Sekkizhar

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Sekkizhar
Full nameSēkkilān Mādēvadigal Rāmadēva
Period12th century CE
Birth placeKundrathur (a suburb of present-day Chennai, Tamil Nadu, India)
OccupationSaint
LanguageTamil
Notable worksPeriyapuranam
FestivalsGuru Puja in Vaigasi (May-June)

Sēkkilān Mādēvadigal Rāmadēva (12th century CE),[1][2] known popularly by his family name as Sekkizhar,[3][4] was a saint and a contemporary of Kulottunga Chola II.[5] He compiled and wrote the Periya Puranam (Great Story or Narrative) in 4253 verses, recounting the life stories of the sixty-three Shaiva Nayanars, the devotees of Shiva. Sekkizhar himself was later canonised and his work, the Periyapuranam became the twelfth and final book of the sacred Saiva canon.[6]

Life[edit]

Sekkizhar was born in a Tondaimandala Mudaliar family as Arulmozhithevan, meaning the one of the divine language.[7][8] He was a native of Kundrathur village (a suburb of the present-day Chennai), a sub-division of Puliyur-kottam in Thondaimandalam.[6] Sekkizhar was a child of precious genius and having noticed this, king Anapaya, that is Kulothunga Chola II appointed him as his Prime Minister on account of his talents.[9] His life is celebrated by Umapati Sivacharya in his fourteenth century work (1313 CE) called Sekkizhar Nayanar Puranam.[10] Sekkizhar had the title Uttama Chola Pallavan and his brother, the title Tondaiman Pallavaraiyan.[11][12] Sekkizhar is also called Ganga-kula tilaka (the glory of the Ganga race) and Bagirathi-kula tilaka (the glory of the Bhagiratha race) by Umapati Sivacharya in his work, the Sekkilar Puranam.[13] The Guru Puja festival for Sekkizhar is celebrated annually in the month of Vaigasi-Poosam (May-June).

Compilation of Periyapuranam[edit]

Template:Tirumurai Kulothunga Chola II, then a young king, was a devotee of Lord Siva at Chidambaram and continued the reconstruction of the center of Tamil Saivism that was begun by his ancestors.[14][15] At the same time, he was very interested in the highly erotic Jain epic Jivaka Chintamani. Sekkizhar, upon noticing this, advised the king to instead turn his attention to the lives of the Saiva saints as described by Sundarar in his Tiruthondar Thogai.[16]

The king thereupon invited Sekkizhar to expound the lives of the Saiva saints in a great poem. Since Sekkizhar was a scholar in both the Vedas as well as the Agamas and being a Saiva saint himself, knew about Nayanmars. He composed the Periyapuranam or the Great Narrative about the lives of the sixty three Nayanmars or saints and would himself sing it in the Thousand Pillared Hall of the Chidambaram temple and arouse the latent Chola Saiva zeal.[17]

According to a folklore, when Sekkizhar sat pondering at Chidambaram temple as to how to begin his work, Lord Siva appeared and said his first verse should be:

Ulakellam unarnthu otharkku ariyavan
Nilavulaviya neermali veniyan
Alakil jothiyan ambalatthu aaduvan
malar chilambadi vaazhthi vanakuvom

He who is known to those who forsake attachments
He who is of plaited locks of hair in which river flows and baby moon grazes
He who is verily sublime light and who dances in the golden hall of chidambaram
lets worship his rosy anklet girt feet

Kulothunga Chola II was so moved upon hearing the Periyapuranam that he placed the poem and Sekkizhar on the royal elephant and took them out on a grand procession around the streets of Chidambaram, the king himself waved the fly-whisks and showered Sekkizhar with honors.[18][19][20] This work is considered the most important initiative of Kulothunga Chola II's reign. Although it is only a literary embellishment of earlier hagiographies of the Saiva saints it came to be seen as the epitome of Chola literary style.[21] Among all the hagiographic Puranas in Tamil, the Periyapuranam (or Tiruttondar Puranam) stands first.[22] The Periyapuranam is considered a fifth Veda in the Tamil language and it immediately took its place as the twelfth and the last book in the Saiva canon.[23]

Temples for Sekkizhar[edit]

As per an inscription from Srivanjiyam, Sekkizhar was deified and provisions were made for the worship of his idol by a person called Anapaayan. [24]

There are temples dedicated to Sekkizhar. These include the Kundrathur Sekkizhar Temple at Kundrathur, Chennai, and the Devakottai Nagara Sivan Kovil (also called the "Sekkizhar Kovil") in the Chettinad region of Sivagangai district in Tamil Nadu, where Saint Sekkizhar is the procession deity.

