Harivijaya

Dear reader, We need your support to keep the flame of knowledge burning bright! Our hosting server bill is due on June 1st, and without your help, Bharatpedia faces the risk of shutdown. We've come a long way together in exploring and celebrating our rich heritage. Now, let's unite to ensure Bharatpedia continues to be a beacon of knowledge for generations to come. Every contribution, big or small, makes a difference. Together, let's preserve and share the essence of Bharat.

Thank you for being part of the Bharatpedia family!
Please scan the QR code on the right click here to donate.

0%

transparency: ₹0 raised out of ₹100,000 (0 supporter)

HariVijaya is a devotional literature composed by Shridhar Swami Nazarekar (1658-1729), a popular Marathi poet in the 17-18th century. ^[1] It literally means 'Victory to God Hari'. ^[2]

References[edit]

↑ Ayyappappanikkar (1997). Medieval Indian Literature: Surveys and selections. p. 371.
↑ Dinakar Dhondo Karve (1963). The New Brahmans: Five Maharashtrian Families. University of California Press. p. 19. He mentions Harivijay (Victory to God Hari [Shiva]), Ramavijay (Victory to Rama, an incarnation of Vishnu), Shivlilamrit (The Nectar of Shiva's Play), and Laghu-Guru-Charitra (The Story of Guru [the God Dattatreya]). These collections of legends about gods and supernatural figures are typical of traditional Marathi vernacular literature. The first three are by Shridhar (1678- 1728), the most prolific of marathi poets.

This article related to a book about Hinduism is a stub. You can help Bharatpedia by expanding it.

[1] Ayyappappanikkar (1997). Medieval Indian Literature: Surveys and selections. p. 371.

[2] Dinakar Dhondo Karve (1963). The New Brahmans: Five Maharashtrian Families. University of California Press. p. 19. He mentions Harivijay (Victory to God Hari [Shiva]), Ramavijay (Victory to Rama, an incarnation of Vishnu), Shivlilamrit (The Nectar of Shiva's Play), and Laghu-Guru-Charitra (The Story of Guru [the God Dattatreya]). These collections of legends about gods and supernatural figures are typical of traditional Marathi vernacular literature. The first three are by Shridhar (1678- 1728), the most prolific of marathi poets.

[1]

[2]