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'''Lata Mangeshkar''' ({{IPA-hi|ləˈtaː məŋˈɡeːʃkər||Lata Mageshkar.ogg}}) (born as '''Hema Mangeshkar'''; 28 September 1929 – 6 February 2022) was an Indian [[playback singer]] and occasional music composer. She was widely considered as one of the greatest and most respected playback singers in India.<ref>{{cite news|title=Lata Mangeshkar|url=http://timesofindia.indiatimes.com/articleshow/30899862.cms|date=10 December 2002|newspaper=[[The Times of India]]|access-date=2009-07-22}}</ref><ref>{{cite news |author=Yasmeen, Afshan |title=Music show to celebrate birthday of melody queen |url=http://www.hindu.com/lf/2004/09/21/stories/2004092114010200.htm |archive-url=https://web.archive.org/web/20041103120451/http://www.hindu.com/lf/2004/09/21/stories/2004092114010200.htm |url-status=dead |archive-date=3 November 2004 |date=21 September 2004 |newspaper=[[The Hindu]] |url-access=subscription |access-date=14 October 2019}}</ref> Her contribution to Indian music industry in a career spanning seven decades has gained her honorific titles such as the [[Honorific nicknames in popular music|Nightingale of India]] and [[Honorific nicknames in popular music|Queen of Melody]].<ref name="hindustantimes.com">{{Cite web|date=2019-10-14|title=Lata Mangeshkar: The Queen of Melody|url=https://www.hindustantimes.com/inspiring-lives/lata-mangeshkar-the-queen-of-melody/story-TBN6Pq9c9wktF7ptW0gBmN.html|access-date=2022-02-05|website=Hindustan Times|language=en}}</ref> She recently passed away on 6 February 2022.
'''Lata Mangeshkar''' ({{IPA-hi|ləˈtaː məŋˈɡeːʃkər||Lata Mageshkar.ogg}}) (born as '''Hema Mangeshkar'''; 28 September 1929 – 6 February 2022) was an Indian [[playback singer]] and occasional music composer. She was widely considered as one of the greatest and most respected playback singers in India.<ref>{{cite news|title=Lata Mangeshkar|url=http://timesofindia.indiatimes.com/articleshow/30899862.cms|date=10 December 2002|newspaper=[[The Times of India]]|access-date=2009-07-22}}</ref><ref>{{cite news |author=Yasmeen, Afshan |title=Music show to celebrate birthday of melody queen |url=http://www.hindu.com/lf/2004/09/21/stories/2004092114010200.htm |archive-url=https://web.archive.org/web/20041103120451/http://www.hindu.com/lf/2004/09/21/stories/2004092114010200.htm |url-status=dead |archive-date=3 November 2004 |date=21 September 2004 |newspaper=[[The Hindu]] |url-access=subscription |access-date=14 October 2019}}</ref> Her contribution to Indian music industry in a career spanning seven decades has gained her honorific titles such as the [[Honorific nicknames in popular music|Nightingale of India]] and [[Honorific nicknames in popular music|Queen of Melody]].<ref name="hindustantimes.com">{{Cite web|date=2019-10-14|title=Lata Mangeshkar: The Queen of Melody|url=https://www.hindustantimes.com/inspiring-lives/lata-mangeshkar-the-queen-of-melody/story-TBN6Pq9c9wktF7ptW0gBmN.html|access-date=2022-02-05|website=Hindustan Times|language=en}}</ref> She recently passed away on 6 February 2022.


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She had four siblings: [[Meena Khadikar]], [[Asha Bhosle]], [[Usha Mangeshkar]] and [[Hridaynath Mangeshkar]] – of whom she was the eldest.
She had four siblings: [[Meena Khadikar]], [[Asha Bhosle]], [[Usha Mangeshkar]] and [[Hridaynath Mangeshkar]] – of whom she was the eldest.


The singer lost her battle to Covid-19 after undergoing multiple days of treatment at the Breach Candy Hospital, Mumbai. She died at 8:12 a.m. on February 6, 2022, with the cause of death being multiple organ failure.
The singer lost her battle to Covid-19 after undergoing multiple days of treatment at the Breach Candy Hospital, Mumbai. She died at 8:12 a.m. on February 6, 2022, with the cause of death being multiple organ failure.<ref>https://www.connectedtoindia.com/tributes-pour-in-as-india-bids-adieu-to-nightingale-lata-mangeshkar-9756.html</ref>
 
==Early life==
==Early life==
{{See also|Mangeshkar family}}[[File:LataMangeshkar14.jpg|thumb|right|Childhood photo of Lata Mangeshkar]]
{{See also|Mangeshkar family}}[[File:LataMangeshkar14.jpg|thumb|right|Childhood photo of Lata Mangeshkar]]
Lata Mangeshkar was born in 1929, the eldest daughter of [[Deenanath Mangeshkar]], a [[Marathi people|Marathi]] and [[Konkani people|Konkani]] musician and his wife Shevanti<ref name=toi1>{{cite news|newspaper=[[The Times of India]]|title=Unplugged: Lata Mangeshkar|url=https://timesofindia.indiatimes.com/life-style/spotlight/Unplugged-Lata-Mangeshkar/articleshow/4625384.cms|date=20 September 2009}}</ref> in [[Indore]] (in present-day [[Madhya Pradesh]] and then the capital of the [[princely state]] of [[Indore State|Indore]] which was part of the [[Central India Agency]] in [[British Raj|British India]]). Her father, Deenanath Mangeshkar, was a classical singer and theatre actor. Her mother, Shevanti (later renamed Shudhamati), a [[Gujarati people|Gujarati]] woman from [[Thalner]], [[Bombay Presidency]] (now in northwest [[Maharashtra]]), was Deenanath's second wife; his first wife Narmada, who had died, was Shevanti's older sister.<ref name=toi2>{{cite news|url=https://timesofindia.indiatimes.com/city/ahmedabad/Meet-Lata-ben-Mangeshkar/articleshow/5066253.cms|location=[[Ahmedabad]]|title=Meet Lata-ben Mangeshkar!|first=Ashish|last=Vashi|newspaper=[[The Times of India]]|date=29 September 2009}}</ref>
Lata Mangeshkar was born in 1929, the eldest daughter of [[Deenanath Mangeshkar]], a [[Marathi people|Marathi]] and [[Konkani people|Konkani]] musician and his wife Shevanti<ref name=toi1>{{cite news|newspaper=[[The Times of India]]|title=Unplugged: Lata Mangeshkar|url=https://timesofindia.indiatimes.com/life-style/spotlight/Unplugged-Lata-Mangeshkar/articleshow/4625384.cms|date=20 September 2009}}</ref> in [[Indore]] (in present-day [[Madhya Pradesh]] and then the capital of the [[princely state]] of [[Indore State|Indore]] which was part of the [[Central India Agency]] in [[British Raj|British India]]). Her father, Deenanath Mangeshkar, was a classical singer and theatre actor. Her mother, Shevanti (later renamed Shudhamati), a [[Gujarati people|Gujarati]] woman from [[Thalner]], [[Bombay Presidency]] (now in northwest [[Maharashtra]]), was Deenanath's second wife; his first wife Narmada, who had died, was Shevanti's older sister.<ref name=toi2>{{cite news|url=https://timesofindia.indiatimes.com/city/ahmedabad/Meet-Lata-ben-Mangeshkar/articleshow/5066253.cms|location=[[Ahmedabad]]|title=Meet Lata-ben Mangeshkar!|first=Ashish|last=Vashi|newspaper=[[The Times of India]]|date=29 September 2009}}</ref>


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Lata received her first music lesson from her father. At the age of five, she started to work as an actress in her father's musical plays (''[[Sangeet Natak]]'' in [[Marathi language|Marathi]]). On her first day of school,<ref name="encyclopaedia_of_hindi_cinema"/> she left school because they would not allow her to bring her sister Asha with her, as she would often bring her younger sister with her.
Lata received her first music lesson from her father. At the age of five, she started to work as an actress in her father's musical plays (''[[Sangeet Natak]]'' in [[Marathi language|Marathi]]). On her first day of school,<ref name="encyclopaedia_of_hindi_cinema"/> she left school because they would not allow her to bring her sister Asha with her, as she would often bring her younger sister with her.
==Singing career==
==Singing career==
{{Main|List of songs by Lata Mangeshkar}}
{{Main|List of songs by Lata Mangeshkar}}
===Early career in the 1940s===
===Early career in the 1940s===
In 1942, when Lata was 13, her father died of [[heart disease]]. [[Master Vinayak]] (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them. He helped Lata get started in a career as a singer and actress.
In 1942, when Lata was 13, her father died of [[heart disease]]. [[Master Vinayak]] (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them. He helped Lata get started in a career as a singer and actress.


Lata sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari", which was composed by Sadashivrao Nevrekar for Vasant Joglekar's [[Marathi language|Marathi]] movie ''Kiti Hasaal'' (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie ''Pahili Mangalaa-gaur'' (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.<ref name="encyclopaedia_of_hindi_cinema"/> Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the [[Marathi language|Marathi]] film ''Gajaabhaau'' (1943).
Lata sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari", which was composed by Sadashivrao Nevrekar for Vasant Joglekar's [[Marathi language|Marathi]] movie ''Kiti Hasaal'' (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie ''Pahili Mangalaa-gaur'' (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.<ref name="encyclopaedia_of_hindi_cinema"/> Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the [[Marathi language|Marathi]] film ''Gajaabhaau'' (1943).