Research Centre[edit]

The Sekkizhar Research Centre conducts research on his epic Periyapuranam and the period, art, culture, civilization, rituals, socioeconomic conditions, and religion/secularism of the times and place surrounding it.

References[edit]

  1. ↑ K. M. Venkataramaiah, International School of Dravidian Linguistics. A handbook of Tamil Nadu. International School of Dravidian Linguistics, 1996. p. 331.
  2. ↑ C. Mookka Reddy. The Tirumal?ava?i Temple: History and Culture Through the Ages. B.R. Publishing Corporation, 1986. p. 43.
  3. ↑ C. Jesudasan, Hephzibah Jesudasan (1961). A history of Tamil literature. Y.M.C.A. Pub. House, 1961. p. 157.
  4. ↑ Mu Kōvintacāmi. A Survey of the Sources for the History of Tamil Literature. Annamalai University, 1977. p. 135.
  5. ↑ Mu Kōvintacāmi. A Survey of the Sources for the History of Tamil Literature. Annamalai University, 1977 - Tamil literature - 436 pages. p. 136.
  6. ↑ 6.0 6.1 Sujit Mukherjee. A Dictionary of Indian Literature: Beginnings-1850. Orient Blackswan, 1998 - Literary Criticism - 434 pages. p. 356.
  7. ↑ Enamul Haque; Gouriswar Bhattacharya. Kalhār (white water-lily): studies in art, iconography, architecture, and archaeology of India and Bangladesh. Kaveri Books, 01-Mar-2007 - Art - 370 pages. p. 366.
  8. ↑ Violet Paranjoti. Śaiva Siddhānta. Luzac, 1954 - Śaiva Siddhānta - 152 pages. p. 32.
  9. ↑ Shantsheela Sathianathan. Contributions of saints and seers to the music of India, Volume 1. Kanishka Publishers, Distributors, 1996 - Religion - 589 pages. p. 187.
  10. ↑ Mohan Lal. Encyclopaedia of Indian Literature: Sasay to Zorgot. Sahitya Akademi, 1992 - Indic literature - 818 pages. p. 3904.
  11. ↑ K. Nambi Arooran. Glimpses of Tamil Culture: Based on Periyapuranam. Koodal Publishers, 1977. p. 13.
  12. ↑ N. Subrahmanian. An Introduction to Tamil Literature. Christian Literature Society, 1981. p. 49.
  13. ↑ Enamul Haque, Gouriswar Bhattacharya. Kalhar (white water-lily): studies in art, iconography, architecture, and archaeology of India and Bangladesh. Kaveri Books, 2007. p. 369. It says that Sekkilar, the Ganga kula tilaka, composed the Puranam in blemishless language. The title Bhagirathi kula tilaka appears in verse 97, nikarilap-pidu ceyda Bhagirathi kula tilakar Sekkilar ceyda perum tavam, that is, this is the famoush unparalleled contribution of Sekkilar, the Bhagirathi kula tilaka, as a result of his penance.
  14. ↑ Archaeological Survey of India, India. Dept. of Archaeology. Epigraphia Indica, Volume 27,Volumes 13-14 of [Reports]: New imperial series, India Archaeological Survey. Manager of Publications, 1985. p. 96.
  15. ↑ Madras (India : State). Madras District Gazetteers, Volume 1. Superintendent, Government Press, 1962. p. 55.
  16. ↑ Constance Jones; James D. Ryan (2006). Encyclopedia of Hinduism. Infobase Publishing. p. 327.
  17. ↑ B. Natarajan; Balasubrahmanyan Ramachandran. Tillai and Nataraja. Mudgala Trust, 1994 - Chidambaram (India) - 632 pages. p. 66.
  18. ↑ M. Arunachalam. The Saiva Saints. Gandhi Vidyalayam, 1985 - Sivaites - 238 pages. p. 206.
  19. ↑ India. Office of the Registrar General. Census of India, 1971: Series 19: Tamil Nadu, Volume 6, Part 2. Manager of Publications, 1900 - Housing. p. 49.
  20. ↑ Vivek Nanda; George Michell. Chidambaram: Home of Nataraja. Marg Publications, 2004 - Travel - 140 pages. p. 48.
  21. ↑ The Home of Dancing Śivan̲ By Paul Younger
  22. ↑ Ayyappappanikkar. Medieval Indian Literature: Surveys and selections. Sahitya Akademi, 1997 - Indic literature - 924 pages. p. 522.
  23. ↑ Sailendra Nath Sen. Textbook of Indian History and Culture. Macmillan, 2007 - India - 356 pages. p. 102.
  24. ↑ B. Natarajan. Tillai and Nataraja. Mudgala Trust, 1994. p. 91.
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