Mudgar

"Mudgarpani" Yaksha
Mathura, 100 BCE

Mudgarpani ("Mace-holder") Yaksha, Art of Mathura, 100 BCE.^[1] This colossal statue in the round is 1.96 meters tall.^[1] The right hand holds a mudgar, the left hand used to support a small standing devotee or child joining hands in prayer.^[2]

A Mudgar is a type of "Gada" mace from India, and it is generally considered to be made of wood, but can also be made of iron.^[3]

Usage[edit]

The mudgar appears is ancient Indian sculptures, where it is commonly held Yaksha deities, known as "Mudgarpanis" (Mudgar-holders).^[4]

An ancient Jain story named the Antagadadasao tell the story of a man named Ajjunaka who was worshipping the image of the "Yaksa who held a mace", when he was attacked by five bandits, an event which shaked is devotion to the Yashka. Afterwards the Yaksa possessed Ajjunaka, giving him the strength to kill the five bandits.^[5]

Nowadays, for training purposes when using Indian clubs, one or two wooden gada ("mudgar"), reaching up to 70 kilograms in weight, can be used: they can be swung behind the back in several different ways; this is particularly useful for building grip strength and shoulder endurance.^[6]^[7]

Examples[edit]

Yaksha holding mudgar and child. Art of Mathura, 100 BCE.^[8]

References[edit]

↑ ^1.0 ^1.1 Dated 100 BCE in Fig.88 in Quintanilla, Sonya Rhie (2007). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. p. 368, Fig. 88. ISBN 9789004155374.
↑ Fig. 85 in Quintanilla, Sonya Rhie (2007). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. p. Fig.85, p.365. ISBN 9789004155374.
↑ Bulletin of the Victoria Memorial. Trustees of the Victoria Memorial. 1973. p. 49.
↑ Handa, Devendra; Agrawal, Ashvini (1989). Ratna-chandrikā: Panorama of Oriental Studies : Shri R.C. Agrawala Festschrift. Harman Publishing House. p. 90. ISBN 978-81-85151-29-8.
↑ Sharma, Ramesh Chandra (1994). The Splendour of Mathurā Art and Museum. D.K. Printworld. p. 76. ISBN 978-81-246-0015-3.
↑ Kasulis, Thomas P.; Aimes, Roger T.; Dissanayake, Wimal (1993). Self as Body in Asian Theory and Practice. SUNY Press. ISBN 9780791410806.
↑ "Mudgar exercise-club". British Museum. Retrieved 2019-02-01.
↑ Dated 100 BCE in Fig. 85 Quintanilla, Sonya Rhie (2007). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. p. Fig.85, p.365. ISBN 9789004155374.

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[SRQF88-1] 1.0 ^1.1 Dated 100 BCE in Fig.88 in Quintanilla, Sonya Rhie (2007). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. p. 368, Fig. 88. ISBN 9789004155374.

[2] Fig. 85 in Quintanilla, Sonya Rhie (2007). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. p. Fig.85, p.365. ISBN 9789004155374.

[3] Bulletin of the Victoria Memorial. Trustees of the Victoria Memorial. 1973. p. 49.

[4] Handa, Devendra; Agrawal, Ashvini (1989). Ratna-chandrikā: Panorama of Oriental Studies : Shri R.C. Agrawala Festschrift. Harman Publishing House. p. 90. ISBN 978-81-85151-29-8.

[5] Sharma, Ramesh Chandra (1994). The Splendour of Mathurā Art and Museum. D.K. Printworld. p. 76. ISBN 978-81-246-0015-3.

[6] Kasulis, Thomas P.; Aimes, Roger T.; Dissanayake, Wimal (1993). Self as Body in Asian Theory and Practice. SUNY Press. ISBN 9780791410806.

[7] "Mudgar exercise-club". British Museum. Retrieved 2019-02-01.

[8] Dated 100 BCE in Fig. 85 Quintanilla, Sonya Rhie (2007). History of Early Stone Sculpture at Mathura: Ca. 150 BCE - 100 CE. BRILL. p. Fig.85, p.365. ISBN 9789004155374.

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