Lata moved to [[Mumbai]] in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in [[Hindustani classical music]] from Ustad Aman Ali Khan of Bhindibazaar Gharana.<ref>{{cite web |title=Biographies of Maestros |url=http://swaramandakini.com/Biographies_maestros.html |website=Swaramandakini.com |access-date=5 August 2017}}</ref><ref>{{cite news |title=5 unknown facts about Lata Mangeshkar |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/5-unknown-facts-about-Lata-Mangeshkar/5-unknown-facts-about-Lata-Mangeshkar/photostory/32838183.cms |newspaper=The Times of India |access-date=5 August 2017}}</ref> She sang "Paa Lagoon Kar Jori" for Vasant Joglekar's Hindi-language movie ''Aap Ki Seva Mein'' (1946),<ref name="encyclopaedia_of_hindi_cinema"/> which was composed by Datta Davjekar. The dance in the film was performed by [[Rohini Bhate]] who later became a famous classical dancer. Lata and her sister Asha played minor roles in Vinayak's first Hindi-language movie, ''Badi Maa'' (1945). In that movie, Lata also sang a [[bhajan]], "Maata Tere Charnon Mein." She was introduced to music director [[Vasant Desai]] during the recording of Vinayak's second Hindi-language movie, ''Subhadra'' (1946).
Lata moved to [[Mumbai]] in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in [[Hindustani classical music]] from Ustad Aman Ali Khan of Bhindibazaar Gharana.<ref>{{cite web |title=Biographies of Maestros |url=http://swaramandakini.com/Biographies_maestros.html |website=Swaramandakini.com |access-date=5 August 2017}}</ref><ref>{{cite news |title=5 unknown facts about Lata Mangeshkar |url=http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/5-unknown-facts-about-Lata-Mangeshkar/5-unknown-facts-about-Lata-Mangeshkar/photostory/32838183.cms |newspaper=The Times of India |access-date=5 August 2017}}</ref> She sang "Paa Lagoon Kar Jori" for Vasant Joglekar's Hindi-language movie ''Aap Ki Seva Mein'' (1946),<ref name="encyclopaedia_of_hindi_cinema"/> which was composed by Datta Davjekar. The dance in the film was performed by [[Rohini Bhate]] who later became a famous classical dancer. Lata and her sister Asha played minor roles in Vinayak's first Hindi-language movie, ''Badi Maa'' (1945). In that movie, Lata also sang a [[bhajan]], "Maata Tere Charnon Mein." She was introduced to music director [[Vasant Desai]] during the recording of Vinayak's second Hindi-language movie, ''Subhadra'' (1946).


After Vinayak's death in 1948, music director [[Ghulam Haider (composer)|Ghulam Haider]] mentored her as a singer. He introduced Lata to producer [[Sashadhar Mukherjee]], who was working then on the movie ''[[Shaheed (1948 film)|Shaheed]]'' (1948), but Mukherjee dismissed Lata's voice as "too thin".<ref name="encyclopaedia_of_hindi_cinema"/> An annoyed Haider responded that in coming years producers and directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song "Dil Mera Toda, Mujhe Kahin Ka Na Chhora"—lyrics by [[Nazim Panipati]]—in the movie ''[[Majboor (1948 film)|Majboor]]'' (1948), which became her first big breakthrough film hit. In an interview on her 84th birthday, in September 2013, Lata herself declared, "Ghulam Haider is truly my Godfather. He was the first music director who showed complete faith in my talent."<ref name="encyclopaedia_of_hindi_cinema"/><ref>Who is Lata Mangeshkar's Godfather ? glamsham.com website 27 September 2013 http://www.glamsham.com/movies/scoops/13/sep/27-news-who-is-lata-mangeshkars-godfather-0913012.asp {{Webarchive|url=https://web.archive.org/web/20150525035016/http://www.glamsham.com/movies/scoops/13/sep/27-news-who-is-lata-mangeshkars-godfather-0913012.asp |date=25 May 2015 }}</ref>
After Vinayak's death in 1948, music director [[Ghulam Haider (composer)|Ghulam Haider]] mentored her as a singer. He introduced Lata to producer [[Sashadhar Mukherjee]], who was working then on the movie ''[[Shaheed (1948 film)|Shaheed]]'' (1948), but Mukherjee dismissed Lata's voice as "too thin".<ref name="encyclopaedia_of_hindi_cinema"/> An annoyed Haider responded that in coming years producers and directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song "Dil Mera Toda, Mujhe Kahin Ka Na Chhora"—lyrics by [[Nazim Panipati]]—in the movie ''[[Majboor (1948 film)|Majboor]]'' (1948), which became her first big breakthrough film hit. In an interview on her 84th birthday, in September 2013, Lata herself declared, "Ghulam Haider is truly my Godfather. He was the first music director who showed complete faith in my talent."<ref name="encyclopaedia_of_hindi_cinema"/><ref>Who is Lata Mangeshkar's Godfather ? glamsham.com website 27 September 2013 http://www.glamsham.com/movies/scoops/13/sep/27-news-who-is-lata-mangeshkars-godfather-0913012.asp {{Webarchive|url=https://web.archive.org/web/20150525035016/http://www.glamsham.com/movies/scoops/13/sep/27-news-who-is-lata-mangeshkars-godfather-0913012.asp |date=25 May 2015 }}</ref>
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One of her first major hits was "Aayega Aanewaala," a song in the movie ''[[Mahal (1949 film)|Mahal]]'' (1949), composed by music director [[Khemchand Prakash]] and lip-synced on screen by actress [[Madhubala]].<ref name="dailytimes.com.pk">{{cite web|url=http://www.dailytimes.com.pk/entertainment/08-Aug-2014/lata-mangeshkar-the-living-legend-part-i |title=Lata Mangeshkar&nbsp;— the living legend&nbsp;— Part I |work=DailyTimes |url-status=dead |archive-url=https://web.archive.org/web/20150710052627/http://www.dailytimes.com.pk/entertainment/08-Aug-2014/lata-mangeshkar-the-living-legend-part-i |archive-date=10 July 2015}}</ref>
One of her first major hits was "Aayega Aanewaala," a song in the movie ''[[Mahal (1949 film)|Mahal]]'' (1949), composed by music director [[Khemchand Prakash]] and lip-synced on screen by actress [[Madhubala]].<ref name="dailytimes.com.pk">{{cite web|url=http://www.dailytimes.com.pk/entertainment/08-Aug-2014/lata-mangeshkar-the-living-legend-part-i |title=Lata Mangeshkar&nbsp;— the living legend&nbsp;— Part I |work=DailyTimes |url-status=dead |archive-url=https://web.archive.org/web/20150710052627/http://www.dailytimes.com.pk/entertainment/08-Aug-2014/lata-mangeshkar-the-living-legend-part-i |archive-date=10 July 2015}}</ref>
===1950s===
===1950s===
[[File:Lata Mangeshkar black-and-white.jpg|thumb|left|Mangeshkar in 1953 (aged 23)]]
[[File:Lata Mangeshkar black-and-white.jpg|thumb|left|Mangeshkar in 1953 (aged 23)]]
In the 1950s, Lata sang songs composed by various music directors of the period, including [[Anil Biswas (composer)|Anil Biswas]] (in films such as ''[[Tarana (1951 film)|Tarana]]'' (1951) and ''Heer'' (1956)), [[Shankar Jaikishan]], [[Naushad|Naushad Ali]], [[S. D. Burman]], [[Sardul Singh Kwatra]], [[Husnlal Bhagatram|Amarnath, Husanlal, and Bhagatram]] (in films like ''[[Bari Behen]]'' (1949), ''[[Meena Bazaar (film)|Meena Bazaar]]'' (1950), ''[[Aadhi Raat]]'' (1950), ''Chhoti Bhabi'' (1950), ''[[Afsana (film)|Afsana]]'' (1951), ''Aansoo'' (1953), and ''[[Adl-e-Jehangir]]'' (1955)), [[C. Ramchandra]], [[Hemant Kumar]], [[Salil Chowdhury]], [[Datta Naik]], [[Mohammed Zahur Khayyam|Khayyam]], [[Ravi (music director)|Ravi]], [[Sajjad Hussain (composer)|Sajjad Hussain]], [[Roshan (music director)|Roshan]], [[Kalyanji-Anandji]], [[Vasant Desai]], [[Sudhir Phadke]], [[Hansraj Behl]], [[Madan Mohan (composer)|Madan Mohan]], and [[Usha Khanna]]. She sang "Sri Lanka, Ma Priyadara Jaya Bhumi", a song in [[Sinhala language|Sinhala]], for the 1955 [[Cinema of Sri Lanka|Sri Lankan film]] ''[[Seda Sulang]]''. She made her debut in Tamil playback singing with "Vanaradham" in 1956 (''Uran Khotala'' dubbed in Tamil) with the Tamil song "Enthan Kannalan" for [[Nimmi]] in the dubbed version composed by Naushad.
