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>Rsjaffe m (clean up, typo(s) fixed: August 10, 1855 → August 10, 1855,) |
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{{Use Indian English|date=July 2018}} | {{Use Indian English|date=July 2018}} | ||
{{Infobox musical artist | {{Infobox musical artist | ||
| name = | | name = Alladiya Khan | ||
| image = | | image = | ||
| caption = | | caption = | ||
| image_size = | | image_size = | ||
| birth_name = | | birth_name = Ghulam Ahmad Khan | ||
| Recognized_Name = | | Recognized_Name = | ||
| Pen_Name = | | Pen_Name = | ||
| alias = | | alias = | ||
| birth_place = [[Uniara]], [[Rajasthan]], India | | birth_place = [[Uniara]], [[Rajasthan]], India | ||
| birth_date = {{Birth date|df=y|1855|8|10}} | | birth_date = {{Birth date|df=y|1855|8|10}} | ||
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| website = | | website = | ||
}} | }} | ||
'''Alladiya Khan''' (10 August 1855 – 16 March 1946) was an | '''Alladiya Khan''' (10 August 1855 – 16 March 1946) was an Indian [[Hindustani classical music|Hindustani classical]] singer who founded the [[Jaipur-Atrauli gharana]], also referred as just Jaipur Gharana. He is recognized for his revival, reinterpretation, and creations of many rare [[raga|raags]], [[bandish|compositions]], and [[gayaki|techniques]] and for producing disciples like [[Bhaskarbuwa Bakhale]], [[Kesarbai Kerkar]], and [[Mogubai Kurdikar]].<ref name=TheHindu1>{{cite news | url=https://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/ambassadors-of-their-art/article2275595.ece | title=Ambassadors of their art | date=23 September 2007 | newspaper=The Hindu | accessdate=8 July 2018 }} Updated 20 July 2011.</ref> | ||
==Background== | ==Background== | ||
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===Setback=== | ===Setback=== | ||
Due to overextension of the voice at the request of his patron, Khan lost his voice in his late-30s for nearly two years. His recuperated voice is said to have not regained the quality and sensitivity he had employed earlier. These limitations resulted in the conception of what would become the [[Jaipur-Atrauli gharana|Jaipur gayaki]].<ref name="groups.google.com">https://groups.google.com/forum/#!topic/rec.music.indian.classical/VYly7nsADvE</ref> | Due to overextension of the voice at the request of his patron, Khan lost his voice in his late-30s for nearly two years. His recuperated voice is said to have not regained the quality and sensitivity he had employed earlier. These limitations resulted in the conception of what would become the [[Jaipur-Atrauli gharana|Jaipur gayaki]].<ref name="groups.google.com">{{Cite web|url=https://groups.google.com/forum/#!topic/rec.music.indian.classical/VYly7nsADvE|title=Redirecting to Google Groups}}</ref> | ||
===Touring=== | ===Touring=== | ||
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===Kolhapur (1895-1922)=== | ===Kolhapur (1895-1922)=== | ||
Later, Khan settled down in [[Kolhapur]] with his family as the court musician of [[Shahu Maharaj]].<ref>http://www.devalclub.org/jaypur-gharana.htm</ref><ref>{{Cite web|url=https://www.dnaindia.com/lifestyle/report-remembering-ustad-azizuddin-khan-1735454|title = Remembering Ustad Azizuddin Khan|date = 2 September 2012}}</ref> | Later, Khan settled down in [[Kolhapur]] with his family as the court musician of [[Shahu Maharaj]].<ref>{{Cite web |url=http://www.devalclub.org/jaypur-gharana.htm |title=Archived copy |access-date=28 November 2018 |archive-date=20 January 2018 |archive-url=https://web.archive.org/web/20180120224339/http://www.devalclub.org/jaypur-gharana.htm |url-status=dead }}</ref><ref>{{Cite web|url=https://www.dnaindia.com/lifestyle/report-remembering-ustad-azizuddin-khan-1735454|title = Remembering Ustad Azizuddin Khan|date = 2 September 2012}}</ref> | ||
===Mumbai=== | ===Mumbai=== | ||
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===Students=== | ===Students=== | ||
