Salim–Javed: Difference between revisions
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{{Short description|Popular Indian screen-writing duo}} | |||
{{For|the Pakistani pop singer|Saleem Javed}} | {{For|the Pakistani pop singer|Saleem Javed}} | ||
{{EngvarB|date=August 2014}} | {{EngvarB|date=August 2014}} | ||
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While working together, Salim Khan was largely responsible for developing the stories and characters, which were considered unconventional at the time, while Javed Akhtar was largely responsible for writing the dialogues.<ref name="scroll">{{cite web|last=Chintamani|first=Gautam|title=The brilliance of Salim-Javed lies not just in what they said, but how they said it|url=https://scroll.in/article/764622/the-brilliance-of-salim-javed-lies-not-just-in-what-they-said-but-how-they-said-it|website=Scroll|date=25 October 2015}}</ref> Many of the dialogues they wrote for their films have become famous. Although the dialogues are often referred to as [[Hindi]], they are actually mostly in [[Urdu]], a [[Register (sociolinguistics)|register]] of the [[Hindustani language]]. Coming from backgrounds in [[Urdu literature]], they mostly included vocabulary from Urdu, and wrote their dialogues in [[Urdu script]], with the Urdu dialogues then transcribed by an assistant into [[Devanagari]] script so that Hindi readers could also read the Urdu dialogues.<ref>{{cite book|last1=Aḵẖtar|first1=Jāvīd|author-link1=Javed Akhtar|last2=Kabir|first2=Nasreen Munni|title=Talking Films: Conversations on Hindi Cinema with Javed Akhtar|date=2002|publisher=[[Oxford University Press]]|isbn=978-0-19-566462-1|page=49|url=https://books.google.com/books?id=_JILAQAAMAAJ|quote=JA: I write dialogue in Urdu, but the action and descriptions are in English. Then an assistant transcribes the Urdu dialogue into Devnagari because most people read Hindi. But I write in Urdu. Not only me, I think most of the writers working in this so-called Hindi cinema write in Urdu: [[Gulzar]], or [[Rajinder Singh Bedi]] or [[Inder Raj Anand]] or [[Rahi Masoom Raza]] or [[Wajahat Mirza|Vahajat Mirza]], who wrote dialogue for films like ''[[Mughal-e-Azam]]'' and ''[[Gunga Jumna]]'' and ''[[Mother India]]''. So most dialogue-writers and most song-writers are from the Urdu discipline, even today.}}</ref><ref name="Chopra">{{cite book|last=Chopra|first=Anupama|title=Sholay, the Making of a Classic|date=2000|publisher=[[Penguin Books]]|isbn=978-0-14-029970-0|page=33|url=https://books.google.com/books?id=p8oM0k2UNzMC&pg=PA33}}</ref> | While working together, Salim Khan was largely responsible for developing the stories and characters, which were considered unconventional at the time, while Javed Akhtar was largely responsible for writing the dialogues.<ref name="scroll">{{cite web|last=Chintamani|first=Gautam|title=The brilliance of Salim-Javed lies not just in what they said, but how they said it|url=https://scroll.in/article/764622/the-brilliance-of-salim-javed-lies-not-just-in-what-they-said-but-how-they-said-it|website=Scroll|date=25 October 2015}}</ref> Many of the dialogues they wrote for their films have become famous. Although the dialogues are often referred to as [[Hindi]], they are actually mostly in [[Urdu]], a [[Register (sociolinguistics)|register]] of the [[Hindustani language]]. Coming from backgrounds in [[Urdu literature]], they mostly included vocabulary from Urdu, and wrote their dialogues in [[Urdu script]], with the Urdu dialogues then transcribed by an assistant into [[Devanagari]] script so that Hindi readers could also read the Urdu dialogues.