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{{Use dmy dates|date=July 2019}}
{{Use dmy dates|date=July 2019}}
{{Carnatic}}
{{Carnatic}}
A '''Tillana''' or '''thillana''' is a rhythmic piece in [[Carnatic music]] that is generally performed at the end of a concert and widely used in [[classical indian dance]] performances. It was popularised by Dr.[[M. Balamuralikrishna|M Balamuralikrishna]] and some other musicians<ref>{{cite news |title= Pure aural feast|url= http://www.thehindu.com/arts/music/article2896241.ece|newspaper= The Hindu|date= 16 February 2012|access-date=18 February 2012}}</ref><ref>{{cite news |title= Master holds in hypnotic spell|url= http://www.thehindu.com/arts/music/article2853125.ece|newspaper= The Hindu|date= 2 February 2012|access-date=18 February 2012 |first=Velcheti |last=Subrahmanyam}}</ref><ref>{{cite news |title= Resonant repertoire|url= http://www.thehindu.com/arts/music/article2896211.ece|newspaper= The Hindu|date= 16 February 2012|access-date=18 February 2012 |first=Ranee |last=Kumar}}</ref> A Tillana uses tala-like phrases in the [[pallavi]] and [[anupallavi]], and lyrics in the [[charanam]]. Some have theorized that it is based on the [[Hindustani music|Hindustani]] [[tarana]].<ref>according to [[Balasaraswati]], from a discussion with [[Amir Khan (singer)|Amir Khan]] from the AIR archives, commercially unpublished. While listening to a Tillana in Madras, Khansahib asked Balasaraswati how the Tillana developed, to which she replied that it came from the North.</ref>
A '''Tillana''' or '''thillana''' is a rhythmic piece in [[Carnatic music]] that is generally performed at the end of a concert and widely used in [[classical indian dance]] performances. It was popularised by Dr. [[M. Balamuralikrishna|M Balamuralikrishna]] and some other musicians<ref>{{cite news |title= Pure aural feast|url= http://www.thehindu.com/arts/music/article2896241.ece|newspaper= The Hindu|date= 16 February 2012|access-date=18 February 2012}}</ref><ref>{{cite news |title= Master holds in hypnotic spell|url= http://www.thehindu.com/arts/music/article2853125.ece|newspaper= The Hindu|date= 2 February 2012|access-date=18 February 2012 |first=Velcheti |last=Subrahmanyam}}</ref><ref>{{cite news |title= Resonant repertoire|url= http://www.thehindu.com/arts/music/article2896211.ece|newspaper= The Hindu|date= 16 February 2012|access-date=18 February 2012 |first=Ranee |last=Kumar}}</ref> A Tillana uses tala-like phrases in the [[pallavi]] and [[anupallavi]], and lyrics in the [[charanam]].


==References==
==References==
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[[Category:Carnatic music terminology]]
[[Category:Carnatic music terminology]]
[[Category:Elements of a Bharatanatyam performance]]




{{Carnatic-music-stub}}
{{Carnatic-music-stub}}
{{en-Wikipedia}}

Latest revision as of 16:57, 20 December 2021

A Tillana or thillana is a rhythmic piece in Carnatic music that is generally performed at the end of a concert and widely used in classical indian dance performances. It was popularised by Dr. M Balamuralikrishna and some other musicians[1][2][3] A Tillana uses tala-like phrases in the pallavi and anupallavi, and lyrics in the charanam.

References[edit | edit source]

  1. ↑ "Pure aural feast". The Hindu. 16 February 2012. Retrieved 18 February 2012.
  2. ↑ Subrahmanyam, Velcheti (2 February 2012). "Master holds in hypnotic spell". The Hindu. Retrieved 18 February 2012.
  3. ↑ Kumar, Ranee (16 February 2012). "Resonant repertoire". The Hindu. Retrieved 18 February 2012.