In the 1950s, Lata sang songs composed by various music directors of the period, including [[Anil Biswas (composer)|Anil Biswas]] (in films such as ''[[Tarana (1951 film)|Tarana]]'' (1951) and ''Heer'' (1956)), [[Shankar Jaikishan]], [[Naushad|Naushad Ali]], [[S. D. Burman]], [[Sardul Singh Kwatra]], [[Husnlal Bhagatram|Amarnath, Husanlal, and Bhagatram]] (in films like ''[[Bari Behen]]'' (1949), ''[[Meena Bazaar (film)|Meena Bazaar]]'' (1950), ''[[Aadhi Raat]]'' (1950), ''Chhoti Bhabi'' (1950), ''[[Afsana (film)|Afsana]]'' (1951), ''Aansoo'' (1953), and ''[[Adl-e-Jehangir]]'' (1955)), [[C. Ramchandra]], [[Hemant Kumar]], [[Salil Chowdhury]], [[Datta Naik]], [[Mohammed Zahur Khayyam|Khayyam]], [[Ravi (music director)|Ravi]], [[Sajjad Hussain (composer)|Sajjad Hussain]], [[Roshan (music director)|Roshan]], [[Kalyanji-Anandji]], [[Vasant Desai]], [[Sudhir Phadke]], [[Hansraj Behl]], [[Madan Mohan (composer)|Madan Mohan]], and [[Usha Khanna]]. She sang "Sri Lanka, Ma Priyadara Jaya Bhumi", a song in [[Sinhala language|Sinhala]], for the 1955 [[Cinema of Sri Lanka|Sri Lankan film]] ''[[Seda Sulang]]''. She made her debut in Tamil playback singing with "Vanaradham" in 1956 (''Uran Khotala'' dubbed in Tamil) with the Tamil song "Enthan Kannalan" for [[Nimmi]] in the dubbed version composed by Naushad.


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Lata won a [[Filmfare Award for Best Female Playback Singer]] for [[Salil Chowdhury]]'s composition "Aaja Re Pardesi" from ''[[Madhumati]]'' (1958). Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as [[Albela (1951 film)|Albela]] (1951), Shin Shinkai Bublaa Boo (1952), [[Anarkali (1953 film)|Anarkali]] (1953), ''Pehli Jhhalak'' (1954), [[Azaad (1955 film)|''Azad'']] (1955), ''[[Aasha (1957 film)|Aasha]]'' (1957), and [[Amardeep (1958 film)|Amardeep]] (1958).<ref>{{cite web|url=http://www.dailytimes.com.pk/entertainment/27-Aug-2014/lata-mangeshkar-the-living-legend-part-xx |title=Lata Mangeshkar&nbsp;— the living legend&nbsp;— Part X |work=DailyTimes |url-status=dead |archive-url=https://web.archive.org/web/20140828070736/http://www.dailytimes.com.pk/entertainment/27-Aug-2014/lata-mangeshkar-the-living-legend-part-xx |archive-date=28 August 2014}}</ref> For Madan Mohan, she performed for films like ''Baagi'' (1953), ''[[Railway Platform (film)|Railway Platform]]'' (1955), ''[[Pocket Maar (1956 film)|Pocketmaar]]'' (1956), ''[[Mr. Lambu]]'' (1956), ''[[Dekh Kabira Roya]]'' (1957), ''[[Adalat (1958 film)|Adalat]]'' (1958), ''[[Jailor (1958 film)|Jailor]]'' (1958), ''Mohar'' (1959), and ''Chacha Zindabad'' (1959).<ref>{{cite web|url=http://www.dailytimes.com.pk/entertainment/30-Aug-2014/lata-mangeshkar-the-living-legend-xxiii |title=Lata Mangeshkar&nbsp;— the living legend&nbsp;— XXIII |work=DailyTimes |url-status=dead |archive-url=https://web.archive.org/web/20141017130707/http://www.dailytimes.com.pk/entertainment/30-Aug-2014/lata-mangeshkar-the-living-legend-xxiii |archive-date=17 October 2014}}</ref>
Lata won a [[Filmfare Award for Best Female Playback Singer]] for [[Salil Chowdhury]]'s composition "Aaja Re Pardesi" from ''[[Madhumati]]'' (1958). Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as [[Albela (1951 film)|Albela]] (1951), Shin Shinkai Bublaa Boo (1952), [[Anarkali (1953 film)|Anarkali]] (1953), ''Pehli Jhhalak'' (1954), [[Azaad (1955 film)|''Azad'']] (1955), ''[[Aasha (1957 film)|Aasha]]'' (1957), and [[Amardeep (1958 film)|Amardeep]] (1958).<ref>{{cite web|url=http://www.dailytimes.com.pk/entertainment/27-Aug-2014/lata-mangeshkar-the-living-legend-part-xx |title=Lata Mangeshkar&nbsp;— the living legend&nbsp;— Part X |work=DailyTimes |url-status=dead |archive-url=https://web.archive.org/web/20140828070736/http://www.dailytimes.com.pk/entertainment/27-Aug-2014/lata-mangeshkar-the-living-legend-part-xx |archive-date=28 August 2014}}</ref> For Madan Mohan, she performed for films like ''Baagi'' (1953), ''[[Railway Platform (film)|Railway Platform]]'' (1955), ''[[Pocket Maar (1956 film)|Pocketmaar]]'' (1956), ''[[Mr. Lambu]]'' (1956), ''[[Dekh Kabira Roya]]'' (1957), ''[[Adalat (1958 film)|Adalat]]'' (1958), ''[[Jailor (1958 film)|Jailor]]'' (1958), ''Mohar'' (1959), and ''Chacha Zindabad'' (1959).<ref>{{cite web|url=http://www.dailytimes.com.pk/entertainment/30-Aug-2014/lata-mangeshkar-the-living-legend-xxiii |title=Lata Mangeshkar&nbsp;— the living legend&nbsp;— XXIII |work=DailyTimes |url-status=dead |archive-url=https://web.archive.org/web/20141017130707/http://www.dailytimes.com.pk/entertainment/30-Aug-2014/lata-mangeshkar-the-living-legend-xxiii |archive-date=17 October 2014}}</ref>
===1960s===
===1960s===
Lata's song "Pyar Kiya To Darna Kya" from ''[[Mughal-e-Azam]]'' (1960), composed by Naushad and lip-synced by [[Madhubala]], still remains famous. The [[music of Hawaii|Hawaiian]]-themed number "Ajeeb Dastaan Hai Yeh", from ''[[Dil Apna Aur Preet Parai]]'' (1960), was composed by [[Shankar–Jaikishan]] and lip-synced by [[Meena Kumari]].
Lata's song "Pyar Kiya To Darna Kya" from ''[[Mughal-e-Azam]]'' (1960), composed by Naushad and lip-synced by [[Madhubala]], still remains famous. The [[music of Hawaii|Hawaiian]]-themed number "Ajeeb Dastaan Hai Yeh", from ''[[Dil Apna Aur Preet Parai]]'' (1960), was composed by [[Shankar–Jaikishan]] and lip-synced by [[Meena Kumari]].
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During the 1960s, Lata Mangeshkar continued her association with [[Madan Mohan (composer)|Madan Mohan]], which included the songs "Aap Ki Nazron Ne Samjha" from ''[[Anpadh]]'' (1962), "[[Lag Jaa Gale]]" and "Naina Barse Rim Jhim" from ''[[Woh Kaun Thi?]]'' (1964), "Woh Chup Rahen To" from ''Jahan Ara'' (1964), "Tu Jahan Jahan Chalega" from ''[[Mera Saaya]]'' (1966) and "Teri Aankho Ke Siva" from ''[[Chirag]]'' (1969),<ref>{{cite web|url=http://www.theistimes.com/madan-mohan-lata-made-each-other-famous/ |title=Madan Mohan & Lata made each other famous &#124; The Indian Sub-continent Times |publisher=Theistimes.com |access-date=2014-08-06}}</ref> and she had a continuing association with the maestros [[Shankar Jaikishan]], who got her to sing in various genres in the '60s.
During the 1960s, Lata Mangeshkar continued her association with [[Madan Mohan (composer)|Madan Mohan]], which included the songs "Aap Ki Nazron Ne Samjha" from ''[[Anpadh]]'' (1962), "[[Lag Jaa Gale]]" and "Naina Barse Rim Jhim" from ''[[Woh Kaun Thi?]]'' (1964), "Woh Chup Rahen To" from ''Jahan Ara'' (1964), "Tu Jahan Jahan Chalega" from ''[[Mera Saaya]]'' (1966) and "Teri Aankho Ke Siva" from ''[[Chirag]]'' (1969),<ref>{{cite web|url=http://www.theistimes.com/madan-mohan-lata-made-each-other-famous/ |title=Madan Mohan & Lata made each other famous &#124; The Indian Sub-continent Times |publisher=Theistimes.com |access-date=2014-08-06}}</ref> and she had a continuing association with the maestros [[Shankar Jaikishan]], who got her to sing in various genres in the '60s.


