16,599
edits
WikiDwarfBOT (talk | contribs) (Cleanup: Source modification.) |
Ajay Kumar (talk | contribs) m (Updated the article +/-) |
||
Line 11: | Line 11: | ||
| father = [[Nanabhai Bhatt]] | | father = [[Nanabhai Bhatt]] | ||
| mother = | | mother = | ||
| spouse = {{ubl|{{marriage|Lorraine Bright " | | spouse = {{ubl|{{marriage|Lorraine Bright "Kira Bhatt"|1970}}|{{marriage|[[Soni Razdan]]|1986}}}} | ||
| partner = | | partner = | ||
| occupation = {{hlist|Film director|producer|screenwriter}} | | occupation = {{hlist|Film director|producer|screenwriter}} | ||
Line 17: | Line 17: | ||
| family = [[List of Hindi film clans#Bhatt family|Bhatt family]] | | family = [[List of Hindi film clans#Bhatt family|Bhatt family]] | ||
| relatives = {{ubl|[[Mukesh Bhatt]] (brother)|[[Robin Bhatt]] (brother)|[[Mohit Suri]] (nephew)| [[Emraan Hashmi]] (nephew)| [[Ranbir Kapoor]] (son-in-law)}} | | relatives = {{ubl|[[Mukesh Bhatt]] (brother)|[[Robin Bhatt]] (brother)|[[Mohit Suri]] (nephew)| [[Emraan Hashmi]] (nephew)| [[Ranbir Kapoor]] (son-in-law)}} | ||
| website = | | website = | ||
| signature = | | signature = | ||
}} | }} | ||
Line 25: | Line 25: | ||
Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as ''[[Daddy (1989 film)|Daddy]]'' (1989) and ''Swayam'' (1991), as well as commercial romantic hits like ''[[Awaargi]]'' (1990), ''[[Aashiqui]]'' (1990) and ''[[Dil Hai Ki Manta Nahin]]'' (1991), in which he cast Pooja with actor [[Aamir Khan]]. He next directed ''[[Sadak]]'' (1991) which was a hit and it remains his highest grossing either directed or produced under the banner, "Vishesh Films".<ref>{{Cite web |date=2020-08-27 |title=Revisiting Mahesh Bhatt's Sadak: Sadashiv Amrapurkar's 'Maharani' steals the spotlight |url=https://indianexpress.com/article/entertainment/bollywood/mahesh-bhatt-sadak-sadashiv-amrapurkar-sanjay-dutt-6570606/ |access-date=2022-05-06 |website=The Indian Express |language=en}}</ref> | Bhatt went on to become one of the most recognized directors of the Indian film industry in the next decade, giving both art-house works such as ''[[Daddy (1989 film)|Daddy]]'' (1989) and ''Swayam'' (1991), as well as commercial romantic hits like ''[[Awaargi]]'' (1990), ''[[Aashiqui]]'' (1990) and ''[[Dil Hai Ki Manta Nahin]]'' (1991), in which he cast Pooja with actor [[Aamir Khan]]. He next directed ''[[Sadak]]'' (1991) which was a hit and it remains his highest grossing either directed or produced under the banner, "Vishesh Films".<ref>{{Cite web |date=2020-08-27 |title=Revisiting Mahesh Bhatt's Sadak: Sadashiv Amrapurkar's 'Maharani' steals the spotlight |url=https://indianexpress.com/article/entertainment/bollywood/mahesh-bhatt-sadak-sadashiv-amrapurkar-sanjay-dutt-6570606/ |access-date=2022-05-06 |website=The Indian Express |language=en}}</ref> | ||