<ref>{{cite book|last1=Aḵẖtar|first1=Jāvīd|author-link1=Javed Akhtar|last2=Kabir|first2=Nasreen Munni|title=Talking Films: Conversations on Hindi Cinema with Javed Akhtar|date=2002|publisher=[[Oxford University Press]]|isbn=978-0-19-566462-1|page=49|url=https://books.google.com/books?id=_JILAQAAMAAJ|quote=JA: I write dialogue in Urdu, but the action and descriptions are in English. Then an assistant transcribes the Urdu dialogue into Devnagari because most people read Hindi. But I write in Urdu. Not only me, I think most of the writers working in this so-called Hindi cinema write in Urdu: [[Gulzar]], or [[Rajinder Singh Bedi]] or [[Inder Raj Anand]] or [[Rahi Masoom Raza]] or [[Wajahat Mirza|Vahajat Mirza]], who wrote dialogue for films like ''[[Mughal-e-Azam]]'' and ''[[Gunga Jumna]]'' and ''[[Mother India]]''. So most dialogue-writers and most song-writers are from the Urdu discipline, even today.}}</ref><ref name="Chopra">{{cite book|last=Chopra|first=Anupama|title=Sholay, the Making of a Classic|date=2000|publisher=[[Penguin Books]]|isbn=978-0-14-029970-0|page=33|url=https://books.google.com/books?id=p8oM0k2UNzMC&pg=PA33}}</ref> | ||
The duo made the writer's role popular with their names appearing in the posters of the films, and in some films they shared up to 25% of the profit. Their association lasted until 1982, when both decided to split after which Javed Akhtar moved into writing lyrics for around 80 films and scripts for 20 films from 1981 till present times, while Salim Khan wrote for 10 scripts between | The duo made the writer's role popular with their names appearing in the posters of the films, and in some films they shared up to 25% of the profit. Their association lasted until 1982, when both decided to split after which Javed Akhtar moved into writing lyrics for around 80 films and scripts for 20 films from 1981 till present times, while Salim Khan wrote for 10 scripts between 1983 and 1996. They are credited together on two films after the split, ''[[Zamana (1985 film)|Zamana]]'' (1985) and ''[[Mr. India (1987 film)|Mr. India]]'' (1987), due to these scripts being written earlier and made into film later after their split. In addition, their films had many [[Cinema of South India|South Indian]] remakes, which were often licensed directly from Salim–Javed, who owned the South Indian remake rights to their films. | ||
==Before teaming up== | ==Before teaming up== | ||
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Salim Khan used to assist writer/director Abrar Alvi at first and Javed Akhtar used to assist [[Kaifi Azmi]]. Abrar Alvi and Kaifi Azmi were neighbours, from there on Salim Khan and Javed Akhtar became friends. Since their individual work was flopping both of them ventured into script writing and they decided to team up in 1971. Realizing the lack of writers in the movie making industry, Salim gradually learnt about story telling and writing techniques used in films, along with close friend [[Javed Akhtar]] and began writing short transcripts. The duo hit it off well and formed a script-writing team that came to be known as Salim–Javed. Salim used to form stories and plots whereas Javed used to help Salim with the dialogues for those films. They used to brainstorm and come to conclusions regarding the final draft of the film. Akhtar first joined Khan to develop the story for ''[[Adhikar (1971 film)|Adhikar]]'' and ''[[Andaz (1971 film)|Andaz]]'' (both 1971). | Salim Khan used to assist writer/director Abrar Alvi at first and Javed Akhtar used to assist [[Kaifi Azmi]]. Abrar Alvi and Kaifi Azmi were neighbours, from there on Salim Khan and Javed Akhtar became friends. Since their individual work was flopping both of them ventured into script writing and they decided to team up in 1971. Realizing the lack of writers in the movie making industry, Salim gradually learnt about story telling and writing techniques used in films, along with close friend [[Javed Akhtar]] and began writing short transcripts. The duo hit it off well and formed a script-writing team that came to be known as Salim–Javed. Salim used to form stories and plots whereas Javed used to help Salim with the dialogues for those films. They used to brainstorm and come to conclusions regarding the final draft of the film. Akhtar first joined Khan to develop the story for ''[[Adhikar (1971 film)|Adhikar]]'' and ''[[Andaz (1971 film)|Andaz]]'' (both 1971). | ||