The 1960s also witnessed the beginning of Mangeshkar's association with [[Laxmikant–Pyarelal]], the music directors for whom she sang the most popular songs in her career. Starting in 1963, [[Laxmikant–Pyarelal]]'s association with Lata Mangeshkar grew stronger over the years. Lata Mangeshkar sang over 700 songs for the composer duo over a period of 35 years, many of which became huge hits. She sang for ''[[Parasmani]]'' (1963), ''[[Mr. X in Bombay]]'' (1964), ''[[Aaye Din Bahar Ke]]'' (1966), ''[[Milan (1967 film)|Milan]]'' (1967), ''[[Anita (1967 film)|Anita]]'' (1967), ''[[Shagird]]'' (1968), ''[[Mere Hamdam Mere Dost]]'' (1968), ''[[Intaquam]]'' (1969), ''[[Do Raaste]]'' (1969) and ''[[Jeene Ki Raah]]'', for which she got her third [[Filmfare Award]].<ref>{{cite news| url=http://articles.timesofindia.indiatimes.com/2011-09-28/news-interviews/30212136_1_laxmikant-pyarelal-laxmikant-pyarelal-mangeshkar-family | archive-url=https://archive.today/20130818202105/http://articles.timesofindia.indiatimes.com/2011-09-28/news-interviews/30212136_1_laxmikant-pyarelal-laxmikant-pyarelal-mangeshkar-family | url-status=dead | archive-date=2013-08-18 | work=[[The Times of India]] | title=Lata Mangeshkar...twenty years ago}}</ref>
The 1960s also witnessed the beginning of Mangeshkar's association with [[Laxmikant–Pyarelal]], the music directors for whom she sang the most popular songs in her career. Starting in 1963, [[Laxmikant–Pyarelal]]'s association with Lata Mangeshkar grew stronger over the years. Lata Mangeshkar sang over 700 songs for the composer duo over a period of 35 years, many of which became huge hits. She sang for ''[[Parasmani]]'' (1963), ''[[Mr. X in Bombay]]'' (1964), ''[[Aaye Din Bahar Ke]]'' (1966), ''[[Milan (1967 film)|Milan]]'' (1967), ''[[Anita (1967 film)|Anita]]'' (1967), ''[[Shagird]]'' (1968), ''[[Mere Hamdam Mere Dost]]'' (1968), ''[[Intaquam]]'' (1969), ''[[Do Raaste]]'' (1969) and ''[[Jeene Ki Raah]]'', for which she got her third [[Filmfare Award]].<ref>{{cite news| url=http://articles.timesofindia.indiatimes.com/2011-09-28/news-interviews/30212136_1_laxmikant-pyarelal-laxmikant-pyarelal-mangeshkar-family | archive-url=https://archive.today/20130818202105/http://articles.timesofindia.indiatimes.com/2011-09-28/news-interviews/30212136_1_laxmikant-pyarelal-laxmikant-pyarelal-mangeshkar-family | url-status=dead | archive-date=2013-08-18 | work=[[The Times of India]] | title=Lata Mangeshkar...twenty years ago}}</ref>


She also sang several playback songs for [[Marathi cinema|Marathi films]], composed by Marathi music directors including [[Hridaynath Mangeshkar]], [[Vasant Prabhu]], [[Srinivas Khale]], [[Sudhir Phadke]] and herself, under the pseudonym ''Anandghan''. During the 1960s and 1970s, she also sang several [[Bengali language|Bengali]] songs composed by music directors like [[Salil Chowdhury]] and [[Hemant Kumar]].<ref>{{Cite book|last=Bharatan|first=Raju|url=https://books.google.com/books?id=YE-9AAAACAAJ|title=Lata Mangeshkar: A Biography|date=1995|publisher=UBS Publishers' Distributors|isbn=978-81-7476-023-4|pages=52|language=en}}</ref>
She also sang several playback songs for [[Marathi cinema|Marathi films]], composed by Marathi music directors including [[Hridaynath Mangeshkar]], [[Vasant Prabhu]], [[Srinivas Khale]], [[Sudhir Phadke]] and herself, under the pseudonym ''Anandghan''. During the 1960s and 1970s, she also sang several [[Bengali language|Bengali]] songs composed by music directors like [[Salil Chowdhury]] and [[Hemant Kumar]].<ref>{{Cite book|last=Bharatan|first=Raju|url=https://books.google.com/books?id=YE-9AAAACAAJ|title=Lata Mangeshkar: A Biography|date=1995|publisher=UBS Publishers' Distributors|isbn=978-81-7476-023-4|pages=52|language=en}}</ref>
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}}</ref> But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended with the payment of the agreed fee for the song, leading to tensions between the two. After an argument during the recording of the song ''"''Tasveer Teri Dil Mein''"'', from Maya (1961), the two refused to sing with each other.<ref name="how_fair_raju4">{{cite web | url = http://specials.rediff.com/movies/2006/aug/23sld4.htm | title = How fair were they to Mohammed Rafi?: Page 4 | author = Raju Bharatan  | work = [[Rediff.com]] | date = 21 August 2006 | access-date = 2007-04-28 }}</ref> The music director [[Shankar Jaikishan|Jaikishan]] later negotiated a reconciliation between the two.<ref>{{cite news|url=http://www.mumbaimirror.com/printarticle.aspx?page=comments&action=translate&sectid=30&contentid=20121122201211220321263836fccc616&subsite= |title=Voice from the past (interview with Yasmin Rafi) |author=Dhamini Ratnam |newspaper=[[Mumbai Mirror]] |date=22 November 2012 |access-date=2012-11-25 |url-status=dead |archive-url=https://web.archive.org/web/20151018132413/http://www.mumbaimirror.com/printarticle.aspx?page=comments&action=translate&sectid=30&contentid=20121122201211220321263836fccc616&subsite= |archive-date=18 October 2015 }} {{dead link|date=February 2016}}{{cbignore}}</ref>
}}</ref> But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended with the payment of the agreed fee for the song, leading to tensions between the two. After an argument during the recording of the song ''"''Tasveer Teri Dil Mein''"'', from Maya (1961), the two refused to sing with each other.<ref name="how_fair_raju4">{{cite web | url = http://specials.rediff.com/movies/2006/aug/23sld4.htm | title = How fair were they to Mohammed Rafi?: Page 4 | author = Raju Bharatan  | work = [[Rediff.com]] | date = 21 August 2006 | access-date = 2007-04-28 }}</ref> The music director [[Shankar Jaikishan|Jaikishan]] later negotiated a reconciliation between the two.<ref>{{cite news|url=http://www.mumbaimirror.com/printarticle.aspx?page=comments&action=translate&sectid=30&contentid=20121122201211220321263836fccc616&subsite= |title=Voice from the past (interview with Yasmin Rafi) |author=Dhamini Ratnam |newspaper=[[Mumbai Mirror]] |date=22 November 2012 |access-date=2012-11-25 |url-status=dead |archive-url=https://web.archive.org/web/20151018132413/http://www.mumbaimirror.com/printarticle.aspx?page=comments&action=translate&sectid=30&contentid=20121122201211220321263836fccc616&subsite= |archive-date=18 October 2015 }} {{dead link|date=February 2016}}{{cbignore}}</ref>
===1970s===
===1970s===
In 1972, [[Meena Kumari]]'s last film, ''[[Pakeezah]]'', was released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne", sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from ''[[Prem Pujari]]'' (1970), "Khilte Hain Gul Yahaan" from ''[[Sharmeelee]]'' (1971), and "Piya Bina" from ''[[Abhimaan (1973 film)|Abhimaan]]'' (1973) and for Madan Mohan's last films, including ''[[Dastak (1970 film)|Dastak]]'' (1970), ''[[Heer Raanjha]]'' (1970), ''[[Dil Ki Rahen]]'' (1973), ''[[Hindustan Ki Kasam]]'' (1973), ''[[Hanste Zakhm]]'' (1973), ''[[Mausam (1975 film)|Mausam]]'' (1975) and ''[[Laila Majnu (1976 film)|Laila Majnu]]'' (1976).<ref>{{cite web|url=http://www.madanmohan.in/html/the_legend/his_journey/his_journey.html |title=MADAN MOHAN... The Musical Legend &#124; The Official Website of Madan Mohan |publisher=Madanmohan.in |access-date=2014-08-06}}</ref>
In 1972, [[Meena Kumari]]'s last film, ''[[Pakeezah]]'', was released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne", sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from ''[[Prem Pujari]]'' (1970), "Khilte Hain Gul Yahaan" from ''[[Sharmeelee]]'' (1971), and "Piya Bina" from ''[[Abhimaan (1973 film)|Abhimaan]]'' (1973) and for Madan Mohan's last films, including ''[[Dastak (1970 film)|Dastak]]'' (1970), ''[[Heer Raanjha]]'' (1970), ''[[Dil Ki Rahen]]'' (1973), ''[[Hindustan Ki Kasam]]'' (1973), ''[[Hanste Zakhm]]'' (1973), ''[[Mausam (1975 film)|Mausam]]'' (1975) and ''[[Laila Majnu (1976 film)|Laila Majnu]]'' (1976).<ref>{{cite web|url=http://www.madanmohan.in/html/the_legend/his_journey/his_journey.html |title=MADAN MOHAN... The Musical Legend &#124; The Official Website of Madan Mohan |publisher=Madanmohan.in |access-date=2014-08-06}}</ref>
