 | This article relies largely or entirely on a single source. (December 2025) |
Manoharbua Shirgaonkar | |
|---|---|
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| Born | Ganesh Mukund Shirgaonkar c. 1909–1914 Pissurlem, Sattari taluka, Portuguese Goa |
| Died | 5 August 1978 Dodamarg taluka, Sawantwadi, India |
| Occupation | Bhajan singer, musician, theatre actor |
| Known for | Creating the "Manohari bhajan" style |
| Spouse(s) | Saraswati |
| Children | 6 |
Manoharbua Mukund Shirgaonkar (c. 1909–1914 – 5 August 1978), also known as Bhajan Samrat, was an Indian Bhajan singer and musician from Goa. Originally a theatre actor and instrumentalist, he is credited with developing a distinct style of devotional music known as "Manohari bhajan", which blends the Warkari tradition with classical vocal music.
Early life[edit | edit source]
Shirgaonkar was born in Pissurlem, Sattari taluka, Portuguese Goa. While his exact birth date is unrecorded, it is estimated to be between 1909 and 1914. His birth name was Ganesh, and he was affectionately known by the nickname "Sukdo". He was later given the name "Manohar" by the vocalist Dinanath Mangeshkar, who was impressed by his singing style.[1]
He was born to Mukunda and Rukmini Shirgaonkar. His family's traditional occupation involved service at the Lairai temple in Shirgaon, where they played the shenai and accompanied dances on the mridangam. Shirgaonkar received Marathi education up to the fifth standard. At the age of 20, he married Saraswati. The couple had three sons, Narayan, Shashikant, and Gurudas, and three daughters, Vinabai, Vaijayanti, and Latika.[1]
Career[edit | edit source]
Music and theatre[edit | edit source]
Shirgaonkar was trained in music from a young age within his household. He was proficient in five instruments: the shenai, surt, kansale, tasso, and dhol. He received formal training in the tabla from Bhivamama and studied classical music under Sakharam of Verem.[1]
Early in his career, Shirgaonkar was active in Marathi theatre. In 1935, he joined a drama company formed by residents of Shirgaon. He performed various roles in several plays, including:[1]
- Menaka
- Nandakumar (playing the role of Radha)
- Ugramangal (playing Padnavati)
- Naradachi Nardi (playing Narada)
- Pranayi Kantak (playing Shantaram)
- Pant's Daughter (playing both a Doctor and Prabhakar)
- Sant Sakhu (playing Sakhu)
Bhajan singing[edit | edit source]
Shirgaonkar's transition to devotional music began during his involvement with the play Sant Sakhu, where he performed abhangs (devotional poetry) dedicated to the deity Vitthal. He further developed his knowledge of the genre by observing scholars and kirtankars (musical storytellers) while accompanying them on the tabla and harmonium.[1] He developed a unique style of performance termed "Manohari bhajan." This style synthesized the traditional Warkari bhajan format with elements of classical concert music. He taught this method extensively throughout Goa. A compilation of his performances with his associates was released on cassette under the title Manohari Bhajane.[1]
Death[edit | edit source]
Shirgaonkar died on 5 August 1978 in Dodamarg taluka, Sawantwadi.[1]
Legacy[edit | edit source]
In 1962, he was felicitated by Sakharambuva Barve at Vaygini village in Bicholim. He was honored by Shishir Kumar Banerjee at an All India Gandharva Mahavidyalaya Conference held in November. In 1973, he was felicitated in his native village of Shirgaon upon turning sixty.[1] Since 1980, the Kala Academy of Goa has organized an annual state-level Bhajan competition in August to commemorate his memory.[1][2]
References[edit | edit source]
- ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 Kelkar, Anant (1999). Halarnkar, Tanaji (ed.). [Konkani Encyclopaedia] (in गोंयची कोंकणी / Gõychi Konknni). Vol. 4. Goa: Goa University. p. 746 – via Wikisource.
- ↑ "Keepers of the Bhajan tradition". The Goan EveryDay. Retrieved 2025-12-08.