>Seth Whales |
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| ==Life and career== | | ==Life and career== |
| His engineering career started at [[Eden Studios]], in London in the early-1970s. The studio was based around an Ampex 4 track and a custom built desk based in part on EMI/BBC designs. Béchirian progressed to become assistant mastering engineer, using an early Scully lathe during the day, and spending the evenings in the studio with bands improving his engineering skills. Eden then moved to a much larger premises and built a brand new studio complex from the ground up. Being involved in the building of the facility, from wiring the studio to helping to build their custom desk, gained Béchirian a great insight into acoustic design and audio electronics. He even designed the studio's logo. Eden opened as a 16 track with Ampex MM1100, but made the rapid leap to 24 track recording, moving up to an Ampex MM1200 and Dolby A. It was one of the first 24 track studios in London at that time.
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| [[Stiff Records]] founder [[Dave Robinson (music executive)|Dave Robinson]] sought out Béchirian and he began recording and mixing projects for the label's then fledgling artist roster.
| | [[Seymour Stein]], founder of Sire Records, signed the [[The Undertones|Undertones]], asking Béchirian to take on production duties for the band's first album.<ref>{{Cite book|url=https://books.google.com/books?id=vGaVCwAAQBAJ|title=Teenage Kicks: My Life as an Undertone|last=Bradley|first=Michael|date=2016-02-15|publisher=Music Sales Limited|isbn=9781783238521|language=en}}</ref> |
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| He continued to develop his engineering talents at Eden as house engineer on an endless mixture of sessions ranging from solo artists to rock bands, big bands and orchestra. He worked as an assistant on sessions with some of the most successful producers and bands at the time, including [[Jethro Tull (band)|Jethro Tull]], [[Marc Bolan]], [[Manfred Mann]], [[Moody Blues]], [[David Essex]], [[Georgie Fame]], [[The Damned (band)|The Damned]], [[Clover]] and many others.
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| Béchirian had come to the attention of various A&R men, and also continued to work with a variety of Stiff artists. He was asked by Robinson to be involved with the production of [[Lene Lovich]]'s first album, which produced her first hit single, "[[Lucky Number (song)|Lucky Number]]". [[Malcolm McLaren]] brought the [[Sex Pistols]] into Eden to work on various drum and guitar tracking sessions, and around this time, Nick Lowe approached Béchirian to work on his solo project, which was to become ''[[Jesus of Cool]]''. As a result, he wanted Béchirian to act as his exclusive engineer on all his forthcoming projects, which led to working with [[Graham Parker]], [[Huey Lewis]] and [[Clover]], [[Elvis Costello]], [[Rockpile]], and others.
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| [[Seymour Stein]], founder of Sire Records, signed the [[The Undertones|Undertones]], asking Béchirian to take on production duties for the band's first album.<ref>{{Cite book|url=https://books.google.com/books?id=vGaVCwAAQBAJ|title=Teenage Kicks: My Life as an Undertone|last=Bradley|first=Michael|date=2016-02-15|publisher=Music Sales Limited|isbn=9781783238521|language=en}}</ref> Béchirian ended up engineering and producing the band's first three albums. [[Jake Riviera]], who looked after Costello and Lowe, began representing Béchirian as manager. | |
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| Béchirian continued to work with various bands and artists as engineer and producer. He produced (with Elvis Costello) and engineered Squeeze's hit album ''[[East Side Story (Squeeze album)|East Side Story]]'', and their American breakthrough hit single "[[Tempted (Squeeze song)|Tempted]]".
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| Around that same time, he formed the band [[Blanket of Secrecy]]. Their first and only album was released in both the UK and the US, and garnered some attention as all the band members wrote and performed under pseudonyms ("Tinker", "Tailor" and "Soldier") and refused to be photographed. This led to speculation about the band members' identities—as Béchirian was listed in the album's credits as a producer, it was posited that he may have been behind the group. However, public and media interest in Blanket of Secrecy was short-lived after the album and associated singles failed to chart, and the group broke up. The actual identities of the band members were not revealed for more than twenty years.
