Adarang

Dear reader, We need your support to keep the flame of knowledge burning bright! Our hosting server bill is due on June 1st, and without your help, Bharatpedia faces the risk of shutdown. We've come a long way together in exploring and celebrating our rich heritage. Now, let's unite to ensure Bharatpedia continues to be a beacon of knowledge for generations to come. Every contribution, big or small, makes a difference. Together, let's preserve and share the essence of Bharat.

Thank you for being part of the Bharatpedia family!
Please scan the QR code on the right click here to donate.

0%

transparency: ₹0 raised out of ₹100,000 (0 supporter)

Feroze Khan, who used the pen name Adarang, was a Hindustani musical composer and artist.^[1]

Career[edit]

Mughal Emperor Muhammad Shah patronized Adarang, who revolutionized Hindustani classical music through propagation of Khayal.^[2] In the context of Sitar the mention of Adarang deserves attention. Feroze Khan Adarang was one of the chief musicians in the royal court and is considered as the first musician who introduced sitar in the 18th century through the Delhi court. Nawab Dargha Quli Khan's description of his mehfils in Muraqqa-e-Dehli is taken as the earliest mention yet found of Sitar in Northern India.^[3] Later Sadullah Khan the son of Ali Mohammed Khan used to invite Adarang to Aonla for musical conferences.^[4]

Personal life[edit]

Adarang was the nephew and son-in-law of Sadarang.^[1] He was the son of Naubat Khan II. Adarang was the descendant of Naubat Khan and Hussaini (Tansen's daughter).

References[edit]

↑ ^1.0 ^1.1 Deva, B. Chaitanya (January 9, 1992). "Introduction to Indian Music". Publications Division, Ministry of Information and Broadcasting, Government of India – via Google Books.
↑ Singh, Nivedita (January 9, 2004). "Tradition of Hindustani music: a sociological approach". Kanishka Publishers, Distributors – via Google Books.
↑ Dutta, Sutapa; Mukherjee, Nilanjana (July 1, 2019). "Mapping India: Transitions and Transformations, 18th–19th Century". Taylor & Francis – via Google Books.
↑ Tareekh-e-Rohilla by Nafees Siddiqui

This Indian music-related biographical article is a stub. You can help Bharatpedia by expanding it.

[auto-1] 1.0 ^1.1 Deva, B. Chaitanya (January 9, 1992). "Introduction to Indian Music". Publications Division, Ministry of Information and Broadcasting, Government of India – via Google Books.

[2] Singh, Nivedita (January 9, 2004). "Tradition of Hindustani music: a sociological approach". Kanishka Publishers, Distributors – via Google Books.

[3] Dutta, Sutapa; Mukherjee, Nilanjana (July 1, 2019). "Mapping India: Transitions and Transformations, 18th–19th Century". Taylor & Francis – via Google Books.

[4] Tareekh-e-Rohilla by Nafees Siddiqui

[1]

[2]

[3]

[4]