Sadarang: Difference between revisions
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{{Infobox musical artist | {{Infobox musical artist | ||
|name = Sadarang | |name = Sadarang | ||
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| caption = Sadarang,Descendant of Naubat Khan.Raagmala miniatures,University of Pennsylvania,U.S.A. | | caption = Sadarang,Descendant of Naubat Khan.Raagmala miniatures,University of Pennsylvania,U.S.A. | ||
|background = non_performing_personnel | |background = non_performing_personnel | ||
|birth_name = | |birth_name = Naimat Khan | ||
|alias = | |alias = | ||
| birth_date = 1670 | | birth_date = 1670 | ||
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|website = | |website = | ||
}} | }} | ||
'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive |url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html |date=December 29, 2007 |title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book|url=https://books.google.com/books?id=utw9AAAAMAAJ|title=Musical Heritage of Lucknow|last=Misra|first=Susheela|date=1991-01-01|publisher=Harman Publishing House|language=en}}</ref> He served in the court of [[Mughal Empire|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web|url=http://www.geocities.com/nadsadhna/lifesketches.html |title=WebCite query result |website=www.webcitation.org |access-date=2016-05-07 |url-status=unfit |archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html |archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book|url=https://books.google.com/books?id=MiE9AAAAIAAJ|title=Khyal: Creativity Within North India's Classical Music Tradition|last=Wade|first=Bonnie C.|date=1984-01-01|publisher=CUP Archive|isbn=9780521256599|language=en}}</ref> Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between | |||
'''Sadarang''' (1670–1748) was the [[pen name]] of the [[Hindustani music|Hindustani]] musical [[composer]] and artist '''Naimat Khan'''.<ref>{{webarchive |url=https://web.archive.org/web/20071229081156/http://www.musicalnirvana.com/composers/sadarang.html |date=December 29, 2007 |title=Musical Nirvana article on Adarang and Sadarang }}</ref> Sadarang was active in the eighteenth century. He and his nephew [[Adarang]] changed the [[Khayal]] style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.<ref>{{Cite book|url=https://books.google.com/books?id=utw9AAAAMAAJ|title=Musical Heritage of Lucknow|last=Misra|first=Susheela|date=1991-01-01|publisher=Harman Publishing House|language=en}}</ref> He served in the court of [[Mughal Empire|Mughal]] Emperor [[Muhammad Shah]] (ruled 1719-1748).<ref>{{Cite web|url=http://www.geocities.com/nadsadhna/lifesketches.html |title=WebCite query result |website=www.webcitation.org |access-date=2016-05-07 |url-status=unfit |archiveurl=https://www.webcitation.org/5ko48RUgy?url=http://www.geocities.com/nadsadhna/lifesketches.html |archivedate=October 26, 2009 }}</ref> Sadarang and [[Adarang]] remain influential in Hindustani classical music, mainly through their compositions.<ref>{{Cite book|url=https://books.google.com/books?id=MiE9AAAAIAAJ|title=Khyal: Creativity Within North India's Classical Music Tradition|last=Wade|first=Bonnie C.|date=1984-01-01|publisher=CUP Archive|isbn=9780521256599|language=en}}</ref>Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i- Dehli:<ref>{{Cite book|url=https://books.google.com/books?id=qjJmzdJFOHwC|title=Dictionary of Indo-Persian Literature|last=Hadi|first=Nabi|date=1995-01-01|publisher=Abhinav Publications|isbn=9788170173113|language=en}}</ref> "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.<ref>{{Cite book|url=https://books.google.com/books?id=4nPHTCS8vfUC|title=Sitar and Sarod in the 18th and 19th Centuries|last=Miner|first=Allyn|date=2004-04-01|publisher=Motilal Banarsidass|isbn=9788120814936|language=en}}</ref> | |||
Naimat khan was the descendant of [[Naubat Khan]].<ref>{{Cite book|url=https://books.google.com/books?id=7o8HAQAAMAAJ|title=Dhrupad: Tradition and Performance in Indian Music|last1=Sanyal|first1=Ritwik|last2=Widdess|first2=Richard|date=2004-01-01|publisher=Ashgate|isbn=9780754603795|language=en}}</ref> Another Famous descendant of Sadarang was [[Wazir Khan (Rampur)|Wazir Khan]] of Rampur.<ref>{{Cite book|url=https://books.google.com/books?id=JP5Wzqq7I80C&q=wazir+khan+shah+sadarang&pg=PA20|title=Sitar Music in Calcutta: An Ethnomusicological Study|isbn=9788120812109|last1=Hamilton|first1=James Sadler|year=1994}}</ref> | |||
==See also== | ==See also== | ||
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[[Category:18th-century Indian composers]] | [[Category:18th-century Indian composers]] | ||
[[Category:Bandish composers]] | [[Category:Bandish composers]] | ||
Latest revision as of 13:48, 4 July 2023
Sadarang (1670–1748) was the pen name of the Hindustani musical composer and artist Naimat Khan.[1] Sadarang was active in the eighteenth century. He and his nephew Adarang changed the Khayal style of Hindustani music into the form performed today. Naimat Khan composed Khyal for his disciples and he never performed Khyal.[2] He served in the court of Mughal Emperor Muhammad Shah (ruled 1719-1748).[3] Sadarang and Adarang remain influential in Hindustani classical music, mainly through their compositions.[4]Salar Jung Nawwab Dargah Quli Khan, a young noble deccani who lived in Delhi between 1738 and 1741, had the opportunity to hear Na’mat Khan play the Been. He wrote in Risala Salar Jung later translated as Muraqqa -i- Dehli:[5] "When he begins to play the Been, when the notes of the Been throw a spell on the world, the party enters a strange state: people begin to flutter like fish out of water (...)." Na’mat Khan is acquainted with all aspects of music. Na’mat Khan is considered unequalled and is the pride of the people of Delhi.[6] Naimat khan was the descendant of Naubat Khan.[7] Another Famous descendant of Sadarang was Wazir Khan of Rampur.[8]
Sadarang | |
|---|---|
 Sadarang,Descendant of Naubat Khan.Raagmala miniatures,University of Pennsylvania,U.S.A. | |
| Background information | |
| Birth name | Naimat Khan |
| Born | 1670 |
| Origin | India |
| Died | 1748 |
| Genres | Hindustani classical music |
| Occupation(s) | Hindustani classical music composer |
See alsoEdit
ReferencesEdit
- ↑ Musical Nirvana article on Adarang and Sadarang at the Wayback Machine (archived December 29, 2007)
- ↑ Misra, Susheela (1 January 1991). Musical Heritage of Lucknow. Harman Publishing House.
- ↑ "WebCite query result". www.webcitation.org. Archived from the original on 26 October 2009. Retrieved 7 May 2016.
{{cite web}}: Cite uses generic title (help)CS1 maint: unfit URL (link) - ↑ Wade, Bonnie C. (1 January 1984). Khyal: Creativity Within North India's Classical Music Tradition. CUP Archive. ISBN 9780521256599.
- ↑ Hadi, Nabi (1 January 1995). Dictionary of Indo-Persian Literature. Abhinav Publications. ISBN 9788170173113.
- ↑ Miner, Allyn (1 April 2004). Sitar and Sarod in the 18th and 19th Centuries. Motilal Banarsidass. ISBN 9788120814936.
- ↑ Sanyal, Ritwik; Widdess, Richard (1 January 2004). Dhrupad: Tradition and Performance in Indian Music. Ashgate. ISBN 9780754603795.
- ↑ Hamilton, James Sadler (1994). Sitar Music in Calcutta: An Ethnomusicological Study. ISBN 9788120812109.