Initially in the 1970s there was no concept of having the same writer for the screenplay, story and dialogue nor were the writers given any credits in the title. Rajesh Khanna is credited with giving Salim Khan and Javed Akhtar their first chance to become screenplay writers by offering them work in ''[[Haathi Mere Saathi (1971 film)|Haathi Mere Saathi]]'' (1971).<ref>{{cite news| url=http://articles.timesofindia.indiatimes.com/2012-07-19/news-interviews/32731341_1_rajesh-khanna-consecutive-solo-superhits-record-in-indian-film | archive-url=https://web.archive.org/web/20131202231114/http://articles.timesofindia.indiatimes.com/2012-07-19/news-interviews/32731341_1_rajesh-khanna-consecutive-solo-superhits-record-in-indian-film | url-status=dead | archive-date=2013-12-02 | work=[[The Times of India]] | title=More facts about Rajesh Khanna}}</ref> Javed Akhtar accepted in an interview that "One day, he went to Salimsaab and said that Mr. Devar had given him a huge signing amount with which he could complete the payment for his bungalow Aashirwad. But the film was a remake [of ''[[Deiva Cheyal]]''] and the script of the original was far from being satisfactory. He told us that if we could set right the script, he would make sure we got both money and credit."<ref>{{cite web|url=http://www.bollywoodhungama.com/movies/features/type/view/id/3718/|title=Featured Movie News - Featured Bollywood News - Bollywood Hungama|first=Bollywood|last=Hungama|website=Bollywood Hungama}}</ref> Salim–Javed were hired by G. P. Sippy's Sippy Films as resident screenwriters and produced the screenplays for successful films like ''Andaz, Seeta Aur Geeta, Sholay'' and ''Don''. They have worked together in 24 films including two hit Kannada films (both starring [[Rajkumar | Initially in the 1970s there was no concept of having the same writer for the screenplay, story and dialogue nor were the writers given any credits in the title. Rajesh Khanna is credited with giving Salim Khan and Javed Akhtar their first chance to become screenplay writers by offering them work in ''[[Haathi Mere Saathi (1971 film)|Haathi Mere Saathi]]'' (1971).<ref>{{cite news| url=http://articles.timesofindia.indiatimes.com/2012-07-19/news-interviews/32731341_1_rajesh-khanna-consecutive-solo-superhits-record-in-indian-film | archive-url=https://web.archive.org/web/20131202231114/http://articles.timesofindia.indiatimes.com/2012-07-19/news-interviews/32731341_1_rajesh-khanna-consecutive-solo-superhits-record-in-indian-film | url-status=dead | archive-date=2013-12-02 | work=[[The Times of India]] | title=More facts about Rajesh Khanna}}</ref> Javed Akhtar accepted in an interview that "One day, he went to Salimsaab and said that Mr. Devar had given him a huge signing amount with which he could complete the payment for his bungalow Aashirwad. But the film was a remake [of ''[[Deiva Cheyal]]''] and the script of the original was far from being satisfactory. He told us that if we could set right the script, he would make sure we got both money and credit."<ref>{{cite web|url=http://www.bollywoodhungama.com/movies/features/type/view/id/3718/|title=Featured Movie News - Featured Bollywood News - Bollywood Hungama|first=Bollywood|last=Hungama|website=Bollywood Hungama}}</ref> Salim–Javed were hired by G. P. Sippy's Sippy Films as resident screenwriters and produced the screenplays for successful films like ''Andaz, Seeta Aur Geeta, Sholay'' and ''Don''. They have worked together in 24 films including two hit Kannada films (both starring [[Dr. Rajkumar|Dr.Rajkumar]]) – ''[[Premada Kanike]]'' and ''[[Raja Nanna Raja]]''. Though they split in 1982, due to ego issues, some of the scripts they wrote were made into hit films later like ''Zamana'' and ''Mr. India''. | ||
