.svg)
Bawarchi: Difference between revisions
no edit summary
No edit summary Tags: Mobile edit Mobile web edit |
No edit summary Tags: Mobile edit Mobile web edit |
||
| Line 7: | Line 7: | ||
| writer = [[Tapan Sinha]] | | writer = [[Tapan Sinha]] | ||
| narrator = [[Amitabh Bachchan]] | | narrator = [[Amitabh Bachchan]] | ||
| starring = [[Rajesh Khanna]]<br>Jaya Bhaduri<br>[[Harindranath Chattopadhyay]]<br>[[Asrani]]<br>A.K. Hangal<br>Durga Khote<br>Manisha<br>[[Kali Banerjee]]<br>Usha Kiran | | starring = [[Rajesh Khanna]]<br>Jaya Bhaduri<br>[[Harindranath Chattopadhyay]]<br>[[Asrani]]<br>A.K. Hangal<br>Durga Khote<br>Manisha<br>[[Kali Banerjee]]<br>Usha Kiran | ||
| director = Hrishikesh Mukherjee | | director = Hrishikesh Mukherjee | ||
| producer = Hrishikesh Mukherjee<br>N. C. Sippy<br>Romu N. Sippy | | producer = Hrishikesh Mukherjee<br>N. C. Sippy<br>Romu N. Sippy | ||
| Line 17: | Line 17: | ||
| music = Madan Mohan | | music = Madan Mohan | ||
}} | }} | ||
'''''Bawarchi''''' ( | '''''Bawarchi''''' (translation: ''The Chef''}}) is a 1972 Indian [[Hindi]] musical comedy drama film directed by Hrishikesh Mukherjee and produced by Mukherjee himself along with N.C. Sippy and Romu N. Sippy. The film stars an [[ensemble cast]] of [[Rajesh Khanna]], Jaya Bhaduri, [[Harindranath Chattopadhyay]], [[Asrani]], A.K. Hangal, Durga Khote, Manisha, [[Kali Banerjee]] and Usha Kiran. The film is a remake of [[Rabi Ghosh]] starrer Bengali film ''[[Galpo Holeo Satti]]'' (1966) by [[Tapan Sinha]]. The film was ranked the eighth highest-grossing film of 1972. In an interview, Khanna quoted "In ''Bawarchi'', I did exactly the opposite of what Hrishida had made me do in ''[[Anand (1971 film)|Anand]]'' (1971). He allowed me to interpret the role and perform my way. I had done enough intense roles, and ''Bawarchi'' gave me the opportunity to interpret and perform the role the way I wanted. So I let myself go."<ref>{{cite web|url=http://www.thehindu.com/features/cinema/bawarchi-1972/article5451711.ece|title=Bawarchi (1972)|first=SURESH|last=KOHLI}}</ref> | ||
Mukherjee's style here is typical, in that the film contains no violence, and focuses rather on "the milieu of the Indian middle-class who have larger-than-life foibles and whose major concern is to survive the day [...:] which ''bahu'' will cook, which brother will use the bathroom first, who will get up first to make the morning tea, [etc.]"<ref>Rammesh, ''Human Cinema: The Films of Hrishikesh Mukherjee'' (Chennai: Notion Press, 2018), 141-43. {{ISBN|164324955X}} and https://books.google.com/books?id=azlpDwAAQBAJ&pg=PT141</ref> Khanna won his second BFJA Awards for Best Actor (Hindi) for his performance in this film. | Mukherjee's style here is typical, in that the film contains no violence, and focuses rather on "the milieu of the Indian middle-class who have larger-than-life foibles and whose major concern is to survive the day [...:] which ''bahu'' will cook, which brother will use the bathroom first, who will get up first to make the morning tea, [etc.]"<ref>Rammesh, ''Human Cinema: The Films of Hrishikesh Mukherjee'' (Chennai: Notion Press, 2018), 141-43. {{ISBN|164324955X}} and https://books.google.com/books?id=azlpDwAAQBAJ&pg=PT141</ref> Khanna won his second BFJA Awards for Best Actor (Hindi) for his performance in this film. | ||