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In the late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included [[R. D. Burman|Rahul Dev Burman]], son of [[Sachin Dev Burman]], [[Rajesh Roshan]], son of [[Roshan (music director)|Roshan]], [[Anu Malik]], son of Sardar Malik, and [[Anand–Milind]], sons of [[Chitragupta (composer)|Chitragupta]].<ref>{{Cite book|last=Islam|first=Tariqul|url=https://books.google.com/books?id=qHrwjwEACAAJ|title=Influence of Lata Mangeshkar's Songs in My Songs & Life|date=2016-02-21|publisher=CreateSpace Independent Publishing Platform|isbn=978-1-5301-3643-8|language=en}}</ref> She also sang many songs in the Assamese language and developed a very good relationship with the Assamese musician [[Bhupen Hazarika]]. She sang many songs under his direction; the song "Dil Hoom Hoom Kare" from ''[[Rudaali]]'' (1993) made the highest record sales that year.<ref>{{Cite web|last=Sen|first=Zinia|date=2020-11-11|title=Bhupen loved Lataji: Kalpana Lajmi - Times of India|url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Bhupen-loved-Lataji-Kalpana-Lajmi/articleshow/17169835.cms|url-status=live|archive-url=https://webcache.googleusercontent.com/search?q=cache:Zretxyfq8EIJ:https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Bhupen-loved-Lataji-Kalpana-Lajmi/articleshow/17169835.cms+&cd=5&hl=en&ct=clnk&gl=in|archive-date=2020-10-26|access-date=2020-10-31|website=The Times of India|language=en}}</ref><ref>{{cite news |last=Usha |first=R. P. |date=2011-11-09 |title=A genius |url=https://www.thehindu.com/opinion/letters/a-genius/article2609882.ece |url-status=live |archive-url=https://webcache.googleusercontent.com/search?q=cache:3ckpL9Pjmc4J:https://www.thehindu.com/opinion/letters/a-genius/article2609882.ece+&cd=8&hl=en&ct=clnk&gl=in |archive-date=22 October 2020 |work=The Hindu |issn=0971-751X |language=en-IN |access-date=31 October 2020}}</ref><ref>{{Cite news |title=Bhupen Hazarika inspired millions across generations |url=https://timesofindia.indiatimes.com/india/bhupen-hazarika-inspired-millions-across-generations/articleshow/67693241.cms |date=25 January 2019 |url-status=live |archive-url=https://webcache.googleusercontent.com/search?q=cache:E97nxihRd4YJ:https://timesofindia.indiatimes.com/india/bhupen-hazarika-inspired-millions-across-generations/articleshow/67693241.cms+&cd=10&hl=en&ct=clnk&gl=in |archive-date=27 October 2020 |newspaper=The Times of India |department=India News |agency=Press Trust of India (PTI) |language=en |access-date=5 February 2022 }}</ref>
In the late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included [[R. D. Burman|Rahul Dev Burman]], son of [[Sachin Dev Burman]], [[Rajesh Roshan]], son of [[Roshan (music director)|Roshan]], [[Anu Malik]], son of Sardar Malik, and [[Anand–Milind]], sons of [[Chitragupta (composer)|Chitragupta]].<ref>{{Cite book|last=Islam|first=Tariqul|url=https://books.google.com/books?id=qHrwjwEACAAJ|title=Influence of Lata Mangeshkar's Songs in My Songs & Life|date=2016-02-21|publisher=CreateSpace Independent Publishing Platform|isbn=978-1-5301-3643-8|language=en}}</ref> She also sang many songs in the Assamese language and developed a very good relationship with the Assamese musician [[Bhupen Hazarika]]. She sang many songs under his direction; the song "Dil Hoom Hoom Kare" from ''[[Rudaali]]'' (1993) made the highest record sales that year.<ref>{{Cite web|last=Sen|first=Zinia|date=2020-11-11|title=Bhupen loved Lataji: Kalpana Lajmi - Times of India|url=https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Bhupen-loved-Lataji-Kalpana-Lajmi/articleshow/17169835.cms|url-status=live|archive-url=https://webcache.googleusercontent.com/search?q=cache:Zretxyfq8EIJ:https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Bhupen-loved-Lataji-Kalpana-Lajmi/articleshow/17169835.cms+&cd=5&hl=en&ct=clnk&gl=in|archive-date=2020-10-26|access-date=2020-10-31|website=The Times of India|language=en}}</ref><ref>{{cite news |last=Usha |first=R. P. |date=2011-11-09 |title=A genius |url=https://www.thehindu.com/opinion/letters/a-genius/article2609882.ece |url-status=live |archive-url=https://webcache.googleusercontent.com/search?q=cache:3ckpL9Pjmc4J:https://www.thehindu.com/opinion/letters/a-genius/article2609882.ece+&cd=8&hl=en&ct=clnk&gl=in |archive-date=22 October 2020 |work=The Hindu |issn=0971-751X |language=en-IN |access-date=31 October 2020}}</ref><ref>{{Cite news |title=Bhupen Hazarika inspired millions across generations |url=https://timesofindia.indiatimes.com/india/bhupen-hazarika-inspired-millions-across-generations/articleshow/67693241.cms |date=25 January 2019 |url-status=live |archive-url=https://webcache.googleusercontent.com/search?q=cache:E97nxihRd4YJ:https://timesofindia.indiatimes.com/india/bhupen-hazarika-inspired-millions-across-generations/articleshow/67693241.cms+&cd=10&hl=en&ct=clnk&gl=in |archive-date=27 October 2020 |newspaper=The Times of India |department=India News |agency=Press Trust of India (PTI) |language=en |access-date=5 February 2022 }}</ref>
===1980s===
===1980s===
From the 1980s onwards, Lata Mangeshkar worked with music directors such as [[Shiv-Hari]] in ''[[Silsila (1981 film)|Silsila]]'' (1981), ''[[Faasle]]'' (1985), ''[[Vijay (1988 film)|Vijay]]'' (1988), and ''[[Chandni (film)|Chandni]]'' (1989) and [[Raamlaxman|Ram Laxman]] in'' Ustadi Ustad Se'' (1981), ''[[Bezubaan]]'' (1982), ''[[Woh Jo Hasina]]'' (1983), ''Ye Kesa Farz'' (1985), and ''[[Maine Pyar Kiya]]'' (1989). She sang in other movies, such as ''[[Karz (film)|Karz]]'' (1980), ''[[Ek Duuje Ke Liye]]'' (1981), ''[[Silsila (1981 film)|Silsila]]'' (1981), ''[[Prem Rog]]'' (1982), ''[[Hero (1983 film)|Hero]]'' (1983), ''[[Pyar Jhukta Nahin]]'' (1985), ''[[Ram Teri Ganga Maili]]'' (1985), ''[[Nagina (1986 film)|Nagina]]'' (1986), and ''Ram Lakhan'' (1989). Her song "Zu Zu Zu Yashoda" from ''[[Sanjog (1985 film)|Sanjog]]'' (1985) was a chartbuster.<ref>{{cite web |title=Lata Mangeshkar and Ram-Laxman are back together |url=https://www.imdb.com/news/ni0634155/ |website=IMDb |access-date=8 November 2016}}</ref> In the late 1980s, Mangeshkar made a comeback to [[Tamil cinema|Tamil]] films with two back-to-back renditions of composer [[Ilaiyaraaja]]'s songs "Aaraaro Aaraaro" and "Valai Osai", for the films ''[[Anand (1987 film)|Anand]]'' (1987) and ''[[Sathya (1988 film)|Sathya]]'' (1988), respectively.<ref>{{Cite book|last=Bharatan|first=Raju|url=https://books.google.com/books?id=YE-9AAAACAAJ|title=Lata Mangeshkar: A Biography|date=1995|publisher=UBS Publishers' Distributors|isbn=978-81-7476-023-4|pages=58–63|language=en}}</ref>
From the 1980s onwards, Lata Mangeshkar worked with music directors such as [[Shiv-Hari]] in ''[[Silsila (1981 film)|Silsila]]'' (1981), ''[[Faasle]]'' (1985), ''[[Vijay (1988 film)|Vijay]]'' (1988), and ''[[Chandni (film)|Chandni]]'' (1989) and [[Raamlaxman|Ram Laxman]] in'' Ustadi Ustad Se'' (1981), ''[[Bezubaan]]'' (1982), ''[[Woh Jo Hasina]]'' (1983), ''Ye Kesa Farz'' (1985), and ''[[Maine Pyar Kiya]]'' (1989). She sang in other movies, such as ''[[Karz (film)|Karz]]'' (1980), ''[[Ek Duuje Ke Liye]]'' (1981), ''[[Silsila (1981 film)|Silsila]]'' (1981), ''[[Prem Rog]]'' (1982), ''[[Hero (1983 film)|Hero]]'' (1983), ''[[Pyar Jhukta Nahin]]'' (1985), ''[[Ram Teri Ganga Maili]]'' (1985), ''[[Nagina (1986 film)|Nagina]]'' (1986), and ''Ram Lakhan'' (1989). Her song "Zu Zu Zu Yashoda" from ''[[Sanjog (1985 film)|Sanjog]]'' (1985) was a chartbuster.<ref>{{cite web |title=Lata Mangeshkar and Ram-Laxman are back together |url=https://www.imdb.com/news/ni0634155/ |website=IMDb |access-date=8 November 2016}}</ref> In the late 1980s, Mangeshkar made a comeback to [[Tamil cinema|Tamil]] films with two back-to-back renditions of composer [[Ilaiyaraaja]]'s songs "Aaraaro Aaraaro" and "Valai Osai", for the films ''[[Anand (1987 film)|Anand]]'' (1987) and ''[[Sathya (1988 film)|Sathya]]'' (1988), respectively.<ref>{{Cite book|last=Bharatan|first=Raju|url=https://books.google.com/books?id=YE-9AAAACAAJ|title=Lata Mangeshkar: A Biography|date=1995|publisher=UBS Publishers' Distributors|isbn=978-81-7476-023-4|pages=58–63|language=en}}</ref>
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In June 1985, the [[United Way of Canada|United Way of Greater Toronto]] invited Lata Mangeshkar to perform at [[Maple Leaf Gardens]]. At the request of [[Anne Murray]], Lata sang her song "You Needed Me". 12,000 attended the concert, which raised $150,000 for the charity.<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1946&dat=19850611&id=1n0xAAAAIBAJ&pg=5832,123310|title=The Montreal Gazette - Google News Archive Search|website=news.google.com}}</ref><ref>{{cite news| url=https://www.nytimes.com/1985/10/12/world/no-headline-074141.html | work=The New York Times | first=Douglas | last=Martin | title=No Headline | date=12 October 1985}}</ref>
In June 1985, the [[United Way of Canada|United Way of Greater Toronto]] invited Lata Mangeshkar to perform at [[Maple Leaf Gardens]]. At the request of [[Anne Murray]], Lata sang her song "You Needed Me". 12,000 attended the concert, which raised $150,000 for the charity.<ref>{{Cite web|url=https://news.google.com/newspapers?nid=1946&dat=19850611&id=1n0xAAAAIBAJ&pg=5832,123310|title=The Montreal Gazette - Google News Archive Search|website=news.google.com}}</ref><ref>{{cite news| url=https://www.nytimes.com/1985/10/12/world/no-headline-074141.html | work=The New York Times | first=Douglas | last=Martin | title=No Headline | date=12 October 1985}}</ref>
===1990s===
===1990s===
During the 1990s, she recorded with music directors including [[Anand–Milind]], [[Nadeem-Shravan]], [[Jatin–Lalit]], Dilip Sen-Sameer Sen, [[Uttam Singh]], [[Anu Malik]], [[Aadesh Shrivastava]] and [[A. R. Rahman]]. She recorded some non-film songs, including [[ghazal]]s with [[Jagjit Singh (singer)|Jagjit Singh]]. She has also sung with [[Kumar Sanu]], [[Amit Kumar (singer)|Amit Kumar]], [[S. P. Balasubrahmanyam]], [[Udit Narayan]], [[Hariharan (singer)|Hariharan]], [[Suresh Wadkar]], [[Mohammed Aziz]], [[Abhijeet Bhattacharya]], [[Roop Kumar Rathod]], [[Vinod Rathod]], [[Gurdas Maan]] and [[Sonu Nigam]].