Salim–Javed (as they are famously called) have scripted many commercially and critically accepted movies for movie making giants like [[Nasir Hussain]] (''[[Yaadon Ki Baaraat]]''), [[Prakash Mehra]] (''[[Zanjeer (1973 film)|Zanjeer]]'' and ''[[Haath Ki Safai]]''), [[Ravi Tandon]] (''[[Majboor (1974 film)|Majboor]]''), [[Yash Chopra]] (''[[Deewaar]], [[Trishul (film)|Trishul]]'' and ''[[Kaala Patthar]]''), [[Yash Johar]] (''[[Dostana (1980 film)|Dostana]]''), [[Ramesh Sippy]] (''[[Seeta Aur Geeta]]'' and ''[[Sholay]]''), [[Ramesh Talwar]] (''[[Zamana (1985 film)|Zamana]]''), [[Shekhar Kapoor]] (''[[Mr. India (1987 film)|Mr. India]]'') and with Chand Barot (''[[Don (1978 film)|Don]]''). The duo split up in the early 1982 and ended their 12-year professional relationship because they developed ego issues.<ref name="mid-day.com">{{cite web|title=Salim Khan says things like he sees them|url=http://www.mid-day.com/entertainment/2010/oct/061010-Salman-Arbaaz-interview-Salim-Khan-Katrina-Kaif.htm|work=[[MiD DAY]]|access-date=6 October 2010|date=6 October 2010}}</ref> Of the 24 films they wrote the scripts for, the film which were not successful at box office include ''[[Aakhri Dao]]'' (1975), ''[[Immaan Dharam]]'' (1977), ''[[Kaala Patthar]]'' (1979) and ''[[Shaan (1980 film)|Shaan]]'' (1981). | Salim–Javed (as they are famously called) have scripted many commercially and critically accepted movies for movie making giants like [[Nasir Hussain]] (''[[Yaadon Ki Baaraat]]''), [[Prakash Mehra]] (''[[Zanjeer (1973 film)|Zanjeer]]'' and ''[[Haath Ki Safai]]''), [[Ravi Tandon]] (''[[Majboor (1974 film)|Majboor]]''), [[Yash Chopra]] (''[[Deewaar]], [[Trishul (film)|Trishul]]'' and ''[[Kaala Patthar]]''), [[Yash Johar]] (''[[Dostana (1980 film)|Dostana]]''), [[Ramesh Sippy]] (''[[Seeta Aur Geeta]]'' and ''[[Sholay]]''), [[Ramesh Talwar]] (''[[Zamana (1985 film)|Zamana]]''), [[Shekhar Kapoor]] (''[[Mr. India (1987 film)|Mr. India]]'') and with Chand Barot (''[[Don (1978 film)|Don]]''). The duo split up in the early 1982 and ended their 12-year professional relationship because they developed ego issues.<ref name="mid-day.com">{{cite web|title=Salim Khan says things like he sees them|url=http://www.mid-day.com/entertainment/2010/oct/061010-Salman-Arbaaz-interview-Salim-Khan-Katrina-Kaif.htm|work=[[MiD DAY]]|access-date=6 October 2010|date=6 October 2010}}</ref> Of the 24 films they wrote the scripts for, the film which were not successful at box office include ''[[Aakhri Dao]]'' (1975), ''[[Immaan Dharam]]'' (1977), ''[[Kaala Patthar]]'' (1979) and ''[[Shaan (1980 film)|Shaan]]'' (1981). | ||
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===South Indian cinema=== | ===South Indian cinema=== | ||
Their work was also highly influential in [[South Indian cinema]]. In addition to writing two [[Kannada cinema|Kannada films]] - the highly successful [[Rajkumar | Their work was also highly influential in [[South Indian cinema]]. In addition to writing two [[Kannada cinema|Kannada films]] - the highly successful [[Dr. Rajkumar|Rajkumar]] and Arathi starrers of 1976 - ''[[Raja Nanna Raja]]'' and ''[[Premada Kanike]]'', many of their Bollywood films had remakes produced in other South Indian film industries, including [[Tamil cinema]], [[Telugu cinema]] and [[Malayalam cinema]]. While the Bollywood directors and producers held the rights to their films in Northern India, it was Salim–Javed who held the rights to their films in [[South India]], where they sold the remake rights to various South Indian filmmakers, usually for around {{INRConvert|1|l|year=1973|lk=l}} each, for films such as ''Zanjeer'', ''Yaadon Ki Baarat'', and ''Don''.<ref>{{cite book|last1=Kishore|first1=Vikrant|last2=Sarwal|first2=Amit|last3=Patra|first3=Parichay|title=Salaam Bollywood: Representations and Interpretations|date=2016|publisher=[[Routledge]]|isbn=9781317232865|page=238|url=https://books.google.com/books?id=wQLeCwAAQBAJ&pg=PA238}}</ref> | ||