During the 1990s Bhatt won critical acclaim for ''[[Sir (1993 film)|Sir]]'' (1993), along with other hits such as ''[[Gumrah (1993 film)|Gumraah]]'' (1993) and ''[[Criminal (1994 film)|Criminal]]'' (1994). In 1994 he won the [[National Film Award – Special Jury Award (Feature Film)|National Film Award – Special Jury Award]] for directing ''[[Hum Hain Rahi Pyar Ke]]'' (1993). In 1996, he directed ''[[Tamanna (1997 film)|Tamanna]]'', which won the [[National Film Award for Best Film on Other Social Issues]]. In 1999, he directed the autobiographical [[Zakhm]], which has garnered the [[Nargis Dutt Award for Best Feature Film on National Integration]]. Bhatt has produced contemporary films such as ''[[Jism (2003 film)|Jism]]'', ''[[Murder (2004 film)|Murder]]'' | During the 1990s Bhatt won critical acclaim for ''[[Sir (1993 film)|Sir]]'' (1993), along with other hits such as ''[[Gumrah (1993 film)|Gumraah]]'' (1993) and ''[[Criminal (1994 film)|Criminal]]'' (1994). In 1994 he won the [[National Film Award – Special Jury Award (Feature Film)|National Film Award – Special Jury Award]] for directing ''[[Hum Hain Rahi Pyar Ke]]'' (1993). In 1996, he directed ''[[Tamanna (1997 film)|Tamanna]]'', which won the [[National Film Award for Best Film on Other Social Issues]]. In 1999, he directed the autobiographical [[Zakhm]], which has garnered the [[Nargis Dutt Award for Best Feature Film on National Integration]]. Thereafter, Mr. Bhatt and his brother joined hands to establish [[Vishesh Films]] and then, churned out stories and screenplays for over twenty films, many of which were box-office successes. Bhatt has produced multiple contemporary films such as ''[[Raaz (2002 film)|Raaz]]'' (2002), ''[[Jism (2003 film)|Jism]]'' (2003), ''[[Murder (2004 film)|Murder]]'' (2004), ''[[Gangster (2006 film)|Gangster]]'' (2006), ''[[Woh Lamhe]]'' (2006), ''[[Jannat (2008 film)|Jannat]]'' (2008), ''[[Murder 2]]'' (2011), and ''[[Aashiqui 2]]'' (2013).<ref name=toi_saaransh> | ||
{{cite news | {{cite news | ||
|url=http://timesofindia.indiatimes.com/city/delhi-times/The-Saraansh-of-Mahesh-Bhatts-life/articleshow/34774326.cms | |url=http://timesofindia.indiatimes.com/city/delhi-times/The-Saraansh-of-Mahesh-Bhatts-life/articleshow/34774326.cms | ||
Line 33: | Line 33: | ||
|date=18 January 2003 | |date=18 January 2003 | ||
|access-date=17 February 2012 | |access-date=17 February 2012 | ||
}}</ref> He co-owned film producing company [[Vishesh Films]] with his brother [[Mukesh Bhatt]]. However owing to differences between the brothers, Mukesh Bhatt took over Vishesh | }}</ref> He co-owned film producing company [[Vishesh Films]] with his brother [[Mukesh Bhatt]]. However owing to differences between the brothers, Mukesh Bhatt took over Vishesh Films and in May 2021, it was publicly announced that Mahesh Bhatt was no more associated with the firm.<ref>{{Cite web |date=2021-05-16 |title=Emraan Hashmi on Mukesh and Mahesh Bhatt's professional split: 'All good things come to an end' |url=https://indianexpress.com/article/entertainment/bollywood/emraan-hashmi-opens-up-about-mukesh-and-mahesh-bhatts-professional-split-all-good-things-come-to-an-end-equations-change-nothing-is-permanent-7316239/ |access-date=2022-04-20 |website=The Indian Express |language=en}}</ref> | ||