Khansahab's major disciples were Azmat Hussain Khan,<ref>http://www.dilrangacademy.org/index.php?option=com_content&view=article&id=4&Itemid=14 | Khansahab's major disciples were Azmat Hussain Khan,<ref>{{cite web |url=http://www.dilrangacademy.org/index.php?option=com_content&view=article&id=4&Itemid=14 |title=Dilrang Academy |website=www.dilrangacademy.org |access-date=22 April 2017}}</ref> his own younger brother Haider Khan (also spelled Hyder Khan), his own sons, [[Manji Khan]] and [[Bhurji Khan]], and his grandson Azizuddin Khansahab. | ||
Apart from family, Khansahab's initial disciples were [[Bhaskarbuwa Bakhale]], [[Kesarbai Kerkar]], [[Mogubai Kurdikar]] Govindrao Shaligram, and | Apart from the members of his family, Khansahab's initial disciples were Tanibai Ghorpade, [[Bhaskarbuwa Bakhale]], [[Kesarbai Kerkar]], [[Mogubai Kurdikar]], Govindrao Shaligram, and [[Gulubhai Jasdanwalla]]. | ||
==== | ==== Extension of legacy ==== | ||
Alladiya Khan's eldest son, Nasiruddin "Badeji" Khan (1886-1966), could not pursue singing as a profession because of health reasons, so | Alladiya Khan's students played a major part in extending the influence of Jaipur Gharana. | ||
Alladiya Khan's eldest son, Nasiruddin "Badeji" Khan (1886-1966), could not pursue singing as a profession because of health reasons, so Manji Khan and Bhurji Khan took forward the tradition.<ref>{{cite book |last1=Haldankar |first1=Babanrao |title=Aesthetics of Agra and Jaipur Traditions |date=2001 |publisher=Popular Prakashan |location=India |page=xxix}}</ref> Manji Khan, Alladiya Khan's second son, had started teaching [[Mallikarjun Mansur]] in 1935, but Manji Khan died in 1937 (around March 1937); so it was Bhurji Khan, the youngest son, who passed on the [[gayaki]] of his father. [[Mallikarjun Mansur]] and [[Dhondutai Kulkarni]] are among the noted disciples of Bhurji Khan. Gajanan-buwa Joshi of Agra Gharana also received guidance from Bhurji Khan.<ref>https://www.youtube.com/watch?v=1Xybs_7b9E4 (first 2 minutes' talk)</ref> Haider Khan's disciples included Mogubai Kurdikar, Laxmibai Jadhav, and his son Naththan Khan.<ref>{{Cite web|url=https://www.swarganga.org/artist_details.php?id=179|title=Artist - Hyder Khan (Vocal), Gharana - Jaipur-Atrauli}}</ref> Noted musicologist [[Vamanrao Deshpande]] was Naththan Khan's student. But Naththan Khan died in 1946, just a few weeks after Alladiya Khan's death. Mogibai Kurdikar's students include famous names like her daughter [[Kishori Amonkar]], musicologist Vamanrao Deshpande, Kausalya Manjeshwar, [[Padma Talwalkar]]. | |||
==Legacy== | ==Legacy== | ||
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===Recordings=== | ===Recordings=== | ||
Khan was adamant about not having his voice and style recorded for fear of copyright.<ref> | Khan was adamant about not having his voice and style recorded for fear of copyright.<ref>https://www.thehindu.com/thehindu/2000/03/20/stories/1320128b.htm {{dead link|date=April 2021|bot=medic}}{{cbignore|bot=medic}}</ref> Though, there have been suspicions that ambiguous recordings may belong to Khan or his kin.<ref>{{Cite web|url=https://groups.google.com/forum/#!topic/rec.music.indian.classical/xdQIZy5vteI%5B101-125%5D|title = Redirecting to Google Groups}}</ref> A recording of a thumri is alleged to be featuring Khan singing.<ref>{{Cite web|url=https://indianexpress.com/article/cities/mumbai/the-masters-voice-2/|title = The Master's Voice|date = 7 September 2014}}</ref><ref>{{Cite web|url=https://www.livemint.com/Leisure/7EOnGuNasdjbQfQU9IckrK/The-age-before-vinyl.html|title=The age before vinyl|date=25 October 2014}}</ref> | ||
===In popular culture=== | ===In popular culture=== | ||
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[[Category:Hindustani singers]] | [[Category:Hindustani singers]] | ||
[[Category:People from Aligarh district]] | [[Category:People from Aligarh district]] | ||
[[Category:Indian male classical singers]] | [[Category:19th-century Indian male classical singers]] | ||
[[Category:Indian music educators]] | [[Category:Indian music educators]] | ||
[[Category:20th-century Indian | [[Category:20th-century Indian male classical singers]] | ||
[[Category:Singers from Rajasthan]] | [[Category:Singers from Rajasthan]] | ||
[[Category:Vocal gharanas]] | [[Category:Vocal gharanas]] | ||
[[Category:Jaipur gharana]] | [[Category:Jaipur gharana]] | ||
[[Category:20th-century Khyal singers]] | [[Category:20th-century Khyal singers]] |