During the 1990s, she recorded with music directors including [[Anand–Milind]], [[Nadeem-Shravan]], [[Jatin–Lalit]], Dilip Sen-Sameer Sen, [[Uttam Singh]], [[Anu Malik]], [[Aadesh Shrivastava]] and [[A. R. Rahman]]. She recorded some non-film songs, including [[ghazal]]s with [[Jagjit Singh (singer)|Jagjit Singh]]. She has also sung with [[Kumar Sanu]], [[Amit Kumar (singer)|Amit Kumar]], [[S. P. Balasubrahmanyam]], [[Udit Narayan]], [[Hariharan (singer)|Hariharan]], [[Suresh Wadkar]], [[Mohammed Aziz]], [[Abhijeet Bhattacharya]], [[Roop Kumar Rathod]], [[Vinod Rathod]], [[Gurdas Maan]] and [[Sonu Nigam]].
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}}</ref>
}}</ref>
===2000s===
===2000s===
In 2001, Lata Mangeshkar was awarded the [[Bharat Ratna]], India's highest civilian honour.
In 2001, Lata Mangeshkar was awarded the [[Bharat Ratna]], India's highest civilian honour.
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}}</ref>
}}</ref>
===2010s===
===2010s===
On 12 April 2011, Mangeshkar released the album ''Sarhadein: Music Beyond Boundaries'', which contains the duet "Tera Milna Bahut Acha Lage" by Mangeshkar and [[Mehdi Hassan]] (written by Pakistan's Farhad Shahzad). The album features [[Usha Mangeshkar]], [[Suresh Wadkar]], [[Hariharan (singer)|Hariharan]], [[Sonu Nigam]], [[Rekha Bhardwaj]] and another Pakistani singer, [[Bade Ghulam Ali Khan|Ghulam Ali]], with compositions by Mayuresh Pai and others.<ref>{{cite news|url=http://www.indianexpress.com/news/lata-mangeshkar-nevaan-nigam-steal-sarhadein--show/779445/2 |title=Lata Mangeshkar, Nevaan Nigam steal Sarhadein show |newspaper=The Indian Express|date=2011-04-22 |access-date=2014-08-06}}</ref><ref>{{cite news |last=Jha |first=Pawan |title=सरहदें- एक अच्छी कोशिश
On 12 April 2011, Mangeshkar released the album ''Sarhadein: Music Beyond Boundaries'', which contains the duet "Tera Milna Bahut Acha Lage" by Mangeshkar and [[Mehdi Hassan]] (written by Pakistan's Farhad Shahzad). The album features [[Usha Mangeshkar]], [[Suresh Wadkar]], [[Hariharan (singer)|Hariharan]], [[Sonu Nigam]], [[Rekha Bhardwaj]] and another Pakistani singer, [[Bade Ghulam Ali Khan|Ghulam Ali]], with compositions by Mayuresh Pai and others.<ref>{{cite news|url=http://www.indianexpress.com/news/lata-mangeshkar-nevaan-nigam-steal-sarhadein--show/779445/2 |title=Lata Mangeshkar, Nevaan Nigam steal Sarhadein show |newspaper=The Indian Express|date=2011-04-22 |access-date=2014-08-06}}</ref><ref>{{cite news |last=Jha |first=Pawan |title=सरहदें- एक अच्छी कोशिश
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On 28 November 2012, Mangeshkar launched her own music label, LM Music, with an album of [[bhajan]]s, ''Swami Samarth Maha Mantra'', composed by Mayuresh Pai. She sang with her younger sister Usha on the album.<ref>{{cite web|url=http://www.dnaindia.com/entertainment/report_lata-mangeshkar-launches-music-label-with-bhajan-album_1770588 |title=Lata Mangeshkar launches music label with 'bhajan 'album &#124; Latest News & Updates at Daily News & Analysis |work=Daily News and Analysis|date=2012-11-28 |access-date=2014-08-06}}</ref> In 2014, she recorded a Bengali album, ''Shurodhwani'', including poetry by [[Salil Chowdhury]], also composed by Pai.{{citation needed|date=August 2016}} On 30 March 2019, Mangeshkar released the song "Saugandh Mujhe Is Mitti Ki", composed by Mayuresh Pai, as a tribute to the Indian army and nation.<ref>{{cite magazine |title=Lata Mangeshkar sings poem Modi recited after Balakot airstrikes, PM says it's inspirational |url=https://www.indiatoday.in/india/story/pm-modi-poem-lata-mangeshkar-song-saugandh-mujhe-iss-mitti-ki-1490334-2019-03-30 |date=30 March 2019 |magazine=[[India Today]] |access-date=2 April 2019}}</ref>
On 28 November 2012, Mangeshkar launched her own music label, LM Music, with an album of [[bhajan]]s, ''Swami Samarth Maha Mantra'', composed by Mayuresh Pai. She sang with her younger sister Usha on the album.<ref>{{cite web|url=http://www.dnaindia.com/entertainment/report_lata-mangeshkar-launches-music-label-with-bhajan-album_1770588 |title=Lata Mangeshkar launches music label with 'bhajan 'album &#124; Latest News & Updates at Daily News & Analysis |work=Daily News and Analysis|date=2012-11-28 |access-date=2014-08-06}}</ref> In 2014, she recorded a Bengali album, ''Shurodhwani'', including poetry by [[Salil Chowdhury]], also composed by Pai.{{citation needed|date=August 2016}} On 30 March 2019, Mangeshkar released the song "Saugandh Mujhe Is Mitti Ki", composed by Mayuresh Pai, as a tribute to the Indian army and nation.<ref>{{cite magazine |title=Lata Mangeshkar sings poem Modi recited after Balakot airstrikes, PM says it's inspirational |url=https://www.indiatoday.in/india/story/pm-modi-poem-lata-mangeshkar-song-saugandh-mujhe-iss-mitti-ki-1490334-2019-03-30 |date=30 March 2019 |magazine=[[India Today]] |access-date=2 April 2019}}</ref>
==Bengali career==
==Bengali career==
Mangeshkar has sung 185 songs in Bengali,<ref name="thestatesman.com">{{cite web |title=Lata Mangeshkar: The nightingale's tryst with Rabindra Sangeet |url=https://www.thestatesman.com/entertainment/music/lata-mangeshkar-nightingales-tryst-rabindra-sangeet-1502690352.html |website=The Statesman |access-date=4 December 2018 |date=28 September 2018}}</ref> making her debut in 1956 with the hit song "Prem Ekbari Esechilo Nirobe", composed by [[Hemant Kumar]]. The same year, she recorded "Rongila Banshite", composed by [[Bhupen Hazarika]], which was also a hit. In the late 1950s, she recorded a string of hits such as "Jaare Ude Jare Pakhi", "Na Jeona", and "Ogo Aar Kichu To Noy", all composed by [[Salil Chowdhury]], and which were respectively adapted into Hindi as "Ja Re Ud Ja Re Panchi" and "Tasveer Tere Dil Mein" in ''[[Maya (1961 film)|Maya]]'', and "O Sajna" in ''[[Parakh (1960 film)|Parakh]]''. In 1960, she recorded "Akash Pradip Jole", a smash hit even today. Later in the 1960s, she sang hits like "Ekbar Biday De Ma Ghure Ashi," "[[Saat Bhai Champa]]," "Ke Pratham Kache Esechi," "Nijhum Sandhyay," "Chanchal Mon Anmona," "Asharh Srabon," "Bolchi Tomar Kaney," and "Aaj Mon Cheyeche" by composers like [[Sudhin Dasgupta]], [[Hemant Kumar]], and Chowdhury.
