Se Hota Hai |
Debut film as producer |
| 1963 | Phir Wohi Dil Laya Hoon | First colour production |
| 1966 | Teesri Manzil | |
| 1967 | Baharon Ke Sapne | Starred Rajesh Khanna |
| 1969 | Pyar Ka Mausam | |
| 1973 | Yaadon Ki Baaraat | |
| 1977 | Hum Kisise Kum Naheen | |
| 1981 | Zamane Ko Dikhana Hai | |
| 1984 | Manzil Manzil | |
| 1988 | Qayamat Se Qayamat Tak | Directed by Mansoor Khan |
| 1992 | Jo Jeeta Wohi Sikandar | Directed by Mansoor Khan |
- As writer for others
| Year | Film | Notes |
|---|---|---|
| 1953 | Anarkali | Story |
| 1954 | Biraj Bahu | Dialogue |
| 1955 | Munimji | |
| 1957 | Paying Guest | |
| 1973 | Aangan | Story, screenplay and dialogue |
References[edit | edit source]
- ↑ Manwani, Akshay. Music, Masti, Modernity: The Cinema of Nasir Hussain. HarperCollins Publishers India. (2016)
- ↑ Sanjit Narwekar (1994). Directory of Indian film-makers and films. Flicks Books. p. 21. ISBN 9780948911408. Retrieved 14 December 2012.
- ↑ Ashish Rajadhyaksha; Paul Willemen (26 June 1999). Encyclopaedia of Indian cinema. British Film Institute. p. 107. ISBN 9780851706696. Retrieved 14 December 2012.
- ↑ "Adieu:Nasir Hussain – HUM KISISE KUM NAHEEN (1977)". Screen. Archived from the original on 15 August 2009. Retrieved 10 January 2010.
- ↑ "How film-maker Nasir Husain started the trend for Hindi language masala films". Hindustan Times. 30 March 2017.
- ↑ 6.0 6.1 Ray, Kunal (18 December 2016). "Romancing the 1980s". The Hindu.
- ↑ 7.0 7.1 Chintamani, Gautam (2016). Qayamat Se Qayamat Tak: The Film That Revived Hindi Cinema. HarperCollins. ISBN 9789352640980.
- ↑ 8.0 8.1 Manwani, Akshay. Music, Masti, Modernity: The Cinema of Nasir Hussain. HarperCollins Publishers India. (2016)
- ↑ Manwani, Akshay (2016). Music, masti, modernity: the cinema of Nasir Husain (First published in India ed.). Noida, Uttar Pradesh, India: HarperCollins Publishers India. ISBN 978-93-5264-097-3.
Jaffar Husain was a Pathan and belonged to a family of zamindars, albeit of modest landholdings, settled in Shahabad (...) Aamna, Husain's mother, was of Arab ancestry. Her forefathers originally hailed from Jeddah before successive generations found their way to Calcutta, finally settling in Bhopal (...) his maternal grandmother, Fatima Begum, was a well-educated woman and was appointed the inspector of schools by nawaab of Bhopal. This lady's brother was the well-known freedom fighter and scholar Maulana Abul Kalam Azad.
- ↑ "rediff.com, Movies: Filmmaker Nasir Hussain dead". www.rediff.com.
- ↑ "Zayn Marie Khan".
- ↑ "I was enamoured by Nasir saab - Asha Parekh". filmfare.com.
- ↑ Interview by Shammi Kapoor to CNN IBN telecast after his death, on 15 August 2011.
- ↑ Kaushik Bhaumik, An Insightful Reading of Our Many Indian Identities, The Wire, 12/03/2016
- ↑ Chaudhuri, Diptakirti (1 October 2015). Written by Salim-Javed: The Story of Hindi Cinema's Greatest Screenwriters. Penguin UK. p. 58. ISBN 9789352140084.
- ↑ "Cinema Ka Jaadugar: Aamir Khan In Conversation With Javed Akhtar". youtube.com. Aamir Khan Talkies. 26 March 2025. Event occurs at 19m30s.
- ↑ III, Harris M. Lentz (9 April 2003). Obituaries in the Performing Arts, 2002: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland. ISBN 9780786414642 – via Google Books.
- ↑ "indiavarta.com – Startrek". Archived from the original on 18 October 2007. Retrieved 14 July 2022.