Much like their role in launching the career of Amitabh Bachchan, Salim–Javed also played an important role in launching the career of South Indian superstar [[Rajinikanth]].<ref name="catchnews">{{cite news|title=What do Amitabh Bachchan and Rajinikanth have in common?|url=http://www.catchnews.com/bollywood-news/like-amitabh-bachchan-does-rajinikanth-owe-his-success-to-salim-khan-and-javed-akhtar-catch-flash-back-bollywood-news-1469260347.html|work=Catch News|date=23 July 2016}}</ref> Several Tamil remakes of their films became breakthroughs for Rajinikanth, who was cast in Amitabh Bachchan's role.<ref name="indianexpress2"/><ref name="Mint">{{cite news|last=Jha|first=Lata|title=10 Rajinikanth films that were remakes of Amitabh Bachchan starrers|url=http://www.livemint.com/Consumer/1zecmlLkbhchQlpXOOOsxN/10-Rajinikanth-films-that-were-remakes-of-Amitabh-Bachchan-s.html|work=[[Mint (newspaper)|Mint]]|date=18 July 2016}}</ref> The Tamil remake of ''[[Don (1978 film)|Don]]'' (1978) in particular, ''[[Billa (1980 film)|Billa]]'' (1980), was a turning point in Rajinikanth's career, as his first blockbuster hit. He also starred in several other hit Salim–Javed adaptations in Bachchan's role, including ''[[Thee (1981 film)|Thee]]'' (1981), ''[[Mr. Bharath]]'' (1986),<ref name="catchnews"/> and ''[[Naan Vazhavaippen]]'' (1979).<ref name="Mint"/> Of the four prominent south industries, their movies were remade the least in Kannada. | Much like their role in launching the career of Amitabh Bachchan, Salim–Javed also played an important role in launching the career of South Indian superstar [[Rajinikanth]].<ref name="catchnews">{{cite news|title=What do Amitabh Bachchan and Rajinikanth have in common?|url=http://www.catchnews.com/bollywood-news/like-amitabh-bachchan-does-rajinikanth-owe-his-success-to-salim-khan-and-javed-akhtar-catch-flash-back-bollywood-news-1469260347.html|work=Catch News|date=23 July 2016}}</ref> Several Tamil remakes of their films became breakthroughs for Rajinikanth, who was cast in Amitabh Bachchan's role.<ref name="indianexpress2"/><ref name="Mint">{{cite news|last=Jha|first=Lata|title=10 Rajinikanth films that were remakes of Amitabh Bachchan starrers|url=http://www.livemint.com/Consumer/1zecmlLkbhchQlpXOOOsxN/10-Rajinikanth-films-that-were-remakes-of-Amitabh-Bachchan-s.html|work=[[Mint (newspaper)|Mint]]|date=18 July 2016}}</ref> The Tamil remake of ''[[Don (1978 film)|Don]]'' (1978) in particular, ''[[Billa (1980 film)|Billa]]'' (1980), was a turning point in Rajinikanth's career, as his first blockbuster hit. He also starred in several other hit Salim–Javed adaptations in Bachchan's role, including ''[[Thee (1981 film)|Thee]]'' (1981), ''[[Mr. Bharath]]'' (1986),<ref name="catchnews"/> and ''[[Naan Vazhavaippen]]'' (1979).<ref name="Mint"/> Of the four prominent south industries, their movies were remade the least in Kannada. | ||
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| 1972 || ''[[Seeta Aur Geeta]]'' || [[Ramesh Sippy]] || [[Hema Malini]], [[Dharmendra]], [[Sanjeev Kumar]] || Remade in Telugu as ''[[Ganga Manga]]'' (1973) with [[Vanisri]] in the dual role alongside [[Shobhan Babu]] and [[Krishna (Telugu actor)|Krishna]].<br/>Remade in Tamil as [[Vani Rani (film)|''Vani Rani'']] (1974) with [[Vanisri]] in the dual role alongside [[Sivaji Ganesan]] and [[R. Muthuraman]]. | | 1972 || ''[[Seeta Aur Geeta]]'' || [[Ramesh Sippy]] || [[Hema Malini]], [[Dharmendra]], [[Sanjeev Kumar]] || Remade in Telugu as ''[[Ganga Manga]]'' (1973) with [[Vanisri]] in the dual role alongside [[Shobhan Babu]] and [[Krishna (Telugu actor)|Krishna]].<br/>Remade in Tamil as [[Vani Rani (film)|''Vani Rani'']] (1974) with [[Vanisri]] in the dual role alongside [[Sivaji Ganesan]] and [[R. Muthuraman]]. | ||
|- | |- | ||
| 1973 ||''[[Zanjeer (1973 film)|Zanjeer]]''||[[Prakash Mehra]]||[[Amitabh Bachchan]], [[Jaya Bhaduri]], [[Pran (actor)|Pran]]|| Remade in Telugu as ''[[Nippulanti Manishi]]'' (1974) with [[N.T. Rama Rao]], [[Latha Sethupathi]] and [[Kaikala Satyanarayana]] | | 1973 ||''[[Zanjeer (1973 film)|Zanjeer]]''||[[Prakash Mehra]]||[[Amitabh Bachchan]], [[Jaya Bhaduri]], [[Pran (actor)|Pran]]|| Remade in Telugu as ''[[Nippulanti Manishi]]'' (1974) with [[N.T. Rama Rao]], [[Latha Sethupathi]] and [[Kaikala Satyanarayana]].<br /> Remade in Tamil as ''[[Sirithu Vazha Vendum]]'' (1974) with [[M. G. Ramachandran]] in dual role and [[Latha (actress)|Latha]].<br /> Remade in Malayalam as ''[[Naayattu]]'' (1980) with [[Prem Nazir]], [[Jayan]] and [[Sukumari]].<br /> Further remade in 2013 into Hindi-Telugu bilingual ''[[Zanjeer (2013 film)|Zanjeer]]'' in Hindi and ''[[Zanjeer (2013 film)|Thoofan]]'' in Telugu starring [[Ram Charan]] and [[Priyanka Chopra]]. | ||