==Early life== | ==Early life== | ||
Line 515: | Line 515: | ||
|''[[Zeher]]'' | |''[[Zeher]]'' | ||
| | | | ||
| | |{{yes}} | ||
|{{yes}} | |{{yes}} | ||
| Based on ''[[Out of Time (2003 film)|Out of Time]]'' | | Based on ''[[Out of Time (2003 film)|Out of Time]]'' | ||
Line 548: | Line 548: | ||
|''[[Awarapan]]'' | |''[[Awarapan]]'' | ||
| | | | ||
|{{yes}} | |{{yes}} | ||
|{{ | |{{yes}} | ||
| | |||
|- | |||
| style="text-align:center;"|2008 | |||
|''[[Jannat (2008 film)|Jannat]]'' | |||
| | |||
|{{yes}} | |||
| | |||
|- | |- | ||
| style="text-align:center;"|2009 | | style="text-align:center;"|2009 | ||
Line 561: | Line 567: | ||
| style="text-align:center;"|2009 | | style="text-align:center;"|2009 | ||
|''[[Tum Mile]]'' | |''[[Tum Mile]]'' | ||
| | |||
|{{yes}} | |||
| | |||
| | |||
|- | |||
| style="text-align:center;"|2010 | |||
|''[[Crook (film)|Crook]]'' | |||
| | | | ||
|{{yes}} | |{{yes}} | ||
Line 583: | Line 596: | ||
|''[[Jannat 2]]'' | |''[[Jannat 2]]'' | ||
| | | | ||
|{{ | |{{yes}} | ||
|{{yes}} | |{{yes}} | ||
| | | | ||
|- | |- | ||
| style="text-align:center;"|2012 | | style="text-align:center;"|2012 | ||
|''[[Jism 2]]'' | |''[[Jism 2]]'' | ||
| | | | ||
| | | | ||
|{{yes}} | |{{yes}} | ||
| | | | ||
Line 607: | Line 620: | ||
|{{yes}} | |{{yes}} | ||
| Remake of ''[[The Hidden Face (film)|The Hidden Face]]'' | | Remake of ''[[The Hidden Face (film)|The Hidden Face]]'' | ||
|- | |||
| style="text-align:center;"|2013 | |||
|''[[Aashiqui 2]]'' | |||
| | |||
|{{yes}} | |||
| | |||
| Highest box office grossing film of [[Vishesh Films]] | |||
|- | |||
| style="text-align:center;"|2015 | |||
|''[[CityLights (2014 film)|CityLights]]'' | |||
| | |||
|{{yes}} | |||
| | |||
| | |||
|- | |||
| style="text-align:center;"|2015 | |||
|''[[Khamoshiyan]]'' | |||
| | |||
|{{yes}} | |||
| | |||
| | |||
|- | |- | ||
| style="text-align:center;"|2015 | | style="text-align:center;"|2015 | ||
Line 636: | Line 670: | ||
| | | | ||
|- | |- | ||
|2018 | | style="text-align:center;"|2017 | ||
|''[[Begum Jaan]]'' | |||
| | |||
|{{yes}} | |||
| | |||
| | |||
|- | |||
| style="text-align:center;"|2018 | |||
|''[[Jalebi (film)|Jalebi]]'' | |||
| | |||
|{{yes}} | |||
| | |||
| | |||
|- | |||
| style="text-align:center;"|2018 | |||
|''[[The Dark Side of Life: Mumbai City]]'' | |''[[The Dark Side of Life: Mumbai City]]'' | ||
| | | | ||
Line 643: | Line 691: | ||
|Acting debut, Post production | |Acting debut, Post production | ||
|- | |- | ||
|2020 | | style="text-align:center;"|2020 | ||
|''[[Sadak 2]]'' | |''[[Sadak 2]]'' | ||
|{{yes}} | |{{yes}} | ||
| | | | ||
| | |{{yes}} | ||
| | | | ||
|- | |- | ||
|2022 | | style="text-align:center;"|2022 | ||
|''[[Judaa Hoke Bhi]]'' | |''[[Judaa Hoke Bhi]]'' | ||
| | |||
| | | | ||
|{{yes}} | |{{yes}} | ||
| | | | ||
|- | |||
| style="text-align:center;"|2023 | |||
|''[[1920: Horrors of the Heart]]'' | |||
| | |||
| | |||
|{{yes}} | |||
| | | | ||
<!----------------------------------------------------------> | <!----------------------------------------------------------> |