Mangeshkar has sung 185 songs in Bengali,<ref name="thestatesman.com">{{cite web |title=Lata Mangeshkar: The nightingale's tryst with Rabindra Sangeet |url=https://www.thestatesman.com/entertainment/music/lata-mangeshkar-nightingales-tryst-rabindra-sangeet-1502690352.html |website=The Statesman |access-date=4 December 2018 |date=28 September 2018}}</ref> making her debut in 1956 with the hit song "Prem Ekbari Esechilo Nirobe", composed by [[Hemant Kumar]]. The same year, she recorded "Rongila Banshite", composed by [[Bhupen Hazarika]], which was also a hit. In the late 1950s, she recorded a string of hits such as "Jaare Ude Jare Pakhi", "Na Jeona", and "Ogo Aar Kichu To Noy", all composed by [[Salil Chowdhury]], and which were respectively adapted into Hindi as "Ja Re Ud Ja Re Panchi" and "Tasveer Tere Dil Mein" in ''[[Maya (1961 film)|Maya]]'', and "O Sajna" in ''[[Parakh (1960 film)|Parakh]]''. In 1960, she recorded "Akash Pradip Jole", a smash hit even today. Later in the 1960s, she sang hits like "Ekbar Biday De Ma Ghure Ashi," "[[Saat Bhai Champa]]," "Ke Pratham Kache Esechi," "Nijhum Sandhyay," "Chanchal Mon Anmona," "Asharh Srabon," "Bolchi Tomar Kaney," and "Aaj Mon Cheyeche" by composers like [[Sudhin Dasgupta]], [[Hemant Kumar]], and Chowdhury.
==Collaboration with other singers==
==Collaboration with other singers==
From the 1940s to the 1970s, Mangeshkar sang duets with [[Asha Bhosle]], [[Suraiya]], [[Shamshad Begum]], [[Usha Mangeshkar]], [[Kishore Kumar]], [[Mohammed Rafi]], [[Mukesh (singer)|Mukesh]], [[Talat Mahmood]], [[Manna Dey]], [[Hemant Kumar]], [[G.M.Durrani]], and [[Mahendra Kapoor]]. In 1964, she sang "Chanda Se Hoga" with [[P. B. Sreenivas]] from ''[[Main Bhi Ladki Hoon]]''.<ref>{{Cite web|last=Arunachalam|first=Param|date=2015-09-26|title=Bollywood Retrospect: Lata Mangeshkar's 10 best duets|url=https://www.dnaindia.com/entertainment/column-bollywood-retrospect-lata-mangeshkar-s-10-best-duets-2128589|url-status=live|archive-url=https://webcache.googleusercontent.com/search?q=cache:vUaW5IVni9YJ:https://www.dnaindia.com/entertainment/column-bollywood-retrospect-lata-mangeshkar-s-10-best-duets-2128589+&cd=4&hl=en&ct=clnk&gl=in|archive-date=2020-10-30|access-date=2020-10-31|website=DNA India|language=en}}</ref>
From the 1940s to the 1970s, Mangeshkar sang duets with [[Asha Bhosle]], [[Suraiya]], [[Shamshad Begum]], [[Usha Mangeshkar]], [[Kishore Kumar]], [[Mohammed Rafi]], [[Mukesh (singer)|Mukesh]], [[Talat Mahmood]], [[Manna Dey]], [[Hemant Kumar]], [[G.M.Durrani]], and [[Mahendra Kapoor]]. In 1964, she sang "Chanda Se Hoga" with [[P. B. Sreenivas]] from ''[[Main Bhi Ladki Hoon]]''.<ref>{{Cite web|last=Arunachalam|first=Param|date=2015-09-26|title=Bollywood Retrospect: Lata Mangeshkar's 10 best duets|url=https://www.dnaindia.com/entertainment/column-bollywood-retrospect-lata-mangeshkar-s-10-best-duets-2128589|url-status=live|archive-url=https://webcache.googleusercontent.com/search?q=cache:vUaW5IVni9YJ:https://www.dnaindia.com/entertainment/column-bollywood-retrospect-lata-mangeshkar-s-10-best-duets-2128589+&cd=4&hl=en&ct=clnk&gl=in|archive-date=2020-10-30|access-date=2020-10-31|website=DNA India|language=en}}</ref>


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In the 2000s, Mangeshkar's duets were mainly with [[Udit Narayan]] and [[Sonu Nigam]]. 2005-06 were the years of her last well-known songs: "Kaise Piya Se" from ''[[Bewafaa (2005 film)|Bewafa]]'' and "Shayad Yehi To Pyaar Hai" from ''[[Lucky: No Time for Love]]'', with [[Adnan Sami]] and "Lukka Chhupi" in ''[[Rang De Basanti]]'' (2006 film) with [[A. R. Rahman]]. She sang "Ek Tu Hi Bharosa" from ''[[Pukar (2000 film)|Pukar]]''. Other notable songs of this decade were from ''[[Veer-Zaara]]'', sung with Udit Narayan, Sonu Nigam, [[Jagjit Singh]], [[Roop Kumar Rathod]], and [[Gurdas Mann]]. One of her latest songs was "Jeena Hai Kya" from ''Dunno Y2'' (2014).<ref>{{Cite book|last=Mangeshkar|first=Lata|url=https://books.google.com/books?id=nyfIDAAAQBAJ|title=Lata Mangeshkar|date=January 0101|publisher=Prabhat Prakashan|isbn=978-81-8430-461-9|language=en}}</ref>
In the 2000s, Mangeshkar's duets were mainly with [[Udit Narayan]] and [[Sonu Nigam]]. 2005-06 were the years of her last well-known songs: "Kaise Piya Se" from ''[[Bewafaa (2005 film)|Bewafa]]'' and "Shayad Yehi To Pyaar Hai" from ''[[Lucky: No Time for Love]]'', with [[Adnan Sami]] and "Lukka Chhupi" in ''[[Rang De Basanti]]'' (2006 film) with [[A. R. Rahman]]. She sang "Ek Tu Hi Bharosa" from ''[[Pukar (2000 film)|Pukar]]''. Other notable songs of this decade were from ''[[Veer-Zaara]]'', sung with Udit Narayan, Sonu Nigam, [[Jagjit Singh]], [[Roop Kumar Rathod]], and [[Gurdas Mann]]. One of her latest songs was "Jeena Hai Kya" from ''Dunno Y2'' (2014).<ref>{{Cite book|last=Mangeshkar|first=Lata|url=https://books.google.com/books?id=nyfIDAAAQBAJ|title=Lata Mangeshkar|date=January 0101|publisher=Prabhat Prakashan|isbn=978-81-8430-461-9|language=en}}</ref>
==Non-singing career==
==Non-singing career==
===Music direction===
===Music direction===
Lata Mangeshkar composed music for the first time in 1955 for the Marathi movie ''Ram Ram Pavhane''. Later in the 1960s, she composed music for following [[Marathi language|Marathi]] movies under the pseudonym of Anand Ghan.<ref>{{cite web |url = http://ftvdb.bfi.org.uk/sift/individual/83243 |archive-url = https://web.archive.org/web/20070226201544/http://ftvdb.bfi.org.uk/sift/individual/83243 |url-status = dead |archive-date = 2007-02-26 |title=BFI, Lata Mangeshkar}}</ref><ref name="Bhimani1995">{{cite book|author=Harish Bhimani|title=In Search of Lata Mangeshkar|url=https://books.google.com/books?id=vaafAAAAMAAJ|date=1 January 1995|publisher=Indus|isbn=978-81-7223-170-5|page=322}}</ref><ref name="Bharatan1995">{{cite book|author=Raju Bharatan|title=Lata Mangeshkar: A Biography|url=https://books.google.com/books?id=RaafAAAAMAAJ|date=1 January 1995|publisher=UBS Publishers' Distributors|isbn=978-81-7476-023-4|page=382}}</ref>
Lata Mangeshkar composed music for the first time in 1955 for the Marathi movie ''Ram Ram Pavhane''. Later in the 1960s, she composed music for following [[Marathi language|Marathi]] movies under the pseudonym of Anand Ghan.<ref>{{cite web |url = http://ftvdb.bfi.org.uk/sift/individual/83243 |archive-url = https://web.archive.org/web/20070226201544/http://ftvdb.bfi.org.uk/sift/individual/83243 |url-status = dead |archive-date = 2007-02-26 |title=BFI, Lata Mangeshkar}}</ref><ref name="Bhimani1995">{{cite book|author=Harish Bhimani|title=In Search of Lata Mangeshkar|url=https://books.google.com/books?id=vaafAAAAMAAJ|date=1 January 1995|publisher=Indus|isbn=978-81-7223-170-5|page=322}}</ref><ref name="Bharatan1995">{{cite book|author=Raju Bharatan|title=Lata Mangeshkar: A Biography|url=https://books.google.com/books?id=RaafAAAAMAAJ|date=1 January 1995|publisher=UBS Publishers' Distributors|isbn=978-81-7476-023-4|page=382}}</ref>
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* 1965 - ''Sadhi Manase''
* 1965 - ''Sadhi Manase''
* 1969 - ''Tambadi Mati''
* 1969 - ''Tambadi Mati''
She won Maharashtra State Government's Best Music Director Award for the film ''Sadhi Manase''. The song "Airanichya Deva Tula" from the same film received best song award.<ref>{{cite news|url=http://timesofindia.indiatimes.com/entertainment/marathi/movies/did-you-know/Music-director-Lata-Mangeshkar/articleshow/12248652.cms|title=Music director, Lata Mangeshkar - Times of India|newspaper=The Times of India|access-date=2017-02-04}}</ref>