|- | |- | ||
| 1973 || ''[[Yaadon Ki Baaraat]]'' || [[Nasir Hussain]] || [[Dharmendra]], [[Vijay Arora]], [[Tariq Khan (actor)|Tariq Khan]] || Remade in Tamil as ''[[Naalai Namadhe]]'' (1975) with [[M. G. Ramachandran]] in dual role and [[Chandra mohan]] | | 1973 || ''[[Yaadon Ki Baaraat]]'' || [[Nasir Hussain]] || [[Dharmendra]], [[Vijay Arora]], [[Tariq Khan (actor)|Tariq Khan]] || Remade in Tamil as ''[[Naalai Namadhe]]'' (1975) with [[M. G. Ramachandran]] in dual role and [[Chandra mohan]].<br/> Remade in Telugu as ''[[Annadammula Anubandham]]'' (1975) with [[N. T. Rama Rao]], [[Murali Mohan]] and [[Nandamuri Balakrishna]].<br/> Remade in Malayalam as ''[[Himam]]'' (1983) with [[Prem Nazir]], [[Shankar (actor)|Shankar]] and [[Shanavas]]. | ||
|- | |- | ||
| 1974 || ''[[Majboor (1974 film)|Majboor]]'' || [[Ravi Tandon]] || [[Amitabh Bachchan]], [[Parveen Babi]], [[Pran (actor)|Pran]] || Inspired by [[Zig Zag (1970 film)|Zig Zag]] and ''[[Cold Sweat (1970 film)|Cold Sweat]].''<ref>https://epaperlive.timesofindia.com/TOI/BLR/20171011#display_area</ref><br/>Remade in Telugu as ''Raja'' (1974) with [[Shobhan Babu]] and [[Jayasudha]] | | 1974 || ''[[Majboor (1974 film)|Majboor]]'' || [[Ravi Tandon]] || [[Amitabh Bachchan]], [[Parveen Babi]], [[Pran (actor)|Pran]] || Inspired by [[Zig Zag (1970 film)|Zig Zag]] and ''[[Cold Sweat (1970 film)|Cold Sweat]].''<ref>https://epaperlive.timesofindia.com/TOI/BLR/20171011#display_area</ref><br/>Remade in Telugu as ''Raja'' (1974) with [[Shobhan Babu]] and [[Jayasudha]].<br/> Remade in Tamil as ''[[Naan Vazhavaippen]]'' (1979) with [[Sivaji Ganeshan]], [[K. R. Vijaya]] and [[Rajinikanth]].<br/> Remade in Malayalam as ''[[Ee Kaikalil]]'' starring [[Mammootty]] and [[Seema (actress)|Seema]].<br/> Remade in Gujarati as ''Naseeb No Khel'' (1982). | ||
|- | |- | ||
| 1974 || ''[[Haath Ki Safai]]'' || [[Prakash Mehra]] || [[Randhir Kapoor]], [[Vinod Khanna]], [[Hema Malini]], [[Simi Garewal]], [[Ranjeet]]|| Remade in Telugu as ''Manushulu Chesina Dongalu'' (1976) with [[Krishna (Telugu actor)|Krishna]], [[Krishnam Raju]], [[Manjula Vijayakumar|Manjula]], Sangeetha and [[Mohan Babu]] | | 1974 || ''[[Haath Ki Safai]]'' || [[Prakash Mehra]] || [[Randhir Kapoor]], [[Vinod Khanna]], [[Hema Malini]], [[Simi Garewal]], [[Ranjeet]]|| Remade in Telugu as ''Manushulu Chesina Dongalu'' (1976) with [[Krishna (Telugu actor)|Krishna]], [[Krishnam Raju]], [[Manjula Vijayakumar|Manjula]], Sangeetha and [[Mohan Babu]].<br/> Remade in Tamil as ''[[Savaal]]'' (1981) with [[Kamal Haasan]], [[Jaishankar]], [[Sripriya]], [[Lakshmi (actress)|Lakshmi]] and [[Vijayakumar (Tamil actor)|Vijayakumar]]. | ||
|- | |- | ||
| 1975 || ''[[Deewaar]]'' || [[Yash Chopra]]|| [[Amitabh Bachchan]], [[Shashi Kapoor]], [[Parveen Babi]], [[Neetu Singh]] || Remade in Telugu as ''[[Magaadu (1976 film)|Magaadu]]'' (1976) with [[N. T. Rama Rao]], [[Ramakrishna (Telugu actor)|Rama Krishna]], [[Manjula Vijayakumar|Manjula]] and [[Latha (actress)|Latha]] | | 1975 || ''[[Deewaar]]'' || [[Yash Chopra]]|| [[Amitabh Bachchan]], [[Shashi Kapoor]], [[Parveen Babi]], [[Neetu Singh]] || Remade in Telugu as ''[[Magaadu (1976 film)|Magaadu]]'' (1976) with [[N. T. Rama Rao]], [[Ramakrishna (Telugu actor)|Rama Krishna]], [[Manjula Vijayakumar|Manjula]] and [[Latha (actress)|Latha]].<br/> <br/> Remade in [[Cantonese]] as ''[[The Brothers (1979 film)|The Brothers]]'' (1979) by [[Shaw Brothers Studio]].<ref name="scroll-brothers">{{cite web|last=Mondal|first=Sayantan|title=Amitabh Bachchan starrer 'Deewar' was remade in Telugu, Tamil, Malayalam – and Cantonese|url=https://thereel.scroll.in/828031/amitabh-bachchan-starrer-deewar-was-remade-in-telugu-tamil-malayalam-and-cantonese|website=Scroll.in|access-date=30 January 2017}}</ref> <br/> Remade in Tamil as [[Thee (1981 film)|''Thee'']] (1981) with [[Rajinikanth]], [[Suman (actor)|Suman]], Shobha and [[Sripriya]].<br/> Remade in Malayalam as ''[[Nathi Muthal Nathi Vare]]'' (1983) starring [[Mammootty]]. <br> Partially remade in Hindi as ''[[Aatish: Feel the Fire]]'' (1994). | ||