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| Béchirian went on to build his own recording studio in London and formed Vinyltone Productions with Epic Records in New York, developing and releasing new artists. The next three years he divided his time between London and New York. He later remastered Elvis Costello's first nine albums, and produced [[The Monkees]]' 1986 reunion album ''[[Pool It!]]''<ref>{{Cite web|url=http://tapeop.com/interviews/90/roger-bechirian-bonus/|title=Roger Bechirian: Elvis Costello, Squeeze, Undertones|website=tapeop.com|access-date=2016-08-11}}</ref> | | Béchirian went on to build his own recording studio in London and formed Vinyltone Productions with Epic Records in New York, developing and releasing new artists. The next three years he divided his time between London and New York. He later remastered Elvis Costello's first nine albums, and produced [[The Monkees]]' 1986 reunion album ''[[Pool It!]]''<ref>{{Cite web|url=http://tapeop.com/interviews/90/roger-bechirian-bonus/|title=Roger Bechirian: Elvis Costello, Squeeze, Undertones|website=tapeop.com|access-date=2016-08-11}}</ref> |
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| Looking for a new direction, Béchirian later formed Trick Management. Amongst his clients are [[Tom McRae]] and [[Bell X1 (band)|Bell X1]]. Signing Bell X1 to Island Records, he produced the band's breakthrough hit album ''[[Flock (Bell X1 album)|Flock]]''.
| | ==Discography overview== |
| | | {{Unreferenced section|date= April 2022}} |
| Now based in London, Béchirian engineers and produces, as well as being involved with the development and co-management of new bands and artists.
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| ==Discography overview==
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| Note: engineered (e), mixed (m), co-produced (cp), produced (p) | | Note: engineered (e), mixed (m), co-produced (cp), produced (p) |
| {{div col|colwidth=18em}} | | {{div col|colwidth=18em}} |
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| * "Wolves" (single) | | * "Wolves" (single) |
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| e and ae: '''[[Joe Jackson (musician)|Joe Jackson]]/[[Paul Jones (singer)|Paul Jones]]/[[The Sex Pistols]]/[[The Bay City Rollers]]/[[TV21 (band)|TV21]]/[[The Three Degrees]]/[[Wreckless Eric]]/[[Clive Langer]]/[[Barbara Dickson|Barbara Dixon]]/[[Jona Lewie]]/[[Larry Wallis]]/Telephone/[[Maxine Nightingale]]/[[Shirley Bassey]]/[[Kathy Kirby]]/[[Simon May]]/[[Paul & Barry Ryan]]/[[Dolly Mixtures]]/[[Hello (band)|Hello]]/[[Clover (band)|Clover]]/[[Huey Lewis]]/[[The Damned (band)|The Damned]]/[[The Belle Stars]]/[[Marc Bolan]]/[[The Three Degrees]]/[[Jethro Tull (band)|Jethro Tull]]/[[David Essex]]''' | | e and ae: |
| | *[[Joe Jackson (musician)|Joe Jackson]] |
| | *[[Paul Jones (singer)|Paul Jones]] |
| | *[[The Sex Pistols]] |
| | *[[The Bay City Rollers]] |
| | *[[TV21 (band)|TV21]] |
| | *[[The Three Degrees]] |
| | *[[Wreckless Eric]] |
| | *[[Clive Langer]] |
| | *[[Barbara Dickson|Barbara Dixon]] |
| | *[[Jona Lewie]] |
| | *[[Larry Wallis]] |
| | *Telephone |
| | *[[Maxine Nightingale]] |
| | *[[Shirley Bassey]] |
| | *[[Kathy Kirby]] |
| | *[[Simon May]] |
| | *Paul & Barry Ryan |
| | *[[Dolly Mixtures]] |
| | *[[Hello (band)|Hello]] |
| | *[[Clover (band)|Clover]] |
| | *[[Huey Lewis]] |
| | *[[The Damned (band)|The Damned]] |
| | *[[The Belle Stars]] |
| | *[[Marc Bolan]] |
| | *[[The Three Degrees]] |
| | *[[Jethro Tull (band)|Jethro Tull]] |
| | *[[David Essex]] |
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| {{Div col end}} | | {{Div col end}} |