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Ijaazat
| Ijaazat | |
|---|---|
| File:Ijaazat (movie poster).jpg Film poster | |
| Directed by | Gulzar |
| Produced by | R.K. Gupta |
| Written by | Subodh Ghosh (story) Gulzar (screenplay & dialogues) |
| Starring | Rekha Naseeruddin Shah Anuradha Patel |
| Music by | R. D. Burman |
| Cinematography | Ashok Mehta |
| Edited by | Subhash Sehgal |
| Distributed by | Goldmines Telefilms |
Release date |
|
Running time | 137 minutes |
| Country | India |
| Language | Hindi |
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Ijaazat (English: "Permission") is an 1987 Indian Hindi musical romance film directed by Gulzar, based on a Bengali story, Jatugriha by Subodh Ghosh.[1] Starring Rekha, Naseeruddin Shah and Anuradha Patel in leading roles, the film followed the story of couple who are separated and who accidentally meet in a railway station waiting room and discover some truths about their lives without each other. The film belongs to the art-house genre in India known as Parallel Cinema, and won two National Film Awards in the music category. The movie is based on the 1964 Bengali movie Jatugriha.[2][3][4]
Plot[edit]
The movie is a powerful story of retrographical middle class India. It is about the present and past of Mahendra and Sudha together as well as separately. The movie starts with Mahendra (Naseeruddin Shah) getting down at the railway station and making his way to the waiting room just as it starts to rain heavily. A woman, Sudha (Rekha), is already sitting in the waiting room. On seeing him, she tries to hide from him but later they confront each other.
It is revealed that Mahendra has an accomplished business dealing with photography. He respects his grandfather (Shammi Kapoor) immensely. Incidentally, he had been engaged to Sudha for 5 years but always made an excuse to delay their wedding. However, this time his grandfather has fixed the wedding in the first week of the following month. He reveals to Sudha that he is involved with one of the most radical representations of feminism, a woman named Maya (Anuradha Patel). He returns to tell Maya, but Maya has disappeared, leaving him some poetry. Mahendra then marries Sudha and is quite happy, but the sudden return of Maya causes tensions in their married life. Mahendra frequently tells Sudha about all the beautifully poignant, loving gestures Maya did for him during the years that they lived together. When Maya attempts suicide, Mahendra starts spending time with her. Sudha, not knowing about Maya's suicide attempt and therefore believing that Mahendra is being unfaithful to her, feels that her marriage was a mistake, and questions Mahendra about his intentions. He then tells her strongly that he is going to bring Maya home to talk to her. Sudha is adamantly against this, but Mahendra leaves with determination. However, Maya hears Sudha's anger on the phone and by the time Mahendra reaches to pick her up, she has gone away. When he returns home without Maya, he finds that Sudha has also left. Mahendra, unable to bear the shock, gets a heart attack. In the days and months that follow, he is looked after by Maya. Sudha continues as a teacher in Panchgani. As time passes, Mahendra is beginning to feel convinced that it is time for him to bring Sudha back home. He then gets Sudha's letter saying that she is releasing him from their marriage and that he is free to marry Maya. A sudden uncontrolled outburst from Mahendra makes Maya realise that she was the cause for Sudha's departure and that Mahendra misses Sudha deeply. Maya feels estranged at this abrupt change in their relationship and in the night, rides off on her motorbike. Mahendra rushes to follow her in his car to stop her. Maya's scarf gets entangled in the rear wheel of her bike, which strangles her to death.
Ending the flashback, Sudha is deeply saddened on hearing about Maya's end. Later, as the time for their train approaches, Sudha's husband (Shashi Kapoor) bursts in unexpectedly to pick her up, and Mahendra realises with a shock that Sudha has remarried. As Sudha's husband leaves the waiting room with her luggage, Mahendra asks her to forgive him. She touches Mahendra's feet as a plea for his forgiveness and for his permission (Ijaazat) for her to leave him, something which she had not received the last time they had separated. Mahendra grants her wishes, speaks well of her husband, and gives her his blessing for a happy life. Sudha's husband returns to see what is holding her up, and then, seeing Sudha's teary face, realises that this man must be her former husband. The movie ends with Sudha and her husband moving on along the platform and Sudha lingering a little with regret, as if not wanting to leave, while Mahendra stands outside the waiting room looking on forlornly as she recedes from him.