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| 1975 || ''[[Sholay]]'' || [[Ramesh Sippy]] || [[Dharmendra]], [[Amitabh Bachchan]], [[Sanjeev Kumar]], [[Hema Malini]], [[Jaya Bhaduri]] || It was ranked first in the [[British Film Institute]]'s 2002 poll of "Top 10 Indian Films" of all time.<ref name="bfi"/><br/>50th annual [[Filmfare Awards]] named it the Best Film of 50 Years. | | 1975 || ''[[Sholay]]'' || [[Ramesh Sippy]] || [[Dharmendra]], [[Amitabh Bachchan]], [[Sanjeev Kumar]], [[Hema Malini]], [[Jaya Bhaduri]] || It was ranked first in the [[British Film Institute]]'s 2002 poll of "Top 10 Indian Films" of all time.<ref name="bfi"/><br/>50th annual [[Filmfare Awards]] named it the Best Film of 50 Years. | ||
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| 1977 || ''[[Chacha Bhatija]]'' || [[Manmohan Desai]] || [[Dharmendra]], [[Randhir Kapoor]], [[Hema Malini]] || | | 1977 || ''[[Chacha Bhatija]]'' || [[Manmohan Desai]] || [[Dharmendra]], [[Randhir Kapoor]], [[Hema Malini]] || | ||
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| 1978 || ''[[Trishul (film)|Trishul]]'' || [[Yash Chopra]] || [[Amitabh Bachchan]], [[Sanjeev Kumar]], [[Shashi Kapoor]], [[Hema Malini]] || Malayalam movie ''Meen'' (1980) starring [[Jayan]] and its Tamil remake ''[[Kadal Meengal]]'' (1981) starring [[Kamal Haasan]] were partially inspired by this movie <br/>Remade in Tamil as ''[[Mr. Bharath]]'' (1986) starring [[Rajinikanth]], [[Sathyaraj]], [[S. Ve. Shekher]] and [[Ambika (actress)|Ambika]] | | 1978 || ''[[Trishul (film)|Trishul]]'' || [[Yash Chopra]] || [[Amitabh Bachchan]], [[Sanjeev Kumar]], [[Shashi Kapoor]], [[Hema Malini]] || Malayalam movie ''Meen'' (1980) starring [[Jayan]] and its Tamil remake ''[[Kadal Meengal]]'' (1981) starring [[Kamal Haasan]] were partially inspired by this movie <br/>Remade in Tamil as ''[[Mr. Bharath]]'' (1986) starring [[Rajinikanth]], [[Sathyaraj]], [[S. Ve. Shekher]] and [[Ambika (actress)|Ambika]] <br/> Remade in Telugu in 1986 as ''Mister Bharat'' starring [[Sobhan Babu]] and [[Suhasini Maniratnam]] | ||
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| 1978 || ''[[Don (1978 film)|Don]]'' || [[Chandra Barot]] || [[Amitabh Bachchan]], [[Zeenat Aman]], [[Helen (actress)|Helen]] || Remade in 1979 in Telugu as ''[[Yugandhar]]'' starring [[N. T. Rama Rao]] and in 1980 in Tamil as [[Billa (1980 film)|''Billa'']] starring [[Rajinikanth]] and in 1986 in Malayalam as [[Shobhraj|Shobaraj]] starring [[Mohanlal]].<br/> Subsequently, remade in Hindi in 2006 as ''[[Don (2006 Hindi film)|Don]]'' starring [[Shah Rukh Khan]]; in Tamil in 2007 as ''[[Billa (2007 film)|Billa]]'' starring [[Ajith Kumar]] and in Telugu in 2009 as ''[[Billa (2009 film)|Billa]]'' starring [[Prabhas]]<br /> | | 1978 || ''[[Don (1978 film)|Don]]'' || [[Chandra Barot]] || [[Amitabh Bachchan]], [[Zeenat Aman]], [[Helen (actress)|Helen]] || Remade in 1979 in Telugu as ''[[Yugandhar]]'' starring [[N. T. Rama Rao]] and in 1980 in Tamil as [[Billa (1980 film)|''Billa'']] starring [[Rajinikanth]] and in 1986 in Malayalam as [[Shobhraj|Shobaraj]] starring [[Mohanlal]].<br/> Subsequently, remade in Hindi in 2006 as ''[[Don (2006 Hindi film)|Don]]'' starring [[Shah Rukh Khan]]; in Tamil in 2007 as ''[[Billa (2007 film)|Billa]]'' starring [[Ajith Kumar]] and in Telugu in 2009 as ''[[Billa (2009 film)|Billa]]'' starring [[Prabhas]]<br /> | ||