She won Maharashtra State Government's Best Music Director Award for the film ''Sadhi Manase''. The song "Airanichya Deva Tula" from the same film received best song award.<ref>{{cite news|url=http://timesofindia.indiatimes.com/entertainment/marathi/movies/did-you-know/Music-director-Lata-Mangeshkar/articleshow/12248652.cms|title=Music director, Lata Mangeshkar - Times of India|newspaper=The Times of India|access-date=2017-02-04}}</ref>
===Production===
===Production===
Lata Mangeshkar has produced four films:
Lata Mangeshkar has produced four films:
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* 1955 - ''Kanchan Ganga'' (Hindi)
* 1955 - ''Kanchan Ganga'' (Hindi)
* 1990 - ''[[Lekin...]]'' (Hindi)
* 1990 - ''[[Lekin...]]'' (Hindi)
==Awards and recognitions==
==Awards and recognitions==
{{Main|List of awards received by Lata Mangeshkar}}
{{Main|List of awards received by Lata Mangeshkar}}
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Mangeshkar is also a recipient of honorary doctorates from the [[Sangeet Natak Akademi]] in 1989, [[Indira Kala Sangeet Vishwavidyalaya]], [[Khairagarh]], and [[Shivaji University]] in [[Kolhapur]].<ref>{{cite web |url=https://www.sangeetnatak.gov.in/sna/citation_popup.php?id=340&at=1 |title=Lata Mangeshkar |website=www.sangeetnatak.gov.in |access-date= 31 January 2021}}</ref><ref>{{cite web |url=https://www.sangeetnatak.gov.in/sna/Awardees.php?section=af&awtype=&page=6 |title=SNA - List of Awardees |website=www.sangeetnatak.gov.in |access-date= 31 January 2021}}</ref>
Mangeshkar is also a recipient of honorary doctorates from the [[Sangeet Natak Akademi]] in 1989, [[Indira Kala Sangeet Vishwavidyalaya]], [[Khairagarh]], and [[Shivaji University]] in [[Kolhapur]].<ref>{{cite web |url=https://www.sangeetnatak.gov.in/sna/citation_popup.php?id=340&at=1 |title=Lata Mangeshkar |website=www.sangeetnatak.gov.in |access-date= 31 January 2021}}</ref><ref>{{cite web |url=https://www.sangeetnatak.gov.in/sna/Awardees.php?section=af&awtype=&page=6 |title=SNA - List of Awardees |website=www.sangeetnatak.gov.in |access-date= 31 January 2021}}</ref>
==Guinness controversy==
==Guinness controversy==
In 1974, ''[[The Guinness Book of Records]]'' listed Lata Mangeshkar as the most recorded artist in history, stating that she had reportedly recorded "not less than 25,000 solo, [[duet]] and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by [[Mohammad Rafi]], who was claimed to have sung around 28,000 songs.<ref name="howfair">{{cite web
In 1974, ''[[The Guinness Book of Records]]'' listed Lata Mangeshkar as the most recorded artist in history, stating that she had reportedly recorded "not less than 25,000 solo, [[duet]] and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by [[Mohammad Rafi]], who was claimed to have sung around 28,000 songs.<ref name="howfair">{{cite web
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  |author = Richard Corliss
  |author = Richard Corliss
  |date = 12 August 2003
  |date = 12 August 2003
  |url = http://content.time.com/time/arts/article/0,8599,475407,00.html}}</ref><ref name="Majumdar2009">{{cite book|author=Neepa Majumdar|title=Wanted cultured ladies only!: female stardom and cinema in India, 1930s-1950s|url=https://books.google.com/books?id=TdM2Ben3alIC&pg=PA232|access-date=6 October 2011|date=25 September 2009|publisher=University of Illinois Press|isbn=978-0-252-07628-2|pages=232–}}</ref> Mangeshkar herself has stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.<ref>Bhatt, Punita. "A controversy in the making". ''[[Filmfare|Filmfare magazine]]''. 1–15 June 1987.</ref> In 2011, the entry was revived by ''Guinness'' crediting the record to her sister [[Asha Bhosle]] as the most recorded artist in music history, "for recording up to 11,000 solo, duet and chorus-backed songs and in over 20 Indian languages since 1947".<ref name="newrec">{{cite news|newspaper=[[DNA India]]|title=It's a world record for Asha Bhosle|url=http://www.dnaindia.com/entertainment/report_its-a-world-record-for-asha-bhosle_1601969|date=22 October 2011|access-date=2011-10-23|author=Banerjee, Soumyadipta}}</ref> Since 2016, current record in this category belongs to  
  |url = http://content.time.com/time/arts/article/0,8599,475407,00.html}}</ref><ref name="Majumdar2009">{{cite book|author=Neepa Majumdar|title=Wanted cultured ladies only!: female stardom and cinema in India, 1930s-1950s|url=https://books.google.com/books?id=TdM2Ben3alIC&pg=PA232|access-date=6 October 2011|date=25 September 2009|publisher=University of Illinois Press|isbn=978-0-252-07628-2|pages=232–}}</ref> Mangeshkar herself has stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.<ref>Bhatt, Punita. "A controversy in the making". ''[[Filmfare|Filmfare magazine]]''. 1–15 June 1987.</ref> In 2011, the entry was revived by ''Guinness'' crediting the record to her sister [[Asha Bhosle]] as the most recorded artist in music history, "for recording up to 11,000 solo, duet and chorus-backed songs and in over 20 Indian languages since 1947".<ref name="newrec">{{cite news|newspaper=[[DNA India]]|title=It's a world record for Asha Bhosle|url=http://www.dnaindia.com/entertainment/report_its-a-world-record-for-asha-bhosle_1601969|date=22 October 2011|access-date=2011-10-23|author=Banerjee, Soumyadipta}}</ref> Since 2016, current record in this category belongs to
[[P. Susheela|Pulapaka Susheela]], for recording at least 17,695 songs in 6 languages, not counting some lost early recordings.<ref>{{cite web|url=http://www.guinnessworldrecords.com/world-records/11000/most-studio-recordings-singles-and-albums-combined|title=Most studio recordings - singles and albums combined|publisher=GuinnessWorldRecords.com|language=en|access-date=2018-11-24}}</ref>
[[P. Susheela|Pulapaka Susheela]], for recording at least 17,695 songs in 6 languages, not counting some lost early recordings.<ref>{{cite web|url=http://www.guinnessworldrecords.com/world-records/11000/most-studio-recordings-singles-and-albums-combined|title=Most studio recordings - singles and albums combined|publisher=GuinnessWorldRecords.com|language=en|access-date=2018-11-24}}</ref>
==See also==
==See also==
{{Portal|Bollywood}}
{{Portal|Bollywood}}
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* [[Bharat Ratna]]
* [[Bharat Ratna]]
* [[Padma Bhushan]]
* [[Padma Bhushan]]
==References==
==References==
{{Reflist}}
{{Reflist}}
==Further reading==
==Further reading==
* {{cite book
* {{cite book
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}}.
}}.
* {{cite book |author=Bhawana Somaaya |editor=Malvika Singh |title=Freeing the Spirit: The Iconic Women of Modern India |chapter=Lata Mangeshkar |year=2006 |publisher=New York |isbn=978-0-14-310082-9}}
* {{cite book |author=Bhawana Somaaya |editor=Malvika Singh |title=Freeing the Spirit: The Iconic Women of Modern India |chapter=Lata Mangeshkar |year=2006 |publisher=New York |isbn=978-0-14-310082-9}}
==External links==
==External links==
{{commons category}}
{{commons category}}
* {{IMDb name | id=0542196 | name = Lata Mangeshkar }}
* {{IMDb name | id=0542196 | name = Lata Mangeshkar }}
{{Lata Mangeshkar}}
{{Lata Mangeshkar}}
{{Mangeshkar family}}
{{Mangeshkar family}}
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{{SangeetNatakAkademiFellowship}}
{{SangeetNatakAkademiFellowship}}
}}
}}
{{Authority control}}
{{Authority control}}
{{DEFAULTSORT:Mangeshkar, Lata}}
{{DEFAULTSORT:Mangeshkar, Lata}}
[[Category:1929 births]]
[[Category:1929 births]]
Ctoi
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