Add: date. | Use this bot. Report bugs. | Suggested by Abductive | Category:1954 deaths | #UCB_Category 1867/3388
>Serols m (Reverted edits by 117.233.95.68 (talk) (HG) (3.4.10)) |
imported>Citation bot (Add: date. | Use this bot. Report bugs. | Suggested by Abductive | Category:1954 deaths | #UCB_Category 1867/3388) |
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* Rana Hamir (1925) | * Rana Hamir (1925) | ||
* Maya Bazaar (1925) | * Maya Bazaar (1925) | ||
* [[Savkari Pash]] (1925): Dealt with money lending and the plight of poor farmers. However the audience long fed on mythological fantasy and historical love was just not prepared for so strong a dose of realism and the film did not do well. Baburao returned to costume dramas. The film failed. Baburao Painter returned to the tried-and-true subject-matter. Painter's artistic masterpiece remains Savkari Pash (1925), dealing with money lending, a problem that blighted the lives of countless illiterate, poor farmers. J.H.Wadia on the two versions of Savkari Pash: ''I faintly remember the silent Savkari Pash...But it was only when I saw the talkie version that I realised what a great creative artist he (Baburao) was. I go into a trance when I recollect the long shot of a dreary hut photographed in low key, highlighted only by the howl of a dog.''<ref name=Filmheritagefoundation>{{cite web|title=Savkari Pash (1925)|url=http://filmheritagefoundation.co.in/savkari-pash-the-indian-shylock-1925-80-mins/|website=filmheritagefoundation.co.in|publisher=Film Heritage Foundation|accessdate=15 June 2015}}</ref> | * [[Savkari Pash]] (1925): Dealt with money lending and the plight of poor farmers. However the audience long fed on mythological fantasy and historical love was just not prepared for so strong a dose of realism and the film did not do well. Baburao returned to costume dramas. The film failed. Baburao Painter returned to the tried-and-true subject-matter. Painter's artistic masterpiece remains Savkari Pash (1925), dealing with money lending, a problem that blighted the lives of countless illiterate, poor farmers. J.H.Wadia on the two versions of Savkari Pash: ''I faintly remember the silent Savkari Pash...But it was only when I saw the talkie version that I realised what a great creative artist he (Baburao) was. I go into a trance when I recollect the long shot of a dreary hut photographed in low key, highlighted only by the howl of a dog.''<ref name=Filmheritagefoundation>{{cite web|title=Savkari Pash (1925)|url=http://filmheritagefoundation.co.in/savkari-pash-the-indian-shylock-1925-80-mins/|website=filmheritagefoundation.co.in|date=28 August 2014|publisher=Film Heritage Foundation|accessdate=15 June 2015}}</ref> | ||
* Bhakta Pralhad (1926/I) | * Bhakta Pralhad (1926/I) | ||
* Gaj Gauri (1926) | * Gaj Gauri (1926) | ||