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Ramkali: Difference between revisions
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{{Short description|Hindustani raga}} | |||
{{Use dmy dates|date=August 2019}} | {{Use dmy dates|date=August 2019}} | ||
{{Infobox raga | {{Infobox raga | ||
| name = Ramkali | | name = Ramkali | ||
| image_name = | | image_name = | ||
| image_alt = | | image_alt = | ||
| thaat = [[Bhairav (thaat)|Bhairav]]<ref>http://www.tanarang.com/english/ramkali_eng.htm | | thaat = [[Bhairav (thaat)|Bhairav]]<ref name="auto">{{Cite web |url=http://www.tanarang.com/english/ramkali_eng.htm |title=Raag Ramkali – Hindustani Classical Music – Tanarang.com |website=www.tanarang.com |access-date=13 February 2021 |archive-date=2 July 2020 |archive-url=https://web.archive.org/web/20200702110514/http://www.tanarang.com/english/ramkali_eng.htm |url-status=live }}</ref> | ||
| | | type = Sampurna-Sampurna<ref name="auto" /> | ||
| time = (6 am to 9 am): 1st Prahar of the Day<ref | | time = (6 am to 9 am): 1st Prahar of the Day<ref name="auto" /> | ||
| season = | | season = | ||
| arohana = S r G m P d N S' <ref | | arohana = S r G m P d N S'<ref name="auto" /> | ||
| avarohana = S' N d P M P d n d P M P G m r S <ref | | avarohana = S' N d P M P d n d P M P G m r S<ref name="auto" /> | ||
| vadi = Pa<ref | | vadi = Pa<ref name="auto" /> | ||
| samavadi = Sa<ref | | samavadi = Sa<ref name="auto" /> | ||
| pakad = M P d n d P ; M P G m r S <ref | | pakad = M P d n d P ; M P G m r S<ref name="auto" /> | ||
| chalan = M P d n d P ; M P G m r S <ref | | chalan = M P d n d P ; M P G m r S<ref name="auto" /> | ||
| synonym = Ramakri | | synonym = Ramakri | ||
| equivalent = | | equivalent = | ||
| similar = | | similar = | ||
}} | }} | ||
'''Raga Ramkali''' is an early morning [[raga]] in [[Hindustani classical music]] which belongs to [[Bhairav (thaat)|Bhairav Thaat]]<ref | '''Raga Ramkali''' is an early morning [[raga]] in [[Hindustani classical music]] which belongs to [[Bhairav (thaat)|Bhairav Thaat]].<ref name="auto" /> In this raga, as in Bhairav, second degree (rishabh) and sixth degree (dhaivat) are [[Flat (music)|flat]], but the sharp madhyama and the flat nishad are added. | ||
The vadi-samvadi are P and S. | The vadi-samvadi are P and S. | ||
The aroha is S r G M P, G M d N S' and the avroha is S' N d P m P, d (N)d P, G M r S. Flat nishad (seventh degree) and sharp madhyama (fourth degree) are used often.<ref | The aroha is S r G M P, G M d N S' and the avroha is S' N d P m P, d (N)d P, G M r S. Flat nishad (seventh degree) and sharp madhyama (fourth degree) are used often.<ref name="auto" /> | ||
== Theory == | == Theory == | ||
=== Arohana and avarohana === | |||
[[Arohana]]: S r G m P d N S'<ref name="auto" /> | |||
[[ | [[Avarohana]]: S' N d P M P d n d P M P G m r S<ref name="auto" /> | ||
[[ | [[Vadi (music)|Vadi]] : Pa<ref name="auto" /> | ||
[[ | [[Samavadi]] : Sa<ref name="auto" /> | ||
[[ | [[Pakad]]/[[Chalan (music)|Chalan]] : M P d n d P ; M P G m r S<ref name="auto" /> | ||
[[ | == Description == | ||
This raag is very similar to Raga [[Bhairav (raga)|Bhairav]]. Rishabh and Dhaivat are less oscillating in Raag Ramkali than in Bhairav. This Raga is sung in middle and upper octave, which discriminates it from Bhairav.<ref name="auto" /> | |||
= | In Ramkali, Teevra Madhyam and Komal Nishad are used in a specific combination in Avroh like: M P d n d P ; G m r S. Generally, Rishabh is skipped in Aaroh like: ,N S G m P.<ref name="auto" /> | ||
== References == | |||
==References== | |||
{{reflist}} | {{reflist}} | ||