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| 1985 || ''[[Zamana (1985 film)|Zamana]]'' || [[Ramesh Talwar]] || [[Rajesh Khanna]], [[Rishi Kapoor]], [[Poonam Dhillon]], [[Ranjeeta Kaur]] || The film was successful at the box office with collection of 4.5 crores in 1985. | | 1985 || ''[[Zamana (1985 film)|Zamana]]'' || [[Ramesh Talwar]] || [[Rajesh Khanna]], [[Rishi Kapoor]], [[Poonam Dhillon]], [[Ranjeeta Kaur]] || The film was successful at the box office with collection of 4.5 crores in 1985. | ||
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| 1987 || ''[[Mr. India (1987 film)|Mr. India]]'' || [[Shekhar Kapur]] || [[Anil Kapoor]], [[Sridevi]], [[Amrish Puri]] || The film was the second biggest hit of 1987, and remains a cult classic in India.<br/> Remade in Tamil as ''[[En Rathathin Rathame]]'' (1989) with [[K. Bhagyaraj]] and [[Meenakshi Seshadri]] | | 1987 || ''[[Mr. India (1987 film)|Mr. India]]'' || [[Shekhar Kapur]] || [[Anil Kapoor]], [[Sridevi]], [[Amrish Puri]] || The film was the second biggest hit of 1987, and remains a cult classic in India.<br/> Remade in Tamil as ''[[En Rathathin Rathame]]'' (1989) with [[K. Bhagyaraj]] and [[Meenakshi Seshadri]].<br/> Remade in Kannada as ''[[Jai Karnataka]]'' (1989) with [[Ambarish]] and [[Rajani (actress)|Rajani]]. | ||
|- | |- | ||
| 2003 || ''[[Baghban (2003 film)|Baghban]]'' || [[Ravi Chopra]] || [[Amitabh Bachchan]], [[Salman Khan]], [[Hema Malini]], [[Aman Verma (actor)|Aman Verma]], [[Samir Soni]], [[Mahima Chaudhry]], [[Rimi Sen]] || Uncredited.<ref name="Chaudhuri595"/> | | 2003 || ''[[Baghban (2003 film)|Baghban]]'' || [[Ravi Chopra]] || [[Amitabh Bachchan]], [[Salman Khan]], [[Hema Malini]], [[Aman Verma (actor)|Aman Verma]], [[Samir Soni]], [[Mahima Chaudhry]], [[Rimi Sen]] || Uncredited.<ref name="Chaudhuri595"/> | ||
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! width="40%" | Notes | ! width="40%" | Notes | ||
|- | |- | ||
| 1976 || ''[[Premada Kanike]]<ref>{{cite web|url=https://www.youtube.com/watch?v=plN-mgwI-wc|title=Premada Kanike -- Kannada Full Length Movie|last=TVNXT Kannada|date=22 October 2014|via=YouTube}}</ref>'' || [[V. Somashekhar]] || [[Rajkumar | | 1976 || ''[[Premada Kanike]]<ref>{{cite web|url=https://www.youtube.com/watch?v=plN-mgwI-wc |archive-url=https://ghostarchive.org/varchive/youtube/20211219/plN-mgwI-wc |archive-date=2021-12-19 |url-status=live|title=Premada Kanike -- Kannada Full Length Movie|last=TVNXT Kannada|date=22 October 2014|via=YouTube}}{{cbignore}}</ref>'' || [[V. Somashekhar]] || [[Dr. Rajkumar|Rajkumar]], [[Aarathi]] || Based on 1969 Hindi film ''[[Do Bhai (1969 film)|Do Bhai]]'' by [[Salim Khan]] (credited as Prince Salim), which was also remade in Tamil as ''[[Justice Viswanathan]]'' and in Telugu as ''Nenu Manishine''. ''Premada Kanike'' was later remade in Tamil as ''[[Polladhavan (1980 film)|Polladhavan]]'' and in Hindi as ''[[Raaz (1981 film)|Raaz]]'' | ||
|- | |- | ||
| 1976 || ''[[Raja Nanna Raja]]<ref>{{cite web|url=https://www.youtube.com/watch?v=MXWHZTeuXH4|title=YouTube|website=www.youtube.com}}</ref>'' || A. V. Seshagiri Rao || [[Rajkumar | | 1976 || ''[[Raja Nanna Raja]]<ref>{{cite web|url=https://www.youtube.com/watch?v=MXWHZTeuXH4 |archive-url=https://web.archive.org/web/20150606013810/https://www.youtube.com/watch?v=MXWHZTeuXH4 |archive-date=2015-06-06 |url-status=dead|title=YouTube|website=www.youtube.com}}</ref>'' || A. V. Seshagiri Rao || [[Dr. Rajkumar|Rajkumar]], [[Aarathi]] || Inspiration for ''[[Magadheera]]'' | ||
|} | |} | ||
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{{Salim-Javed|state=expanded}} | {{Salim-Javed|state=expanded}} | ||
{{Don film series}} | {{Don film series}} | ||
{{Farhan Akhtar}} | {{Farhan Akhtar}} | ||
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{{DEFAULTSORT:Salim-Javed}} | {{DEFAULTSORT:Salim-Javed}} | ||
[[Category:Films with screenplays by | [[Category:Films with screenplays by Salim–Javed| ]] | ||
[[Category:20th-century Indian Muslims]] | [[Category:20th-century Indian Muslims]] | ||
[[Category:Filmfare Awards winners]] | [[Category:Filmfare Awards winners]] |