Cast[edit]
- Rekha as Sudha
- Naseeruddin Shah as Mahendra
- Anuradha Patel as Maya
- Shammi Kapoor as Mahendra's Grandfather
- Shashi Kapoor as Sudha's Husband
- Dina Pathak as Principal
- Sulbha Deshpande as Sudha's Mother
- Ram Mohan
- Rita Rani Kaul
- Ashok Mehta
- Rajesh Bombaywala
- Ashfaq Ahmed
- Bhupinder Sharma
- Sunil Advani
- Monish Prem
Crew[edit]
- Director: Gulzar
- Producer: R K Gupta, Rajinder Singh Bedi
- Co-Producer: Sweety Mehta
- Story: Subodh Ghosh (Jatugriho)
- Screenplay: Gulzar
- Dialogues: Gulzar
- Lyrics: Gulzar
- Music: R D Burman
- Editing: Subhash Sehgal
- Cinematography: Ashok Mehta
- Art Direction: R K Handa
- Costume Design: Leela Daru
Reception[edit]
Filmfare wrote about the film, "One of Gulzar's most sensitive films, it also remains Rekha's most poignant performance as the possessive wife, who gives up her husband (Naseeruddin Shah) rather than share him with another woman (Anuradha Patel). Mera Kuch Saaman … can anyone not be moved by it?"[5] According to Lalit Mohan Joshi, author of the book Bollywood: popular Indian cinema, Ijaazat "recreates the tingling sensation of a mature romance. It looks at an unusual male-female relationship, a subject less often broached in Hindi films." Joshi further notes that the film "exudes a sentimental feeling that seems more touching than the recent teenybopper romance stories."[6] M.L. Dhawan from The Tribune, while documenting the famous Hindi films of 1987, commended Gulzar for giving "a mature treatment to the eternal love triangle of pati patni aur woh (husband, wife and the other woman)." He further noted Asha Bhosle for her "soul-stirring voice [which] left an impact" and the principal cast for their "emotion-loaded performances".[7]
Awards[edit]
Music[edit]
| Ijaazat | |
|---|---|
| Soundtrack album by | |
| Released | 1987 |
| Recorded | 1986 |
| Genre | Film soundtrack |
| Label | Sa Re Ga Ma |
| Producer | R. D. Burman |
The film has four songs, all composed by R. D. Burman and sung by Asha Bhosle to lyrics penned by Gulzar. Burman was widely appreciated for his music in the film and the song "Mera Kuch Saaman" was a big rage. The other songs were also quite popular.
| Song | Singer |
|---|---|
| "Mera Kuch Saaman" | Asha Bhosle |
| "Chhoti Si Kahani Se" | Asha Bhosle |
| "Katra Katra Milti Hai" | Asha Bhosle |
| "Khali Haath Sham Aayi" | Asha Bhosle |
References[edit]
- ↑ Gulzar; Govind Nihalani; Saibal Chatterjee (2003). Encyclopaedia of Hindi cinema. Popular Prakashan. p. 337. ISBN 81-7991-066-0.
- ↑ "The Master at His Best". Retrieved 14 December 2018.
- ↑ "Gulzar to make a Bengali film". timesofindia.indiatimes.com. Retrieved 14 December 2018.
- ↑ "Relationship status: it's complicated". thehindu.com. Retrieved 14 December 2018.
- ↑ Farook, Farhana (13 July 2010). "Top 5". Filmfare. Retrieved 20 September 2011.
- ↑ Lalit Mohan Joshi (1 September 2002). Bollywood: popular Indian cinema. Dakini Books. p. 123. ISBN 9780953703227. Retrieved 3 December 2011.
- ↑ Dhawan, M.L. (21 July 2002). "Year of the invisible hero". The Tribune. Retrieved 3 December 2011.
External links[edit]
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